|
Post by Naos on Oct 9, 2017 21:12:08 GMT -5
I'd rather not have trash that's a year old at #1. I really prefer Tom Petty at this point. Deserves it far more. I can guarantee most of that is from "White Iverson" and "Congratulations". It still has only 113,500 in sales. I'm sick of albums selling 1,000 copies, or less, and still be top 10. Year old "trash"? What makes it trash? Not age I guess. The Tom Petty album is quite a bit older --- A lot of the songs are boring, it's generic, bass-heavy stuff. Malone's intonation is terrible, he has trouble staying on-key. Even the production, which seems to be all hip-hop fans care about these days, is extremely by the numbers and uninteresting.
|
|
|
Post by Naos on Oct 9, 2017 21:13:37 GMT -5
I'd rather not have trash that's a year old at #1. I really prefer Tom Petty at this point. Deserves it far more. I can guarantee most of that is from "White Iverson" and "Congratulations". It still has only 113,500 in sales. I'm sick of albums selling 1,000 copies, or less, and still be top 10. If more than half 1.7 billion streams were from those songs, they would've peaked much higher than #8 and #14. Not to mention if they were only streaming the hits, then, in theory, anyone who's album also had 2 top 20s would be pulling similar streams. They are streaming the majority of the album largely, hence why it's about to repeak despite those two hits peaking months (and in White Iverson's case, almost 2 years) ago. Not exactly. For one, peaks are relative to other songs. Two, Post Malone is not one for huge airplay or even sales usually.
|
|
iHype.
4x Platinum Member
Joined: October 2014
Posts: 4,552
|
Post by iHype. on Oct 9, 2017 23:09:30 GMT -5
If more than half 1.7 billion streams were from those songs, they would've peaked much higher than #8 and #14. Not to mention if they were only streaming the hits, then, in theory, anyone who's album also had 2 top 20s would be pulling similar streams. They are streaming the majority of the album largely, hence why it's about to repeak despite those two hits peaking months (and in White Iverson's case, almost 2 years) ago. Not exactly. For one, peaks are relative to other songs. Two, Post Malone is not one for huge airplay or even sales usually. Well then I'd like an explanation how Congratulations is #15 on the Streaming chart and White Iverson isn't charting, while the album is fighting for #1 if they're only streaming those songs heavily.
|
|
|
Post by Naos on Oct 9, 2017 23:17:26 GMT -5
Not exactly. For one, peaks are relative to other songs. Two, Post Malone is not one for huge airplay or even sales usually. Well then I'd like an explanation how Congratulations is #15 on the Streaming chart and White Iverson isn't charting, while the album is fighting for #1 if they're only streaming those songs heavily. Well, now, "I Fall Apart" is getting tons of streams, it being in the Top 5 on Spotify. "Go Flex" is probably getting some of that as well, considering it re-entered the Hot 100 last week. It's really off the strength of the singles.
|
|
singingrulebritannia
Diamond Member
source: https://twitter.com/KyraKupetsky/status/1714407511749726582
Joined: January 2010
Posts: 24,508
My Charts
Pronouns: he/him
|
Post by singingrulebritannia on Oct 9, 2017 23:51:22 GMT -5
"I Fall Apart" was not a single until it spontaneously went viral, and its promo hasn't actually started. "Go Flex" was released 17 months ago (not too long after White Iverson peaked) and didn't do much at the time, yet is above White Iverson and rising, so 'just being a single' doesn't totally explain its position. Also in the Spotify top 200 is No Option, an entirely random album track. Your "single-driven SPS" argument is a bit weak when nearly 1/3 of the album (and Deja Vu, a moderate success of a single, is not even in that group currently) is in the Spotify top 200.
|
|
iHype.
4x Platinum Member
Joined: October 2014
Posts: 4,552
|
Post by iHype. on Oct 10, 2017 0:40:05 GMT -5
"I Fall Apart" was not a single until it spontaneously went viral and its promo hasn't actually started. "Go Flex" was released 17 months ago (not too long after White Iverson peaked) and didn't do much at the time, yet is above White Iverson and rising, so 'just being a single' doesn't totally explain its position. Also in the Spotify top 200 is No Option, an entirely random album track. Your "single-driven SPS" argument is a bit weak when nearly 1/3 of the album (and Deja Vu, a moderate success of a single, is not even in that group currently) is in the Spotify top 200. The album also has 9 songs on Apple Music's chart! It's just a popular album. Also never got the argument about streaming being single-driven, because realistically speaking, album sales are 'singles driven' too. Essentially 99% of artists best-selling albums are the ones with their biggest hits. An album can be released with no songs charting and sell 10,000 then have a #1 single, and sell 50,000. If an artists lead single does terribly, the album will start off with low sales. If they manage to get a hit later on, the sales will jump up. All due to the drive of those singles performances. Before iTunes, there was plenty of the population who bought an album solely just to listen to 2-3 singles. (The Titanic Soundtrack went Diamond with the tracklist being completely instrumentals, and 1 song with words 'My Heart Will Go On'). A hit pushes album sales as much as it pushes streaming.
|
|
|
Post by Naos on Oct 10, 2017 0:57:32 GMT -5
"I Fall Apart" was not a single until it spontaneously went viral and its promo hasn't actually started. "Go Flex" was released 17 months ago (not too long after White Iverson peaked) and didn't do much at the time, yet is above White Iverson and rising, so 'just being a single' doesn't totally explain its position. Also in the Spotify top 200 is No Option, an entirely random album track. Your "single-driven SPS" argument is a bit weak when nearly 1/3 of the album (and Deja Vu, a moderate success of a single, is not even in that group currently) is in the Spotify top 200. The album also has 9 songs on Apple Music's chart! It's just a popular album. Also never got the argument about streaming being single-driven, because realistically speaking, album sales are 'singles driven' too. Essentially 99% of artists best-selling albums are the ones with their biggest hits. An album can be released with no songs charting and sell 10,000 then have a #1 single, and sell 50,000. If an artists lead single does terribly, the album will start off with low sales. If they manage to get a hit later on, the sales will jump up. All due to the drive of those singles performances. Before iTunes, there was plenty of the population who bought an album solely just to listen to 2-3 singles. (The Titanic Soundtrack went Diamond with the tracklist being completely instrumentals, and 1 song with words 'My Heart Will Go On'). A hit pushes album sales as much as it pushes streaming. That argument doesn't work in today's environment. Because you can buy singles without the album. A lot of the songs were released as singles if they were popular enough. And no, you don't need a huge hit to sell albums. Artists show this time and time again, especially with older acts.
|
|
iHype.
4x Platinum Member
Joined: October 2014
Posts: 4,552
|
Post by iHype. on Oct 10, 2017 1:11:27 GMT -5
The album also has 9 songs on Apple Music's chart! It's just a popular album. Also never got the argument about streaming being single-driven, because realistically speaking, album sales are 'singles driven' too. Essentially 99% of artists best-selling albums are the ones with their biggest hits. An album can be released with no songs charting and sell 10,000 then have a #1 single, and sell 50,000. If an artists lead single does terribly, the album will start off with low sales. If they manage to get a hit later on, the sales will jump up. All due to the drive of those singles performances. Before iTunes, there was plenty of the population who bought an album solely just to listen to 2-3 singles. (The Titanic Soundtrack went Diamond with the tracklist being completely instrumentals, and 1 song with words 'My Heart Will Go On'). A hit pushes album sales as much as it pushes streaming. That argument doesn't work in today's environment. Because you can buy singles without the album. A lot of the songs were released as singles if they were popular enough. And no, you don't need a huge hit to sell albums. Artists show this time and time again, especially with older acts. What older acts actually sell albums today? Doing 100K first week, then struggling to do 200K isn't selling albums. Metallica is the only old act I can think of recently with big sales, and they had ticket bundling along with the fact they've always been huge sellers without big mainstream charting hits. Their self-titled is the best-selling album of the Soundscan era, and it had 0 Top 10s along with 0 songs that charted on mainstream radio. That's more of an anomaly than a standard. Similar to Drake always being huge on streaming, and even if he releases a surprise full-length project with no hits at the time it'll still break streaming records. And I'd say the argument works as well in today's environment. The top 3 selling albums by artists in 2017: Ed's Divide, Kendrick's DAMN., Bruno's 24K Magic. All of which have had #1 hits.
|
|
|
Post by Naos on Oct 10, 2017 1:26:48 GMT -5
That argument doesn't work in today's environment. Because you can buy singles without the album. A lot of the songs were released as singles if they were popular enough. And no, you don't need a huge hit to sell albums. Artists show this time and time again, especially with older acts. What older acts actually sell albums today? Doing 100K first week, then struggling to do 200K isn't selling albums. Metallica is the only old act I can think of recently with big sales, and they had ticket bundling along with the fact they've always been huge sellers without big mainstream charting hits. Their self-titled is the best-selling album of the Soundscan era, and it had 0 Top 10s along with 0 songs that charted on mainstream radio. That's more of an anomaly than a standard. Similar to Drake always being huge on streaming, and even if he releases a surprise full-length project with no hits at the time it'll still break streaming records. And I'd say the argument works as well in today's environment. The top 3 selling albums by artists in 2017: Ed's Divide, Kendrick's DAMN., Bruno's 24K Magic. All of which have had #1 hits. It is still selling albums given today's state of sales. Kesha's Rainbow, Thomas Rhett's Life Changes, Pentatonix's A Pentatonix Christmas, Jay-Z's 4:44, all do pretty well on sales, and were #1 albums in 2017, despite having no massive hits on the charts. "Praying" did okay, "Craving You" barely touched the Top 40, "Hallelujah" couldn't even last 15 weeks, and Jay-Z, well, his songs left the charts pretty quick.
|
|
|
Post by areyoureadytojump on Oct 10, 2017 18:10:51 GMT -5
Shania squeezes in at #20. hitsdailydouble.com/news&id=308807Tuesday, October 10, 2017 TOP 20: PETTY CASH EDITIONTom Petty and the Heartbreakers get the edge today with their Greatest Hits. Possible spoilers include debuts from Lil Pump and NF, each nipping at the heels of #1. Post Malone moves into the Top 5 for the first time. Kane Brown’s self-titled Deluxe Edition rounds out this week’s Top 5, and will be the #1 Country album. 1. Tom Petty & The Heartbreakers (MCA) 48-53k SPS, 29-32k Sales 2. *Lil Pump (Warner Bros.) 45-50k, 9-11k 3. *NF (NF Real Music) 45-50k, 33-36k 4. Post Malone (Republic) 40-44k, 3-4k 5. *Kane Brown ‘Deluxe Edition’ (RCA Nashville) 39-43k, 25-28k 6. Lil Uzi Vert (Generation Now/Atlantic) 37-40k, <1k 7. A Boogie Wit Da Hoodie (Highbridge/Atlantic) 34-37k, 1-2k 8. *Marilyn Manson (Loma Vista/Concord) 32-35k, 29-32k 9. Imagine Dragon (Kidinakorner/Interscope) 32-35k, 11-13k 10. Kendrick Lamar (TDE/Interscope) 29-32k, 3-4k 11. Ed Sheeran (Atlantic) 28-31k, 8-9k 12. Khalid (Right Hand Music/RCA) 27-30k, 3-4k 13. XXXtentacion (Bad Vibes Forever/Empire) 23-26k, 1-2k 14. SZA (TDE/RCA) 21-24k, 2-3k 15. Kodak Black (Atlantic) 20-23k, <1k 16. BTS (BigHit Entertainment) 20-23k, 13-15k 17. Demi Lovato (Island/Safehouse/Hollywood) 20-23k, 8-9k 18. Logic (Def Jam) 18-20k, 1-2k 19. Thomas Rhett (Valory/BMLG) 17-19k, 8-9k 20. Shania Twain (Mercury Nashville) 16-18k, 14-16k *DEBUTS
|
|
onebuffalo
Diamond Member
#LiteralLegender
I am One Buffalo.
Joined: June 2009
Posts: 26,595
|
Post by onebuffalo on Oct 10, 2017 18:16:13 GMT -5
That's like an 80% drop for Shania Twain.
|
|
Au$tin
Diamond Member
Pop Culture Guru
Joined: August 2008
Posts: 54,541
My Charts
Pronouns: He/his/him
|
Post by Au$tin on Oct 10, 2017 18:31:16 GMT -5
Taylor Swift's second week versus Eminem's first week would definitely be the most exciting week in album sales this year. I don't think there's any way Taylor would beat Eminem with her second week. That would be very sad for Em. I didn't mean that, I just meant the top two would be solid, large numbers.
|
|
|
Post by nevillelongbottom on Oct 10, 2017 19:00:49 GMT -5
*sighs*
If only all of these physical BTS albums could have been counted week 1. Oh well, at least they're having better longevity than they've had in the past.
|
|
|
Post by Naos on Oct 10, 2017 23:38:36 GMT -5
*sighs* If only all of these physical BTS albums could have been counted week 1. Oh well, at least they're having better longevity than they've had in the past. How long did they last last time? Two weeks?
|
|
|
Post by nevillelongbottom on Oct 10, 2017 23:48:17 GMT -5
*sighs* If only all of these physical BTS albums could have been counted week 1. Oh well, at least they're having better longevity than they've had in the past. How long did they last last time? Two weeks? Yeah, their last two albums both spent two weeks on the chart.
|
|
|
Post by Naos on Oct 10, 2017 23:55:08 GMT -5
How long did they last last time? Two weeks? Yeah, their last two albums both spent two weeks on the chart. Yeah, they should do slightly better this time around, helped by "DNA". I doubt they'll ever be massive outside Asia though, but still reasonably impressive.
|
|
Future Captain
4x Platinum Member
hi, i'm the visual representation of untreated mental illnesses
Joined: September 2014
Posts: 4,000
My Charts
|
Post by Future Captain on Oct 11, 2017 1:24:26 GMT -5
That's like an 80% drop for Shania Twain. it's actually a very good drop. most bundled album fell close to 90% second week.
|
|
Enigma.
Diamond Member
Joined: July 2007
Posts: 13,587
|
Post by Enigma. on Oct 11, 2017 1:57:20 GMT -5
Fabulous for Kane Brown if a re-release means a new peak!
|
|
Envoirment
Diamond Member
Joined: December 2009
Posts: 13,544
|
Post by Envoirment on Oct 12, 2017 13:29:22 GMT -5
I don't think there's any way Taylor would beat Eminem with her second week. That would be very sad for Em. I didn't mean that, I just meant the top two would be solid, large numbers. Taylor's first week could have two with big numbers. Taylor's releasing the week of Sam Smith's second week. I can see him doing some really good numbers in his second week.
|
|
|
Post by areyoureadytojump on Oct 13, 2017 14:27:44 GMT -5
I have to be at my job tonight so I cannot post the Final chart. Thanks.
|
|
|
Post by areyoureadytojump on Oct 13, 2017 20:00:30 GMT -5
Never mind... hitsdailydouble.com/news&id=308867Friday, October 13, 2017 CHART STORY: HIP-HOP ON TOPRapper NF’s third studio album, Perception (NF Real Music/Caroline), has exceeded expectations, debuting at #1 on the Sales Plus Streaming (SPS) Chart with more than 53k. The 16-track project had Capitol Music Group’s fastest-selling D2C pre-order of the year. Tom Petty & The Heartbreakers’ Greatest Hits (MCA) holds at #2, tacking on 47k, while fans continue to mourn the loss of the late great frontman. As for the remaining new releases, Lil Pump’s self-titled set—out via Tha Lights Global/Warner Bros.—rounds out the Top 3, while Kane Brown’s Kane Brown (RCA Nashville/Zone 4) bows at #5 with 42k, Marilyn Manson’s Heaven Upside Down (Loma Vista) enters at #9 with north of 31k and August Burns Red’s Phantom Anthem (Fearless) debuts at #20 with nearly 18k. Post Malone’s Stoney (Republic), meanwhile, returns to the Top 5, landing at #4 with an additional 44k, which makes sense considering the rapper’s currently the most-streamed artist in the world. That said, his latest single “rockstar” f/21 Savage—off upcoming album Beerbongs & Bentleys, due early 2018—spends another week atop our Streaming Songs Chart with approximately 34m more streams. Remember, in less than a month, the track amassed 160m+ streams on Spotify. And Korean group BTS re-enters this week at #14, in tandem with the physical release of Love Yourself (Bighit Entertainment), which turned heads when it flew to #1 at iTunes in 73 markets upon release last month. When it comes to the battle for SPS marketshare, UMG leads with 47%, WMG follows with 27% and SME is #3 with 23%, while the indies trail with 3%. Streeting this week are albums from RCA’s P!nk, Capitol’s Beck and Atlantic’s Gucci Mane, as well as eOne’s Wu-Tang Clan, Loma Vista’s St. Vincent, Matador’s Courtney Barnett & Kurt Vile, Big Machine’s Carly Pearce, Epic’s Jessie James Decker and Nonesuch’s Robert Plant.
|
|
|
Post by areyoureadytojump on Oct 13, 2017 20:02:02 GMT -5
hitsdailydouble.com/sales_plus_streamingSALES PLUS STREAMING CHARTMARKETSHARE: UMG 47% WMG 27% SME 23% INDIE 3% -- 1 NF PERCEPTION NF REAL MUSIC/CAROLINE 53,191 --2 2 TOM PETTY GREATEST HITS MCA 46,809 -37% -- 3 LIL PUMP LIL PUMP THA LIGHTS GLOBAL/WARNER BROS. 45,166 -- 6 4 POST MALONE STONEY REPUBLIC 43,746 4% -- 5 KANE BROWN KANE BROWN (DELUXE EDITION) RCA NASHVILLE/ZONE 4 42,128 324% 4 6 A BOOGIE WIT DA HOODIE THE BIGGER ARTIST HIGHBRIDGE/ATLANTIC 41,450 -32% 7 7 LIL UZI VERT LUV IS RAGE 2 GENERATION NOW/ATLANTIC 36,565 -4% 8 8 IMAGINE DRAGONS EVOLVE KIDINAKORNER/INTERSCOPE 32,512 -14% -- 9 MARILYN MANSON HEAVEN UPSIDE DOWN LOMA VISTA/CONCORD 31,458 -- 11 10 ED SHEERAN DIVIDE ATLANTIC 29,688 -1% 9 11 KENDRICK LAMAR DAMN. TDE/INTERSCOPE 28,045 -16% 10 12 KHALID AMERICAN TEEN RIGHT HAND MUSIC/RCA 27,464 -10% 12 13 XXXTENTACION 17 BAD VIBES FOREVER/EMPIRE 23,846 -12% -- 14 BTS LOVE YOURSELF BIGHIT ENTERTAINMENT 22,605 -- 3 15 DEMI LOVATO TELL ME YOU LOVE ME ISLAND/SAFEHOUSE/HOLLYWOOD 21,978 -70% 13 16 SZA CTRL TDE/RCA 21,443 -10% 21 17 KODAK BLACK PROJECT BABY 2 ATLANTIC 20,313 10% -- 18 AUGUST BURNS RED PHANTOM ANTHEM FEARLESS 19,528 -- 19 19 21 SAVAGE ISSA ALBUM SLAUGHTER GANG/EPIC 17,979 -11% 17 20 LOGIC EVERYBODY DEF JAM 17,804 -17% 16 21 DRAKE MORE LIFE YMCMB/REPUBLIC 16,965 -21% 20 22 JHENE AIKO TRIP ARTIUM/DEF JAM 16,201 -18% -- 23 LIAM GALLAGHER AS YOU WERE WARNER BROS. 15,313 -- 27 24 HAMILTON ORIGINAL BROADWAY CAST UPTOWN/ATLANTIC 14,813 -3% 23 25 KEVIN GATES BY ANY MEANS 2 BREAD WINNERS' ASSOCIATION/ATLANTIC 14,783 -14% 5 26 MILEY CYRUS YOUNGER NOW RCA 14,417 -69% 18 27 MACKLEMORE GEMINI BENDO LLC. 14,162 -30% 1 28 SHANIA TWAIN NOW MERCURY NASHVILLE 14,141 -89% 24 29 THE WEEKND STARBOY XO/REPUBLIC 14,100 -16% 25 30 MIGOS CULTURE QUALITY CONTROL 13,455 -17% 22 31 BRUNO MARS 24K MAGIC ATLANTIC 13,183 -28% 15 32 THOMAS RHETT LIFE CHANGES VALORY/BMLG 12,794 -41% 30 33 MOANA SOUNDTRACK WALT DISNEY 12,368 -15% 37 34 KESHA RAINBOW KEMOSABE/RCA 11,871 -11% 26 35 TOM PETTY WILDFLOWERS WARNER BROS. 11,390 -29% 33 36 TRAVIS SCOTT BIRDS IN THE TRAP SING MCKNIGHT EPIC 11,117 -19% -- 37 THE BLACK DAHLIA MURDER NIGHTBRINGERS METAL BLADE 11,055 -- 38 38 HALSEY HOPELESS FOUNTAIN KINGDOM ASTRALWERKS 10,793 -19% 32 39 2 CHAINZ PRETTY GIRLS LIKE TRAP MUSIC DEF JAM 10,755 -22% 31 40 DJ KHALED GRATEFUL WE THE BEST/EPIC 10,691 -24% 35 41 DRAKE VIEWS YMCMB/REPUBLIC 10,369 -23% 42 42 LUKE COMBS THIS ONE'S FOR YOU RIVER HOUSE/COLUMBIA NASHVILLE 10,049 -18% 41 43 RUSS THERE'S REALLY A WOLF COLUMBIA 9,877 -22% -- 44 TOM PETTY ANTHOLOGY: THROUGH THE YEARS MCA 9,679 54% -- 45 GWEN STEFANI YOU MAKE IT FEEL LIKE CHRISTMAS INTERSCOPE 9,656 -- 48 46 CHRIS STAPLETON TRAVELLER MERCURY NASHVILLE 9,502 -10% 50 47 SHAWN MENDES ILLUMINATE ISLAND 9,097 -12% 44 48 FRENCH MONTANA JUNGLE RULES BAD BOY/EPIC 9,061 -20% 47 49 PLAYBOI CARTI PLAYBOI CARTI AWGE/INTERSCOPE 9,034 -15% 45 50 PORTUGAL, THE MAN WOODSTOCK
|
|
|
Post by areyoureadytojump on Oct 13, 2017 20:02:58 GMT -5
hitsdailydouble.com/building_album_chartBUILDING ALBUM SALES CHARTMARKETSHARE: UMG 61% SME 25% WMG 14% -- 1 NF PERCEPTION NF REAL MUSIC/CAROLINE 35,821 ---- 2 MARILYN MANSON HEAVEN UPSIDE DOWN LOMA VISTA/CONCORD 28,986 -- -- 3 KANE BROWN KANE BROWN (DELUXE EDITION) RCA NASHVILLE/ZONE 4 27,295 1235% 2 4 TOM PETTY GREATEST HITS MCA 26,809 -47% -- 5 AUGUST BURNS RED PHANTOM ANTHEM FEARLESS 18,604 -- -- 6 BTS LOVE YOURSELF BIGHIT ENTERTAINMENT 15,515 -- -- 7 LIAM GALLAGHER AS YOU WERE WARNER BROS. 14,836 -- 1 8 SHANIA TWAIN NOW MERCURY NASHVILLE 13,041 -90% -- 9 THE BLACK DAHLIA MURDER NIGHTBRINGERS METAL BLADE 11,055 -- 6 10 IMAGINE DRAGONS EVOLVE KIDINAKORNER/INTERSCOPE 10,512 -27% -- 11 GWEN STEFANI YOU MAKE IT FEEL LIKE CHRISTMAS INTERSCOPE 9,188 -- -- 12 JEREMY CAMP THE ANSWER SPARROW 8,086 -- 18 13 ED SHEERAN DIVIDE ATLANTIC 7,688 -2% -- 14 BLADE RUNNER 2046 SOUNDTRACK EPIC 7,636 -- 4 15 MILEY CYRUS YOUNGER NOW RCA 7,417 -78% -- 16 LIL PUMP LIL PUMP THA LIGHTS GLOBAL/WARNER BROS. 7,044 -- 3 17 DEMI LOVATO TELL ME YOU LOVE ME ISLAND/SAFEHOUSE/HOLLYWOOD 6,978 -85% -- 18 THE REPLACEMENTS FOR SALE: LIVE AT MAXWELL'S 1986 RHINO 6,939 -- 11 19 FOO FIGHTERS CONCRETE AND GOLD ROSWELL/RCA 5,840 -45% 27 20 HAMILTON ORIGINAL BROADWAY CAST UPTOWN/ATLANTIC 5,570 2% 21 21 NOW 63 VARIOUS ARTISTS NOW 5,321 -13% 22 22 VOL. 2 GUARDIANS OF THE GALAXY: AWESOME MIX, VOL. 2 SOUNDTRACK HOLLYWOOD 5,275 -13% 24 23 MOANA SOUNDTRACK WALT DISNEY 4,940 -14% 8 24 MICHAEL JACKSON SCREAM LEGACY 4,875 -59% 31 25 CHRIS STAPLETON TRAVELLER MERCURY NASHVILLE 4,637 -4% 30 26 MIDLAND ON THE ROCKS BIG MACHINE/BMLG 4,456 -9% 17 27 BRUNO MARS 24K MAGIC ATLANTIC 4,186 -49% 43 28 KESHA RAINBOW KEMOSABE/RCA 3,890 6% 48 29 POST MALONE STONEY REPUBLIC 3,746 16% 19 30 TOM PETTY WILDFLOWERS WARNER BROS. 3,501 -48% 34 31 GREGG ALLMAN SOUTHERN BLOOD ROUNDER 3,496 -19% 32 32 VAN MORRISON ROLL WITH THE PUNCHES CAROLINE 3,452 -23% 35 33 LUKE COMBS THIS ONE'S FOR YOU RIVER HOUSE/COLUMBIA NASHVILLE 3,440 -20% 26 34 JAY-Z 4:44 ROC NATION 3,414 -40% 39 35 TROLLS SOUNDTRACK RCA 3,397 -15% 38 36 DESCENDANTS 2 SOUNDTRACK WALT DISNEY 3,248 -20% 5 37 TAMAR BRAXTON BLUEBIRD OF HAPPINESS TAMARTIANLAND 3,239 -83% 23 38 TOM PETTY ANTHOLOGY: THROUGH THE YEARS MCA 3,138 -48% 10 39 PEARL JAM LET'S PLAY TWO REPUBLIC 3,101 -73% 20 40 KENDRICK LAMAR DAMN. TDE/INTERSCOPE 3,045 -54% 7 41 PRIMUS THE DESATURATING SEVEN ATO 3,013 -79% 47 42 KHALID AMERICAN TEEN RIGHT HAND MUSIC/RCA 2,964 -10% 37 43 TOM PETTY FULL MOON FEVER MCA 2,731 -35% 40 44 LECRAE ALL THINGS WORK TOGETHER REACH 2,542 -35% 50 45 SZA CTRL TDE/RCA 2,443 -20% 36 46 LADY GAGA JOANNE INTERSCOPE 2,183 -49% 15 47 THOMAS RHETT LIFE CHANGES VALORY/BMLG 2,182 -76% 29 48 CHRIS STAPLETON FROM A ROOM: VOLUME 1 MERCURY NASHVILLE 2,136 -57% -- 49 TOM PETTY & THE HEARTBREAKERS DAMN THE TORPEDOES MCA 2,123 -- -- 50 THE WEEKND STARBOY XO/REPUBLIC 2,116 -16%
|
|
|
Post by Naos on Oct 13, 2017 23:17:38 GMT -5
Okay, how the hell did Life Changes drop 76%? It was doing just fine in iTunes throughout the week from my knowledge. And does that mean most of its success now is coming from streaming? First off, doesn't make sense for an album marketed as country, and second, he only has two songs in the top 200 on Spotify.
|
|