Deleted
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Post by Deleted on Feb 21, 2016 12:14:10 GMT -5
I'm all for her doing her thing these days and not to say it's a bad song, but if Work can go to #1, imagine if she integrated more of the pop edge to some singles again. The H100 #1s record would/will likely be broken. Based on Work's success, she's fully capable of achieving #1 without the pop-leaning songs, I'm just saying... it could be a blowout if she recorded some more pop/dance bangers. I'm not sure about #1 potential for the other tracks on this album... but I'd never say never. I love seeing records broken. She's coming for you John, Paul, George and Ringo. 20+ #1s by 2020. GO! I'd rather her make music that she will actually enjoy performing in the future. It's clear from last year's interviews that there are lots of her biggest hits that she doesn't enjoy performing anymore because they're not her. I think she'll have no issue reaching Mariah within the next five years, regardless. I agree I think in the next decade she should be able to reach that. People put too much stock on just numbers. What was impressive about Mariah and her #1s is that her songs weren't bullshit ass hits like flo rida. She made for the most classics that to this day are respected. Most people can't remember the #1 song from last year much alone 25 or 20 or 15 years and for the people to still remember Mariah's greatest hits and respect her for it is what I hope Rihanna can accomplish :)
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Daniel Collins
4x Platinum Member
With every broken bone, I swear I lived
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Post by Daniel Collins on Feb 21, 2016 12:30:32 GMT -5
2016/02/21
*** = dropped or added a format
1. JUSTIN BIEBER - Love Yourself: 186.401 (+1.390) 2. TWENTY ONE PILOTS - Stressed Out: 179.888 (+0.402) 3. JUSTIN BIEBER - Sorry: 163.053 (-1.023***) 4. ADELE - Hello: 129.901 (-0.269) 5. THE WEEKND - In The Night: 112.078 (-1.924) 6. THE CHAINSMOKERS - Roses f/Rozes: 105.644 (+1.243***) 7. SHAWN MENDES - Stitches: 105.625 (+1.304***) 8. SELENA GOMEZ - Same Old Love: 102.697 (-1.566) 9. FLO RIDA - My House: 101.907 (+2.880***) 10. ADELE - When We Were Young: 95.795 (-0.054) 11. RIHANNA - Work f/Drake: 93.710 (+2.088) ▲ 12. ALESSIA CARA - Here: 92.634 (-1.522) ▼ 13. G-EAZY - Me Myself And I f/Bebe Rexha: 81.910 (+2.352) 14. DNCE - Cake By The Ocean: 74.140 (+0.978) ▲ 15. TAYLOR SWIFT - Wildest Dreams: 73.625 (-0.204) ▼ 16. SELENA GOMEZ - Hands To Myself: 73.382 (+1.490) ▲ 17. DAYA - Hide Away: 72.812 (+0.386) ▼ 18. ELLE KING - Ex's and Oh's: 69.455 (+0.149***) ▲ 19. GRANGER SMITH - Backroad Song: 69.084 (-1.413) ▼ 20. KELSEA BALLERINI - Dibs: 68.286 (+1.065)
21. CHARLIE PUTH - One Call Away: 65.568 (+1.102) ▲ 22. CARRIE UNDERWOOD - Heartbeat: 64.824 (+0.536) ▲ 23. MEGHAN TRAINOR - Like I'm Gonna Lose You: 64.318 (-0.200) 24. RACHEL PLATTEN - Stand By You: 63.925 (+0.510) ▲ 25. DRAKE - Hotline Bling: 63.500 (-1.095) ▼ 26. RANDY HOUSER - We Went: 62.207 (+0.625) ▲ 27. LUKE BRYAN - Home Alone Tonight: 62.120 (-3.072) ▼ 28. KEITH URBAN - Break On Me: 61.793 (+0.369) ▲ 29. ELLIE GOULDING - On My Mind: 61.319 (-0.768) ▼ 30. TORY LANEZ - Say It: 61.119 (+0.101) 31. ZAC BROWN BAND - Beautiful Drug: 56.868 (+0.648) ▲ 32. WALK THE MOON - Shut Up And Dance: 55.980 (-0.084) ▲ 33. THOMAS RHETT - Die A Happy Man: 53.706 (+0.025) ▲ 34. TAYLOR SWIFT - Out Of The Woods: 53.470 (-3.149) ▼ 35. THE WEEKND - The Hills: 52.273 (+0.226) 36. BRYSON TILLER - Don't: 51.436 (+0.213***) 37. BRETT ELDREDGE - Drunk On Your Love: 48.669 (+0.802) ▲ 38. DRAKE & FUTURE - Jumpman: 48.471 (-1.015) ▼ 39. FLORIDA-GEORGIA LINE - Confession: 48.177 (+0.584) ▲ 40. COLE SWINDELL - You Should Be Here: 47.236 (+0.456) ▲
41. COLDPLAY - Adventure Of A Lifetime: 47.095 (-0.904) ▼ 42. YO GOTTI - Down In The DM: 46.145 (+0.118) 43. CHRIS BROWN - Back To Sleep: 45.947 (+0.080) 44. JASON DERULO - Want To Want Me: 45.694 (+0.084) 45. ZAYN - Pillowtalk: 45.363 (+1.975) ▲ 46. CHASE BRYANT - Little Bit Of You: 45.205 (+0.663) ▼ 47. FETTY WAP - Again: 43.175 (-0.634) ▼ 48. MIKE POSNER - I Took A Pill In Ibiza: 43.118 (+1.277) ▲ 49. RASCAL FLATTS - I Like The Sound Of That: 43.081 (+0.331) 50. ELLIE GOULDING - Something In The Way You Move: 42.449 (+0.736) ▲
51. TRAVI$ SCOTT - Antidote: 42.398 (-0.398) ▼ 52. JEREMIH - Oui: 39.933 (+0.444) ▲ 53. ROBIN SCHULZ - Sugar f/Francesco Yates: 39.845 (+0.451) ▲ 54. MAJOR LAZER - Lean On f/MØ & DJ Snake: 39.514 (-0.252) ▼ 55. BROTHERS OSBORNE - Stay A Little Longer: 39.174 (-0.685) ▼ 56. MARK RONSON - Uptown Funk f/Bruno Mars: 39.059 (-0.556) ▼ 57. THE WEEKND - Can't Feel My Face: 37.878 (+0.020) ▲ 58. SAM HUNT - Break Up In A Small Town: 37.714 (-1.704) ▼ 59. LOCASH - I Love This Life: 37.689 (-0.208) 60. CHRIS STAPLETON - Nobody To Blame: 37.581 (-0.097) ▲
61. X AMBASSADORS - Renegades: 37.481 (-0.642***) ▼ 62. OLD DOMINION - Snapback: 36.926 (+0.290) ▲ 63. R. CITY - Locked Away f/Adam Levine: 36.647 (-0.394) ▼ 64. LUKAS GRAHAM - 7 Years: 33.274 (+0.856) ▲ 65. ED SHEERAN - Photograph: 33.236 (+0.138) 66. J. COLE - No Role Modelz: 32.912 (-0.324) ▼ 67. BEYONCE - Formation: 32.907 (+0.850) ▲ 68. MAREN MORRIS - My Church: 32.480 (+0.406) ▲ 69. RACHEL PLATTEN - Fight Song: 32.451 (+0.341) ▼ 70. JUSTIN BIEBER - What Do You Mean?: 32.068 (-0.064) ▼
71. FETTY WAP - 679 f/Remy Boyz...: 31.821 (-0.098) 72. MAROON 5 - Sugar: 30.634 (-0.540) 73. LEE BRICE - That Don't Sound Like You: 30.081 (+0.410) 74. DUSTIN LYNCH - Mind Reader: 30.045 (+0.484) 75. ED SHEERAN - Thinking Out Loud: 29.393 (+0.137)
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Post by leredlum on Feb 21, 2016 14:35:36 GMT -5
March 6, 197101 01 One Bad Apple - The Osmonds (4th of 5 weeks at #1)02 02 Mama's Pearl - The Jackson Five 03 10 Me & Bobby McGee - Janis Joplin 04 16 Just My Imagination (Running Away With Me) - The Temptations 05 05 If You Could Read My Mind - Gordon Lightfoot 06 17 She's a Lady - Tom Jones 07 12 For All We Know - The Carpenters 08 08 Amos Moses - Jerry Reed 09 09 Mr. Bojangles - The Nitty Gritty Dirty Band 10 07 Sweet Mary - Wadsworth Mansion FTFY ;)
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jarhys
Gold Member
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Post by jarhys on Feb 21, 2016 20:22:29 GMT -5
7. SHAWN MENDES - Stitches: 105.625 (+1.304***) Maybe Stitches will survive the new recurrent rule for weeks, and become the longest stay single since Uptown Funk with 53+ weeks.
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Deleted
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Post by Deleted on Feb 21, 2016 20:58:37 GMT -5
I just realized that Lush Life by Zara Larsson is in the top 40 of USA Spotify and top 30 of Canadian Spotify. I know the single was just released in the UK a few weeks ago and is in the top ten there. Is that why the song is so high in the Spotify charts in Canada and USA? Because IIRC it was on the Hot 100 Bubbling Under chart last year and failed to enter the Hot 100 (such a shame IMO because I really like the song) so is this rebound on Canadian and USA Spotify a result of its current success in the UK?
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ry4n
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Post by ry4n on Feb 21, 2016 21:10:18 GMT -5
I just realized that Lush Life by Zara Larsson is in the top 40 of USA Spotify and top 30 of Canadian Spotify. I know the single was just released in the UK a few weeks ago and is in the top ten there. Is that why the song is so high in the Spotify charts in Canada and USA? Because IIRC it was on the Hot 100 Bubbling Under chart last year and failed to enter the Hot 100 (such a shame IMO because I really like the song) so is this rebound on Canadian and USA Spotify a result of its current success in the UK? I think it's more to do with it being top 50 on the global Spotify chart. I'm guessing people are discovering songs off that list? It's the only explanation that makes sense for "Faded", for example. It's top 50 on US/Canada Spotify (and #7 globally) without any airplay whatsoever and by an artist that's completely unknown here...
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Deleted
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Post by Deleted on Feb 21, 2016 22:52:22 GMT -5
I just realized that Lush Life by Zara Larsson is in the top 40 of USA Spotify and top 30 of Canadian Spotify. I know the single was just released in the UK a few weeks ago and is in the top ten there. Is that why the song is so high in the Spotify charts in Canada and USA? Because IIRC it was on the Hot 100 Bubbling Under chart last year and failed to enter the Hot 100 (such a shame IMO because I really like the song) so is this rebound on Canadian and USA Spotify a result of its current success in the UK? I think it's more to do with it being top 50 on the global Spotify chart. I'm guessing people are discovering songs off that list? It's the only explanation that makes sense for "Faded", for example. It's top 50 on US/Canada Spotify (and #7 globally) without any airplay whatsoever and by an artist that's completely unknown here... that being said, is there any chance at all that the song will blow up in Canada/USA in the future from growing on Spotify?
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ry4n
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Post by ry4n on Feb 21, 2016 23:22:37 GMT -5
I think it's more to do with it being top 50 on the global Spotify chart. I'm guessing people are discovering songs off that list? It's the only explanation that makes sense for "Faded", for example. It's top 50 on US/Canada Spotify (and #7 globally) without any airplay whatsoever and by an artist that's completely unknown here... that being said, is there any chance at all that the song will blow up in Canada/USA in the future from growing on Spotify? If "Never Forget You" becomes a big hit, then I could see "Lush Life" being given another chance.
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Fancy
3x Platinum Member
first thing's first
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Post by Fancy on Feb 21, 2016 23:56:49 GMT -5
"lush life" is much more of a spring/summer song anyway, so that combined with its recent worldwide success and streaming popularity should be enough reason to give it yet another push.
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Deleted
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Post by Deleted on Feb 22, 2016 0:22:21 GMT -5
(sighs) Need to escape the drama...
Anywho... can someone remind me what the recurrent rule is for radio in terms of what position it has to fall under?
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badrobot
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Post by badrobot on Feb 22, 2016 10:30:53 GMT -5
(sighs) Need to escape the drama... Anywho... can someone remind me what the recurrent rule is for radio in terms of what position it has to fall under? I don't think there is a rule like that -- I think a song just moves to recurrent on airplay if it was also moved to recurrent on the Hot 100. I could be wrong, though.
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jarhys
Gold Member
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Post by jarhys on Feb 22, 2016 11:01:08 GMT -5
(sighs) Need to escape the drama... Anywho... can someone remind me what the recurrent rule is for radio in terms of what position it has to fall under? I don't think there is a rule like that -- I think a song just moves to recurrent on airplay if it was also moved to recurrent on the Hot 100. I could be wrong, though. Drinking Class went recurrent on 03/21/2015, re-entered later with high airplay on 05/02/2015, and dropped off on 05/16/2015. It also re-entered radio chart at #21 on 05/02/2015 and dropped off on 05/16/2015 as well. Your guess might be right.
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Deleted
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Post by Deleted on Feb 22, 2016 11:27:13 GMT -5
I think it's more to do with it being top 50 on the global Spotify chart. I'm guessing people are discovering songs off that list? It's the only explanation that makes sense for "Faded", for example. It's top 50 on US/Canada Spotify (and #7 globally) without any airplay whatsoever and by an artist that's completely unknown here... that being said, is there any chance at all that the song will blow up in Canada/USA in the future from growing on Spotify? I'm convinced it will get re-released in the US (a second time!) and become a hit for Summer 2016, following the success of "Never Forget You".
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MTSChart21
4x Platinum Member
"My Name's Blurryface"
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Post by MTSChart21 on Feb 22, 2016 11:28:04 GMT -5
Predictions: 1. Love Yourself (=) 2. Work (+2) 3. Stressed Out (-1) 4. Sorry (-1) 5. My House (=) 6. PILLOWTALK (+1) 7. Hello (-1) 8. Me, Myself & I (=) 9. Roses (=) 10. Hands To Myself (+2) 11. Cake By The Ocean (=) 12. Stitches (-2) 13. In The Night (+1) It's Grammy week so this shouldn't be easy, but here are some GUESSES 22. I Took A Pill In Ibiza 25. 7 Years 39. Out Of The Woods 47. Let It Go 61. Get Ugly 63. Hollow 85. All I Ask
Edit: 41. Heartbeat (+14)
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Mr. Thonk Eyes
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The great Mr. Eyes
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Post by Mr. Thonk Eyes on Feb 22, 2016 11:51:28 GMT -5
^I'm thinking the Grammy's will also help Heartbeat go Top 40, or at least close to it.
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MTSChart21
4x Platinum Member
"My Name's Blurryface"
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Post by MTSChart21 on Feb 22, 2016 11:54:19 GMT -5
^I'm thinking the Grammy's will also help Heartbeat go Top 40, or at least close to it. Oh yeah, I forgot about Heartbeat. I predict: 41. Heartbeat (+14)
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Post by areyoureadytojump on Feb 22, 2016 11:59:23 GMT -5
If you know where to look...
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Deleted
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Post by Deleted on Feb 22, 2016 12:00:53 GMT -5
If you know where to look... what's up with this? i see you post it quite a bit.
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Caviar
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Post by Caviar on Feb 22, 2016 12:04:38 GMT -5
Any chance for Rihanna to be #1? I'm ready for the meltdowns on Facebook.
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Mr. Thonk Eyes
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The great Mr. Eyes
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Post by Mr. Thonk Eyes on Feb 22, 2016 12:06:33 GMT -5
Any chance for Rihanna to be #1? I'm ready for the meltdowns on Facebook. There could be a small chance, but I doubt it. Since the video cokes out today though, I think it has a good chance at #1 on the 3/12 chart.
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85la
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Post by 85la on Feb 22, 2016 12:13:30 GMT -5
I have always thought of this too, and there are countless other examples: Monica's For You I Will - The Boy is Mine album The Bee Gee's You Should Be Dancing - Sat Night Fever soundtrack (the above two singles actually came out a year before the album) George Michael's I Want Your Sex - Faith Destiny's Child's Independent Women - Survivor and just this past year, the Weeknd's Earned It - Beauty Behind the Madness It's hard to say, but I would say that regardless of how much earlier the single comes out before the album, it should count if it was planned to be on the upcoming album. If it isn't planned, and they just tack it on later to increase sales or whatever, maybe not so much, but technically it should count because it is on the album and was at some time released as a single, but with the special caveat that it wasn't originally planned to be as part of the set and not promoted with and released around the same time as the album. Regarding the sixth single issue, it is funny how the last, or later singles from an album can often tank and do much worse than their predecessors. This is especially interesting to see when many singles are released from an album, it's like there's all of a sudden this burst of fatigue that sets in. An extreme example that comes to mind is Fergie's The Dutchess, where she had five top five singles, and the sixth, Finally, didn't even make the Hot 100. Do you think the single should be counted even if it was meant to promote something else before the album was released (or even planned sometimes)? If we do, then something like Mariah's greatest hits would be the album with the most #1 singles, and not Bad anymore. I was referring to originally-released studio albums.
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Deleted
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Post by Deleted on Feb 22, 2016 12:16:06 GMT -5
I really like the idea of a re-release for Lush Life in the U.S./Canada this summer Hopefully it'll be at least a top ten hit like it is in the UK. I was actually streaming the song when I was writing this. also I'm no longer too sure about my original prediction of a #3 peak for Me, Myself & I...it seems to have already peaked on Spotify at this point. At this point I'm thinking it probably won't pass #5 unless something drastic happens (i.e. huge performance on a talk show or something)...still holding out for a CHR/Pop #1 peak for the song though
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Deleted
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Post by Deleted on Feb 22, 2016 12:22:29 GMT -5
Any chance for Rihanna to be #1? I'm ready for the meltdowns on Facebook. There could be a small chance, but I doubt it. Since the video cokes out today though, I think it has a good chance at #1 on the 3/12 chart. yeah, i agree JT. final sales were basically equal. but LY has the edge on both airplay and streaming. so i don't see how it would be possible this week. not sure what will happen with the video release today.
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Deleted
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Post by Deleted on Feb 22, 2016 12:24:21 GMT -5
There could be a small chance, but I doubt it. Since the video cokes out today though, I think it has a good chance at #1 on the 3/12 chart. yeah, i agree JT. final sales were basically equal. but LY has the edge on both airplay and streaming. i don't see how it would be possible this week. Wait, wasn't Work way ahead of LY in YouTube streams as well as Spotify plays? But in any case, I think airplay will counter that enough for LY to hold on to #1 for one more week
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Post by areyoureadytojump on Feb 22, 2016 12:24:46 GMT -5
CHART: Digital Songs Week Ending: 02/18/2016
1 FLO RIDA + MY HOUSE 134k 2 RIHANNA FEAT. DRAKE + WORK 119k 3 BIEBER*JUSTIN + LOVE YOURSELF 118k 4 TWENTY ONE PILOTS + STRESSED OUT 111k 5 ZAYN + PILLOWTALK 103k 6 G-EAZY + ME, MYSELF & I 78k 7 Adele + HELLO 68k 8 CHARLIE PUTH + ONE CALL AWAY 65k 9 GRAHAM*LUKAS + 7 YEARS 64k 10 BAY*JAMES + LET IT GO 61k
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Deleted
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Post by Deleted on Feb 22, 2016 12:25:59 GMT -5
yeah, i agree JT. final sales were basically equal. but LY has the edge on both airplay and streaming. i don't see how it would be possible this week. Wait, wasn't Work way ahead of LY in YouTube streams as well as Spotify plays? But in any case, I think airplay will counter that enough for LY to hold on to #1 for one more week truth. my bad.
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85la
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Post by 85la on Feb 22, 2016 12:28:14 GMT -5
Doesn't seem like Taylor releasing New Romantics as a 7th single is a good idea, especially how OOTW flopped, which itself was pushing the envelope in trying to extend the era. Also unusual to release a bonus track as a single from a deluxe version of an album (not a re-release). I can't think of this being done before.
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Deleted
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Post by Deleted on Feb 22, 2016 12:31:19 GMT -5
Doesn't seem like Taylor releasing New Romantics as a 7th single is a good idea, especially how OOTW flopped, which itself was pushing the envelope in trying to extend the era. Also unusual to release a bonus track as a single from a deluxe version of an album (not a re-release). I can't think of this being done before. I'm not a fan of the idea either. Fatigue. And I don't really love the song. I suppose at this point its just more exposure to squeeze out a few more sales. Maybe the video will be awesome and carry the song on the charts, who knows. I'd like to think they have a plan to not let this tank.
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Deleted
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Post by Deleted on Feb 22, 2016 12:32:08 GMT -5
Well I'm now convinced that Stressed Out ain't getting to #1. Oh well, I'm happy it made it this far anyway; hopefully it holds out long enough to make the year-end top ten!
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velaxti
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Post by velaxti on Feb 22, 2016 12:33:04 GMT -5
Doesn't seem like Taylor releasing New Romantics as a 7th single is a good idea, especially how OOTW flopped, which itself was pushing the envelope in trying to extend the era. Also unusual to release a bonus track as a single from a deluxe version of an album (not a re-release). I can't think of this being done before. What about The Motto by Drake or Super Bass by Nicki Minaj? They weren't on the main versions of the albums at least. Maybe Watch Me Work by Tinashe can be added if they end up releasing that lol.
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