George
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Post by George on Sept 17, 2009 1:47:46 GMT -5
I'm surprised Concord Records has given her three videos for her album already! Yay! Following the double-single release of "Just Friends" and "Breathless", here's her new single, "Close To You":
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George
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Post by George on Oct 13, 2009 22:36:45 GMT -5
The ‘Real’ DealVanessa Williams gabs about her new LP, being a brat and shrugs off the Miss California uproarBY CHRIS AZZOPARDI Published Thursday, 17-Sep-2009 in issue 1134 Some of Vanessa Williams’ sweetest days were spent on top of the Billboard charts. Her trademark tune, “Save the Best for Last,” was released 17 years ago, showing that the do-it-all diva was more than a beauty pageant queen and pin-up babe. But acting roles – as venomous magazine-head Wilhelmina Slater on that queer-adored juggernaut of a TV show “Ugly Betty” and in Hannah Montana: The Movie as a conniving publicist – sidetracked her music career. Until now, at least. With The Real Thing, released this summer on Concord Records, Williams scooted back into the recording studio, creating an easy-listening conglomerate of jazz, R&B and Latin-swayed songs. The chanteuse’s eighth album, her first since 2005’s “Everlasting Love,” took two years to make – longer than she expected, but hey, it ain’t easy being a bitch. Gay & Lesbian Times: How did it feel to return to your musical roots?Vanessa Williams: It felt great once I could find the time to actually do it. It seemed like getting into the studio was this labyrinth of obstacles to achieve. I signed with Concord over two years ago, when I started doing the first season of “Betty” – flying back and forth on the weekends and trying to figure out producers to work with, etcetera – (and recording it) just seemed to take an eternity. And then we finally said, “Let me go to the people that I know and work with the best.” And we called (producer) Keith Thomas, who had done “Save the Best for Last,” “The Sweetest Days” and “Colors of the Wind” – all my big hits – and he ended up doing a bunch of tracks. Once we figured out the song list and everything – as soon as we were ready to go – they moved us (“Ugly Betty” gang) to New York (laughs). So I started recording out in L.A., and then did some in Nashville while I was shooting Hannah Montana, and then finished up in Los Angeles. So once I finally got behind the mic, it was great, but getting behind the mic was the issue. GLT: On this album, you’ve strayed a bit from the R&B/pop sound of your early songs.VW: Well, Babyface’s stuff is – “Just Friends” and “Breathless” are. The music business has changed so much that to target and try to plan it out is – I know it’s admirable, but it’s a gamble. And I’m 46 years old; I hope that the people that were fans come along for this ride. If I get any new fans that are younger and don’t know me as an artist, that’s great, but I’m just kind of letting it go out there and we’ll see who it appeals to. GLT: Well, I’m still on the bandwagon. How long have you wanted to do a jazz/Latin project?VW: For a while. I wanted to do a Latin album after I did the movie Dance With Me. I said, “I would love to do a whole Latin album,” and everyone thought I was crazy – and then Ricky Martin came out a year later, and I said, “I told you, this is a wave.” That was two record companies ago. My first idea was to do an entire Brazilian album, and it’s still a hard sell because record companies want to know that they can make money and that it’s not going to be so specialized. But if it’s good music, it’s good music. And I don’t want to say that this is a compromise, but this is a compilation of doing what the first intention was, adding a little bit of – like “Come on Strong” is a little Wilhelmina. If she were going to sing a song, that would be the song that she would sing. GLT: Speaking of Wilhelmina, how disappointing was it to hear that “Ugly Betty’ was being moved to Fridays in the fall?VW: Believe me – we’re, ah – we’re nervous. We hope our fans will follow us. I hope that everyone moves with us to Fridays at 9. GLT: With “Ugly Betty,” motherhood’s changed Wilhelmina a great deal during this past season. Where do you think she’s headed next season?VW: Honestly, we don’t know, because they won’t tell us. GLT: Where would you like to see her?VW: I would like to have her have some resolutions with Connor. I would like to have her possibly go out on her own, but I love the fact that they’re willing to give Wilhelmina anything, and she has to be a master at it. So it’s always a challenge. Victor Nelli, our executive producer, will say, “You play softball?” I’m like, “Mmm, in gym.” There’s always these fabulous scenarios. “Have you ever had acupuncture?” “No.” “Well, you’re gonna get 10 needles in your face and have reflexology while you’re doing this scene.” So I love the challenge of Wilhelmina, because it never grows old. I can’t wait to see what situations they put her in next year. GLT: In film and television – with “Ugly Betty,” A Diva’s Christmas Carol and your recent part as a Wilhelmina-like publicist in Hannah Montana: The Movie – you haven’t always been a very pleasant person. How did you get so good at being a bitch?VW: It’s like an alter ego. It’s like being able to be a brat; everybody can be a brat and you make fun of brats and you can always say, “Oh, if I had bad behavior, this is what I would do in this situation.” So basically it’s like taking your polite hat off and being able to be a child. I played the witch in Into the Woods, Aurora in Kiss of the Spider Woman – there’s something very alluring about being stealth and sneaking in and causing havoc in a very understated and silent way. I always loved watching films where characters were completely devious or evil but did it in such a subtle way that their acting was brilliant. So even though our show can be very broad, I try to make Wilhelmina as – I don’t want to say as believable as possible – but to make the audience understand why she behaves the way she does. I think that with season three you got a chance to see why Wilhelmina has so much armor, because every time she lets it down she gets hurt; she gets burned. She tries to be a better mother this time, and this time around she loses her baby again. I hope that I’m doing a good job at allowing Wilhelmina to be a full character. GLT: You’ve always been so supportive of the gay community, winning an “Ally for Equality” award from HRC. Why are you so devoted to GLBT issues?VW: It’s always been a part of my life. I grew up dancing and in the theater. I had gay friends in high school. I was going to major in musical theater in college. Even my mother had gay friends growing up. Four of my friends that were at my first wedding died of AIDS in the ’80s. I’ve been affected by gay issues my whole life. I have (gay) friends that are married. I have (gay) friends that are great parents. I have (gay) friends that are business partners, who are fabulous and in established relationships that have lasted longer than both of my marriages combined. I’m also lucky that I had parents who were really open and non-judgmental and inclusive, and I guess there aren’t that many in the grand scheme of things, but in New York – and in my business – it’s very natural. So, I’m always surprised by people that are not tolerant, that are uneducated, and it saddens me, but honestly there’s a lot of change going on. It’s furious. And (with) the rally we had in New York for gay marriage, we’re on the brink. And the fact that there’s so much dialogue happening now, and it’s such a hot-button issue – that means people are talking about it. And the more you talk about it, the more educated you can be. So I think time will tell, but everything has its time. And now is the time. GLT: Even though you can’t be part of every event to support GLBT rights, because of your busy promotional schedule and then the “Ugly Betty’ shoots, how do you find ways to still make a presence known?VW: By being supportive. Give me the dates and I’ll see if I’m in town (laughs). GLT: You were a beauty pageant queen in the ’80s, so what’s your take on the Miss California Carrie Prejean controversy?
VW: You’re maybe the 12th person that has asked me this morning (laughs). Well, ya know, my answer is: Who cares? Who really cares? She’s not a legislative body. She’s not in any elected position to make a change in policy and government, so who cares? GLT: How would you have answered her question regarding same-sex marriage?VW: Everyone has the right to happiness, and everyone should be created equal. End of story.
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George
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Post by George on May 8, 2013 11:42:59 GMT -5
The Trip to Bountiful, Starring Cicely Tyson, Cuba Gooding Jr. & Vanessa Williams, Extends Broadway RunNEWS By Lindsay Champion May 8, 2013 - 11:45AM 'The Trip to Bountiful' has extended its Broadway stay through September 1. Tony nominee Cicely Tyson, Cuba Gooding Jr. and Vanessa Williams are extending their Trip to Bountiful through September 1. Directed by Michael Wilson, the Tony-nominated revival of Horton Foote’s 1953 drama was originally scheduled to play a limited engagement through July 7. The Trip to Bountiful opened on April 23 at Broadway’s Stephen Sondheim Theatre. In addition to Tyson as Carrie Watts, Gooding as Ludie Watts and Williams as Jessie Mae Watts, The Trip to Bountiful stars Tony nominee Condola Rashad as Thelma and Tom Wopat as Sheriff, as well as Devon Abner, Curtis Billings, Pat Bowie, Leon Addison Brown, Arthur French, Susan Heyward, Bill Kux, Linda Powell and Charles Turner. Rashad is slated to play Juliet in the forthcoming Broadway revival of Romeo and Juliet, beginning August 24. The Trip to Bountiful tells the story of Carrie Watts (Tyson), an elderly woman who longs to see her hometown of Bountiful, Texas, one last time. Meanwhile, her overprotective son (Gooding Jr.) and domineering daughter-in-law (Williams) try to make her stay home. The production is nominated for four 2013 Tony Awards, including Best Revival, Best Actress in a Play (Tyson) and Best Featured Actress in a Play (Rashad). The play includes set design by Jeff Cowie, costume design by Van Broughton Ramsey, lighting design by Rui Rita and sound design by John Gromada. Click below to see Tyson and the cast on opening night of Bountiful!
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George
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Post by George on May 8, 2013 11:46:18 GMT -5
Interview Vanessa Williams Returns to Broadway in ‘Trip to Bountiful’By Mark Peikert | Posted April 25, 2013, 11:29 a.m. Vanessa Williams looks gorgeous—though saying so is akin to mentioning that the sun came up this morning. This is, after all, a woman who was crowned Miss America. But the fact bears mentioning because Williams, 50, is in the middle of tech week for the Broadway production of “The Trip to Bountiful,” woke up before dawn to co-host “Live With Kelly and Michael” for the second morning in a row, and came straight from the studio to the Stephen Sondheim Theatre to pose for half an hour in heels. The clock has not struck noon. “My day hasn’t even begun yet,” she says as she settles down on a slatted bench in the lower lobby of the theater. Because of our proximity, we end up looking straight ahead as we talk, sometimes punctuating the conversation with quick sideways glances. I’m on the receiving end of one when I ask if she had to read for the role of Jessie Mae in the Horton Foote play. “No, no,” she says, with only a slight edge to her voice. “It’s nice to have a Broadway track record and seven years on TV consistently.” As it happens, Williams received a call about the role just a week after the cancellation of her most recent TV show, ABC’s supernatural drama “666 Park Avenue.” Williams played the wife of the somewhat demonic apartment owner played by Terry O’Quinn, a role that required little of her talents other than her peerless ability to raise an eyebrow and dispense a withering putdown simultaneously. “The Trip to Bountiful” couldn’t have come at a better time. This marks only the second Broadway production of Foote’s warhorse, best known today for an Oscar-winning turn from Geraldine Page in the 1985 film adaptation. Originally a television play that starred Lillian Gish—who took the property to Broadway for a short-lived production in 1953—“Bountiful” is one of Foote’s most enduring works, about an elderly woman who escapes a stifling life with her son and daughter-in-law in Houston to return by bus to her hometown of Bountiful. In addition to luring Williams back to Broadway, “Bountiful” stars Cicely Tyson in her first Broadway role in 30 years, rising stage star Condola Rashad, and Oscar winner Cuba Gooding Jr., making his Broadway debut. Talky, narcissistic, and addicted to Coca-Cola, Jessie Mae would not, at first glance, seem to be a role one would associate with Williams. She’s made a name for herself with stylish, witty turns on TV in recent years and even in her last Broadway outing, 2010’s “Sondheim on Sondheim.” While Jessie Mae could easily become a one-dimensional dispenser of what director Michael Wilson calls “sassy comedy,” in Williams’ hands she transcends the broad strokes. “It would be really easy to make her just a pain in the ass,” Williams says. “But why is a person like this? Why does she act like this? I always try to make their frustrations and anger or retorts come from somewhere, so it’s not just ‘Oh, that’s a fabulous line—how am I gonna deliver it?’ That’s when people find the performance compelling rather than ‘Oh, here we go again, same old, same old.’ ” Wilson says that what he finds remarkable about Williams is her “courageous” ability to not ask for sympathy from the audience. “She’s going to play the character honestly and let the audience react as they may,” he says. “And while the audience may be shocked by what she does, they don’t hate the character—and that makes Horton’s play ever so much more complex.” Williams finds it somewhat complex herself, especially the period- and character-specific dialogue, which she calls tricky. “It’s repetitive at times, but it’s not always the same,” she says. “You can say ‘again and again’ in two sentences back to back, and your brain goes, Wait, I just said that. Jessie Mae is a talker, so there’s a lot of dialogue to conquer. Getting it in your blood is the trick.” This is when Williams perks up, when the craft to which she’s dedicated enters the conversation. She’s been unfailingly polite if slightly reserved, but as talk turns to the technicalities of performing in this particular play as this particular character, we shift to face each other. Williams becomes animated and thoughtful when asked if doing her first straight play on Broadway brings its own set of challenges. “I thought it was going to be a little comforting because it’s ‘just a play,’ ” she says, “but I’m so used to hearing the downbeat of the orchestra it’s weird to have it go silent and getting into places without the music.” She shrugs. “Once you get the movement down of the characters, it almost seems like choreography anyway.” Wilson referenced her dancer training when discussing her approach to crafting character, and Williams brings it up too, as something that’s at the root of how she constructs a living, breathing person out of words on a page. “What makes characters so interesting when you’re an actor or a dancer is to watch and observe how people walk and move and speak,” she says. “Are they cat-like? Are they walrus-like? Why does that person bother me and why do I think they are the way they are?” That dedication to craft, one that would seemingly belie her usual glamazon characters, shines through in everything Williams says. If she’s “a real knitting force within the company,” as Wilson describes her, she’s also someone who doesn’t take work or opportunities for granted. Nor old friends. “I always knew one of these days my friends would be in power,” she says when the subject of her remarkable body of work from the last decade comes up. “When you’re in high school, you say, ‘One of these days, we’ll all be boss.’ And you get to your 50s and cops are younger than you but there’s a certain sense of security and ownership you have at this stage of your life. And a lot of your friends you’ve grown up with and struggled with are in positions that are running companies and creating TV shows and really making things happen. Don’t burn any bridges, because you never know!” The time has finally come when Williams can put away her company manners and catch a minute or two of rest before tech rehearsal begins again. Earlier, she revealed a glimpse into why she’s been such an uncomplaining workhorse all day when she said, “Good work is such an incredible payoff. And I know that I’ll be working until the end, because good work excites me.”
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HolidayGuy
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Post by HolidayGuy on May 13, 2013 10:19:31 GMT -5
Do we think she'll ever do a pop/R&B record of originals again? Wouldn't mind a throwback to her first coupe of albums.
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George
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Post by George on Oct 22, 2013 16:12:33 GMT -5
The 15th anniversary of Vanessa Williams' fourth studio album Next is this year!
I can remember when it first came out, first being excited that she had finally released a new album (following the massive success of "The Colors of the Wind" & her first starring role in "Eraser"), and then getting the album. Every time I hear Nu Shooz's "I Can't Wait" on the radio, I always automatically think of Vanessa's "Happiness" and the video, which in turns makes me wanna pull this album out. I know it was the start of her declining album sales, but it still holds a spot as being my first Vanessa Williams album that I purchased.
Any memories you guys?
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Luckie Starchild
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Post by Luckie Starchild on Oct 22, 2013 20:13:16 GMT -5
The 15th anniversary of Vanessa Williams' fourth studio album Next is this year! Oh how the years go by...
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PLAYBOYoriginal
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Post by PLAYBOYoriginal on Oct 23, 2013 3:13:44 GMT -5
How lovely! Vanessa was my first celebrity crush back when I was 4 so its been such a long love affair but a great one. haha!!
"Happiness" is still one of my feel good jams that I play when I'm feeling down. I simply love the lyrics! I remember this was the time that she toured with Luther Vandross so I finally got to see them both in concert which was PHENOMENAL!! My first secular concert LOL. I grew up religious so this was a rare but HUGE treat. I remember the special she had with Elmo, that was the first time I realized she had blue eyes and that REALLY made me fall for her.
NEXT is my 2nd favorite VW album right after the now classic, Comfort Zone. I love that she was one of thew pop stars that gave VARIETY on their albums. She transitions from R&B to jazz to pop to dance to acoustic rock with EASE and her vocals are always in the pocket. She NEVER oversings or under sells a song. Her gift of acting comes through in her intrepretive skills. Gorgeous tone! A Dionne Warwick meets Diahann Carroll of our time.
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Kishi KCM
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Post by Kishi KCM on Oct 23, 2013 8:12:12 GMT -5
"Happiness" is such a jam. I was in loooove with that song when it first released.
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JamaicaFunk²
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Post by JamaicaFunk² on Oct 23, 2013 8:37:11 GMT -5
Oh How The Years Go By is still one of my favorites by her. I prefer it to Amy's version (only slightly). I still listen to it regularly.
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George
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Post by George on Aug 25, 2014 12:17:58 GMT -5
Got to see her in concert last Friday in San Diego (in addition to winning a meet & greet!) and she was amazing! Still so captivating on stage, and even more gorgeous in person! She performed a really great show, mixing her well-known singles with a lot of Broadway songs (since she was accompanied by the San Diego Symphony this night). Setlist:The Real Thing Dreamin' Love Is Colors of the Wind The Sweetest Days The Comfort Zone Constantly Stormy Weather I Can't Give You Anything but Love Peel Me a Grape I Never Has Seen Snow Any Place I Hang My Hat Is Home Come Rain Or Come Shine Work to Do Oh How the Years Go By Save the Best for Last Betcha NeverVideos: Additionally, she did an interview with one of the morning shows in San Diego: WATCH: www.kusi.com/video?clipId=10502068&autostart=true
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Jay D83
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Post by Jay D83 on Aug 25, 2014 12:19:45 GMT -5
If she ever comes to ATL, I'm there. I love her!
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SHOOTER
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Post by SHOOTER on Aug 25, 2014 12:32:07 GMT -5
The Comfort Zone is so underrated. That album was damn near flawless for her.
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Dreams
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Post by Dreams on Aug 25, 2014 12:41:05 GMT -5
OMG! Thanks for posting!! She still sounds beautiful; that performance of "Dreamin'" was really good.
Vanessa is one of my all-time favorites. I've always loved her as a singer, actress and person. And what I always admired is that she was so talented at both singing and acting (something that few entertainers achieve) and fairly respected in both fields.
I would love a new album from her soon. Her last effort wasn't my cup of tea, so I hope that isn't her final album. I would love for her to do something geared more towards the urban-AC format... something Sade-esque... all soul with a dash of soft rock and smooth jazz.
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Post by Deleted on Aug 27, 2014 18:23:07 GMT -5
She's such a.... reminds me of Kathie Lee or something these days. I don't think I could deal with watching her live with those hand movements to the lyrics and wide smile through all the songs.
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Post by Deleted on Aug 27, 2014 19:02:06 GMT -5
All the while life is rushing by us... hold it now and don't let go........
:'(
One of my favorites ever. Also hoping for a new album.
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stunnedout
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Post by stunnedout on Aug 28, 2014 1:19:19 GMT -5
Can't believe she doesn't perform the right stuff or runnin back to u!!!!
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Post by KeepDeanWeird on Aug 28, 2014 1:26:21 GMT -5
Can't believe she doesn't perform the right stuff or runnin back to u!!!! Wouldn't be appropriate for that setting with symphony. RBTY is a great under-rated jam with a super hot video. (Every time I hear "Problem," I think of RBTY.)
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George
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Post by George on Aug 28, 2014 11:56:18 GMT -5
Can't believe she doesn't perform the right stuff or runnin back to u!!!! Wouldn't be appropriate for that setting with symphony. RBTY is a great under-rated jam with a super hot video. (Every time I hear "Problem," I think of RBTY.) Yeah, she said during the concert that she'd love to do "The Right Stuff" but there wasn't an orchestral arrangement for it.
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Dreams
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Post by Dreams on Sept 27, 2014 9:45:51 GMT -5
Vanessa is engaged. Looks like Toni isn't the only one who's been playing with snow... Anyway, her fiancé isn't in showbiz; he looks a lot like Alyssa Milano's husband, even plainer actually. I'm happy for her, hopefully third time's a charm. Vanessa said she's going back in the studio after she's done with The Trip to Beautiful. I'm surprised she still has a record deal tbh, but I can't wait to have new music from her! She needs to get together with Babyface; he did wonders for Toni last time around.
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George
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Post by George on Dec 2, 2016 13:00:05 GMT -5
Thanks to the Mariah Carey thread, I found out Vanessa Williams will be on VH1's Divas Live Holiday special this Monday!
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George
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Post by George on Apr 17, 2018 10:21:04 GMT -5
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Post by Deleted on Apr 17, 2018 10:24:44 GMT -5
I could do without a Broadway album..
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George
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Post by George on Apr 17, 2018 11:46:06 GMT -5
Vanessa Williams Receives Lifetime Achievement Award from the Hollywood Chamber of CommerceBy Ariana Brockington The Hollywood Chamber of Commerce presented Vanessa Williams with this year’s Lifetime Achievement Award Thursday at the Sheraton Universal Hotel in Universal City, Calif. The event, co-sponsored by Variety and the Hollywood Museum in the Historic Max Factor Building, honored Williams and unveiled her portrait to mark the occasion. Leron Gubler, president and CEO of the Hollywood Chamber of Commerce, explained that the luncheon was created in 2000 to “recognize celebrities who’ve made a difference in Hollywood.” Steve Allen, the original host of “The Tonight Show,” was the first to be honored at the event. “I ended up doing musical theater in high school and some theater in college and Broadway was the tangible goal for me,” Williams said as she accepted her award. “Hollywood was never on the radar because it was one of those things that was unattainable.” She said how she went on to exceed her expectations by singing at the Oscars in 1996 and getting a star on the Hollywood Walk of Fame in 2010 and much more throughout her career spanning over 30 years. Williams said, “Even though I feel like an outsider because this is all a dream, the fact that I can look at my life and see my achievements and know that Hollywood was such an integral part of what made me me and what’s helped my career, I thank you.” Prior to Williams’s acceptance speech, Steven Gaydos, vice president and executive editor at Variety, introduced a video highlighting the success Williams has had in film, television, music, and theater. The montage included scenes from “The Pick-Up Artist,” “Ugly Betty,” “Desperate Housewives,” and her singing the Oscar-winning song “Colors of the Wind” and from Disney’s “Pocahontas.” In addition to giving Williams her award and portrait, the Hollywood Chamber of Commerce also ushered in its new 2018-2019 chair, Donelle Dadigan, and swore in new directors and officers.
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Zinc.
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Post by Zinc. on Apr 17, 2018 12:46:53 GMT -5
Much deserved.
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Post by Deleted on Sept 24, 2020 12:39:38 GMT -5
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Post by Deleted on Sept 26, 2020 10:21:42 GMT -5
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George
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Post by George on Sept 26, 2020 16:35:52 GMT -5
I’m on the fence on this, as I’d love just a Vanessa only show. Setlist is up on the site/virtual program:
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Dreams
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Post by Dreams on Apr 15, 2021 7:38:02 GMT -5
Had no idea she was supposed to sing Amy Grant's "Baby Baby" initially!
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Post by Deleted on May 10, 2021 9:10:33 GMT -5
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