Deleted
Joined: January 1970
Posts: 0
|
Post by Deleted on Aug 19, 2015 18:25:16 GMT -5
How can Billboard double check if Soundscan is the one who provides the figures? Is they got the wrong figures to begin with, they can triple check and still come up with wrong results.Has there been any explanation on the mistake? Have they addressed Soundscan's mess up? Since Billboard's sales data is exclusively driven by Nielsen, you're right, they can't issue "corrected" data until they get it from Nielsen. The gripe is related to the fact that Billboard actually reported that dubious 248K figure (and used it in chart calculations). It's problematic due to some combination of the following: 1) Why didn't they notice the likely mistake earlier (and alert Nielsen to assess the data)? How did that number not immediately raise a red flag? 2) Even if they trusted the validity of Nielsen's data, their independent tracking (I sure hope they're doing SOME sort of day-by-day tracking of key music metrics) + all the reader comments on the article confirmed that the number was unintuitive/unexpected. To not inquire -- and look into whether the song did unusually well at Amazon or Google or something -- is lazy, irresponsible reporting. Trust reported the number as if there was nothing remotely surprising about it. Consider, for instance, how preposterous it'll be if Billboard reports this week's huge "x" sales figure and doesn't acknowledge the $0.99 sale on Google Play. 3) If they DID suspect the number of being errant and immediately report that to Nielsen (frankly, I'd hope the Billboard team had enough of a clue to to do so), why would they post it anyway (especially without fine print)? They had no trouble delaying their entire set of charts by 24 hours -- surely they didn't need to rush-publish the Top 10 analysis/recap article? I completely agree with you here, couldn't have said it better myself!
|
|
felipe
3x Platinum Member
Joined: January 2009
Posts: 3,058
|
Post by felipe on Aug 19, 2015 21:27:23 GMT -5
Since Billboard's sales data is exclusively driven by Nielsen, you're right, they can't issue "corrected" data until they get it from Nielsen. The gripe is related to the fact that Billboard actually reported that dubious 248K figure (and used it in chart calculations). It's problematic due to some combination of the following: 1) Why didn't they notice the likely mistake earlier (and alert Nielsen to assess the data)? How did that number not immediately raise a red flag? 2) Even if they trusted the validity of Nielsen's data, their independent tracking (I sure hope they're doing SOME sort of day-by-day tracking of key music metrics) + all the reader comments on the article confirmed that the number was unintuitive/unexpected. To not inquire -- and look into whether the song did unusually well at Amazon or Google or something -- is lazy, irresponsible reporting. Trust reported the number as if there was nothing remotely surprising about it. Consider, for instance, how preposterous it'll be if Billboard reports this week's huge "x" sales figure and doesn't acknowledge the $0.99 sale on Google Play. 3) If they DID suspect the number of being errant and immediately report that to Nielsen (frankly, I'd hope the Billboard team had enough of a clue to to do so), why would they post it anyway (especially without fine print)? They had no trouble delaying their entire set of charts by 24 hours -- surely they didn't need to rush-publish the Top 10 analysis/recap article? I completely agree with you here, couldn't have said it better myself! I agree with everything you said. My issue is that every week someone seems to mention that the top 10 or something is taking too long to be revealed because must be "double checking considering how close x and y are". But seriously, if they simply get the data from Soundscan, there's not much they can double check. All they can do is ask Soundscan to double check it themselves, and I don't think they ask Soundscan on a weekly basis "Are you guys sure these are the actual figures?" Well, neither do we, and maybe it took a huge mistake to get our attention, sice countless "minor" mistakes might have gone unnoticed before.
|
|
85la
3x Platinum Member
Joined: July 2007
Posts: 3,916
|
Post by 85la on Aug 20, 2015 10:45:29 GMT -5
I completely agree with you here, couldn't have said it better myself! I agree with everything you said. My issue is that every week someone seems to mention that the top 10 or something is taking too long to be revealed because must be "double checking considering how close x and y are". But seriously, if they simply get the data from Soundscan, there's not much they can double check. All they can do is ask Soundscan to double check it themselves, and I don't think they ask Soundscan on a weekly basis "Are you guys sure these are the actual figures?" Well, neither do we, and maybe it took a huge mistake to get our attention, sice countless "minor" mistakes might have gone unnoticed before. Streaming doesn't come from Soundscan. They have to cull data from all the various streaming sources. YouTube must especially be a headache, since they allow user-generated content, and if the Harlem Shake rule still holds, the content doesn't even have to feature the whole song. There could potentially be thousands of videos for the same song; I don't know how they do it. Maybe the clips have to reach a certain viewership threshold?
|
|
Dylan :)
Diamond Member
smth 'bout youu
Joined: October 2014
Posts: 13,030
|
Post by Dylan :) on Aug 20, 2015 12:05:56 GMT -5
I agree with everything you said. My issue is that every week someone seems to mention that the top 10 or something is taking too long to be revealed because must be "double checking considering how close x and y are". But seriously, if they simply get the data from Soundscan, there's not much they can double check. All they can do is ask Soundscan to double check it themselves, and I don't think they ask Soundscan on a weekly basis "Are you guys sure these are the actual figures?" Well, neither do we, and maybe it took a huge mistake to get our attention, sice countless "minor" mistakes might have gone unnoticed before. Streaming doesn't come from Soundscan. They have to cull data from all the various streaming sources. YouTube must especially be a headache, since they allow user-generated content, and if the Harlem Shake rule still holds, the content doesn't even have to feature the whole song. There could potentially be thousands of videos for the same song; I don't know how they do it. Maybe the clips have to reach a certain viewership threshold? I think 30 seconds of it must be watched to count as a view, but that depends on video length (e.g. if it is less than 30 seconds)
|
|
|
Post by areyoureadytojump on Aug 20, 2015 16:49:53 GMT -5
Thanks to Charter2000 for these sales estimates!
SONGS WEEK 33
01 - 5,14 - UPTOWN FUNK - Mark Ronson 02 - 3,63 - THINKING OUT LOUD - Ed Sheeran 03 - 3,42 - SEE YOU AGAIN - Wiz Khalifa 04 - 3,07 - SUGAR - Maroon 5 05 - 2,56 - SHUT UP AND DANCE - WALK THE MOON 06 - 2,39 - LOVE ME LIKE YOU DO - Ellie Goulding 07 - 2,22 - TRAP QUEEN - Fetty Wap 08 - 2,16 - BAD BLOOD - Taylor Swift 09 - 2,12 - HONEY, I'M GOOD. - Andy Grammer 10 - 2,10 - EARNED IT - The Weeknd 11 - 1,99 - TAKE ME TO CHURCH - Hozier 12 - 1,95 - CHEERLEADER - Omi 13 - 1,90 - FOURFIVESECONDS - Rihanna and Kanye West and Paul McCartney 14 - 1,79 - GDFR - Flo Rida 15 - 1,71 - BLANK SPACE - Taylor Swift 16 - 1,70 - FIGHT SONG - Rachel Platten 17 - 1,59 - STYLE - Taylor Swift 18 - 1,58 - WANT TO WANT ME - Jason Derulo 19 - 1,58 - GIRL CRUSH - Little Big Town 20 - 1,54 - TAKE YOUR TIME - Sam Hunt
21 - 1,45 - HEY MAMA - David Guetta 22 - 1,43 - LIPS ARE MOVIN - Meghan Trainor 23 - 1,40 - WORTH IT - Fifth Harmony 24 - 1,37 - CENTURIES - Fall Out Boy 25 - 1,33 - SHAKE IT OFF - Taylor Swift 26 - 1,32 - TALKING BODY - Tove Lo 27 - 1,29 - TIME OF OUR LIVES - Pitbull & Ne-Yo 28 - 1,27 - WATCH ME - Silento 29 - 1,19 - CHAINS - Nick Jonas 30 - 1,18 - WHERE ARE Ü KNOW - Skrillex & Diplo 31 - 1,18 - CAN'T FEEL MY FACE - The Weeknd 32 - 1,10 - DEAR FUTURE HUSBAND - Meghan Trainor 33 - 1,06 - SOMEBODY - Natalie La Rose 34 - 1,04 - ALL ABOUT THAT BASS - Meghan Trainor 35 - 1,02 - LEAN ON - Major Lazer 36 - 0,98 - I'M NOT THE ONLY ONE - Sam Smith 37 - 0,97 - ELASTIC HEART - Sia 38 - 0,97 - LAY ME DOWN - Sam Smith 39 - 0,93 - YOU KNOW YOU LIKE IT - DJ Snake & AlunaGeorge 40 - 0,93 - THE HILLS - The Weeknd
|
|
Glove Slap
Administrator
Sweetheart
Downloading ༺༒༻ Possibilities
Joined: January 2007
Posts: 29,516
Staff
|
Post by Glove Slap on Aug 20, 2015 17:00:35 GMT -5
Very impressive sales for Elastic Heart this year.
|
|
85la
3x Platinum Member
Joined: July 2007
Posts: 3,916
|
Post by 85la on Aug 20, 2015 17:21:21 GMT -5
Streaming doesn't come from Soundscan. They have to cull data from all the various streaming sources. YouTube must especially be a headache, since they allow user-generated content, and if the Harlem Shake rule still holds, the content doesn't even have to feature the whole song. There could potentially be thousands of videos for the same song; I don't know how they do it. Maybe the clips have to reach a certain viewership threshold? I think 30 seconds of it must be watched to count as a view, but that depends on video length (e.g. if it is less than 30 seconds) I was actually referring to the number of views that each video gets, not viewing length. So for example, if the viewership threshold is 1000, and Video Version A of a song only gets 800 views, Billboard won't count it, but if Video Version B of a song gets 2000 views, then it would count. It's a massive amount of work enough to comb through every single video that users post for a song and to determine whether it fits their criteria for adequately featuring the song (whatever that is), but using a threshold for weeding out clips that aren't that popular and most likely won't lead to a huge position difference on the chart would cut down that work at least somewhat.
|
|
|
Post by areyoureadytojump on Aug 21, 2015 18:51:14 GMT -5
2015 YEAR TO DATE SALES STATS
Category - 2015 - 2014 - Change
Digital Tracks - 646,233,000 - 715,565,000 - -9.7% Store Singles - 2,062,000 - 1,536,000 - +34.2%
|
|
rimetm
2x Platinum Member
Just a Good Ol' Chart Shmuck
|
Post by rimetm on Aug 21, 2015 19:03:44 GMT -5
What stores sell singles anymore? It was a genuine surprise to me when I found a single for Buy Me a Boat at a local Target, and it was still the only single that I saw.
|
|
Dylan :)
Diamond Member
smth 'bout youu
Joined: October 2014
Posts: 13,030
|
Post by Dylan :) on Aug 21, 2015 19:09:21 GMT -5
What stores sell singles anymore? It was a genuine surprise to me when I found a single for Buy Me a Boat at a local Target, and it was still the only single that I saw. I was searching for the Animals CD single over the weekend (after looking last year for Maps), and was told that single CDs have been completely discontinued in Ireland (and we are usually behind the US)
|
|
HolidayGuy
Diamond Member
Joined: December 2003
Posts: 33,919
|
Post by HolidayGuy on Aug 21, 2015 19:19:31 GMT -5
Best Buy had a CD single advertised (a country act) in this past week's circular. I also recall seeing "Lips Are Movin'" as a CD single in Best Buy.
This may sound odd to ask, but do "Store Singles" also count digital two-track-or-more singles, purchased as one single? You'd think not, but sales of those are applied to the Singles Sales chart.
|
|
imbondz
2x Platinum Member
Joined: January 2006
Posts: 2,609
|
Post by imbondz on Aug 21, 2015 19:25:18 GMT -5
To whoever changed the title of this thread...Lol!
|
|
lyhom
Diamond Member
CAPSLOCK-PHOBE
Joined: January 2014
Posts: 11,381
My Charts
Pronouns: he/him
|
Post by lyhom on Aug 21, 2015 19:33:30 GMT -5
for some reason I remember "buy me a boat" being the #1 on the physical singles chart so that doesn't surprise me too much
|
|
85la
3x Platinum Member
Joined: July 2007
Posts: 3,916
|
Post by 85la on Aug 21, 2015 19:58:24 GMT -5
I would guess the uptick in store single sales are due to vinyl.
|
|