dawhite76
Charting
Joined: July 2005
Posts: 360
|
Post by dawhite76 on Apr 20, 2021 13:53:35 GMT -5
Here's another update - the 1998 version of "I Honestly Love You" is a new version recorded for Olivia's "Back With A Heart" album produced by David Foster with background vocals by Babyface. The 1977 version is the same as the 1974 hit, although they were different records. Each had a different B-side on the vinyl single as they promoted different albums - 1974's "If You Love Me Let Me Know" and 1977's "Greatest Hits."
|
|
jebsib
Platinum Member
Joined: September 2004
Posts: 1,927
|
Post by jebsib on Apr 23, 2021 10:29:33 GMT -5
A few more:
Don’t Stand So Close to Me, The Police 1981 - 18 weeks peaked at #10 1986 - 9 weeks peaked at #46 Re-recorded and modernized to promote greatest hits LP
You Can Call Me Al, Paul Simon 1986 - 14 weeks peaked at #44 1987 - 15 weeks peaked at #23 Re-released to radio after Grammy Award sweep
Valerie, Steve Winwood 1982 - 4 weeks peaked at #79 1987 - 20 weeks peaked at #9 Remixed and re-released to promote Greatest Hits LP
Send Me an Angel, Real Life 1984 - 18 weeks peaked at #29 1989 - 16 weeks peaked at #26 Another in a year long campaign of re-releasing previous semi-hits
In Your Eyes, Peter Gabriel 1986 - 14 weeks peaked at #26 1989 - 14 weeks peaked at #41 Appeared in hot movie (Say Anything)
Tarzan Boy, Baltimora 1986 - 26 weeks peaked at #13 1993 - 12 weeks peaked at #51 Appeared in popular Listerine commercial & hot movie (TMNT 2)
My Sharona, The Knack 1979 - 22 weeks peaked at #1 1994 - 4 weeks peaked at #91 Appeared in hot movie (Reality Bites)
I'm certain there are a few more.
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Feb 23, 2022 15:08:09 GMT -5
Lose Yourself, Eminem Original release 2002 from the 8 Mile Soundtrack #1 - 12 weeks
Hot 100
weeks pos date 1 43 10/05/2002 2 18 10/12/2002 3 9 10/19/2002 4 6 10/26/2002 5 2 11/02/2002 6 1 11/09/2002 7 1 11/16/2002 8 1 11/23/2002 9 1 11/30/2002 10 1 12/07/2002 11 1 12/14/2002 12 1 12/21/2002 13 1 12/28/2002 14 1 01/04/2003 15 1 01/11/2003 16 1 01/18/2003 17 1 01/25/2003 18 9 02/01/2003 19 15 02/08/2003 20 23 02/15/2003 21 29 02/22/2003 22 34 03/01/2003 23 43 03/08/2003
Recurrent chart
weeks pos date 1 3 03/15/2003 2 7 03/22/2003 3 10 03/29/2003 4 9 04/05/2003 5 8 04/12/2003 6 15 04/19/2003 7 16 04/26/2003 8 21 05/03/2003 9 18 05/10/2003 10 20 05/17/2003 11 20 05/24/2003 12 24 05/31/2003 13 18 06/07/2003 14 20 06/14/2003 15 22 06/21/2003 16 30 06/28/2003 17 29 07/26/2003 18 11 11/05/2005 19 2 11/12/2005 20 3 11/19/2005 21 6 11/26/2005 22 16 12/03/2005 23 30 12/10/2005 24 16 12/24/2005 25 16 12/31/2005 26 20 01/07/2006 27 12 01/14/2006 28 15 01/21/2006 29 19 01/28/2006 30 17 02/04/2006 31 30 01/08/2011 32 18 02/26/2011 33 15 03/05/2011 34 15 03/12/2011 35 17 03/19/2011 36 22 03/26/2011 37 28 01/14/2012 38 18 06/13/2015 39 20 02/22/2020
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Feb 23, 2022 15:11:04 GMT -5
The Next Episode, Dr. Dre Featuring Snoop Dogg Original release 2000 peak #23
Hot 100
weeks pos date 1 78 05/27/2000 2 67 06/03/2000 3 58 06/10/2000 4 53 06/17/2000 5 46 06/24/2000 6 41 07/01/2000 7 32 07/08/2000 8 27 07/15/2000 9 26 07/22/2000 10 23 07/29/2000 11 26 08/05/2000 12 27 08/12/2000 13 32 08/19/2000 14 32 08/26/2000 15 44 09/02/2000 16 46 09/09/2000 17 47 09/16/2000 18 50 09/23/2000 19 52 09/30/2000 20 58 10/07/2000 21 37 02/26/2022
Recurrents
weeks pos date 1 4 10/14/2000 2 7 10/21/2000 3 11 10/28/2000 4 10 11/04/2000 5 15 11/11/2000 6 18 11/18/2000 7 16 11/25/2000 8 21 12/02/2000 9 18 12/09/2000 10 25 12/16/2000 11 30 01/06/2001 12 20 12/01/2018
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Feb 23, 2022 15:13:31 GMT -5
Still Dre, Dr. Dre featuring Snoop Dogg Original release 1999
Hot 100
weeks pos date 1 93 11/27/1999 2 93 12/04/1999 3 98 12/18/1999 4 98 12/25/1999 5 99 02/05/2000 6 23 02/26/2022 -- new peak
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Feb 23, 2022 17:41:52 GMT -5
Reurrent re-entries
10 - - 1 California Love, 2Pac Featuring Dr. Dre And Roger Troutman 12 - - 93 In Da Club, 50 Cent 14 - - 7 Forgot About Dre, Dr. Dre Featuring Eminem 21 - - 25 Family Affair, Mary J. Blige
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Mar 24, 2022 16:25:57 GMT -5
The 4th chart entry from the 1991 album 'Nevermind' makes its debut
46 - - 1 Something In The Way, Nirvana 46
Previously also charted in 2020 on Hot Digital Songs
Other singles from Nevermind
Smells Like Teen Spirit #6 Come As You Are #32 Lithium #64
Side note --- Smells Like Nirvana from Weird Al hit #35
|
|
Psych
Bubbling Under
Joined: February 2022
Posts: 5
|
Post by Psych on Apr 1, 2022 22:16:30 GMT -5
Here's a comprehensive list of all re-entries using your criteria (no Xmas songs, minimum 10 weeks total on the chart, peaked in the Top 40) {Spoiler} DEBUT | | | PEAK | | | SONG | ARTIST | PEAK | Runs | Weeks | 1958 | 8 | 18 | 1958 | 9 | 22 | Summertime, Summertime | The Jamies | #26 | 2 | 19 | 1958 | 10 | 6 | 1959 | 1 | 19 | A Lover's Question | Clyde McPhatter | #6 | 2 | 24 | 1958 | 10 | 13 | 1958 | 12 | 1 | I'll Wait For You | Frankie Avalon | #15 | 2 | 17 | 1958 | 11 | 3 | 1962 | 1 | 20 | Dreamy Eyes | Johnny Tillotson | #35 | 3 | 23 | 1958 | 12 | 15 | 1959 | 3 | 2 | Pretty Girls Everywhere | Eugene Church and The Fellows | #36 | 2 | 15 | 1959 | 1 | 12 | 1959 | 2 | 16 | Nola | Billy Williams | #39 | 2 | 12 | 1959 | 2 | 16 | 1959 | 3 | 16 | Alvin's Harmonica | David Seville And The Chipmunks | #3 | 3 | 15 | 1959 | 4 | 13 | 1959 | 8 | 3 | My Heart Is An Open Book | Carl Dobkins, Jr. | #3 | 2 | 24 | 1959 | 5 | 11 | 1959 | 7 | 6 | Little Dipper | The Mickey Mozart Quintet | #30 | 2 | 10 | 1959 | 5 | 18 | 1959 | 6 | 22 | Tall Cool One | The Wailers | #36 | 2 | 23 | 1959 | 5 | 18 | 1959 | 6 | 29 | The Wonder Of You | Ray Peterson | #25 | 2 | 19 | 1959 | 7 | 13 | 1961 | 3 | 27 | Dedicated To The One I Love | The Shirelles | #3 | 2 | 20 | 1959 | 8 | 10 | 1959 | 10 | 19 | Just As Much As Ever | Bob Beckham | #32 | 2 | 21 | 1959 | 10 | 12 | 1960 | 1 | 18 | Running Bear | Johnny Preston | #1 | 2 | 27 | 1959 | 12 | 28 | 1966 | 1 | 1 | Harlem Nocturne | The Viscounts | #39 | 2 | 29 | 1960 | 5 | 9 | 1960 | 9 | 5 | Hot Rod Lincoln | Charlie Ryan and the Timberline Riders | #33 | 3 | 19 | 1960 | 5 | 30 | 1960 | 7 | 25 | Heartbreak (It's Hurtin' Me) | Little Willie John | #38 | 2 | 12 | 1960 | 8 | 1 | 1960 | 9 | 19 | The Twist | Chubby Checker | #1 | 2 | 39 | 1960 | 8 | 8 | 1960 | 10 | 24 | Never On Sunday | Don Costa And His Orchestra And Chorus | #19 | 2 | 26 | 1960 | 8 | 8 | 1960 | 10 | 17 | Run Samson Run | Neil Sedaka | #28 | 2 | 11 | 1960 | 10 | 24 | 1960 | 12 | 12 | Last Date | Lawrence Welk And His Orchestra | #21 | 2 | 11 | 1961 | 1 | 23 | 1961 | 4 | 10 | Ginnie Bell | Paul Dino | #38 | 2 | 12 | 1961 | 4 | 24 | 1961 | 7 | 3 | Jura (I Swear I Love You) | Les Paul And Mary Ford | #37 | 2 | 10 | 1961 | 5 | 8 | 1961 | 6 | 12 | Stand By Me | Ben E. King | #4 | 2 | 35 | 1961 | 6 | 5 | 1961 | 8 | 21 | Right Or Wrong | Wanda Jackson | #29 | 2 | 11 | 1961 | 6 | 19 | 1961 | 8 | 7 | Let's Twist Again | Chubby Checker | #8 | 2 | 23 | 1961 | 7 | 10 | 1961 | 10 | 2 | The Astronaut (Parts 1 & 2) | Jose Jimenez | #19 | 2 | 11 | 1961 | 7 | 31 | 1961 | 9 | 18 | A Little Bit Of Soap | The Jarmels | #12 | 2 | 10 | 1961 | 8 | 7 | 1961 | 11 | 6 | Candy Man | Roy Orbison | #25 | 2 | 14 | 1961 | 10 | 9 | 1961 | 12 | 25 | Moon River | Henry Mancini And His Orchestra | #11 | 2 | 26 | 1961 | 10 | 16 | 1962 | 1 | 6 | 'Til | The Angels | #14 | 2 | 14 | 1961 | 11 | 13 | 1961 | 12 | 18 | The Lion Sleeps Tonight | The Tokens | #1 | 2 | 28 | 1962 | 2 | 17 | 1962 | 4 | 28 | Soul Twist | King Curtis And The Noble Knights | #17 | 2 | 13 | 1962 | 6 | 23 | 1962 | 8 | 25 | Bring It On Home To Me | Sam Cooke | #13 | 2 | 11 | 1962 | 8 | 4 | 1962 | 10 | 6 | Let's Dance | Chris Montez | #4 | 2 | 14 | 1962 | 8 | 11 | 1962 | 10 | 20 | Do You Love Me | The Contours | #3 | 2 | 34 | 1962 | 9 | 8 | 1962 | 10 | 20 | Monster Mash | Bobby "Boris" Pickett And The Crypt-Kickers | #1 | 4 | 38 | 1962 | 10 | 6 | 1963 | 1 | 12 | Wiggle Wobble | Les Cooper and the Soul Rockers | #22 | 2 | 16 | 1962 | 10 | 27 | 1962 | 12 | 22 | Release Me | Esther Phillips "Little Esther" | #8 | 2 | 16 | 1963 | 3 | 23 | 1963 | 5 | 25 | Surfin' U.S.A. | The Beach Boys | #3 | 2 | 25 | 1963 | 6 | 22 | 1963 | 8 | 10 | Wipe Out | The Surfaris | #2 | 2 | 30 | 1963 | 10 | 19 | 1964 | 2 | 29 | What's Easy For Two Is So Hard For One | Mary Wells | #29 | 2 | 17 | 1963 | 11 | 9 | 1963 | 12 | 14 | Louie Louie | The Kingsmen | #2 | 2 | 18 | 1963 | 11 | 30 | 1964 | 3 | 7 | The Shelter Of Your Arms | Sammy Davis Jr. | #17 | 2 | 17 | 1964 | 3 | 14 | 1964 | 4 | 4 | Twist And Shout | The Beatles | #2 | 2 | 26 | 1964 | 9 | 5 | 1964 | 11 | 7 | Last Kiss | J. Frank Wilson and The Cavaliers | #2 | 2 | 20 | 1964 | 9 | 26 | 1964 | 11 | 7 | Cousin Of Mine | Sam Cooke | #31 | 2 | 12 | 1965 | 3 | 27 | 1965 | 5 | 8 | I Do Love You | Billy Stewart | #26 | 2 | 13 | 1965 | 7 | 17 | 1965 | 8 | 28 | Unchained Melody | The Righteous Brothers | #4 | 2 | 32 | 1966 | 5 | 21 | 1970 | 9 | 12 | Solitary Man | Neil Diamond | #21 | 2 | 24 | 1966 | 7 | 23 | 1966 | 8 | 13 | They're Coming To Take Me Away, Ha-Haaa! | Napoleon XIV | #3 | 2 | 10 | 1966 | 10 | 1 | 1966 | 12 | 10 | But It's Alright | J.J. Jackson | #22 | 2 | 23 | 1966 | 10 | 15 | 1966 | 12 | 10 | Whispers (Gettin' Louder) | Jackie Wilson | #11 | 2 | 12 | 1966 | 12 | 31 | 1967 | 3 | 18 | Let's Fall In Love | Peaches & Herb | #21 | 2 | 12 | 1967 | 4 | 22 | 1967 | 9 | 23 | Blue's Theme | Davie Allan And The Arrows | #37 | 2 | 17 | 1967 | 5 | 13 | 1967 | 7 | 22 | Make Me Yours | Bettye Swann | #21 | 2 | 14 | 1967 | 6 | 3 | 1967 | 7 | 29 | Light My Fire | The Doors | #1 | 2 | 23 | 1967 | 7 | 8 | 1968 | 8 | 31 | You Keep Me Hangin' On | The Vanilla Fudge | #6 | 2 | 17 | 1967 | 7 | 8 | 1968 | 11 | 2 | Gentle On My Mind | Glen Campbell | #39 | 2 | 16 | 1967 | 7 | 22 | 1967 | 11 | 4 | The Look Of Love | Dusty Springfield | #22 | 2 | 15 | 1967 | 8 | 5 | 1967 | 8 | 26 | Ode To Billie Joe | Bobbie Gentry | #1 | 2 | 20 | 1967 | 9 | 2 | 1969 | 9 | 6 | Get Together | The Youngbloods | #5 | 2 | 25 | 1967 | 9 | 9 | 1969 | 9 | 13 | I'll Never Fall In Love Again | Tom Jones | #6 | 2 | 23 | 1967 | 11 | 18 | 1967 | 12 | 2 | Daydream Believer | The Monkees | #1 | 2 | 16 | 1968 | 1 | 13 | 1968 | 8 | 31 | Sunshine Of Your Love | Cream | #5 | 2 | 26 | 1968 | 1 | 27 | 1981 | 3 | 21 | Guitar Man | Elvis Presley | #28 | 2 | 20 | 1968 | 8 | 24 | 1968 | 10 | 26 | In-A-Gadda-Da-Vida | Iron Butterfly | #30 | 2 | 17 | 1969 | 1 | 18 | 1969 | 5 | 3 | Will You Be Staying After Sunday | The Peppermint Rainbow | #32 | 2 | 14 | 1969 | 5 | 24 | 1970 | 6 | 27 | I Want To Take You Higher | Sly & The Family Stone | #38 | 2 | 16 | 1969 | 6 | 21 | 1972 | 2 | 12 | Feeling Alright | Joe Cocker | #33 | 2 | 15 | 1969 | 8 | 23 | 1969 | 10 | 25 | Walk On By | Isaac Hayes | #30 | 2 | 12 | 1969 | 10 | 11 | 1970 | 1 | 24 | She Belongs To Me | Rick Nelson | #33 | 2 | 18 | 1969 | 11 | 1 | 1970 | 1 | 24 | Cupid | Johnny Nash | #39 | 2 | 14 | 1969 | 12 | 20 | 1970 | 6 | 13 | Come Saturday Morning | The Sandpipers | #17 | 2 | 20 | 1970 | 1 | 31 | 1971 | 5 | 29 | Superstar | Murray Head With The Trinidad Singers | #14 | 3 | 31 | 1970 | 4 | 4 | 1970 | 7 | 11 | Mississippi Queen | Mountain | #21 | 2 | 17 | 1970 | 5 | 2 | 1970 | 7 | 18 | O-o-h Child/Dear Prudence | The 5 Stairsteps | #8 | 2 | 16 | 1970 | 7 | 25 | 1975 | 2 | 15 | Big Yellow Taxi | Joni Mitchell | #24 | 2 | 16 | 1970 | 7 | 25 | 1970 | 9 | 12 | 25 Or 6 To 4 | Chicago | #4 | 2 | 20 | 1970 | 8 | 29 | 1970 | 10 | 24 | Lola | The Kinks | #9 | 2 | 20 | 1970 | 11 | 7 | 1971 | 2 | 27 | Burning Bridges | The Mike Curb Congregation | #34 | 2 | 17 | 1971 | 1 | 2 | 1971 | 5 | 1 | Timothy | The Buoys | #17 | 3 | 17 | 1971 | 3 | 27 | 1972 | 8 | 5 | Layla | Derek & The Dominos | #10 | 2 | 25 | 1971 | 4 | 10 | 1971 | 8 | 28 | Take Me Home, Country Roads | John Denver | #2 | 2 | 23 | 1971 | 5 | 22 | 1971 | 11 | 13 | I've Found Someone Of My Own | The Free Movement | #5 | 2 | 26 | 1971 | 6 | 5 | 1971 | 7 | 17 | Stop, Look, Listen (To Your Heart) | The Stylistics | #39 | 2 | 16 | 1971 | 7 | 3 | 1971 | 9 | 11 | K-Jee | The Nite-Liters | #39 | 2 | 16 | 1971 | 9 | 18 | 1971 | 11 | 27 | One Tin Soldier, The Legend of Billy Jack | Coven | #26 | 2 | 18 | 1971 | 12 | 4 | 1972 | 1 | 15 | Once You Understand | Think | #23 | 2 | 18 | 1972 | 6 | 24 | 1972 | 12 | 9 | I Am Woman | Helen Reddy | #1 | 2 | 22 | 1972 | 10 | 7 | 1977 | 10 | 22 | I Just Want To Make Love To You | Foghat | #33 | 3 | 17 | 1973 | 1 | 27 | 1973 | 4 | 7 | Space Oddity | David Bowie | #15 | 2 | 15 | 1973 | 10 | 20 | 1976 | 4 | 10 | Dream On | Aerosmith | #6 | 2 | 29 | 1974 | 2 | 9 | 1976 | 10 | 30 | She's Gone | Daryl Hall John Oates | #7 | 2 | 28 | 1974 | 8 | 17 | 1974 | 10 | 5 | I Honestly Love You | Olivia Newton-John | #1 | 2 | 24 | 1974 | 11 | 23 | 1975 | 1 | 25 | Free Bird | Lynyrd Skynyrd | #19 | 2 | 20 | 1975 | 2 | 8 | 1975 | 5 | 31 | Hijack | Herbie Mann | #14 | 2 | 15 | 1975 | 3 | 8 | 1975 | 9 | 13 | Black Superman - "Muhammad Ali" | Johnny Wakelin & The Kinshasa Band | #21 | 2 | 27 | 1975 | 6 | 21 | 1977 | 11 | 26 | Send In The Clowns | Judy Collins | #19 | 2 | 27 | 1975 | 8 | 9 | 1975 | 11 | 8 | S.O.S. | ABBA | #15 | 2 | 17 | 1975 | 9 | 27 | 1976 | 1 | 10 | Let's Live Together | The Road Apples | #35 | 2 | 14 | 1976 | 1 | 3 | 1992 | 5 | 9 | Bohemian Rhapsody | Queen | #2 | 3 | 44 | 1976 | 3 | 20 | 1976 | 5 | 1 | Shout It Out Loud | KISS | #31 | 2 | 15 | 1976 | 4 | 3 | 1977 | 6 | 4 | Spirit In The Night | Manfred Mann's Earth Band | #40 | 2 | 11 | 1976 | 4 | 17 | 1976 | 6 | 5 | Crazy On You | Heart | #35 | 2 | 19 | 1976 | 7 | 3 | 1977 | 1 | 8 | I Never Cry | Alice Cooper | #12 | 2 | 27 | 1977 | 3 | 5 | 1978 | 5 | 27 | Disco Inferno | The Trammps | #11 | 2 | 29 | 1977 | 4 | 16 | 1977 | 6 | 18 | Dreams | Fleetwood Mac | #1 | 2 | 23 | 1977 | 5 | 7 | 1977 | 10 | 8 | On And On | Stephen Bishop | #11 | 2 | 28 | 1977 | 9 | 24 | 1982 | 5 | 22 | I've Never Been To Me | Charlene | #3 | 2 | 23 | 1977 | 10 | 22 | 1978 | 2 | 4 | We Will Rock You/We Are The Champions | Queen | #4 | 2 | 41 | 1977 | 11 | 19 | 1978 | 5 | 6 | More Than A Woman | Tavares | #32 | 2 | 21 | 1979 | 4 | 7 | 1979 | 5 | 26 | Old Time Rock & Roll | Bob Seger & The Silver Bullet Band | #28 | 2 | 22 | 1979 | 6 | 23 | 1979 | 8 | 25 | My Sharona (From "Reality Bites") | The Knack | #1 | 2 | 26 | 1980 | 6 | 14 | 1980 | 9 | 6 | Into The Night | Benny Mardones | #11 | 2 | 37 | 1980 | 8 | 2 | 1989 | 12 | 23 | Fool For Your Loving | Whitesnake | #37 | 2 | 22 | 1981 | 11 | 7 | 1982 | 1 | 9 | Under Pressure | Queen & David Bowie | #29 | 2 | 16 | 1982 | 4 | 24 | 1983 | 2 | 19 | Baby, Come To Me | Patti Austin With James Ingram | #1 | 2 | 32 | 1982 | 7 | 3 | 1982 | 9 | 11 | Hot In The City | Billy Idol | #23 | 2 | 27 | 1982 | 9 | 18 | 1983 | 2 | 12 | What About Me | Moving Pictures | #29 | 2 | 43 | 1982 | 9 | 18 | 1984 | 10 | 27 | I'm So Excited | The Pointer Sisters | #9 | 2 | 40 | 1982 | 10 | 30 | 1983 | 7 | 23 | 1999 | Prince | #12 | 4 | 30 | 1982 | 11 | 13 | 1987 | 12 | 19 | Valerie | Steve Winwood | #9 | 2 | 24 | 1983 | 1 | 22 | 1983 | 3 | 5 | Billie Jean | Michael Jackson | #1 | 2 | 25 | 1983 | 2 | 26 | 1983 | 5 | 21 | Little Red Corvette | Prince | #6 | 2 | 24 | 1983 | 5 | 14 | 1989 | 2 | 4 | When I'm With You | Sheriff | #1 | 2 | 28 | 1983 | 10 | 8 | 1984 | 10 | 27 | On The Dark Side | John Cafferty & The Beaver Brown Band | #7 | 2 | 27 | 1984 | 1 | 28 | 1984 | 3 | 24 | Somebody's Watching Me | Rockwell | #2 | 2 | 20 | 1984 | 1 | 28 | 1988 | 10 | 15 | Red Red Wine | UB40 | #1 | 2 | 40 | 1984 | 1 | 28 | 1985 | 1 | 12 | Tender Years | John Cafferty & The Beaver Brown Band | #31 | 2 | 19 | 1984 | 2 | 11 | 1984 | 3 | 3 | Thriller | Michael Jackson | #4 | 8 | 21 | 1984 | 4 | 7 | 1985 | 3 | 16 | Relax | Frankie Goes To Hollywood | #10 | 2 | 23 | 1984 | 6 | 2 | 1984 | 7 | 7 | When Doves Cry | Prince | #1 | 2 | 23 | 1984 | 6 | 16 | 1984 | 8 | 11 | Ghostbusters | Ray Parker Jr. | #1 | 2 | 22 | 1984 | 8 | 4 | 1984 | 9 | 29 | Let's Go Crazy | Prince And The Revolution | #1 | 2 | 21 | 1984 | 10 | 6 | 1984 | 11 | 17 | Purple Rain | Prince And The Revolution | #2 | 2 | 18 | 1984 | 12 | 15 | 1985 | 2 | 2 | I Would Die 4 U | Prince And The Revolution | #8 | 2 | 16 | 1984 | 12 | 22 | 1985 | 2 | 16 | Careless Whisper | Wham! Featuring George Michael | #1 | 2 | 22 | 1985 | 5 | 18 | 1985 | 7 | 20 | Raspberry Beret | Prince And The Revolution | #2 | 2 | 18 | 1985 | 10 | 19 | 1986 | 3 | 1 | Tarzan Boy (From "Teenage Mutant Ninja Turtles III") | Baltimora | #13 | 2 | 38 | 1985 | 10 | 26 | 1992 | 1 | 18 | Home Sweet Home | Motley Crue | #37 | 2 | 23 | 1985 | 12 | 7 | 1986 | 2 | 15 | How Will I Know | Whitney Houston | #1 | 2 | 24 | 1986 | 2 | 22 | 1986 | 4 | 19 | Kiss | Prince And The Revolution | #1 | 2 | 20 | 1986 | 3 | 1 | 1989 | 6 | 10 | Where Are You Now? | Jimmy Harnen With Synch | #10 | 2 | 36 | 1986 | 3 | 29 | 1986 | 5 | 17 | Greatest Love Of All | Whitney Houston | #1 | 2 | 20 | 1986 | 7 | 26 | 1987 | 7 | 11 | Every Little Kiss | Bruce Hornsby & The Range | #14 | 2 | 24 | 1986 | 8 | 9 | 1987 | 5 | 23 | You Can Call Me Al | Paul Simon | #23 | 2 | 29 | 1986 | 8 | 30 | 1986 | 10 | 25 | In Your Eyes (Theme From "Say Anything") | Peter Gabriel | #26 | 2 | 28 | 1986 | 12 | 13 | 1987 | 2 | 14 | Livin' On A Prayer | Bon Jovi | #1 | 2 | 22 | 1987 | 1 | 17 | 1989 | 8 | 12 | Hooked On You | Sweet Sensation | #23 | 2 | 28 | 1987 | 5 | 16 | 1987 | 6 | 27 | I Wanna Dance With Somebody (Who Loves Me) | Whitney Houston | #1 | 2 | 20 | 1987 | 10 | 24 | 1987 | 12 | 12 | Faith | George Michael | #1 | 2 | 21 | 1988 | 11 | 12 | 1989 | 12 | 2 | (It's Just) The Way That You Love Me | Paula Abdul | #3 | 2 | 25 | 1989 | 10 | 21 | 1991 | 2 | 16 | Heat Of The Moment | After 7 | #19 | 2 | 30 | 1990 | 10 | 27 | 1991 | 8 | 17 | Hard To Handle | The Black Crowes | #26 | 2 | 29 | 1991 | 3 | 9 | 2001 | 10 | 27 | The Star Spangled Banner | Whitney Houston | #6 | 2 | 27 | 1992 | 8 | 1 | 1992 | 10 | 10 | Constant Craving | k.d. lang | #38 | 2 | 19 | 1992 | 9 | 19 | 1995 | 4 | 8 | Get Ready For This | 2 Unlimited | #38 | 2 | 34 | 1992 | 11 | 7 | 1993 | 1 | 23 | No Ordinary Love | Sade | #28 | 2 | 27 | 1992 | 11 | 14 | 1992 | 11 | 28 | I Will Always Love You | Whitney Houston | #1 | 2 | 29 | 1995 | 4 | 29 | 1997 | 5 | 24 | Secret Garden | Bruce Springsteen | #19 | 2 | 23 | 1995 | 9 | 2 | 1996 | 8 | 3 | Macarena (Bayside Boys Mix) | Los Del Rio | #1 | 2 | 60 | 1995 | 11 | 11 | 1999 | 7 | 31 | I Will Remember You (Live) | Sarah McLachlan | #14 | 2 | 40 | 1996 | 7 | 6 | 2016 | 5 | 28 | My Boo | Ghost Town DJ's | #27 | 2 | 36 | 1997 | 7 | 26 | 1998 | 8 | 29 | To The Moon And Back | Savage Garden | #24 | 2 | 33 | 1997 | 9 | 6 | 1997 | 9 | 6 | Barbie Girl | Aqua | #7 | 2 | 16 | 1997 | 11 | 15 | 1998 | 3 | 28 | Deja Vu [Uptown Baby] | Lord Tariq & Peter Gunz | #9 | 2 | 28 | 1998 | 8 | 15 | 1998 | 9 | 26 | I Can Do That | Montell Jordan | #14 | 2 | 18 | 1998 | 10 | 10 | 1998 | 10 | 10 | Just The Two Of Us | Will Smith | #20 | 2 | 11 | 1998 | 11 | 7 | 1999 | 3 | 27 | Hard Knock Life (Ghetto Anthem) | JAY-Z | #15 | 2 | 22 | 1998 | 11 | 28 | 1999 | 5 | 1 | Kiss Me | Sixpence None The Richer | #2 | 2 | 33 | 1998 | 12 | 5 | 1999 | 1 | 23 | These Are The Times | Dru Hill | #21 | 2 | 21 | 1998 | 12 | 5 | 1999 | 1 | 30 | You Get What You Give | New Radicals | #36 | 2 | 20 | 1999 | 1 | 23 | 1999 | 6 | 12 | That Don't Impress Me Much | Shania Twain | #7 | 2 | 28 | 1999 | 4 | 17 | 1999 | 11 | 13 | Man! I Feel Like A Woman! | Shania Twain | #23 | 2 | 28 | 1999 | 6 | 5 | 2000 | 3 | 4 | Amazed | Lonestar | #1 | 2 | 55 | 1999 | 9 | 4 | 1999 | 10 | 16 | Music Of My Heart | 'N Sync & Gloria Estefan | #2 | 2 | 20 | 1999 | 9 | 11 | 2000 | 7 | 22 | Higher | Creed | #7 | 2 | 57 | 2000 | 1 | 15 | 2000 | 2 | 26 | Back At One | Mark Wills | #36 | 2 | 20 | 2000 | 2 | 26 | 2000 | 4 | 22 | Party Up (Up In Here) | DMX | #27 | 2 | 22 | 2000 | 3 | 11 | 2001 | 1 | 13 | The Way You Love Me | Faith Hill | #6 | 2 | 56 | 2000 | 5 | 13 | 2001 | 2 | 17 | I Hope You Dance | Lee Ann Womack | #14 | 2 | 48 | 2000 | 5 | 27 | 2000 | 7 | 29 | The Next Episode | Dr. Dre Featuring Snoop Dogg | #23 | 2 | 21 | 2000 | 8 | 19 | 2000 | 9 | 16 | Bounce With Me | Lil Bow Wow Featuring Xscape | #20 | 2 | 20 | 2000 | 8 | 26 | 2000 | 10 | 28 | Go On | George Strait | #40 | 2 | 20 | 2000 | 9 | 9 | 2002 | 3 | 2 | Can't Fight The Moonlight | LeAnn Rimes | #11 | 2 | 42 | 2000 | 11 | 25 | 2001 | 3 | 10 | Bow Wow (That's My Name) | Lil Bow Wow | #21 | 2 | 20 | 2001 | 3 | 24 | 2001 | 6 | 30 | Get Ur Freak On | Missy "Misdemeanor" Elliott | #7 | 2 | 25 | 2001 | 7 | 14 | 2001 | 11 | 10 | Only Time | Enya | #10 | 2 | 32 | 2001 | 7 | 21 | 2001 | 8 | 4 | Take You Out | Luther Vandross | #26 | 3 | 17 | 2001 | 11 | 3 | 2002 | 3 | 30 | In The End | Linkin Park | #2 | 2 | 39 | 2002 | 5 | 4 | 2002 | 7 | 6 | Full Moon | Brandy | #18 | 2 | 20 | 2002 | 9 | 14 | 2002 | 11 | 16 | Work It | Missy "Misdemeanor" Elliott | #2 | 2 | 26 | 2002 | 10 | 5 | 2002 | 11 | 9 | Lose Yourself | Eminem | #1 | 2 | 24 | 2003 | 4 | 5 | 2003 | 11 | 15 | Headstrong | Trapt | #16 | 2 | 43 | 2003 | 11 | 8 | 2004 | 3 | 6 | Numb | Linkin Park | #11 | 2 | 33 | 2004 | 6 | 12 | 2005 | 6 | 25 | Live Like You Were Dying | Tim McGraw | #29 | 2 | 23 | 2005 | 2 | 12 | 2005 | 8 | 27 | You And Me | Lifehouse | #5 | 2 | 62 | 2005 | 4 | 2 | 2005 | 5 | 28 | Girl | Destiny's Child | #23 | 2 | 19 | 2005 | 5 | 28 | 2005 | 9 | 24 | Must Be Nice | Lyfe Jennings | #40 | 2 | 20 | 2005 | 6 | 25 | 2006 | 3 | 11 | Pump It | The Black Eyed Peas | #18 | 2 | 22 | 2005 | 8 | 6 | 2006 | 1 | 21 | Dirty Little Secret | The All-American Rejects | #9 | 2 | 39 | 2005 | 8 | 20 | 2005 | 12 | 17 | Seasons Of Love | Cast Of Rent | #33 | 2 | 12 | 2005 | 11 | 5 | 2006 | 2 | 4 | L.O.V.E. | Ashlee Simpson | #22 | 2 | 18 | 2005 | 12 | 24 | 2006 | 3 | 11 | Your Man | Josh Turner | #38 | 2 | 20 | 2006 | 3 | 11 | 2006 | 4 | 29 | Control Myself | LL Cool J Featuring Jennifer Lopez | #4 | 2 | 11 | 2006 | 4 | 15 | 2006 | 10 | 7 | How To Save A Life | The Fray | #3 | 2 | 58 | 2006 | 5 | 6 | 2007 | 3 | 3 | Not Ready To Make Nice | Dixie Chicks | #4 | 3 | 24 | 2006 | 5 | 13 | 2006 | 6 | 24 | Miss Murder | AFI | #24 | 2 | 20 | 2006 | 6 | 3 | 2007 | 3 | 3 | Snow ((Hey Oh)) | Red Hot Chili Peppers | #22 | 2 | 20 | 2006 | 7 | 29 | 2007 | 2 | 10 | Suddenly I See | KT Tunstall | #21 | 2 | 30 | 2006 | 7 | 29 | 2006 | 11 | 11 | Gallery | Mario Vazquez | #35 | 2 | 20 | 2006 | 7 | 29 | 2006 | 8 | 19 | The Riddle | Five For Fighting | #40 | 2 | 18 | 2006 | 8 | 5 | 2007 | 4 | 28 | Face Down | The Red Jumpsuit Apparatus | #24 | 3 | 43 | 2006 | 8 | 19 | 2006 | 8 | 26 | About Us | Brooke Hogan Featuring Paul Wall | #33 | 2 | 17 | 2006 | 9 | 23 | 2006 | 9 | 30 | Ring The Alarm | Beyonce | #11 | 2 | 14 | 2006 | 10 | 14 | 2007 | 9 | 22 | Rockstar | Nickelback | #6 | 2 | 49 | 2006 | 11 | 25 | 2007 | 1 | 13 | Wait A Minute | The Pussycat Dolls Featuring Timbaland | #28 | 2 | 17 | 2006 | 12 | 9 | 2007 | 3 | 17 | Break It Off | Rihanna & Sean Paul | #9 | 2 | 20 | 2006 | 12 | 23 | 2007 | 3 | 31 | Lost Without U | Robin Thicke | #14 | 2 | 23 | 2007 | 1 | 6 | 2007 | 2 | 10 | On The Hotline | Pretty Ricky | #12 | 2 | 19 | 2007 | 1 | 20 | 2007 | 3 | 31 | Candyman | Christina Aguilera | #25 | 2 | 17 | 2007 | 3 | 24 | 2008 | 3 | 1 | Teardrops On My Guitar | Taylor Swift | #13 | 2 | 48 | 2007 | 3 | 31 | 2007 | 6 | 30 | Rehab | Amy Winehouse | #9 | 2 | 20 | 2007 | 3 | 31 | 2007 | 7 | 21 | Like This | Kelly Rowland Featuring Eve | #30 | 2 | 20 | 2007 | 4 | 7 | 2007 | 8 | 18 | Wait For You | Elliott Yamin | #13 | 2 | 30 | 2007 | 4 | 7 | 2007 | 9 | 29 | Who Knew | P!nk | #9 | 2 | 36 | 2007 | 4 | 21 | 2007 | 11 | 10 | Apologize | Timbaland Featuring OneRepublic | #2 | 2 | 47 | 2007 | 5 | 5 | 2007 | 9 | 8 | When You're Gone | Avril Lavigne | #24 | 2 | 20 | 2007 | 5 | 12 | 2007 | 7 | 14 | Wipe Me Down | Lil Boosie Featuring Foxx & Webbie | #38 | 2 | 18 | 2007 | 6 | 2 | 2007 | 10 | 27 | Bubbly | Colbie Caillat | #5 | 3 | 47 | 2007 | 6 | 9 | 2007 | 6 | 30 | Lip Gloss | Lil Mama | #10 | 2 | 11 | 2007 | 7 | 14 | 2007 | 12 | 15 | Until The End Of Time | Justin Timberlake Duet With Beyonce | #17 | 2 | 25 | 2007 | 7 | 14 | 2007 | 8 | 4 | Potential Breakup Song | Aly & AJ | #17 | 2 | 17 | 2007 | 7 | 21 | 2008 | 1 | 12 | Misery Business | Paramore | #26 | 3 | 30 | 2007 | 8 | 4 | 2008 | 2 | 16 | Ready, Set, Don't Go | Billy Ray Cyrus With Miley Cyrus | #37 | 2 | 23 | 2007 | 8 | 18 | 2007 | 9 | 1 | Me Love | Sean Kingston | #14 | 2 | 18 | 2007 | 9 | 29 | 2007 | 10 | 13 | 1234 | Feist | #8 | 2 | 15 | 2007 | 10 | 13 | 2007 | 10 | 20 | The Way I Am | Ingrid Michaelson | #37 | 3 | 20 | 2007 | 12 | 15 | 2008 | 5 | 3 | Say | John Mayer | #12 | 2 | 28 | 2008 | 1 | 5 | 2008 | 3 | 29 | The Anthem | Pitbull Featuring Lil Jon | #36 | 2 | 18 | 2008 | 1 | 12 | 2008 | 6 | 28 | All Around Me | Flyleaf | #40 | 2 | 20 | 2008 | 2 | 9 | 2008 | 7 | 5 | Pocketful Of Sunshine | Natasha Bedingfield | #5 | 2 | 35 | 2008 | 2 | 16 | 2008 | 2 | 23 | New Soul | Yael Naim | #7 | 2 | 19 | 2008 | 3 | 1 | 2008 | 5 | 24 | In Love With A Girl | Gavin DeGraw | #24 | 2 | 23 | 2008 | 4 | 26 | 2008 | 10 | 25 | Better In Time | Leona Lewis | #11 | 2 | 31 | 2008 | 4 | 26 | 2008 | 4 | 26 | What About Now | Daughtry | #18 | 2 | 20 | 2008 | 7 | 5 | 2008 | 11 | 22 | Hot N Cold | Katy Perry | #3 | 2 | 39 | 2008 | 8 | 16 | 2009 | 1 | 17 | Just Dance | Lady Gaga Featuring Colby O'Donis | #1 | 2 | 49 | 2008 | 9 | 6 | 2008 | 9 | 6 | The Day That Never Comes | Metallica | #31 | 2 | 10 | 2008 | 9 | 20 | 2008 | 11 | 8 | T-Shirt | Shontelle | #36 | 2 | 17 | 2008 | 10 | 4 | 2008 | 10 | 11 | All Summer Long | The Rock Heroes | #29 | 2 | 15 | 2008 | 10 | 11 | 2009 | 9 | 12 | Use Somebody | Kings Of Leon | #4 | 2 | 57 | 2008 | 10 | 18 | 2008 | 10 | 18 | Light On | David Cook | #17 | 2 | 20 | 2008 | 10 | 18 | 2009 | 2 | 28 | Dead And Gone | T.I. Featuring Justin Timberlake | #2 | 2 | 29 | 2008 | 10 | 25 | 2008 | 12 | 27 | I'm So Paid | Akon Featuring Lil Wayne & Young Jeezy | #31 | 2 | 20 | 2008 | 11 | 1 | 2008 | 11 | 1 | Fearless | Taylor Swift | #9 | 4 | 15 | 2008 | 11 | 1 | 2008 | 11 | 1 | Freeze | T-Pain Featuring Chris Brown | #38 | 2 | 10 | 2008 | 11 | 15 | 2009 | 5 | 30 | Don't Trust Me | 3OH!3 | #7 | 2 | 37 | 2008 | 11 | 22 | 2009 | 8 | 22 | You Belong With Me | Taylor Swift | #2 | 2 | 50 | 2008 | 11 | 29 | 2009 | 12 | 19 | Fifteen | Taylor Swift | #23 | 3 | 21 | 2008 | 11 | 29 | 2009 | 7 | 11 | If Today Was Your Last Day | Nickelback | #19 | 3 | 22 | 2008 | 11 | 29 | 2009 | 5 | 16 | She's Country | Jason Aldean | #29 | 2 | 20 | 2008 | 12 | 20 | 2009 | 8 | 8 | That's Not My Name | The Ting Tings | #39 | 4 | 26 | 2008 | 12 | 20 | 2009 | 5 | 9 | If U Seek Amy | Britney Spears | #19 | 2 | 20 | 2009 | 1 | 3 | 2009 | 3 | 28 | Rockin' That Thang | The-Dream | #22 | 2 | 20 | 2009 | 1 | 3 | 2009 | 3 | 28 | It Won't Be Like This For Long | Darius Rucker | #36 | 2 | 20 | 2009 | 3 | 21 | 2009 | 6 | 27 | LoveGame | Lady Gaga | #5 | 2 | 22 | 2009 | 3 | 28 | 2009 | 12 | 19 | Already Gone | Kelly Clarkson | #13 | 2 | 31 | 2009 | 4 | 11 | 2009 | 10 | 31 | Only You Can Love Me This Way | Keith Urban | #34 | 2 | 19 | 2009 | 4 | 18 | 2009 | 9 | 26 | Be On You | Flo Rida Featuring Ne-Yo | #19 | 2 | 16 | 2009 | 5 | 30 | 2009 | 8 | 22 | Good Girls Go Bad | Cobra Starship Featuring Leighton Meester | #7 | 2 | 25 | 2009 | 5 | 30 | 2009 | 8 | 29 | Wanted | Jessie James | #40 | 2 | 12 | 2009 | 6 | 6 | 2010 | 3 | 6 | Imma Be | The Black Eyed Peas | #1 | 3 | 27 | 2009 | 7 | 25 | 2010 | 1 | 9 | One Time | Justin Bieber | #17 | 2 | 25 | 2009 | 8 | 15 | 2010 | 8 | 14 | Smile | Uncle Kracker | #31 | 3 | 33 | 2009 | 8 | 15 | 2010 | 2 | 13 | Sexy Chick | David Guetta Featuring Akon | #5 | 2 | 40 | 2009 | 8 | 22 | 2009 | 10 | 3 | Uprising | Muse | #37 | 2 | 20 | 2009 | 8 | 29 | 2009 | 10 | 31 | Gettin' You Home | Chris Young | #33 | 2 | 20 | 2009 | 9 | 19 | 2010 | 6 | 5 | Haven't Met You Yet | Michael Buble | #24 | 2 | 44 | 2009 | 9 | 19 | 2009 | 11 | 21 | Body Language | Jesse McCartney Featuring T-Pain | #35 | 2 | 15 | 2009 | 9 | 26 | 2010 | 5 | 15 | Young Forever | Jay-Z + Mr. Hudson | #10 | 2 | 25 | 2009 | 9 | 26 | 2010 | 1 | 30 | Two Is Better Than One | Boys Like Girls Featuring Taylor Swift | #18 | 2 | 21 | 2009 | 10 | 17 | 2010 | 3 | 13 | Live Like We're Dying | Kris Allen | #18 | 2 | 29 | 2009 | 10 | 24 | 2009 | 10 | 24 | One Less Lonely Girl | Justin Bieber | #16 | 2 | 16 | 2009 | 11 | 14 | 2009 | 12 | 5 | Bad Romance | Lady Gaga | #2 | 2 | 35 | 2009 | 11 | 14 | 2010 | 6 | 26 | Undo It | Carrie Underwood | #23 | 2 | 20 | 2009 | 11 | 28 | 2011 | 7 | 23 | Good Life | OneRepublic | #8 | 2 | 35 | 2009 | 12 | 5 | 2010 | 3 | 27 | Heartbreak Warfare | John Mayer | #34 | 2 | 20 | 2009 | 12 | 5 | 2009 | 12 | 5 | Half Of My Heart | John Mayer | #25 | 2 | 20 | 2009 | 12 | 19 | 2010 | 5 | 15 | If We Ever Meet Again | Timbaland Featuring Katy Perry | #37 | 2 | 18 | 2010 | 1 | 2 | 2010 | 5 | 15 | Hey Daddy (Daddy's Home) | Usher Featuring Plies | #24 | 3 | 21 | 2010 | 1 | 9 | 2010 | 5 | 8 | American Honey | Lady Antebellum | #25 | 3 | 20 | 2010 | 1 | 23 | 2010 | 6 | 12 | Your Love Is My Drug | Ke$ha | #4 | 3 | 28 | 2010 | 1 | 23 | 2010 | 9 | 18 | Take It Off | Ke$ha | #8 | 2 | 20 | 2010 | 1 | 30 | 2010 | 4 | 17 | When I Look At You | Miley Cyrus | #16 | 2 | 13 | 2010 | 2 | 20 | 2010 | 2 | 20 | Glitter In The Air | P!nk | #18 | 2 | 18 | 2010 | 2 | 27 | 2010 | 5 | 8 | Solo | Iyaz | #32 | 2 | 18 | 2010 | 3 | 6 | 2010 | 8 | 14 | There Goes My Baby | Usher | #25 | 2 | 25 | 2010 | 3 | 20 | 2010 | 7 | 17 | Ridin' Solo | Jason Derulo | #9 | 2 | 28 | 2010 | 4 | 3 | 2011 | 3 | 5 | More | Usher | #15 | 2 | 22 | 2010 | 5 | 15 | 2010 | 9 | 4 | Magic | B.o.B Featuring Rivers Cuomo | #10 | 2 | 20 | 2010 | 5 | 29 | 2010 | 7 | 17 | Somebody To Love | Justin Bieber Featuring Usher | #15 | 2 | 18 | 2010 | 6 | 19 | 2010 | 6 | 19 | Got Your Back | T.I. Featuring Keri Hilson | #38 | 2 | 20 | 2010 | 6 | 26 | 2010 | 10 | 23 | Secrets | OneRepublic | #21 | 2 | 33 | 2010 | 6 | 26 | 2010 | 7 | 3 | Waka Waka (This Time For Africa) | Shakira Featuring Freshlyground | #38 | 2 | 18 | 2010 | 6 | 26 | 2011 | 3 | 5 | Never Say Never | Justin Bieber Featuring Jaden Smith | #8 | 2 | 19 | 2010 | 7 | 3 | 2010 | 10 | 2 | Fancy | Drake Featuring T.I. & Swizz Beatz | #25 | 2 | 20 | 2010 | 7 | 10 | 2010 | 7 | 10 | No Love | Eminem Featuring Lil Wayne | #23 | 2 | 20 | 2010 | 7 | 17 | 2011 | 3 | 19 | Jar Of Hearts | Christina Perri | #17 | 2 | 31 | 2010 | 7 | 24 | 2011 | 8 | 13 | If I Die Young | The Band Perry | #14 | 2 | 53 | 2010 | 8 | 7 | 2011 | 1 | 1 | Aston Martin Music | Rick Ross Featuring Drake & Chrisette Michele | #30 | 2 | 20 | 2010 | 8 | 21 | 2010 | 10 | 2 | The Catalyst | Linkin Park | #27 | 2 | 10 | 2010 | 8 | 28 | 2011 | 2 | 19 | Rhythm of Love | Plain White T's | #38 | 3 | 21 | 2010 | 9 | 4 | 2011 | 4 | 9 | E.T. | Katy Perry Featuring Kanye West | #1 | 2 | 30 | 2010 | 9 | 11 | 2011 | 8 | 27 | Last Friday Night (T.G.I.F.) | Katy Perry | #1 | 2 | 24 | 2010 | 9 | 25 | 2010 | 10 | 2 | Dog Days Are Over | Florence + The Machine | #21 | 2 | 20 | 2010 | 9 | 25 | 2010 | 11 | 13 | Check It Out | will.i.am & Nicki Minaj | #24 | 2 | 15 | 2010 | 10 | 2 | 2011 | 2 | 19 | Black And Yellow | Wiz Khalifa | #1 | 2 | 25 | 2010 | 10 | 23 | 2011 | 6 | 18 | The Lazy Song | Bruno Mars | #4 | 2 | 27 | 2010 | 10 | 30 | 2010 | 10 | 30 | Back To December | Taylor Swift | #6 | 2 | 20 | 2010 | 11 | 6 | 2010 | 11 | 6 | Mean | Taylor Swift | #11 | 2 | 20 | 2010 | 11 | 6 | 2010 | 11 | 13 | Whip My Hair | Willow | #11 | 3 | 18 | 2010 | 11 | 6 | 2010 | 11 | 13 | Monster | Kanye West Featuring Jay-Z, Rick Ross, Bon Iver & Nicki Minaj | #18 | 3 | 10 | 2010 | 11 | 13 | 2011 | 6 | 11 | I Won't Let Go | Rascal Flatts | #31 | 2 | 20 | 2010 | 11 | 13 | 2010 | 11 | 13 | Sparks Fly | Taylor Swift | #17 | 2 | 20 | 2010 | 11 | 20 | 2011 | 4 | 30 | Don't You Wanna Stay | Jason Aldean With Kelly Clarkson | #31 | 3 | 31 | 2010 | 11 | 27 | 2011 | 6 | 4 | The Show Goes On | Lupe Fiasco | #9 | 2 | 33 | 2010 | 12 | 4 | 2011 | 3 | 19 | Blow | Ke$ha | #7 | 2 | 26 | 2010 | 12 | 4 | 2011 | 4 | 30 | S&M | Rihanna Featuring Britney Spears | #1 | 2 | 26 | 2010 | 12 | 11 | 2011 | 5 | 14 | All Of The Lights | Kanye West | #18 | 2 | 25 | 2010 | 12 | 11 | 2011 | 12 | 10 | Fly | Nicki Minaj Featuring Rihanna | #19 | 2 | 20 | 2010 | 12 | 25 | 2011 | 5 | 21 | Rolling In The Deep | Adele | #1 | 2 | 65 | 2011 | 1 | 1 | 2011 | 5 | 21 | For The First Time | The Script | #23 | 2 | 29 | 2011 | 1 | 1 | 2011 | 2 | 12 | F**kin' Perfect | P!nk | #2 | 2 | 30 | 2011 | 2 | 12 | 2011 | 7 | 16 | Party Rock Anthem | LMFAO Featuring Lauren Bennett & GoonRock | #1 | 2 | 68 | 2011 | 3 | 5 | 2011 | 7 | 30 | Tomorrow | Chris Young | #36 | 2 | 21 | 2011 | 3 | 12 | 2011 | 9 | 17 | Someone Like You | Adele | #1 | 2 | 39 | 2011 | 3 | 12 | 2012 | 2 | 4 | Set Fire To The Rain | Adele | #1 | 5 | 43 | 2011 | 3 | 19 | 2011 | 7 | 23 | My Last | Big Sean Featuring Chris Brown | #30 | 2 | 21 | 2011 | 3 | 26 | 2011 | 11 | 19 | Crazy Girl | Eli Young Band | #30 | 2 | 36 | 2011 | 4 | 9 | 2011 | 4 | 9 | No Sleep | Wiz Khalifa | #6 | 2 | 15 | 2011 | 4 | 16 | 2011 | 8 | 20 | I Wanna Go | Britney Spears | #7 | 2 | 20 | 2011 | 4 | 30 | 2011 | 9 | 17 | Barefoot Blue Jean Night | Jake Owen | #21 | 2 | 24 | 2011 | 5 | 21 | 2011 | 10 | 22 | Better With The Lights Off | New Boyz Featuring Chris Brown | #38 | 2 | 19 | 2011 | 6 | 11 | 2011 | 9 | 17 | You And I | Lady Gaga | #6 | 2 | 20 | 2011 | 6 | 11 | 2011 | 12 | 24 | Marry The Night | Lady Gaga | #29 | 2 | 12 | 2011 | 6 | 18 | 2012 | 2 | 11 | International Love | Pitbull Featuring Chris Brown | #13 | 2 | 26 | 2011 | 6 | 25 | 2012 | 2 | 11 | Not Over You | Gavin DeGraw | #18 | 2 | 35 | 2011 | 7 | 2 | 2011 | 8 | 27 | Rain Over Me | Pitbull Featuring Marc Anthony | #30 | 3 | 19 | 2011 | 7 | 23 | 2012 | 1 | 28 | Work Out | J. Cole | #13 | 2 | 28 | 2011 | 8 | 6 | 2011 | 8 | 13 | Marvins Room | Drake | #21 | 2 | 18 | 2011 | 8 | 13 | 2012 | 5 | 5 | Rumour Has It | Adele | #16 | 4 | 27 | 2011 | 8 | 20 | 2012 | 8 | 18 | Lights | Ellie Goulding | #2 | 2 | 57 | 2011 | 8 | 27 | 2012 | 7 | 21 | Titanium | David Guetta Featuring Sia | #7 | 2 | 33 | 2011 | 8 | 27 | 2012 | 6 | 16 | Drunk On You | Luke Bryan | #16 | 2 | 24 | 2011 | 9 | 3 | 2013 | 10 | 12 | Sail | AWOLNATION | #17 | 2 | 79 | 2011 | 9 | 17 | 2012 | 1 | 28 | Good Feeling | Flo Rida | #3 | 2 | 37 | 2011 | 9 | 17 | 2012 | 2 | 4 | Turn Me On | David Guetta Featuring Nicki Minaj | #4 | 2 | 27 | 2011 | 9 | 17 | 2011 | 9 | 17 | Love On Top | Beyonce | #20 | 2 | 20 | 2011 | 9 | 17 | 2011 | 9 | 17 | Mirror | Lil Wayne Featuring Bruno Mars | #16 | 3 | 17 | 2011 | 10 | 1 | 2011 | 11 | 5 | Paradise | Coldplay | #15 | 2 | 32 | 2011 | 11 | 5 | 2011 | 11 | 5 | Mistletoe | Justin Bieber | #11 | 3 | 12 | 2011 | 11 | 12 | 2012 | 2 | 18 | Stronger (What Doesn't Kill You) | Kelly Clarkson | #1 | 3 | 37 | 2011 | 11 | 12 | 2011 | 11 | 12 | Princess Of China | Coldplay Featuring Rihanna | #20 | 3 | 12 | 2011 | 11 | 19 | 2012 | 4 | 21 | Over You | Miranda Lambert | #35 | 2 | 20 | 2011 | 12 | 10 | 2012 | 7 | 7 | Where Have You Been | Rihanna | #5 | 2 | 26 | 2011 | 12 | 10 | 2012 | 3 | 31 | Strip | Chris Brown Featuring Kevin K-MAC McCall | #37 | 2 | 20 | 2011 | 12 | 10 | 2011 | 12 | 10 | Talk That Talk | Rihanna Featuring Jay-Z | #31 | 2 | 20 | 2011 | 12 | 24 | 2012 | 3 | 17 | We Are Young | fun. Featuring Janelle Monae | #1 | 2 | 42 | 2011 | 12 | 31 | 2012 | 4 | 7 | A Woman Like You | Lee Brice | #33 | 2 | 20 | 2012 | 1 | 7 | 2012 | 5 | 19 | Wild Ones | Flo Rida Featuring Sia | #5 | 2 | 36 | 2012 | 1 | 7 | 2012 | 1 | 7 | Safe & Sound | Taylor Swift Featuring The Civil Wars | #30 | 2 | 17 | 2012 | 3 | 31 | 2012 | 7 | 7 | One Thing | One Direction | #39 | 2 | 20 | 2012 | 4 | 7 | 2012 | 8 | 11 | We Run The Night | Havana Brown Featuring Pitbull | #26 | 2 | 22 | 2012 | 4 | 7 | 2012 | 10 | 27 | Too Close | Alex Clare | #7 | 2 | 44 | 2012 | 4 | 14 | 2012 | 9 | 15 | Heart Attack | Trey Songz | #35 | 2 | 26 | 2012 | 4 | 14 | 2012 | 6 | 16 | Back In Time | Pitbull | #11 | 2 | 20 | 2012 | 4 | 21 | 2013 | 2 | 16 | Little Talks | Of Monsters And Men | #20 | 2 | 48 | 2012 | 4 | 21 | 2012 | 12 | 8 | Va Va Voom | Nicki Minaj | #22 | 2 | 20 | 2012 | 5 | 12 | 2012 | 8 | 25 | Whistle | Flo Rida | #1 | 2 | 29 | 2012 | 5 | 12 | 2012 | 8 | 11 | Let's Go | Calvin Harris Featuring Ne-Yo | #17 | 2 | 20 | 2012 | 5 | 19 | 2012 | 10 | 27 | Blown Away | Carrie Underwood | #20 | 2 | 22 | 2012 | 6 | 9 | 2012 | 11 | 10 | Don't Wake Me Up | Chris Brown | #10 | 2 | 28 | 2012 | 6 | 9 | 2013 | 1 | 19 | Home | Phillip Phillips | #6 | 3 | 40 | 2012 | 6 | 30 | 2012 | 9 | 29 | As Long As You Love Me | Justin Bieber Featuring Big Sean | #6 | 2 | 29 | 2012 | 6 | 30 | 2012 | 9 | 15 | She's So Mean | matchbox twenty | #40 | 2 | 17 | 2012 | 7 | 7 | 2013 | 1 | 5 | Beauty And A Beat | Justin Bieber Featuring Nicki Minaj | #5 | 2 | 24 | 2012 | 8 | 18 | 2012 | 12 | 15 | Swimming Pools (Drank) | Kendrick Lamar | #17 | 2 | 29 | 2012 | 8 | 18 | 2013 | 7 | 6 | Radioactive | Imagine Dragons | #3 | 2 | 87 | 2012 | 9 | 1 | 2013 | 7 | 6 | Cruise | Florida Georgia Line Featuring Nelly | #4 | 2 | 54 | 2012 | 9 | 8 | 2013 | 2 | 23 | Hall Of Fame | The Script Featuring will.i.am | #25 | 2 | 25 | 2012 | 9 | 15 | 2013 | 2 | 2 | Thrift Shop | Macklemore & Ryan Lewis Featuring Wanz | #1 | 2 | 49 | 2012 | 10 | 6 | 2013 | 2 | 16 | Try | P!nk | #9 | 2 | 24 | 2012 | 10 | 13 | 2012 | 10 | 13 | Begin Again | Taylor Swift | #7 | 2 | 20 | 2012 | 10 | 13 | 2013 | 1 | 19 | Don't Stop The Party | Pitbull Featuring TJR | #17 | 2 | 20 | 2012 | 10 | 20 | 2012 | 10 | 20 | Skyfall | Adele | #8 | 2 | 20 | 2012 | 10 | 20 | 2012 | 10 | 20 | Red | Taylor Swift | #6 | 4 | 22 | 2012 | 10 | 27 | 2013 | 1 | 12 | I Knew You Were Trouble. | Taylor Swift | #2 | 2 | 36 | 2012 | 11 | 3 | 2013 | 2 | 16 | Catch My Breath | Kelly Clarkson | #19 | 2 | 24 | 2012 | 11 | 3 | 2013 | 2 | 16 | Sweet Nothing | Calvin Harris Featuring Florence Welch | #10 | 2 | 27 | 2012 | 11 | 3 | 2013 | 10 | 12 | Night Train | Jason Aldean | #26 | 2 | 20 | 2012 | 11 | 10 | 2013 | 10 | 26 | Everything Has Changed | Taylor Swift Featuring Ed Sheeran | #32 | 3 | 20 | 2012 | 11 | 10 | 2013 | 5 | 11 | 22 | Taylor Swift | #20 | 3 | 20 | 2012 | 12 | 22 | 2013 | 4 | 20 | When I Was Your Man | Bruno Mars | #1 | 3 | 35 | 2013 | 1 | 26 | 2013 | 12 | 7 | Demons | Imagine Dragons | #6 | 3 | 61 | 2013 | 1 | 26 | 2013 | 6 | 1 | Bitch, Don't Kill My Vibe | Kendrick Lamar | #32 | 3 | 21 | 2013 | 2 | 2 | 2013 | 6 | 8 | Wagon Wheel | Darius Rucker | #15 | 2 | 26 | 2013 | 2 | 16 | 2013 | 7 | 27 | Same Love | Macklemore & Ryan Lewis Featuring Mary Lambert | #11 | 2 | 30 | 2013 | 2 | 16 | 2013 | 5 | 18 | Can't Hold Us | Macklemore & Ryan Lewis Featuring Ray Dalton | #1 | 2 | 39 | 2013 | 2 | 23 | 2013 | 6 | 22 | Bad | Wale Featuring Tiara Thomas Or Rihanna | #21 | 2 | 26 | 2013 | 2 | 23 | 2013 | 6 | 8 | Highway Don't Care | Tim McGraw With Taylor Swift | #22 | 2 | 20 | 2013 | 3 | 16 | 2021 | 12 | 4 | Levitating | Dua Lipa | #24 | 2 | 16 | 2013 | 4 | 27 | 2013 | 11 | 9 | Still Into You | Paramore | #24 | 2 | 20 | 2013 | 5 | 11 | 2014 | 2 | 15 | Brave | Sara Bareilles | #23 | 2 | 42 | 2013 | 5 | 11 | 2013 | 6 | 1 | Young And Beautiful | Lana Del Rey | #22 | 2 | 21 | 2013 | 5 | 18 | 2013 | 10 | 5 | Hey Girl | Billy Currington | #39 | 2 | 21 | 2013 | 6 | 1 | 2013 | 8 | 31 | Little Bit Of Everything | Keith Urban | #33 | 2 | 20 | 2013 | 6 | 1 | 2014 | 8 | 30 | Really Don't Care | Demi Lovato Featuring Cher Lloyd | #26 | 2 | 18 | 2013 | 6 | 8 | 2013 | 8 | 10 | Beneath Your Beautiful | Labrinth Featuring Emeli Sande | #34 | 3 | 14 | 2013 | 6 | 22 | 2013 | 12 | 28 | Sweater Weather | The Neighbourhood | #14 | 2 | 37 | 2013 | 6 | 22 | 2013 | 6 | 22 | Wasting All These Tears | Cassadee Pope | #37 | 2 | 20 | 2013 | 6 | 22 | 2013 | 12 | 14 | Slow Down | Selena Gomez | #27 | 3 | 20 | 2013 | 7 | 13 | 2013 | 10 | 5 | Wake Me Up! | Avicii | #4 | 2 | 54 | 2013 | 7 | 13 | 2013 | 9 | 14 | Beware | Big Sean Featuring Lil Wayne & Jhene Aiko | #38 | 2 | 20 | 2013 | 8 | 10 | 2013 | 12 | 28 | Burn | Ellie Goulding | #13 | 3 | 36 | 2013 | 8 | 10 | 2013 | 8 | 10 | Best Song Ever | One Direction | #2 | 3 | 21 | 2013 | 9 | 14 | 2013 | 11 | 2 | Gorilla | Bruno Mars | #22 | 2 | 16 | 2013 | 9 | 21 | 2014 | 5 | 17 | All Of Me | John Legend | #1 | 3 | 59 | 2013 | 9 | 28 | 2014 | 1 | 25 | Stay The Night | Zedd Featuring Hayley Williams | #18 | 2 | 22 | 2013 | 9 | 28 | 2013 | 10 | 12 | 23 | Mike WiLL Made-It Featuring Miley Cyrus, Wiz Khalifa & Juicy J | #11 | 2 | 23 | 2013 | 10 | 5 | 2014 | 4 | 5 | Show Me | Kid Ink Featuring Chris Brown | #13 | 2 | 31 | 2013 | 10 | 5 | 2013 | 10 | 5 | Work B**ch! | Britney Spears | #12 | 2 | 13 | 2013 | 10 | 26 | 2014 | 3 | 1 | Adore You | Miley Cyrus | #21 | 2 | 18 | 2013 | 12 | 14 | 2014 | 6 | 21 | This Is How We Roll | Florida Georgia Line Featuring Luke Bryan | #15 | 2 | 28 | 2013 | 12 | 28 | 2014 | 4 | 12 | The Man | Aloe Blacc | #8 | 2 | 20 | 2014 | 3 | 1 | 2014 | 6 | 21 | Automatic | Miranda Lambert | #35 | 2 | 19 | 2014 | 3 | 29 | 2014 | 8 | 9 | Latch | Disclosure Featuring Sam Smith | #7 | 2 | 33 | 2014 | 4 | 19 | 2014 | 8 | 16 | Stay With Me | Sam Smith | #2 | 2 | 54 | 2014 | 5 | 3 | 2014 | 8 | 2 | Love Runs Out | OneRepublic | #15 | 2 | 20 | 2014 | 5 | 24 | 2014 | 8 | 9 | Come Get It Bae | Pharrell Williams | #23 | 2 | 15 | 2014 | 6 | 21 | 2014 | 12 | 27 | I'm Not The Only One | Sam Smith | #5 | 2 | 37 | 2014 | 6 | 21 | 2014 | 11 | 22 | Day Drinking | Little Big Town | #40 | 2 | 20 | 2014 | 7 | 19 | 2014 | 10 | 4 | New Flame | Chris Brown Featuring Usher & Rick Ross | #27 | 2 | 22 | 2014 | 9 | 27 | 2015 | 6 | 6 | Dear Future Husband | Meghan Trainor | #14 | 5 | 24 | 2014 | 10 | 25 | 2015 | 5 | 23 | Sippin' On Fire | Florida Georgia Line | #40 | 2 | 20 | 2014 | 11 | 1 | 2014 | 11 | 1 | Out Of The Woods | Taylor Swift | #18 | 2 | 10 | 2014 | 11 | 8 | 2015 | 4 | 18 | G.D.F.R. | Flo Rida Featuring Sage The Gemini & Lookas | #8 | 3 | 35 | 2014 | 11 | 8 | 2015 | 4 | 11 | Outside | Calvin Harris Featuring Ellie Goulding | #29 | 3 | 20 | 2014 | 11 | 15 | 2015 | 11 | 7 | Wildest Dreams | Taylor Swift | #5 | 2 | 27 | 2014 | 11 | 15 | 2015 | 3 | 21 | Style | Taylor Swift | #6 | 3 | 32 | 2014 | 11 | 15 | 2015 | 6 | 6 | Bad Blood | Taylor Swift Featuring Kendrick Lamar | #1 | 3 | 25 | 2014 | 11 | 15 | 2015 | 3 | 7 | I Bet My Life | Imagine Dragons | #28 | 2 | 22 | 2014 | 11 | 22 | 2015 | 5 | 30 | Shut Up And Dance | WALK THE MOON | #4 | 2 | 53 | 2014 | 11 | 29 | 2015 | 1 | 17 | Uptown Funk! | Mark Ronson Featuring Bruno Mars | #1 | 2 | 56 | 2014 | 11 | 29 | 2015 | 3 | 14 | She Knows | Ne-Yo Featuring Juicy J | #19 | 2 | 20 | 2014 | 12 | 13 | 2021 | 1 | 2 | Santa Tell Me | Ariana Grande | #17 | 3 | 13 | 2014 | 12 | 13 | 2015 | 3 | 21 | Time Of Our Lives | Pitbull & Ne-Yo | #9 | 2 | 27 | 2014 | 12 | 27 | 2016 | 1 | 2 | No Role Modelz | J. Cole | #36 | 2 | 25 | 2015 | 1 | 3 | 2015 | 6 | 6 | Feeling Myself | Nicki Minaj Featuring Beyonce | #39 | 3 | 20 | 2015 | 1 | 31 | 2015 | 9 | 12 | Uma Thurman | Fall Out Boy | #22 | 3 | 27 | 2015 | 2 | 7 | 2015 | 5 | 30 | Slow Motion | Trey Songz | #26 | 2 | 26 | 2015 | 2 | 7 | 2015 | 8 | 8 | Worth It | Fifth Harmony Featuring Kid Ink | #12 | 3 | 36 | 2015 | 2 | 21 | 2015 | 5 | 9 | Girl Crush | Little Big Town | #18 | 2 | 24 | 2015 | 2 | 28 | 2015 | 6 | 20 | Honey, I'm Good. | Andy Grammer | #9 | 2 | 31 | 2015 | 3 | 28 | 2015 | 6 | 20 | Bright | Echosmith | #40 | 2 | 20 | 2015 | 4 | 25 | 2015 | 9 | 5 | Crash And Burn | Thomas Rhett | #36 | 2 | 20 | 2015 | 5 | 16 | 2016 | 2 | 27 | Stressed Out | twenty one pilots | #2 | 3 | 52 | 2015 | 5 | 23 | 2015 | 7 | 4 | The Night Is Still Young | Nicki Minaj | #31 | 2 | 17 | 2015 | 5 | 30 | 2015 | 12 | 5 | I'm Comin' Over | Chris Young | #33 | 2 | 23 | 2015 | 7 | 18 | 2015 | 8 | 8 | My Way | Fetty Wap Featuring Monty | #7 | 2 | 22 | 2015 | 8 | 8 | 2015 | 10 | 31 | Strip It Down | Luke Bryan | #30 | 2 | 20 | 2015 | 9 | 19 | 2016 | 1 | 2 | In The Night | The Weeknd | #12 | 2 | 20 | 2015 | 10 | 3 | 2016 | 3 | 12 | Hide Away | Daya | #23 | 2 | 27 | 2015 | 10 | 10 | 2015 | 12 | 19 | Confident | Demi Lovato | #21 | 2 | 20 | 2015 | 11 | 28 | 2016 | 2 | 13 | Stand By You | Rachel Platten | #37 | 2 | 20 | 2015 | 12 | 12 | 2016 | 9 | 24 | Send My Love (To Your New Lover) | Adele | #8 | 2 | 27 | 2015 | 12 | 12 | 2017 | 2 | 11 | Water Under The Bridge | Adele | #26 | 2 | 22 | 2016 | 2 | 13 | 2016 | 4 | 23 | Humble And Kind | Tim McGraw | #30 | 2 | 20 | 2016 | 2 | 13 | 2016 | 4 | 30 | Somewhere On A Beach | Dierks Bentley | #35 | 2 | 20 | 2016 | 2 | 20 | 2016 | 10 | 8 | Hymn For The Weekend | Coldplay | #25 | 2 | 23 | 2016 | 2 | 20 | 2016 | 10 | 8 | We Don't Talk Anymore | Charlie Puth Featuring Selena Gomez | #9 | 2 | 24 | 2016 | 2 | 20 | 2016 | 4 | 2 | Youth | Troye Sivan | #23 | 2 | 18 | 2016 | 2 | 27 | 2016 | 7 | 16 | Don't Let Me Down | The Chainsmokers Featuring Daya | #3 | 2 | 52 | 2016 | 4 | 23 | 2016 | 4 | 23 | Father Stretch My Hands Pt. 1 | Kanye West | #37 | 4 | 23 | 2016 | 4 | 23 | 2016 | 4 | 23 | Famous | Kanye West | #34 | 3 | 14 | 2016 | 5 | 14 | 2016 | 5 | 14 | Hold Up | Beyonce | #13 | 3 | 14 | 2016 | 5 | 28 | 2016 | 8 | 27 | Into You | Ariana Grande | #13 | 2 | 24 | 2016 | 6 | 4 | 2017 | 4 | 22 | The Fighter | Keith Urban Featuring Carrie Underwood | #38 | 3 | 23 | 2016 | 6 | 4 | 2016 | 8 | 13 | THat Part | ScHoolboy Q Featuring Kanye West | #40 | 2 | 20 | 2016 | 6 | 11 | 2017 | 3 | 25 | Love On The Brain | Rihanna | #5 | 2 | 31 | 2016 | 9 | 10 | 2017 | 3 | 25 | Mercy | Shawn Mendes | #15 | 2 | 32 | 2016 | 9 | 24 | 2017 | 5 | 20 | Goosebumps | Travis Scott | #32 | 7 | 35 | 2016 | 10 | 8 | 2016 | 12 | 10 | Juju On That Beat (TZ Anthem) | Zay Hilfigerrr & Zayion McCall | #5 | 2 | 21 | 2016 | 10 | 29 | 2017 | 2 | 25 | Million Reasons | Lady Gaga | #4 | 5 | 20 | 2016 | 10 | 29 | 2016 | 12 | 24 | Love Me Now | John Legend | #23 | 2 | 19 | 2016 | 11 | 5 | 2019 | 2 | 16 | Alone | Marshmello | #28 | 3 | 11 | 2016 | 11 | 5 | 2017 | 2 | 11 | Bad Things | Machine Gun Kelly x Camila Cabello | #4 | 2 | 23 | 2016 | 12 | 10 | 2017 | 5 | 13 | That's What I Like | Bruno Mars | #1 | 2 | 52 | 2016 | 12 | 10 | 2017 | 8 | 19 | Redbone | Childish Gambino | #12 | 3 | 44 | 2016 | 12 | 10 | 2017 | 9 | 2 | Versace On The Floor | Bruno Mars | #33 | 3 | 14 | 2016 | 12 | 17 | 2016 | 12 | 17 | Reminder | The Weeknd | #31 | 4 | 17 | 2016 | 12 | 31 | 2017 | 7 | 8 | Congratulations | Post Malone Featuring Quavo | #8 | 2 | 50 | 2017 | 1 | 14 | 2017 | 2 | 25 | Moves | Big Sean | #38 | 2 | 19 | 2017 | 2 | 18 | 2017 | 7 | 22 | Slippery | Migos Featuring Gucci Mane | #29 | 3 | 21 | 2017 | 3 | 25 | 2017 | 12 | 23 | Perfect | Ed Sheeran | #1 | 2 | 57 | 2017 | 4 | 8 | 2017 | 4 | 8 | Gyalchester | Drake | #29 | 3 | 11 | 2017 | 5 | 6 | 2018 | 1 | 6 | Love. | Kendrick Lamar Featuring Zacari | #11 | 2 | 40 | 2017 | 5 | 6 | 2017 | 5 | 6 | Element. | Kendrick Lamar | #16 | 2 | 11 | 2017 | 5 | 13 | 2017 | 11 | 4 | Do Re Mi | blackbear | #40 | 2 | 25 | 2017 | 6 | 3 | 2018 | 5 | 19 | Whatever It Takes | Imagine Dragons | #12 | 2 | 27 | 2017 | 8 | 26 | 2018 | 1 | 27 | Havana | Camila Cabello Featuring Young Thug | #1 | 2 | 46 | 2017 | 9 | 16 | 2018 | 6 | 30 | F**k Love | XXXTENTACION Featuring Trippie Redd | #28 | 2 | 21 | 2017 | 9 | 16 | 2018 | 6 | 30 | Jocelyn Flores | XXXTENTACION | #19 | 2 | 20 | 2017 | 9 | 23 | 2018 | 2 | 3 | Sky Walker | Miguel Featuring Travis Scott | #29 | 2 | 26 | 2017 | 9 | 30 | 2018 | 1 | 13 | Let Me Go | Hailee Steinfeld & Alesso Featuring Florida Georgia Line & Watt | #40 | 2 | 22 | 2017 | 10 | 28 | 2018 | 5 | 26 | Heaven | Kane Brown | #15 | 2 | 27 | 2017 | 11 | 11 | 2018 | 5 | 12 | Candy Paint | Post Malone | #34 | 2 | 21 | 2017 | 11 | 25 | 2018 | 6 | 9 | Wait | Maroon 5 | #24 | 2 | 24 | 2017 | 12 | 30 | 2018 | 5 | 12 | Never Be The Same | Camila Cabello | #6 | 2 | 37 | 2018 | 1 | 27 | 2018 | 7 | 7 | Tequila | Dan + Shay | #21 | 3 | 50 | 2018 | 2 | 10 | 2018 | 2 | 10 | Narcos | Migos | #36 | 3 | 15 | 2018 | 3 | 17 | 2018 | 6 | 30 | Changes | XXXTENTACION | #18 | 2 | 20 | 2018 | 3 | 31 | 2018 | 7 | 7 | Moonlight | XXXTENTACION | #13 | 3 | 20 | 2018 | 4 | 21 | 2018 | 4 | 21 | Ring | Cardi B Featuring Kehlani | #28 | 2 | 20 | 2018 | 4 | 21 | 2018 | 4 | 28 | Chun-Li | Nicki Minaj | #10 | 2 | 16 | 2018 | 5 | 19 | 2019 | 4 | 20 | Beautiful Crazy | Luke Combs | #21 | 3 | 31 | 2018 | 5 | 26 | 2018 | 10 | 6 | Lucid Dreams | Juice WRLD | #2 | 2 | 48 | 2018 | 6 | 9 | 2019 | 1 | 26 | High Hopes | Panic! At The Disco | #4 | 3 | 52 | 2018 | 6 | 9 | 2018 | 8 | 18 | Big Bank | YG Featuring 2 Chainz, Big Sean & Nicki Minaj | #16 | 2 | 24 | 2018 | 6 | 23 | 2018 | 11 | 24 | Lose It | Kane Brown | #28 | 2 | 20 | 2018 | 6 | 30 | 2018 | 9 | 1 | Drowns The Whiskey | Jason Aldean Featuring Miranda Lambert | #32 | 2 | 19 | 2018 | 7 | 21 | 2018 | 12 | 15 | Dangerous | Meek Mill Featuring Jeremih & PnB Rock | #31 | 2 | 20 | 2018 | 8 | 11 | 2019 | 1 | 12 | Drunk Me | Mitchell Tenpenny | #39 | 2 | 21 | 2018 | 8 | 18 | 2018 | 8 | 18 | Yosemite | Travis Scott | #25 | 3 | 18 | 2018 | 9 | 15 | 2018 | 9 | 15 | Lucky You | Eminem Featuring Joyner Lucas | #6 | 2 | 14 | 2018 | 9 | 22 | 2019 | 1 | 12 | Speechless | Dan + Shay | #24 | 2 | 40 | 2018 | 10 | 6 | 2019 | 2 | 2 | Backin' It Up | Pardison Fontaine Featuring Cardi B | #40 | 2 | 20 | 2018 | 10 | 20 | 2018 | 10 | 20 | Close Friends | Lil Baby | #28 | 3 | 33 | 2018 | 11 | 3 | 2019 | 4 | 13 | When The Party's Over | Billie Eilish | #29 | 3 | 32 | 2018 | 11 | 24 | 2018 | 11 | 24 | BAD! | XXXTENTACION | #16 | 2 | 11 | 2018 | 12 | 1 | 2019 | 2 | 2 | Twerk | City Girls Featuring Cardi B | #29 | 2 | 13 | 2019 | 2 | 2 | 2019 | 5 | 4 | Pure Water | Mustard & Migos | #23 | 2 | 25 | 2019 | 2 | 9 | 2019 | 6 | 8 | Con Calma | Daddy Yankee & Katy Perry Featuring Snow | #22 | 2 | 25 | 2019 | 2 | 23 | 2019 | 6 | 8 | Talk | Khalid | #3 | 2 | 46 | 2019 | 3 | 2 | 2019 | 3 | 2 | Robbery | Juice WRLD | #27 | 2 | 19 | 2019 | 3 | 9 | 2019 | 5 | 4 | Clout | Offset Featuring Cardi B | #39 | 2 | 20 | 2019 | 3 | 16 | 2019 | 3 | 16 | Sucker | Jonas Brothers | #1 | 2 | 47 | 2019 | 4 | 13 | 2019 | 7 | 6 | Suge | DaBaby | #7 | 2 | 37 | 2019 | 4 | 13 | 2019 | 4 | 20 | Racks In The Middle | Nipsey Hussle Featuring Roddy Ricch & Hit-Boy | #26 | 2 | 11 | 2019 | 4 | 27 | 2019 | 4 | 27 | Sanguine Paradise | Lil Uzi Vert | #28 | 2 | 16 | 2019 | 5 | 25 | 2019 | 5 | 25 | I Don't Care | Ed Sheeran & Justin Bieber | #2 | 2 | 39 | 2019 | 6 | 1 | 2020 | 1 | 18 | What If I Never Get Over You | Lady Antebellum | #40 | 5 | 21 | 2019 | 6 | 1 | 2019 | 6 | 1 | Wish Wish | DJ Khaled Featuring Cardi B & 21 Savage | #19 | 4 | 15 | 2019 | 6 | 22 | 2019 | 11 | 23 | Even Though I'm Leaving | Luke Combs | #11 | 2 | 24 | 2019 | 6 | 22 | 2019 | 11 | 23 | Only Human | Jonas Brothers | #18 | 3 | 36 | 2019 | 7 | 13 | 2019 | 11 | 2 | Beautiful People | Ed Sheeran Featuring Khalid | #13 | 2 | 26 | 2019 | 8 | 3 | 2019 | 10 | 5 | Baby | Lil Baby & DaBaby | #21 | 2 | 21 | 2019 | 8 | 31 | 2020 | 6 | 13 | Heartless | Diplo Presents Thomas Wesley Featuring Morgan Wallen | #39 | 6 | 21 | 2019 | 9 | 7 | 2019 | 10 | 19 | Playing Games | Summer Walker | #16 | 2 | 20 | 2019 | 9 | 14 | 2020 | 4 | 18 | The Bones | Maren Morris | #12 | 3 | 52 | 2019 | 9 | 28 | 2019 | 10 | 5 | Camelot | NLE Choppa | #37 | 2 | 20 | 2019 | 10 | 12 | 2019 | 10 | 12 | TOES | DaBaby Featuring Lil Baby & Moneybagg Yo | #28 | 2 | 13 | 2019 | 10 | 19 | 2019 | 10 | 19 | HIGHEST IN THE ROOM | Travis Scott | #1 | 2 | 22 | 2019 | 11 | 23 | 2021 | 1 | 30 | Better Together | Luke Combs | #15 | 2 | 25 | 2019 | 11 | 30 | 2020 | 8 | 15 | Watermelon Sugar | Harry Styles | #1 | 4 | 39 | 2019 | 12 | 7 | 2020 | 3 | 28 | Suicidal | YNW Melly & Juice WRLD | #20 | 2 | 20 | 2019 | 12 | 7 | 2019 | 12 | 7 | Vete | Bad Bunny | #33 | 2 | 18 | 2019 | 12 | 14 | 2020 | 4 | 4 | Blinding Lights | The Weeknd | #1 | 2 | 90 | 2019 | 12 | 28 | 2020 | 4 | 25 | Nobody But You | Blake Shelton Duet With Gwen Stefani | #18 | 2 | 25 | 2019 | 12 | 28 | 2019 | 12 | 28 | Futsal Shuffle 2020 | Lil Uzi Vert | #5 | 2 | 11 | 2020 | 1 | 11 | 2020 | 1 | 11 | Out West | JACKBOYS Featuring Young Thug | #38 | 2 | 22 | 2020 | 1 | 11 | 2020 | 4 | 11 | Slow Dance In A Parking Lot | Jordan Davis | #37 | 2 | 19 | 2020 | 2 | 8 | 2020 | 9 | 26 | Before You Go | Lewis Capaldi | #9 | 3 | 52 | 2020 | 2 | 8 | 2021 | 1 | 16 | Anyone | Demi Lovato | #6 | 2 | 19 | 2020 | 2 | 8 | 2020 | 4 | 18 | Catch | Brett Young | #29 | 2 | 17 | 2020 | 2 | 8 | 2020 | 2 | 8 | B.I.T.C.H. | Megan Thee Stallion | #31 | 2 | 10 | 2020 | 2 | 22 | 2020 | 7 | 11 | Whats Poppin | Jack Harlow Featuring DaBaby, Tory Lanez & Lil Wayne | #2 | 2 | 51 | 2020 | 3 | 14 | 2020 | 3 | 14 | Stupid Love | Lady Gaga | #5 | 2 | 10 | 2020 | 3 | 14 | 2020 | 3 | 21 | That Way | Lil Uzi Vert | #20 | 3 | 12 | 2020 | 3 | 21 | 2020 | 3 | 21 | B.S. | Jhene Aiko Featuring H.E.R. | #24 | 6 | 23 | 2020 | 4 | 4 | 2021 | 5 | 8 | Save Your Tears | The Weeknd & Ariana Grande | #1 | 3 | 64 | 2020 | 4 | 11 | 2020 | 9 | 5 | I Love My Country | Florida Georgia Line | #40 | 2 | 20 | 2020 | 5 | 2 | 2020 | 11 | 28 | More Than My Hometown | Morgan Wallen | #15 | 3 | 32 | 2020 | 5 | 2 | 2020 | 6 | 13 | Rockstar | DaBaby Featuring Roddy Ricch | #1 | 2 | 42 | 2020 | 5 | 9 | 2020 | 10 | 3 | Cool Again | Kane Brown | #29 | 2 | 20 | 2020 | 5 | 9 | 2020 | 5 | 9 | Righteous | Juice WRLD | #11 | 2 | 16 | 2020 | 6 | 6 | 2020 | 6 | 6 | Dollaz On My Head | Gunna Featuring Young Thug | #38 | 3 | 19 | 2020 | 6 | 13 | 2020 | 11 | 21 | One Beer | HARDY Featuring Lauren Alaina & Devin Dawson | #33 | 2 | 25 | 2020 | 6 | 27 | 2020 | 10 | 17 | Savage Love (Laxed - Siren Beat) | Jawsh 685 x Jason Derulo | #1 | 2 | 31 | 2020 | 7 | 4 | 2021 | 1 | 23 | Bang! | AJR | #8 | 2 | 35 | 2020 | 7 | 4 | 2020 | 11 | 28 | Pretty Heart | Parker McCollum | #36 | 4 | 22 | 2020 | 7 | 11 | 2020 | 7 | 11 | Girls In The Hood | Megan Thee Stallion | #28 | 2 | 18 | 2020 | 7 | 18 | 2021 | 3 | 13 | What You Know Bout Love | Pop Smoke | #9 | 2 | 42 | 2020 | 7 | 18 | 2020 | 7 | 18 | Got It On Me | Pop Smoke | #31 | 2 | 10 | 2020 | 8 | 8 | 2021 | 1 | 16 | Happy Anywhere | Blake Shelton Featuring Gwen Stefani | #32 | 2 | 22 | 2020 | 8 | 15 | 2021 | 1 | 16 | I Should Probably Go To Bed | Dan + Shay | #28 | 2 | 24 | 2020 | 8 | 22 | 2021 | 5 | 22 | My Ex's Best Friend | Machine Gun Kelly X blackbear | #20 | 2 | 52 | 2020 | 8 | 22 | 2020 | 10 | 31 | Some Girls | Jameson Rodgers | #29 | 2 | 17 | 2020 | 8 | 22 | 2020 | 8 | 22 | Smile | Juice WRLD & The Weeknd | #8 | 2 | 10 | 2020 | 8 | 29 | 2020 | 8 | 29 | 7 Summers | Morgan Wallen | #6 | 2 | 24 | 2020 | 8 | 29 | 2020 | 8 | 29 | Midnight Sky | Miley Cyrus | #14 | 2 | 20 | 2020 | 9 | 19 | 2020 | 9 | 19 | Hit Different | SZA Featuring Ty Dolla $ign | #29 | 2 | 20 | 2020 | 10 | 10 | 2021 | 3 | 13 | Put Your Records On | Ritt Momney | #30 | 4 | 25 | 2020 | 10 | 10 | 2021 | 3 | 13 | Good Time | Niko Moon | #20 | 2 | 25 | 2020 | 10 | 17 | 2021 | 5 | 22 | Levitating | Dua Lipa | #2 | 2 | 71 | 2020 | 10 | 17 | 2020 | 10 | 17 | Wonder | Shawn Mendes | #18 | 2 | 11 | 2020 | 10 | 24 | 2021 | 2 | 20 | Hole In The Bottle | Kelsea Ballerini | #39 | 2 | 20 | 2020 | 10 | 31 | 2021 | 3 | 27 | You're Mines Still | Yung Bleu Featuring Drake | #18 | 2 | 23 | 2020 | 10 | 31 | 2021 | 1 | 16 | Champagne Night | Lady A | #33 | 2 | 14 | 2020 | 11 | 7 | 2021 | 11 | 27 | Cold As You | Luke Combs | #32 | 2 | 20 | 2020 | 11 | 14 | 2021 | 7 | 3 | pov | Ariana Grande | #27 | 2 | 20 | 2020 | 11 | 28 | 2021 | 3 | 27 | What's Your Country Song | Thomas Rhett | #29 | 2 | 21 | 2020 | 11 | 28 | 2020 | 11 | 28 | Drankin N Smokin | Future & Lil Uzi Vert | #31 | 5 | 18 | 2020 | 12 | 5 | 2021 | 2 | 20 | Cry Baby | Megan Thee Stallion Featuring DaBaby | #28 | 2 | 20 | 2020 | 12 | 5 | 2020 | 12 | 5 | Somebody's Problem | Morgan Wallen | #25 | 2 | 13 | 2021 | 1 | 16 | 2022 | 3 | 12 | Heat Waves | Glass Animals | #1 | 2 | 62 | 2021 | 1 | 16 | 2021 | 5 | 8 | Hell Of A View | Eric Church | #28 | 2 | 21 | 2021 | 1 | 23 | 2022 | 3 | 5 | Sand In My Boots | Morgan Wallen | #30 | 2 | 36 | 2021 | 1 | 23 | 2021 | 1 | 23 | Wasted On You | Morgan Wallen | #9 | 2 | 19 | 2021 | 2 | 27 | 2021 | 5 | 22 | We're Good | Dua Lipa | #31 | 2 | 18 | 2021 | 3 | 13 | 2021 | 7 | 3 | Gone | Dierks Bentley | #26 | 2 | 20 | 2021 | 3 | 20 | 2021 | 7 | 10 | Lil Bit | Nelly & Florida Georgia Line | #23 | 2 | 23 | 2021 | 3 | 20 | 2021 | 4 | 17 | Leave The Door Open | Silk Sonic (Bruno Mars & Anderson Paak) | #1 | 2 | 39 | 2021 | 3 | 20 | 2021 | 3 | 20 | What's Next | Drake | #1 | 2 | 15 | 2021 | 4 | 3 | 2022 | 4 | 2 | Ghost | Justin Bieber | #5 | 2 | 26 | 2021 | 4 | 3 | 2021 | 7 | 3 | Famous Friends | Chris Young + Kane Brown | #21 | 2 | 22 | 2021 | 4 | 3 | 2021 | 4 | 10 | Tombstone | Rod Wave | #11 | 2 | 22 | 2021 | 4 | 10 | 2021 | 4 | 10 | Montero (Call Me By My Name) | Lil Nas X | #1 | 2 | 35 | 2021 | 4 | 17 | 2021 | 9 | 4 | Arcade | Duncan Laurence | #30 | 2 | 24 | 2021 | 4 | 24 | 2021 | 7 | 10 | Kiss Me More | Doja Cat Featuring SZA | #3 | 2 | 43 | 2021 | 5 | 1 | 2021 | 10 | 23 | Chasing After You | Ryan Hurd with Maren Morris | #23 | 4 | 30 | 2021 | 6 | 5 | 2021 | 6 | 5 | Brutal | Olivia Rodrigo | #12 | 2 | 12 | 2021 | 7 | 3 | 2021 | 10 | 23 | My Boy | Elvie Shane | #28 | 2 | 19 | 2021 | 7 | 10 | 2022 | 4 | 2 | Woman | Doja Cat | #9 | 2 | 34 | 2021 | 7 | 10 | 2021 | 7 | 10 | You Right | Doja Cat & The Weeknd | #11 | 2 | 38 | 2021 | 7 | 10 | 2021 | 11 | 13 | Beggin' | Maneskin | #13 | 2 | 25 | 2021 | 7 | 10 | 2021 | 7 | 10 | Ain't s**t | Doja Cat | #24 | 3 | 14 | 2021 | 7 | 17 | 2021 | 10 | 23 | Essence | Wizkid Featuring Justin Bieber & Tems | #9 | 2 | 35 | 2021 | 8 | 7 | 2021 | 8 | 7 | If I Didn't Love You | Jason Aldean & Carrie Underwood | #15 | 2 | 25 | 2021 | 8 | 7 | 2021 | 10 | 16 | Pepas | Farruko | #25 | 2 | 21 | 2021 | 8 | 7 | 2021 | 10 | 16 | Memory I Don't Mess With | Lee Brice | #33 | 2 | 19 | 2021 | 8 | 14 | 2021 | 8 | 21 | Volvi | Aventura x Bad Bunny | #22 | 3 | 18 | 2021 | 8 | 21 | 2021 | 8 | 21 | Take My Breath | The Weeknd | #6 | 2 | 20 | 2021 | 8 | 28 | 2022 | 1 | 15 | Cold Heart (PNAU Remix) | Elton John & Dua Lipa | #7 | 2 | 29 | 2021 | 9 | 4 | 2022 | 3 | 5 | One Mississippi | Kane Brown | #36 | 2 | 24 | 2021 | 9 | 18 | 2021 | 9 | 18 | Fair Trade | Drake Featuring Travis Scott | #3 | 3 | 17 | 2021 | 10 | 9 | 2022 | 1 | 22 | Too Easy | Gunna & Future | #16 | 4 | 16 | 2021 | 11 | 20 | 2021 | 11 | 20 | No Love | Summer Walker & SZA | #13 | 2 | 12 | 2021 | 11 | 27 | 2022 | 4 | 2 | Doin' This | Luke Combs | #30 | 2 | 15 |
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Apr 19, 2022 22:38:25 GMT -5
Re-entry rules explained www.billboard.com/music/music-news/billboard-explains-older-songs-become-new-hits-1235060791/Billboard Explains: When Older Songs Become New Hits The latest episode of Billboard Explains explores how a song is able to re-enter the Billboard Hot 100 years after its release.
By Starr Bowenbank
04/19/2022From dances and movies to TikToks, songs now more than ever have the unique ability to find new lives on the Billboard charts. But what are the rules for a song’s re-entry? Any song is allowed to re-enter the Billboard charts, but with a few conditions: The track in question must crack the top 50 of a respective chart and needs to have a meaningful reason for doing so. Songs that qualify for a re-entry generally see a resurgence due to dance trends, appearances in a film or trending sounds on TikTok.
Examples of this include Lizzo‘s hit single “Truth Hurts,” which topped the Billboard Hot 100 in September 2019 — despite its release two years prior — after being featured in Netflix’s Someone Great. Ghost Town DJ’s also saw a bump when their 1995 song “My Boo” was used for a viral dance challenge in 2016; the track peaked at No. 29 on the Hot 100 that year, besting its previous No. 31 chart position in 1995. And Fleetwood Mac‘s “Dreams” received the TikTok treatment in 2020 thanks to a viral video of a man skateboarding while drinking cranberry juice, with the 1977 song used for the sound. The clip brought Fleetwood Mac back to the top 40 for the first time in 30 years. Chart re-entries cannot be discussed without mentioning the seasons, where artists such as Mariah Carey (“All I Want for Christmas Is You”), Michael Jackson (“Thriller”) and The Neighborhood (“Sweater Weather”) see respective boosts as the year passes. If a song is great, it can enjoy success for years beyond its initial release. After the video, catch up on more Billboard Explains videos and learn about SXSW, the magic of boy bands, American Music Awards, the Billboard Latin Music Awards, the Hot 100 chart, how R&B/hip-hop became the biggest genre in the U.S., how festivals book their lineups, Billie Eilish’s formula for success, the history of rap battles, nonbinary awareness in music, the Billboard Music Awards, the Free Britney movement, rise of K-pop in the U.S., why Taylor Swift is re-recording her first six albums, the boom of hit all-female collaborations, how Grammy nominees and winners are chosen, why songwriters are selling their publishing catalogs, how the Super Bowl halftime show is booked and why Olivia Rodrigo’s “Drivers License” was able to shoot to No. 1 on the Hot 100.
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Jun 6, 2022 9:02:25 GMT -5
Kate Bush chart history
The Man With The Child In His Eyes
weeks pos date 1 88 02/17/1979 2 86 02/24/1979 3 85 03/03/1979 4 96 03/10/1979
Running Up That Hill
weeks pos date 1 95 09/07/1985 2 90 09/14/1985 3 82 09/21/1985 4 72 09/28/1985 5 70 10/05/1985 6 63 10/12/1985 7 57 10/19/1985 8 47 10/26/1985 9 42 11/02/1985 10 39 11/09/1985 11 35 11/16/1985 12 31 11/23/1985 13 30 11/30/1985 14 43 12/07/1985 15 58 12/14/1985 16 68 12/21/1985 17 75 12/28/1985 18 79 01/04/1986 19 91 01/11/1986 20 99 01/18/1986 21 8 06/11/2022 22 4 06/18/2022 23 5 06/25/2022 24 9 07/02/2022 25 6 07/09/2022 26 4 07/16/2022 27 4 07/23/2022 28 3 07/30/2022 29 3 08/06/2022 30 4 08/13/2022 31 4 08/20/2022 32 5 08/27/2022 33 4 09/03/2022 34 4 09/10/2022 35 9 09/17/2022 36 12 09/24/2022 37 19 10/01/2022 38 26 10/08/2022 39 31 10/15/2022 40 45 10/22/2022
Recurrent 1 13 10/29/2022 2 21 11/5/2022 3 23 11/12/2022
Don't Give Up (W/ Peter Gabriel)
weeks pos date 1 91 04/04/1987 2 81 04/11/1987 3 75 04/18/1987 4 72 04/25/1987 5 74 05/02/1987 6 95 05/09/1987
Rubberband Girl
weeks pos date
1 88 12/25/1993 2 99 01/01/1994 3 97 01/08/1994 4 95 01/15/1994 5 93 01/22/1994 6 99 01/29/1994
|
|
|
Post by roadrunner on Jun 6, 2022 12:25:14 GMT -5
Thanks for posting…I especially like 👍 ⬆️ seeing a song’s chart position week by week.
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Jun 6, 2022 13:17:27 GMT -5
updated for current week
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Jun 7, 2022 14:12:46 GMT -5
Five Burning Questions: Kate Bush’s ‘Running Up That Hill’ Hits New Peak After ‘Stranger Things’ Bump "Hill" re-enters the Billboard Hot 100 at a new peak of No. 8 this week, following extensive use in the fourth season of 'Stranger Things.'
By Billboard Staff
06/7/2022
After consecutive weeks of multiple Billboard Hot 100 top 10 debuts from 2020s superstars Future, Bad Bunny, Kendrick Lamar and Harry Styles, this year the lone crasher of the chart’s highest region belongs to… 63-year-old U.K. alt-pop icon Kate Bush, via her resuscitated 1985 hit, “Running Up That Hill (A Deal With God).”
The song, which originally peaked at No. 30 on the Hot 100, re-enters the chart at No. 8 this week (dated June 11). The massive spike in consumption for the classic left-field hit was prompted by the debut of the fourth season of Netflix’s ’80s-set sci-fi series Stranger Things, which prominently uses the song multiple times throughout the season.
What about “Running Up That Hill” made it so rife for this kind of revitalization? And what other beloved pop songs could follow it back onto the Hot 100? Billboard staffers discuss this questions and more below.
1. Not a lot of people would’ve expected Kate Bush to be rubbing elbows with Bad Bunny and Harry Styles in the top 10 this week. What is it about “Running Up That Hill” that made it and Stranger Things such an explosive combination?
Katie Bain: With nearly three years between the last and this new season of Stranger Things, we fans of the show were basically foaming at the mouth for new episodes. So, my sense is that the crazy success of this sync is a function of the massive popularity of and pent-up interest in Strangers Things, paired with the fact that “Hill” was used so effectively. The song’s appearance in the first episode was surprising, fresh and perfect, with Kate’s distress capturing the angst and isolation Max is experiencing after the succession of traumas she’s endured in Hawkins. Bringing the track back in the climactic moment of Max’s exorcism, and imbuing it with mystic power as the only thing that will save her from the monster Vecna, was a huge moment for fans of the show, and a moment that’s now synonymous with the song. (For better or worse, whenever I hear it going forward, I’ll likely see Sadie Sink levitating with her eyes rolled back in her head.)
Lyndsey Havens: Sure, we’ve been heavily gifted in the form of new music lately from Harry, Benito, Lizzo and others who have helped shake up the top 10, but it wasn’t that long ago that it was filled with years-old hits. While “Running Up That Hill” is a touch more than a year or two old, it truly does possess the makings of a timeless hit. And at a time when pop stars like Olivia Rodrigo are bringing icons of a generation earlier like Alanis Morissette out on stage, a veteran like Kate Bush can just as easily fit in with what’s resonating today — or perhaps even more easily, considering how high she’s climbed. All it took was a little reintroduction, and Stranger Things was happy to facilitate.
Gil Kaufman: As always with the Duffers, they employed it not just as a clever sync, but by making it part of the their intricate world — which is kind of like hiding the slimy, eyeball-popping dog treat in delicious brie. It’s a great, already kind of spooky, alluring and mysterious song wrapped in a very clever plot device on a show that, not for nothing, all of us were anxiously waiting for. Great song, great timing, great show. Triple threat!
Jason Lipshutz: “Running Up That Hill” is not just featured in Stranger Things, the biggest streaming show of the year, but the song is basically a character within it – tied inextricably to the action of season 4, soundtracking one of its most dramatic moments, and even name-checked (and shown onscreen in cassette form!) multiple times. There are successful TV syncs, and then there’s being exalted in an enormous series, and introduced to a new generation of listeners that weren’t born when “Running Up That Hill” peaked at No. 30 upon its 1985 release. Oh, and it doesn’t hurt that it’s one of the greatest pop songs ever written, too.
Andrew Unterberger: The thing that makes “Hill” such a perfect song for this kind of moment is that it’s a highly enduring, widely beloved pop song… that a whole lot of folks have never heard before. It wasn’t a major stateside hit upon its original release, and because it’s such an emotional and challenging song, it’s not one you ever really hear on the radio or at weddings or parties or really just out in the world in the decades since — it’s the kind of song you either have to discover yourself or be actively introduced to do. (But it was just popular enough for it to be plausible as the kind of song an alt-leaning kid like the show’s Max might catch on radio or MTV late one night and instantly become obsessed with.) It was an ideal choice for the Duffers to press the button on, and they were smart enough to press it — multiple times, even.
2. Do you expect that this extreme first-week showing for “Hill” will essentially mark the full extent of its time at the center of 2020s popular culture, or do you see it hanging around for a couple weeks still — or possibly growing even bigger from here?
Katie Bain: As much as I love this song and want Kate Bush to have all the chart success forever, I can’t see this getting bigger than it’s been during this initial frenzy of the Stranger Things season four launch. That said, while the song may once again fall off the charts, its unlikely to fall off the playlists of all the millions of people who’ve learned about it via Stranger Things, and that’s definitely a win for Kate Bush, for the musical education of the youth and for culture, generally.
Lyndsey Havens: If someone like an Olivia were to cover it, I do think it could sustain, but I think this is probably its splashiest moment of the year. The song hasn’t even been tagged to a million videos on TikTok yet, and if I’ve learned anything lately, it’s that TikTok is a pretty good indicator of what is or will stick around.
Gil Kaufman: If feels like a big, momentary blip that will likely fade pretty quickly. Once people have binged on the series it’s hard to see this song hanging around out of context of the show. It doesn’t really have any qualities that would allow it to continue competing with the Harrys and Lizzos of the world unless Bush decided to really lean in and drop a surprise album or go on, gulp, a world tour. (Spoiler: never gonna happen.)
Jason Lipshutz: It’s hard to imagine the song climbing above its No. 8 peak on the Hot 100 – a glimpse at the streaming charts indicates that it’s cooling off a bit – but “Running Up That Hill” should certainly hang around for a few weeks, as more people binge the new Stranger Things season and those who already have keep the song in their rotations. Toss in some more radio spins, and “Running Up That Hill” isn’t tumbling down the chart anytime soon.
Andrew Unterberger: It may or may not ascend higher than its current No. 8 peak — though don’t forget that it took a couple days for the song to gain the momentum it currently has, so starting the tracking week from the place of already getting millions of streams a day will give it some degree of advantage on next week’s chart. But even if it doesn’t, I don’t see it just disappearing anytime soon; once a song like this has really gotten its hooks in the culture, folks don’t forget about it so quickly. Just look at Fleetwood Mac’s “Dreams”; it’s been nearly two years since that song first enjoyed its viral rebound and it’s still hanging around the bottom half of the Spotify US Daily 200.
3. The most obvious point of comparison for a 2020s cultural rebound of this magnitude for a long-beloved pop song is a couple years ago, when a viral Doggface208 video on TikTok catapulted Fleetwood Mac’s “Dreams” back to the top 10. Which of the two rebounds do you find more interesting — or more telling about the kind of revitalized success catalog songs are able to enjoy in the early 2020s?
Katie Bain: All love and respect to Queen Kate, but I think the Doggface phenomenon is more interesting simply because it happened on TikTok, with that kind of virality — along with the juxtaposition of an extremely modern platform with a song released in 1977 — more unique and indicative of the era than a traditional TV sync.
Lyndsey Havens: I have to give it to Doggface, it’s a story that is so singularly of the times it’s hard to top it — especially with something as routine as a sync in a popular show. While both stories are amazing and hopeful for veteran songs and artists, the way in which TikTok felt like a more all-encompassing moment for anyone who used social media, compared to a moment for anyone who watches a show, made it more intriguing to me in terms of new frontiers for revitalization.
Gil Kaufman: No offense to Bush, but Doggface is the real out-of-left-field phenomenon. The “Hill” climb is really just lucky commerce: a great sync on a super popular show that strikes a cord with the curious, young audience who may never have heard the song and who might be home watching with parents who loved it the first time. But the Mac thing is a pure TikTok music phenomenon that came out of nowhere and, until later, didn’t have that corporate set-up feeling to it.
Jason Lipshutz: Both have their merits! As a longtime fan of Kate Bush’s singular artistry, seeing one of her songs in the top 10 of the Hot 100 chart — and introduced to a huge new population of listeners – feels wildly unexpected and extremely gratifying, although the path that it took to get there (a synch in a popular TV show) feels more well-trodden. On the other hand, Fleetwood Mac has the more well-known catalog, especially in the United States, but the fact that “Dreams” re-entered to the top 10 thanks to a clip of a dude skateboarding and chugging cranberry juice feels like some sort of mad-libs phenomenon that no one could have seen coming. Both are fascinating in different ways, and I’d bet we’d see more of each type of revitalization – synch-based and viral clip-based – in the future.
Andrew Unterberger: It’s “Dreams,” for sure, just because there were so many different component parts to that moment (which included the band itself getting highly involved, something we’re very unlikely to see from Bush in the coming weeks). But “Running” is probably the model that’s more easily replicated: “Dreams” was a fluke that nobody could’ve predicted or planned for, but though I doubt they’d admit it, I bet on some level the Duffers at least partly expected a moment like this for “Hill.” When you have a song that powerful in a moment that big from a show this popular, there’s almost a scientific formula at work — one that isn’t always repeatable, but is far from totally unpredictable.
4. Stranger Things isn’t the first major pop culture institution to launch an unlikely old song back to the Hot 100 this year — The Batman did it with Nirvana’s non-single “Something in the Way” a couple months ago. What’s another movie, TV show or other major entertainment property you could see having a similarly galvanizing effect on a catalog song’s assumption in the near future?
Katie Bain: Succession has played around with syncs — I’m looking at Kendall sonically bombing the Waystar Royco town hall meeting with Nirvana’s “Rape Me” and his “Bangers Only” birthday playlist — and I think if the show leaned into a full sync, the shows many ravenous fans could push it up the chart.
Lyndsey Havens: We saw it with Euphoria plenty, and I’m sure we will again. It almost seems like the tides of supervision are shifting, and it’s less about discovering what’s new and more what dusting off what’s older to be discovered again.
Gil Kaufman: As a huge Peacemaker fan who has delved into creator James Gunn’s insane detailed musical mind, I think that show’s second season — tentatively slated for early 2023 — could definitely mine some forgotten/underappreciated hair metal gem from today or yesterday and turn it into chart gold.
Jason Lipshutz: Instead of selecting some mass-media IP like a Marvel franchise, let’s go with I Wanna Dance With Somebody, the upcoming Whitney Houston biopic. A little over 10 years after her passing, the time is right for a revival of the impossibly rich Whitney Houston catalog – maybe the film features one song in particular, or sends the world returning to her many hits, a la Queen and Bohemian Rhapsody. Either way, sign me up.
Andrew Unterberger: Euphoria is probably the best answer here, but let me dream here about two upcoming sequels/reboots: I’d love to see a major Kid n’ Play bump from the upcoming House Party redo, or a big look in Creed III leading to a revival of Rocky III’s classic pump-up theme, Survivor’s “Eye of the Tiger.”
5. OK, you’re an advisor to the music supervisor for the upcoming second half of Stranger Things’ final season, and you’re getting a lot of pressure from the suits upstairs to create “another Kate Bush moment.” Which ’80s song (or artist) are you betting big on?
Katie Bain: I know it was already used (somewhat inexplicably!) in the end credits of a The Marvelous Mrs. Maisel episode, but Siouxsie & The Banshees’ haunting indie anthem “Cities In Dust” — released in 1986, the same year this current episode of Stranger Things takes place in — would be a killer, sort of Kate-adjacent and perhaps thematically appropriate soundtrack for whatever ends up happening in Hawkins, Indiana.
Lyndsey Havens: If I were an advisor to the music supervisor, I’d declare we should think outside the ’80s… and pitch a song from the mid-’70s: “Crazy on You.” A personal favorite by sister act Heart, the song only hit No. 36 in 1976. But with the right scene, or perhaps singular mood that comes up throughout various scenes, I can see a new generation of vengeful teens grasping onto this one.
Gil Kaufman: GK: I’m torn here, so I’m going to cheat. The very first thing that came to mind was Toni Basil’s “Mickey,” because it’s so silly and hyped and such a perfect 1980s one-off smash that would match the Ocean Pacific/International male fashion vibe of this season. That said, given what the show runners have said about Will’s journey to possibly coming out on the show, I would absolutely love to see Bronski Beat’s “Smalltown Boy” (or “Why”) blow up on the charts.
Jason Lipshutz: The new season of Stranger Things is set during spring break, 1986… a few weeks before Pet Shop Boys’ synth-pop classic “West End Girls” reached the top of the Hot 100 chart. If Neil Tennant’s warble can’t get Vecna grooving, nothing can.
Andrew Unterberger: Following my “widely beloved songs that relatively few casual pop listeners in the U.S. actually know” model — how about The Smiths’ “There Is a Light That Never Goes Out”? It’s got it all: doomed romance, death wishes, feelings of alienation, and an absolutely unforgettable chorus. Just imagine the song’s sweeping strings playing out over a closing montage of the Stranger Things kids (well, young adults) saying their final goodbyes — even if you’ve never seen the show, you’re probably getting a little misty-eyed right now. Just gotta hope that Morrissey keeps his mouth shut in real life and doesn’t ruin the moment.
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Jun 8, 2022 10:00:29 GMT -5
10 Times Movies & TV Shows Sent Decades-Old Songs Back Onto the Hot 100: Kate Bush, Queen & More "Running Up That Hill" is the latest in a long line of songs to revisit the Hot 100 long after their original release because of a big media sync.
By Andrew Unterberger
06/7/2022
The biggest story in the music world this week is about a song from 1985: Kate Bush’s “Running Up That Hill (A Deal With God).” The fever-pop classic re-enters the Billboard Hot 100 this week (chart dated June 11) at No. 8 — 22 spots higher than it originally peaked at back in ’85 — thanks to its extensive use in the fourth season of Netflix sci-fi series Stranger Things, a usage that has introduced the song to a new generation (while re-igniting older audiences’ love for the singular left-field hit).
It’s the kind of chart spike that makes all kinds of pop watchers stand up and take notice, showing how unpredictable the charts have become in 2022, and how high the commercial ceiling is for catalog favorites right now. But it’s not the first time that a big media sync has brought an older song — one whose movie or TV usage is separated from its original release by over a decade — onto the Hot 100, or even back as high as No. 8. Here are 10 such examples:
The Beatles, “Twist and Shout” (Ferris Bueller’s Day Off / Back to School)
The Beatles’ cover of the early soul standard “Twist and Shout” (originally popularized by the Isley Brothers) was a No. 2 Hot 100 hit upon its stateside single release in 1964. In 1986, it was revived by two separate hit film comedy syncs: Ferris Bueller’s Day Off, in which Matthew Broderick’s title character lip-syncs to the Beatles’ version from a parade float, and Back to School, in which the song is performed by Rodney Dangerfield’s Thornton Melon character during a bar scene. The dual usage helped return the song to the Hot 100, where it hit No. 23 that September.
Ben E. King, “Stand by Me” (Stand by Me)
Ben E. King’s 1961 R&B standard “Stand by Me” was not only prominently used in the Rob Reiner-directed adaptation of Stephen King’s novella The Body, it carried a good deal of the movie’s emotional core — and also lent it its title. In addition to a single re-release, “Stand By Me” also got a brand new music video in 1986, featuring teen film stars River Phoenix and Wil Wheaton lip-syncing along to a live King performance, then joining him onstage to dance with him. The song, which peaked at No. 4 on the Hot 100 in ’61, returned to the top 10 in late 1986, reaching No. 9.
Louis Armstrong, “What a Wonderful World” (Good Morning, Vietnam)
Despite enduring today as one of his most famous and recognizable songs, Louis Armstrong’s classic ballad “What a Wonderful World” was not a stateside hit upon its original release in 1967. (It was bigger in the U.K., where it topped the Official UK Singles chart and was the best-selling single of 1968.) It didn’t reach the Hot 100 for the first time until after its appearance in the 1987 Robin Williams war comedy Good Morning, Vietnam, in which the song is played over a montage of powerful wartime images. The use was striking enough to cause the single to be reissued in the U.S., and it reached No. 32 on the Hot 100 the next February.
The Contours, “Do You Love Me” (Dirty Dancing)
The Contours’ signature soul-pop hit went to No. 3 on the Hot 100 back in 1962, a year before the 1987 coming-of-age romance Dirty Dancing is set. The movie’s soundtrack, a mix of period favorites and new pop songs, was popular enough to eventually be certified diamond by the RIAA, and “Do You Love Me” — which plays over the memorable dance scene in which Jennifer Grey’s Baby character meats Patrick Swayze’s Johnny for the first time — was re-issued as a single. It got to No. 11 during its new chart run the following August.
The Righteous Brothers, “Unchained Melody” (Ghost)
Patrick Swayze once again played a pivotal role in getting a golden oldie back onto the Hot 100 in 1990, when the Righteous Brothers’ ballad “Unchained Melody” (a No. 4 hit in 1965) was used as a love theme between Swayze’s character Sam and his girlfriend Molly (Demi Moore) in the hit 1990 sci-fi romance Ghost. The song re-charted that year, in two separate versions — the original, which was not widely available for sale at the time, and a re-recorded version that was released as a new single. Both versions charted on the Hot 100 simultaneously, with the older version reaching No. 13 (largely on airplay) and the better-selling new version hitting No. 19.
Queen, “Bohemian Rhapsody” (Wayne’s World / Bohemian Rhapsody)
While “Bohemian Rhapsody” stands today as Queen’s signature hit and one of the most beloved songs of the 20th century, it peaked at a relatively modest No. 9 on the Hot 100 during its original chart run in 1975-76. The group would better that in 1992, a half-year after frontman Freddie Mercury’s death, when the song was used in a soon-to-be-iconic car singalong scene in the hit film comedy Wayne’s World (and also received an updated music video, one of the year’s most-played clips on MTV) and got all the way to No. 2 on the chart. The song returned to the Hot 100 one more time in 2018, when it re-charted at No. 33 following its use in the hit Freddie Mercury biopic of the same name.
The Knack, “My Sharona” (Reality Bites)
L.A. power-poppers The Knack scored the year-end Hot 100 No. 1 single of 1979 with one of the year’s few non-disco chart-toppers, the strutting (and graphic) love song “My Sharona.” A decade and a half later, the song experienced a small revival thanks to the hit Gen X comedy Reality Bites, in which a number of characters excitedly dance to it when it comes on the radio in a gas station convenience store. A lightly remixed version of the song briefly charted on the Hot 100 in 1994, hitting No. 91.
N.W.A, “Straight Outta Compton”
N.W.A’s gangsta rap standard-setter “Straight Outta Compton” was far too inflammatory for most radio stations to touch upon its original 1988 release, resulting in it never gracing the Hot 100 in its original run. But 27 years later, the enduring song crashed the chart thanks to the success of the N.W.A biopic of the same name, reaching No. 38 in September 2015. Not only was it the song’s first Hot 100 visit, it was the group’s first (and to date, only) appearance of any kind on the listing.
Nirvana, “Something in the Way” (The Batman)
You wouldn’t call Nirvana’s “Something in the Way” an obscurity, exactly — no song that’s been featured on an album that’s sold enough to be certified diamond really could be — but it’s the rare non-single to be included on this list, having subsided as the deep-cut closer to the grunge band’s epochal 1991 LP Nevermind. The song got a rare solo spotlight earlier this year, however, when it was prominently featured in the blockbuster The Batman, as a sort of theme song for the film’s brooding protagonist. The ensuing bump was enough to send it onto the Hot 100 this March, peaking at No. 46.
Kate Bush, “Running Up That Hill” (Stranger Things)
The reason for the season: Kate Bush’s “Running Up That Hill” returns to the Hot 100 at No. 8 this week as one of the most-streamed and most-sold songs in the country, thanks largely to its multiple uses in the most recent season of Stranger Things. It’s the rare older song to return to the Hot 100 due to a TV placement rather than a movie sync, with even examples as famous as The Sopranos‘ finale usage of Journey’s “Don’t Stop Believin'” failing to inspire similar bumps (granted, with different chart rules in place at the time, and in an era before streaming took hold) — though reality competitions like American Idol and musical TV programs like Glee have sent plenty of cover versions of older hits onto the chart.
|
|
|
Post by Baby Yoda Hot100Fan on Jun 8, 2022 10:35:44 GMT -5
6/7/2022 By Xander Zellner
Kate Bush's "Running Up That Hill (A Deal With God)" makes the latest such resurgence.
Kate Bush returns to the latest Billboard Hot 100 chart (dated June 11), as her classic 1985 single “Running Up That Hill (A Deal With God)” re-enters the ranking at No. 8, far outpacing its original No. 30 peak.
The track’s revival can be attributed to a swirl of new interest thanks to its prominent placement in the fourth season of Netflix’s Stranger Things, which premiered May 27.
How rare is it for a song to re-enter the Hot 100 all the way up in the top 10? Pretty rare. In the 63-year history of the chart, “Running Up That Hill” is just the eighth song to return directly in the top 10.
Generally, songs make steady runs up and down the Hot 100, though in more recent years, it’s become more common for titles to debut at high ranks thanks to splashy streaming starts and then decline, with many also regaining their footing on the chart as their radio airplay solidifies.
(Notably, Hot 100 rules prevent most catalog titles from returning or debuting if below No. 50. Descending titles are removed from the Hot 100 after 20 weeks on the chart if below No. 50 or after 52 weeks if below No. 25. In order to re-enter after a song has gone recurrent, it must garner enough chart points, with a notable reason for its re-entry, as opposed to a not uncommon one-week uptick that could rank it back in the top 25 or 50.)
This is all to say that, for older titles, it’s difficult to re-enter the Hot 100 and compete with current songs generating hefty radio airplay. It’s even tougher to re-enter in the top 10 – an alignment reflected by the timing of Stranger Things‘ new season, which prominently features “Running Up That Hill” in multiple episodes, at the start of the May 27-June 2 chart tracking week, as opposed to, say, a more steady campaign or confluence of factors that could’ve resulted in the song re-entering at a lower rank and making its way toward the top 10 more gradually. We see the latter type of movement each holiday season, as Christmas tunes often re-enter just above No. 50, with the biggest carols rising to the top 10 by the end of the holiday season.
The select songs that have achieved the feat of re-entering the Hot 100 in the top 10 have, for the most part, generated newfound interest after artists were prominently in the news, performed on massive stages or released a new version of a song or, like Bush this week, scored a notable sync.
Here’s a look at all eight hits that have re-entered the Hot 100 in the top 10, listed chronologically.
Artist Billing, Title, Chart Date (Hot 100 Re-entry Rank):
LL Cool J feat. Jennifer Lopez, "Control Myself," April 29, 2006 (No. 4)
“Control Myself” first spent three weeks on the Hot 100, never reaching higher than No. 89, before falling off the chart. After the release of parent album Todd Smith, and “Control Myself” as a digital download a month later, the track re-entered the Hot 100 at No. 4, becoming the first top 10 re-entry in the chart’s history.
The Chicks, "Not Ready to Make Nice," March 3, 2007 (No. 4)
The Chicks were absent from the Hot 100 for three years before the song debuted. The trio drew pushback following Natalie Maines’ comments about George W. Bush during a concert performance in London in 2003. When the group finally returned with “Not Ready to Make Nice,” which references its exile, the song reached No. 23 in May 2006, largely from download sales, as the group was essentially barred from country radio. After the song fell off the chart, the act performed it at the 49th Grammy Awards and it won for record and song of the year and best country performance by a duo or group with vocal. The buzz around the trophy wins and the group’s performance – and fans’ support for the band – sparked the song’s re-entry at No. 4, The Chicks’ highest rank to-date.
Whitney Houston, "I Will Always Love You," Feb. 25, 2012 (No. 7)
Whitney Houston‘s cover of Dolly Parton’s classic spent a then-record 14 weeks at No. 1 on the Hot 100 in 1992-93. It returned to the top 10 at No. 7 following her death in 2012 from an accidental drowning. The ballad jumped to No. 3 the following week and fell to No. 30 before dropping off the chart. It earned Houston her highest placement on the list since March 1999, when “Heartbreak Hotel,” featuring Faith Evans and Kelly Price, reached No. 2.
Florida Georgia Line feat. Nelly, "Cruise," April 20, 2013 (No. 8)}
“Cruise” became a debut smash for Florida Georgia Line before Nelly hopped on its remix. The original recording reached No. 16 on the Hot 100 in December 2012 – and No. 1 on Hot Country Songs – in a run that ran through the following February. Two months later, the Nelly remix dropped. The song re-entered the Hot 100 at No. 8 and subsequently crossed to pop and adult radio, spurring its new No. 4 peak in July 2013.
Lady Gaga, "Million Reasons," Feb. 25, 2017 (No. 4)
“Million Reasons” was a modest chart hit for Lady Gaga before she performed the track at the Super Bowl LI halftime show, originally reaching No. 52 on the Hot 100 in December 2016. After she added the ballad to her Super Bowl setlist, it re-entered at its No. 4 peak, becoming her 10th top 10, of 17 to-date. (The song’s comeback mirrored that of the New England Patriots the same night, as the team overcame a daunting 28-3 deficit to the Atlanta Falcons to win 34-28 in overtime.)
Juice WRLD, "Lucid Dreams," Dec. 21, 2019 (No. 8)
Juice WRLD‘s breakthrough single re-entered the Hot 100 at No. 8 following his death from a drug overdose on Dec. 8, 2019. The song, which samples Sting’s 1993 track “Shape of My Heart,” peaked at No. 2 in October 2018 and, upon its return, added a 26th total week in the top 10.
The Weeknd, "Blinding Lights," Jan. 9, 2021 (No. 3)
The Weeknd‘s four-week Hot 100 No. 1 – and, ultimately, the reigning title on the Greatest of All Time Hot 100 Songs chart – revisited the weekly list at No. 3, making it the highest re-entry yet, after holiday hits pushed many then-current titles off the chart temporarily. The song was gone only for a week – interrupting its eventual 90-week record run on the chart (as it placed below No. 25 that week after over a year on the chart) – and returned as current hits soared back to the top 10, a week after holiday songs infused the tier exclusively. (Notably, “Blinding Lights,” “Lucid Dreams” and “I Will Always Love You” are the only songs among these eight to not post a new Hot 100 peak in their returns to the top 10.)
Kate Bush, "Running Up That Hill (A Deal With God)," June 11, 2022 (No. 8)
Kate Bush’s 1985 single re-enters the Hot 100 at a new No. 8 best, fueled by its placement in Stranger Things. “‘Running Up That Hill’ is being given a whole new lease of life by the young fans who love the show – I love it too!” Bush said. “It’s all really exciting! Thanks very much to everyone who has supported the song.”
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Jun 8, 2022 10:37:45 GMT -5
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Jun 8, 2022 13:42:27 GMT -5
Why Were So Many Oldies Made Hits Again by New Syncs During One Five-Year Period — And Why Is It Finally Happening Again Now? With old songs made new hits by 'The Batman' and 'Stranger Things,' the big sync chart bump is officially back. But why had it mostly been gone for the last 30 years? www.billboard.com/music/chart-beat/movie-syncs-hot-100-kate-bush-running-up-that-hill-1235083912/
By Andrew Unterberger
06/8/2022With all the attention this week surrounding Kate Bush‘s “Running Up That Hill” re-entering the Billboard Hot 100 at a new No. 8 peak following its use in Netflix’s Stranger Things, we wrote this week about 10 times in the Hot 100’s history when a movie or TV sync brought a decade-plus-old song onto the chart. But if you look at the timeline of those 10 songs and their chart resurrection, a very obvious trend emerges — the majority of them happened over a five-year period from the late ’80s to the early ’90s. The period starts in 1987, when use in two hit film comedies (Ferris Bueller’s Day Off and Back to School) the year before brought The Beatles’ “Twist and Shout” back to the Hot 100 for the first time in 23 years. Then, over the next half-decade, five more golden oldies — Ben E. King’s “Stand by Me” (Stand by Me), Louis Armstrong’s “What a Wonderful World” (Good Morning, Vietnam), The Contours’ “Do You Love Me” (Dirty Dancing), The Righteous Brothers’ “Unchained Melody” (Ghost) and Queen’s “Bohemian Rhapsody” (Wayne’s World) — all hit the top 40 thanks to a new movie placement. Two years after that, one more scraped the bottom of the Hot 100, when a lightly remixed version of The Knack’s “My Sharona” hit No. 91, thanks to its use in Reality Bites. Then, for a long time, nothing happened. For two decades, in fact, in between “My Sharona” in Reality Bites and N.W.A’s “Straight Outta Compton” reaching the Hot 100 for the first time in 2015 (thanks to its use in the N.W.A biopic of the same name), older songs brought back by movies and TV were all but invisible on the chart. And it’s only really this year, with the revitalizations of Kate Bush’s “Running Up That Hill” and Nirvana’s “Something in the Way” (which charted at No. 46 on the Hot 100 following its use in The Batman), that they’re again becoming any kind of regular presence on the chart. What happened that could explain why these type of chart resurrections were so common at the turn of the ’90s, and then so rare almost immediately afterwards? For help understanding, we turn to Ross on Radio editor and longtime chart and radio expert Sean Ross, who also wrote about Kate Bush’s history on the stateside airwaves this week. Ross points to a different TV bump as the moment that kicked off the late-’80s era of oldies being brought back as new hits — albeit with a song that sounded older than it actually was. “At This Moment” was a ’60s soul-style ballad originally released by Billy Vera and the Beaters in 1981, when it became a very minor chart hit, peaking at No. 79 on the Hot 100. But the song was used multiple times by the hit TV show Family Ties in 1985 and 1986, becoming a romantic theme for the characters of Alex (Michael J. Fox) and Ellen (Tracy Pollan). It was ultimately reissued as a single in 1986 and took off from there, topping the Hot 100 in early 1987. “I think ‘At This Moment’ had a lot to do with starting the trend,” Ross says. “[It] established a route to radio for songs that weren’t of a piece with what else was on the radio.” And the resurrection of minor hits from the not-too-distant past also became prevalent around this time, even without significant syncs to spur them on, thanks to various stations with enterprising DJs and programming directors — which Ross refers to as “the whole ‘Brat Pack’ of CHR [contemporary hit radio] programmers of that era” — kicking off their revivals. UB40’s cover of Neil Diamond’s “Red Red Wine” reached No. 34 on the Hot 100 in 1984, but after the Guy Zapoleon-programmed KZZP Phoenix started to pick the song up again, it shot all the way to No. 1 in 1988. The next year, PD Brian Phillips’ stations in Minnesota (KDWB) and Milwaukee (WKTI) brought back Sheriff’s “When I’m With You,” which fizzled at No. 61 back in 1983, and it also spread widely enough for the song to top the chart. Even Benny Mardones’ “Into the Night,” a No. 11 hit in 1980, returned to the top 20 in ’89 when famed radio personality Scott Shannon was inspired by an Arizona station’s “Where Are They Now?” segment on Mardones to put “Night” back in rotation, prompting a national surge in interest in the singer and his signature hit. All of this dovetailed with the resurrection of those “bringback” hits from movies, many of which were championed by the same kind of programmers. But as the power and prevalence of CHR started to hit a lull in the early ’90s — with many prominent stations folding or switching formats, as pop music in the ’90s splintered with the prevalence of less top 40-friendly genres like G-funk and grunge, and pop-oriented Hot Adult Contemporary (Hot AC) rose to prominence as a dominant format — so did the presence of these movie-resurrected oldies. “The trend ends in 1992 because that’s when CHR really started to dissolve,” Ross explains. “A lot of the stations that had been key in “bringbacks” (whether from movies or whether “When I’m With You”) switched format to Hot AC. Many of the PDs moved on to other formats. Many markets didn’t have a CHR [station]. There was no vehicle for that kind of revival.” CHR didn’t stay down for long, but by the time the format regained its strength in the late ’90s — during what would end up being the last great commercial boom period of the pre-digital era in the music business — the room for “bringback” hits had disappeared. “When Top 40 came back in 1997, there was so much excitement about new music,” Ross says. “There wasn’t really the impetus to go back and look for old music.” (Following the Telecommunications Act of 1996, which helped clear the way for for Clear Channel’s radio takeover, there was also less room for individual programmers or DJs or even individual stations to spearhead such revivals.) This, of course, was all during the era where radio was the unquestioned market leader and primary driving force on the Hot 100 — particularly with single sales dwindling, as the industry fully shifted to prioritizing album sales. But with the rise of iTunes and digital song sales as a major force in the mid-’00s, you might think you would get a “bringback” hit through the use of a classic old song in a popular TV show like The O.C. or Grey’s Anatomy, which helped drive the commercial success of so many new songs and artists in the ’00s. However, Ross says that once labels recognized the commercial power of the sync, their full force was spent pushing newer artists in the hopes of getting them to the next level, rather than giving their proven artists temporary bumps. “Labels didn’t want to use the power of syncs on catalog, they wanted to use it to break Snow Patrol or The Fray,” Ross says. What’s more, with the fragmentation of the monoculture over the course of the early 21st century, there were fewer opportunities for movies and shows to experience such a pronounced immediate impact: Even a sync as major as Elton John’s “Tiny Dancer” in Almost Famous or Journey’ s”Don’t Stop Believin'” in The Sopranos couldn’t really succeed on the Hot 100 without radio’s help, because Almost Famous was more of a cult success than a commercial one, and only 12 million people watched the Sopranos finale when it originally aired, with HBO subscriptions still being at a relative premium at the time. And when the the culture did connect widely enough in the ’00s with massively viewed TV programs that pushed older songs, it was usually with covers. American Idol contestants scored on the charts with their commercially released renditions of classic hits, like Blake Lewis’ No. 18-peaking version of Bon Jovi’s “You Give Love a Bad Name” in 2007. And the musical dramedy Glee saw its official Glee Cast became the artist with the most hits in the history of the Hot 100, thanks to regular sales of cast covers of pop standards released on iTunes with every new episode (including, of course, “Don’t Stop Believin’,” which was the show’s highest-charting hit, reaching No. 4 in 2009). When “Compton” finally broke the streak in 2015, it was at the dawn of the streaming era, when fans no longer had to spend money to reconnect with an older song they were reminded of (or heard for the first time) thanks to a movie or TV sync — and could continue to help its chart numbers by playing it over and over again — a change in consumption that also made it possible for “Bohemian Rhapsody” to chart for a third time (this time at No. 33) in 2018. Then, of course, came TikTok, which blew the doors open for catalog songs to re-emerge as current hits, sometimes spurred by a major media sync, but sometimes emerging from its own ecosystem — as when, most famously, a viral video from user Doggface208 propelled Fleetwood Mac’s 1977 Hot 100-topper “Dreams” back to No. 12 on the chart in October 2020. With streaming now officially paramount in the marketplace, and the arrival of TikTok making older songs a bigger part of the contemporary pop sphere than any other time in recent memory, it seems like we may be at the dawn of a new golden age of these “bringback” hits — with or without any such major media syncs. “Now, you don’t need a sync — just streams — to find a spot on the ‘eternal jukebox,’” Ross says.
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Jun 28, 2022 13:47:56 GMT -5
chart run for Kate Bush updated
4th week in re-entry
My Boo, Ghost Town DJs at 5 weeks in 2016 is the only other song under modern rules to last longer than 3 weeks in its second chart run
(excluding of course the seasonal re-entries at Christmas and Halloween)
|
|
renfield75
Platinum Member
Joined: February 2009
Posts: 1,644
|
Post by renfield75 on Jun 28, 2022 15:15:14 GMT -5
chart run for Kate Bush updated 4th week in re-entry My Boo, Ghost Town DJs at 5 weeks in 2016 is the only other song under modern rules to last longer than 3 weeks in its second chart run (excluding of course the seasonal re-entries at Christmas and Halloween) Given the sustained streaming numbers, the growing airplay, and the second half of Stranger Things about to premiere I wouldn't be surprised to see Kate get a full 20+ week run.
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Jul 12, 2022 22:06:22 GMT -5
Kate Bush chart history updated
Metallica - never really a singles act but does have 6 #1 albums, debuts with Master of Puppets, the title track from their 1986 album
17th Hot 100 entry and only their 8th to chart as high as #40
The others:
Peak 35 One
16 Enter Sandman
35 The Unforgiven
34 Nothing Else Matters
10 Until It Sleeps
28 The Memory Remains
31 The Day That Never Comes
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Jul 12, 2022 22:10:41 GMT -5
Metallica’s ‘Master of Puppets’ Hits Hot 100’s Top 40, Rules Rock Charts Thanks to ‘Stranger Things’ Sync Plus, the band's greater catalog gains thanks to renewed interest sparked by the song's spotlight in the Netflix series.
BY KEVIN RUTHERFORD
MMetallica‘s “Master of Puppets” soars onto Billboard charts dated July 16, as do other tracks and albums from the metal legends’ lengthy discography, thanks to the song’s sync in the fourth season of Netflix’s Stranger Things.
“Master,” originally released on Metallica’s 1986 studio album of the same name, makes its first appearance on the all-genre Billboard Hot 100 at No. 40, marking the rockers’ first time on the chart since “The Day That Never Comes” wrapped its run in November 2008, after reaching No. 31 that September.
In the July 1-7 tracking week, “Master” earned 9.6 million official U.S. streams and sold 7,000 downloads, according to Luminate. Those sums reflect vaults of 603% and 3,722%, respectively, over the previous frame. The final two episodes of Stranger Things‘ fourth season premiered July 1, with the song helping shape a pivotal sequence involving the show’s metalhead Eddie Munson (played by Joseph Quinn).
“Master” concurrently becomes Metallica’s first No. 1 on the Hot Hard Rock Songs chart (which began in 2020), exceeding the No. 4 peak of the group’s “All Within My Hands,” with the San Francisco Symphony, in September 2020. “Master” also arrives at Nos. 4 and 6 on Hot Rock Songs and Hot Rock & Alternative Songs, respectively, also new peaks for the band on both surveys.
The stream count for “Master” sends Metallica onto the Streaming Songs chart, at No. 23, for the first time, dating to the tally’s 2013 inception. It also starts at No. 1 on Hard Rock Streaming Songs (which began in 2020), eclipsing Metallica’s previous No. 6 best last September with 1991’s “Enter Sandman,” and opens at No. 3 on Rock Streaming Songs.
The download sum for “Master,” meanwhile, places the track at No. 7 on Digital Song Sales, becoming Metallica’s first top 10 (surpassing its prior No. 18 best in 2008 with “Day”). “Master” enters Hard Rock Digital Song Sales at No. 1, Metallica’s fourth leader, following “Sandman,” “One” and “Hardwired,” and starts at No. 3 on Rock Digital Song Sales, tying the group’s personal best first achieved with “Sandman.”
In more “Master” news, following the song’s reservicing to radio by Blackened/Q Prime (the track did not reach a radio chart upon its original run in 1986), it bows at No. 33 on Mainstream Rock Airplay – especially notable given its eight-and-a-half-minute runtime. It’s Metallica’s 39th entry on the chart, a haul that includes 10 No. 1s and 24 top 10s. On the all-rock-format, audience-based Rock & Alternative Airplay chart, it starts at No. 48 with 631,000 audience impressions. “Master” becomes the first song from its parent album to make a Billboard radio chart, as Metallica first hit Mainstream Rock Airplay in 1989 with “One” from 1988’s Master follow-up …And Justice for All.
Speaking of Master, it returns to multiple Billboard album charts, led by its No. 3 re-entry on Top Hard Rock Albums, with 13,000 equivalent album units earned, a leap of 254%. The LP also lands at No. 14 on both Top Rock & Alternative Albums and Top Rock Albums, and its No. 55 re-entry on the all-genre Billboard 200 spurs the set’s first appearance on the chart since February 2021. Master peaked at No. 29 on the Billboard 200 in May 1986 following its release that March.
As one might expect, the Metallica catalog as a whole sports residual gains thanks to the resurgence of “Master,” much like that of Kate Bush‘s music following her own Stranger Things sync for “Running Up That Hill (A Deal With God)” earlier in the season. (“Hill” returns to its No. 4 Hot 100 high on the latest list.) According to Luminate, Metallica’s overall official U.S. on-demand streams tallied 36.6 million listens July 1-7 – a 64% boost from 22.3 million the week before; taking “Master” out of the equation, the total still shows a hefty 30% gain for the band’s catalog, from 20.9 million to 27.3 million.
The most-streamed Metallica song beyond “Master of Puppets” in the July 1-7 tracking week was “Enter Sandman,” which boasted 4 million streams, up 19%. “For Whom the Bell Tolls” (2.5 million, up 39%), “One” (2.1 million, up 34%) and “Nothing Else Matters” (2.1 million, up 14%) rounded out the group’s top five for the week. “Sandman” jumps 9-6 on Hard Rock Streaming Songs, while “Bell” debuts at No. 24.
Additionally, “Sandman” reaches Hard Rock Digital Song Sales (No. 4; 1,200 downloads sold), along with “Matters” (No. 7), “Bell” (No. 8), “One” (No. 19) and “The Unforgiven” (No. 25).
Finally, Master isn’t the only Metallica project on Top Hard Rock Albums, with the band’s 1991 self-titled LP rising 7-6 (10,000 units, up 25%, good for Greatest Gainer honors) and 1984’s Ride the Lightning re-entering at No. 12 (6,000, up 53%). The former also flies 173-109 on the Billboard 200.
As for potential further Stranger Things chart achievements, a premiere date for the series’ fifth and final season has not yet been announced.
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Nov 21, 2022 20:59:58 GMT -5
Die For You -- The Weeknd
weeks pos date 1 43 12/17/2016 2 71 12/24/2016 3 93 12/31/2016 4 71 09/03/2022 5 69 09/10/2022 6 52 09/17/2022 7 49 09/24/2022 8 46 10/01/2022 9 41 10/08/2022 10 37 10/15/2022 11 33 10/22/2022 12 37 10/29/2022 13 43 11/05/2022 14 27 11/12/2022 15 34 11/19/2022 16 22 11/26/2022
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Nov 21, 2022 21:01:58 GMT -5
Updated - will put Thriller and Christmas hits in another thread
For simplicity - not tracking older album tracks that debut for the first time, as has been the trend this year
To "Re-Enter" a song must have entered before - in a completely separate chart run
Updated - Kate Bush and added The Weeknd
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Nov 28, 2022 21:43:30 GMT -5
6/7/2022 By Xander Zellner Kate Bush's "Running Up That Hill (A Deal With God)" makes the latest such resurgence. Kate Bush returns to the latest Billboard Hot 100 chart (dated June 11), as her classic 1985 single “Running Up That Hill (A Deal With God)” re-enters the ranking at No. 8, far outpacing its original No. 30 peak.
The track’s revival can be attributed to a swirl of new interest thanks to its prominent placement in the fourth season of Netflix’s Stranger Things, which premiered May 27.
How rare is it for a song to re-enter the Hot 100 all the way up in the top 10? Pretty rare. In the 63-year history of the chart, “Running Up That Hill” is just the eighth song to return directly in the top 10.
Generally, songs make steady runs up and down the Hot 100, though in more recent years, it’s become more common for titles to debut at high ranks thanks to splashy streaming starts and then decline, with many also regaining their footing on the chart as their radio airplay solidifies.
(Notably, Hot 100 rules prevent most catalog titles from returning or debuting if below No. 50. Descending titles are removed from the Hot 100 after 20 weeks on the chart if below No. 50 or after 52 weeks if below No. 25. In order to re-enter after a song has gone recurrent, it must garner enough chart points, with a notable reason for its re-entry, as opposed to a not uncommon one-week uptick that could rank it back in the top 25 or 50.)
This is all to say that, for older titles, it’s difficult to re-enter the Hot 100 and compete with current songs generating hefty radio airplay. It’s even tougher to re-enter in the top 10 – an alignment reflected by the timing of Stranger Things‘ new season, which prominently features “Running Up That Hill” in multiple episodes, at the start of the May 27-June 2 chart tracking week, as opposed to, say, a more steady campaign or confluence of factors that could’ve resulted in the song re-entering at a lower rank and making its way toward the top 10 more gradually. We see the latter type of movement each holiday season, as Christmas tunes often re-enter just above No. 50, with the biggest carols rising to the top 10 by the end of the holiday season.
The select songs that have achieved the feat of re-entering the Hot 100 in the top 10 have, for the most part, generated newfound interest after artists were prominently in the news, performed on massive stages or released a new version of a song or, like Bush this week, scored a notable sync.
Here’s a look at all eight hits that have re-entered the Hot 100 in the top 10, listed chronologically.
Artist Billing, Title, Chart Date (Hot 100 Re-entry Rank): LL Cool J feat. Jennifer Lopez, "Control Myself," April 29, 2006 (No. 4) “Control Myself” first spent three weeks on the Hot 100, never reaching higher than No. 89, before falling off the chart. After the release of parent album Todd Smith, and “Control Myself” as a digital download a month later, the track re-entered the Hot 100 at No. 4, becoming the first top 10 re-entry in the chart’s history. The Chicks, "Not Ready to Make Nice," March 3, 2007 (No. 4) The Chicks were absent from the Hot 100 for three years before the song debuted. The trio drew pushback following Natalie Maines’ comments about George W. Bush during a concert performance in London in 2003. When the group finally returned with “Not Ready to Make Nice,” which references its exile, the song reached No. 23 in May 2006, largely from download sales, as the group was essentially barred from country radio. After the song fell off the chart, the act performed it at the 49th Grammy Awards and it won for record and song of the year and best country performance by a duo or group with vocal. The buzz around the trophy wins and the group’s performance – and fans’ support for the band – sparked the song’s re-entry at No. 4, The Chicks’ highest rank to-date. Whitney Houston, "I Will Always Love You," Feb. 25, 2012 (No. 7) Whitney Houston‘s cover of Dolly Parton’s classic spent a then-record 14 weeks at No. 1 on the Hot 100 in 1992-93. It returned to the top 10 at No. 7 following her death in 2012 from an accidental drowning. The ballad jumped to No. 3 the following week and fell to No. 30 before dropping off the chart. It earned Houston her highest placement on the list since March 1999, when “Heartbreak Hotel,” featuring Faith Evans and Kelly Price, reached No. 2. Florida Georgia Line feat. Nelly, "Cruise," April 20, 2013 (No. 8)} “Cruise” became a debut smash for Florida Georgia Line before Nelly hopped on its remix. The original recording reached No. 16 on the Hot 100 in December 2012 – and No. 1 on Hot Country Songs – in a run that ran through the following February. Two months later, the Nelly remix dropped. The song re-entered the Hot 100 at No. 8 and subsequently crossed to pop and adult radio, spurring its new No. 4 peak in July 2013. Lady Gaga, "Million Reasons," Feb. 25, 2017 (No. 4) “Million Reasons” was a modest chart hit for Lady Gaga before she performed the track at the Super Bowl LI halftime show, originally reaching No. 52 on the Hot 100 in December 2016. After she added the ballad to her Super Bowl setlist, it re-entered at its No. 4 peak, becoming her 10th top 10, of 17 to-date. (The song’s comeback mirrored that of the New England Patriots the same night, as the team overcame a daunting 28-3 deficit to the Atlanta Falcons to win 34-28 in overtime.) Juice WRLD, "Lucid Dreams," Dec. 21, 2019 (No. 8) Juice WRLD‘s breakthrough single re-entered the Hot 100 at No. 8 following his death from a drug overdose on Dec. 8, 2019. The song, which samples Sting’s 1993 track “Shape of My Heart,” peaked at No. 2 in October 2018 and, upon its return, added a 26th total week in the top 10. The Weeknd, "Blinding Lights," Jan. 9, 2021 (No. 3) The Weeknd‘s four-week Hot 100 No. 1 – and, ultimately, the reigning title on the Greatest of All Time Hot 100 Songs chart – revisited the weekly list at No. 3, making it the highest re-entry yet, after holiday hits pushed many then-current titles off the chart temporarily. The song was gone only for a week – interrupting its eventual 90-week record run on the chart (as it placed below No. 25 that week after over a year on the chart) – and returned as current hits soared back to the top 10, a week after holiday songs infused the tier exclusively. (Notably, “Blinding Lights,” “Lucid Dreams” and “I Will Always Love You” are the only songs among these eight to not post a new Hot 100 peak in their returns to the top 10.) Kate Bush, "Running Up That Hill (A Deal With God)," June 11, 2022 (No. 8) Kate Bush’s 1985 single re-enters the Hot 100 at a new No. 8 best, fueled by its placement in Stranger Things. “‘Running Up That Hill’ is being given a whole new lease of life by the young fans who love the show – I love it too!” Bush said. “It’s all really exciting! Thanks very much to everyone who has supported the song.”
Add A Holy Jlly Christmas, Burl Ives
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Jan 18, 2023 8:51:55 GMT -5
Sure Thing, Miguel Original release 2011
weeks pos date 1 94 03/26/2011 2 87 04/02/2011 3 76 04/09/2011 4 71 04/16/2011 5 63 04/23/2011 6 58 04/30/2011 7 57 05/07/2011 8 56 05/14/2011 9 42 05/21/2011 10 43 05/28/2011 11 36 06/04/2011 12 44 06/11/2011 13 39 06/18/2011 14 41 06/25/2011 15 44 07/02/2011 16 43 07/09/2011 17 49 07/16/2011 18 40 07/23/2011 19 40 07/30/2011 20 43 08/06/2011 21 45 08/13/2011 22 45 08/20/2011 23 49 08/27/2011 24 49 01/21/2023 25 42 01/28/2023 26 39 02/04/2023 27 36 02/11/2023 28 30 02/18/2023 29 31 02/25/2023
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Feb 22, 2023 11:38:24 GMT -5
Umbrella, Rihanna Featuring Jay-Z original release 2007
weeks pos date 1 91 04/28/2007 2 72 05/05/2007 3 63 05/12/2007 4 52 05/19/2007 5 44 05/26/2007 6 41 06/02/2007 7 1 06/09/2007 8 1 06/16/2007 9 1 06/23/2007 10 1 06/30/2007 11 1 07/07/2007 12 1 07/14/2007 13 1 07/21/2007 14 2 07/28/2007 15 3 08/04/2007 16 4 08/11/2007 17 5 08/18/2007 18 5 08/25/2007 19 8 09/01/2007 20 10 09/08/2007 21 13 09/15/2007 22 17 09/22/2007 23 17 09/29/2007 24 21 10/06/2007 25 23 10/13/2007 26 26 10/20/2007 27 30 10/27/2007 28 32 11/03/2007 29 35 11/10/2007 30 41 11/17/2007 31 46 11/24/2007 32 50 12/01/2007 33 44 12/08/2007 34 37 02/25/2023
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Feb 22, 2023 11:40:09 GMT -5
Diamonds, Rihanna Original release 2012
weeks pos date 1 16 10/13/2012 2 18 10/20/2012 3 11 10/27/2012 4 8 11/03/2012 5 5 11/10/2012 6 4 11/17/2012 7 2 11/24/2012 8 1 12/01/2012 9 1 12/08/2012 10 1 12/15/2012 11 2 12/22/2012 12 2 12/29/2012 13 2 01/05/2013 14 3 01/12/2013 15 2 01/19/2013 16 5 01/26/2013 17 8 02/02/2013 18 8 02/09/2013 19 11 02/16/2013 20 18 02/23/2013 21 21 03/02/2013 22 25 03/09/2013 23 32 03/16/2013 24 33 03/23/2013 25 43 03/30/2013 26 47 04/06/2013 27 44 02/25/2023
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Feb 22, 2023 11:42:18 GMT -5
We Found Love, Rihanna Featuring Calvin Harris Original release 2011
weeks pos date 1 16 10/08/2011 2 9 10/15/2011 3 7 10/22/2011 4 6 10/29/2011 5 2 11/05/2011 6 1 11/12/2011 7 1 11/19/2011 8 1 11/26/2011 9 1 12/03/2011 10 1 12/10/2011 11 1 12/17/2011 12 1 12/24/2011 13 1 12/31/2011 14 2 01/07/2012 15 2 01/14/2012 16 1 01/21/2012 17 1 01/28/2012 18 2 02/04/2012 19 3 02/11/2012 20 4 02/18/2012 21 6 02/25/2012 22 8 03/03/2012 23 6 03/10/2012 24 10 03/17/2012 25 11 03/24/2012 26 12 03/31/2012 27 14 04/07/2012 28 18 04/14/2012 29 20 04/21/2012 30 22 04/28/2012 31 22 05/05/2012 32 26 05/12/2012 33 27 05/19/2012 34 33 05/26/2012 35 34 06/02/2012 36 36 06/09/2012 37 39 06/16/2012 38 42 06/23/2012 39 46 06/30/2012 40 44 07/07/2012 41 48 07/14/2012 42 48 02/25/2023
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on Feb 22, 2023 11:43:00 GMT -5
Update to Miguel's chart run and the 3 Super Bowl re-entries
|
|
Gary
Diamond Member
Joined: January 2014
Posts: 45,896
|
Post by Gary on May 31, 2023 13:24:33 GMT -5
Taylor Swift’s ‘Cruel Summer’ Returns to Hot 100 for First Time Since 2019 The song, from Swift's LP Lover, re-enters at No. 49.
By Xander Zellner
05/30/2023
Taylor Swift performs onstage for the opening night of "Taylor Swift | The Eras Tour" at State Farm Stadium on March 17, 2023 in Swift City, ERAzona (Glendale, Arizona). The city of Glendale, Arizona was ceremonially renamed to Swift City for March 17-18 in honor of The Eras Tour. Kevin Mazur/Getty Images for TAS Rights Management
Taylor Swift’s “Cruel Summer,” from her 2019 LP Lover, is back on the Billboard Hot 100, returning to the chart dated June 3 at No. 49.
Fittingly timed to the lead-up to Memorial Day weekend, the unofficial kickoff to summer, the song re-enters with 8.9 million official streams (up 2%), 898,000 radio airplay audience impressions (up 128%), and 1,000 downloads sold (up 18%) in the United States in the May 19-25 tracking week, according to Luminate.
“Cruel Summer” spent two weeks on the chart during its initial chart run. It debuted at its No. 29 high on the Sept. 7, 2019, Hot 100 – the week that Lover debuted at No. 1 on the Billboard 200, becoming Swift’s sixth leader – and fell to No. 71 the following week.
All 18 songs from Lover landed on the Hot 100 when the album debuted atop the Billboard 200, with “Cruel Summer” one of six to chart in the Hot 100’s top 40 that week.
“Cruel Summer” has been gaining momentum in recent weeks, as Swift has been performing the song on her Eras Tour. The concert encompasses 10 acts, covering nine of her LPs. The Lover era kicks off the show, with her performing, in order, “Miss Americana & the Heartbreak Prince,” “Cruel Summer,” “The Man,” “You Need To Calm Down,” “Lover” and “The Archer.”
Swift charts two additional songs on the latest Hot 100, both from last year’s Midnights: former eight-week No. 1 “Anti-Hero” – her longest-leading hit – at No. 12 and latest single “Karma,” up 32-27. The latter, which debuted at its No. 9 high in November, is slated to soar on next week’s, June 10-dated chart, thanks to a new remix featuring Ice Spice, released May 26. The pair performed the team-up together live May 26-28 at the tour’s latest stops at MetLife Stadium in East Rutherford, N.J.
Since its release (through May 25), “Cruel Summer” has drawn 364.1 million official on-demand streams and 13.7 million in airplay audience (while not being formally promoted to radio) and sold 34,000 downloads in the U.S.
|
|