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Post by Baby Yoda Hot100Fan on Apr 26, 2022 15:06:54 GMT -5
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khan
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Posts: 1,106
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Post by khan on Apr 27, 2022 13:37:13 GMT -5
This time on Khan's weekly global update, it happens to be one of the quietest weeks on the chart. Several new peaks, but all tiny. We had a lot of movement over the past month, so I guess this is the cooldown. docs.google.com/spreadsheets/d/1jSdctFcLyQl6HJYoi9Jr2OHFGkn-TBnxWVFNxMlzrto/edit?usp=sharing- There's one new peak on the main chart, and that's Venezuela. "Fuera del Mercado" moves up just one spot, but it's still on its way to a peak so it brings the all-time Venezuelan peak up to #36. Meanwhile, Danny Ocean holds still on the Excl US chart. - Speaking of that chart, the other two new peaks are only on the Excl US. First up is Cuba, where "Bam Bam" moves up a mere two spots to snatch a #5 peak, the first Cuban appearance in the top five on that chart. It actually outpeaks its own position on the main chart for the first time, where it holds still this week. - And finally there's Chile, whose "Una Noche en Medellín" rises only three positions to a respectable #16 peak on the Excl US. Wanna see a cool pattern complete its rule of three? That song also holds still on the other chart this week. - April 30th specifics! How are we already a third of the way through the year... • Something I don't usually cover, but it's interesting this week: The two biggest point gainers when compared to their performance last week on the two global charts are old classics instead of any current songs. "Sweet Child o' Mine" on the main chart and "Payphone" on the Excl US. • Chinese members Jun and The8 of mostly Korean boyband Seventeen once held the all-time peak for China, and this week they overtake Yuqi of (G)I-dle for biggest song from China in the world. Also I swear "Darl+ing" came out a while ago didn't it? • South Africa makes a return to the global charts, this time through Troye Sivan. His months-old single "Angel Baby" is having a big resurgence. It actually broke onto the Excl US last week, but this week it's gotten a spot on both charts. • Neat coincidence, Turkey gets two debuts in the bottom ten of the Excl US chart. |
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Post by Baby Yoda Hot100Fan on May 2, 2022 23:29:13 GMT -5
5/2/2022 By Gary Trust
The song becomes the first to score over 100 million global streams in each of its first four weeks since the surveys began.
Harry Styles‘ “As It Was” remains the biggest song in the world, as it logs a fourth week at No. 1 on the Billboard Global 200 and Billboard Global Excl. U.S. charts.
The hit also makes history, becoming the first to draw over 100 million global streams in each of its first four weeks since the charts originated in September 2020.
Plus, Camila Cabello’s “Bam Bam,” featuring Ed Sheeran, hits the Global 200’s top five.
The two charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
‘As’ Adds Fourth Week With Over 100 Million Global Streams
Harry Styles’ “As It Was” posts a fourth week at No. 1 on the Billboard Global 200, three weeks after it soared in at the summit. It drew 104.3 million streams (up 1%) and sold 17,700 sold (up 11%) worldwide in the April 22-28 tracking week, as it becomes the first title in the chart’s archives to draw over 100 million global streams in each of its first four full weeks. The song opened with 122.1 million worldwide streams April 1-7 (following its March 31 release at 7 p.m. ET), and followed with 103.9 million April 8-14 and 103.1 million April 15-21.
As the hit by the British star marks the first to surpass 100 million streams worldwide in each of its first four full weeks, it one-ups two titles that linked such totals in their first three weeks each: BTS’ “Butter” logged a weekly record 289.5 million (reflected on the Global 200 dated June 5, 2021), 170 million (June 12) and 120.9 million (June 19), and Olivia Rodrigo’s “Drivers License” drew 130.1 million (Jan. 23, 2021), 138.9 million (Jan. 30) and 110.5 million (Feb. 6).
Excluding opening-week counts, The Kid LAROI and Justin Bieber’s “Stay” has strung together the most weeks with at least 100 million global streams: nine in a row (Aug. 21-Oct. 16, 2021).
Jack Harlow’s “First Class” spends a third week at No. 2 on the Global 200, encompassing its total run so far; Glass Animals’ “Heat Waves” keeps at No. 3, after six weeks on top; and “Stay” repeats at No. 4, after a record 11 weeks at No. 1.
Rounding out the Global 200’s top five, Camila Cabello’s “Bam Bam,” featuring Ed Sheeran, climbs 7-5. Cabello’s first top five hit dating to the chart’s inception, and Sheeran’s third, ascends with 35.1 million streams (up 5%) and 11,000 sold (up 6%). Styles Also Tops Global Excl. U.S. for Fourth Week Harry Styles’ “As It Was” concurrently claims a fourth week at No. 1 on the Billboard Global Excl. U.S. chart, all from its debut atop the ranking, with 77.2 million streams (up 4%) and 8,600 sold (up 12%) in territories outside the U.S. in the April 22-28 tracking week. Jack Harlow’s “First Class” holds at its No. 2 Global Excl. U.S. best; Glass Animals’ “Heat Waves” is steady at No. 3, after three weeks at No. 1; Camila Cabello’s “Bam Bam,” featuring Ed Sheeran, rises 5-4; and The Kid LAROI and Justin Bieber’s “Stay” dips 4-5, after a record-tying nine weeks on top beginning last August. (Olivia Rodrigo’s “Drivers License” dominated for nine weeks starting in January 2021 and GAYLE’s “abcdefu” matched that reign beginning this January.) The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated May 7, 2022) will update on Billboard.com Tuesday (May 3). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard‘s subscription-based service. For all chart news, you can follow billboard and billboardcharts on both Twitter and Instagram. Luminate, the independent data provider to the Billboard charts, completes an exhaustive and thorough review of all data submissions used in compiling weekly chart rankings. Luminate reviews and authenticates data, removing any suspicious or unverifiable activity using established criteria before final chart calculations are made and published. In partnership with Billboard, data deemed suspicious and unverifiable is disqualified prior to final calculations. |
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otaviohmg
Platinum Member
Caught up in my head, hopin' you gon' say Was it worth it? Put that work in Got me nothin'
Joined: September 2019
Posts: 1,464 
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Post by otaviohmg on May 3, 2022 12:16:10 GMT -5
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khan
Platinum Member
Joined: July 2020
Posts: 1,106
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Post by khan on May 4, 2022 13:05:57 GMT -5
This week on Khan's Global 200 updates, only one new peak of any kind to speak of, but there are some interesting movements in the week-specifics. docs.google.com/spreadsheets/d/1jSdctFcLyQl6HJYoi9Jr2OHFGkn-TBnxWVFNxMlzrto/edit?usp=sharing- As "Bam Bam" continues to smash, it gets ever closer to the top of the global charts. Cuba moves up two spots to a new peak of #5 on the main chart, while it goes up by one step on the Excl US for a still impressive new peak of #4 there. If it weren't for the utter slew of albums coming this summer, it might have a real shot at being a chart-topper. "Señorita" most certainly would have if this chart existed at the time, after all. - And now the May 7th specific news! • The cascade of solo BTS songs continues, this time with Jimin collabing with singer from a different boyband Ha Sung-woon. Their contribution to a Korean TV show debuts top twenty, just barely beating out Ive for biggest Korean song in the world this week. • A collab between two Argentine superstars easily becomes the biggest song from Argentina this week. Paulo Londra is coming back all at once now that his label troubles are over, including the release of a hella hyped two-year-old recording of Bzrp Music Sessions. It was a midweek release and still debuted extremely high due to the sheer social media outcry. • Yuqi of (G)I-dle once again becomes the biggest Chinese singer in the world this week, as Seventeen's single from last week falls off the charts entirely. • Without the album supporting it anymore, "Moth to a Flame" collapses hard (almost eighty spots!) this week. It's still the largest Swedish song on the Excl US. However, it fell so hard on the main chart that Avicii's old iconic hit "Wake Me Up" now wears the crown for Sweden there. • Rosalía's old album goodwill finally gives way, making C. Tangana the biggest from Spain on the main chart. Conversely, C. Tangana starts falling off on the Excl US, making "Si Quieren Frontear" featuring Canary Islander Quevedo the biggest Spanish song there. • "Tom's Diner" still holds on the main chart, but "We Made It" a German rap collab led by T-Low is the biggest German song on the Excl US. • Both of the Turkish songs that debuted low on the Excl US last week get a big boost, including "İmdat" all the way to the top half. • Panama makes a grand return to the Excl US chart through Sech's appearance on Mora's latest album. |
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Post by Baby Yoda Hot100Fan on May 4, 2022 17:11:28 GMT -5
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Post by Baby Yoda Hot100Fan on May 9, 2022 23:19:20 GMT -5
5/9/2022 By Gary Trust
Future's "Wait for U," featuring Drake & Tems, soars in at No. 2 on the Global 200 and PSY's "That That," featuring SUGA, of BTS, launches at No. 2 on Global Excl. U.S.
Harry Styles‘ “As It Was” remains the biggest song in the world, as it adds a fifth week at No. 1 on the Billboard Global 200 and Billboard Global Excl. U.S. charts.
Meanwhile, Future‘s “Wait for U,” featuring Drake and Tems, blasts in at No. 2 on the Global 200, and his “Puffin on Zooties” concurrently starts at No. 7. Plus, PSY‘s “That That,” featuring SUGA, of BTS, premieres at No. 2 on Global Excl. U.S. “That That” also enters the Global 200 at No. 5 – and marks the highest-charting solo hit for a BTS member on both surveys.
Additionally, Karol G’s “Provenza” reaches the top 10 of each chart, surging 15-6 on the Global 200 and 25-7 on Global Excl. U.S.
The two charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
‘As’ No. 1, ‘Wait’ No. 2 on Global 200
Harry Styles’ “As It Was” tallies a fifth week at No. 1 on the Billboard Global 200, all logged from its debut week, with 99.2 million streams (down 5%) and sold 17,200 sold (down 3%) worldwide in the April 29-May 5 tracking week.
Future’s “Wait for U,” featuring Drake and Tems, roars in at No. 2 on the Global 200 with 52.6 million streams and 7,300 sold worldwide. Future also bows in the top 10 with “Puffin on Zooties” at No. 7 (32 million streams).
The songs, from Future’s album I Never Liked You, new at No. 1 on the U.S.-based Billboard 200, mark Future’s third and fourth Global 200 top 10s since the list launched, while the former matches the No. 2 start and peak of Drake’s “Way 2 Sexy,” featuring Future and Young Thug, last September, for Future’s best rank. Drake adds his record-extending 14th Global 200 top 10 and Tems earns her first.
Jack Harlow’s “First Class” drops to No. 3 after spending its first three weeks on the Global 200 at No. 2, and Glass Animals’ “Heat Waves” slips 3-4 after six weeks on top.
PSY’s “That That,” featuring SUGA, of BTS, debuts at No. 5 on the Global 200, with 67.7 million streams and 29,600 sold globally in its first week, following its April 29 release. PSY scores his first entry on the chart and fellow South Korean SUGA adds his second, after “Girl of My Dreams,” with Juice WRLD, debuted and peaked at No. 37 in December.
“That That” marks the highest-charting solo Global 200 hit for a BTS member, and first top 10, surpassing Jung Kook’s “Stay Alive,” which entered and peaked at No. 13 on the Feb. 26 chart. (As a group, BTS boasts a record six Global 200 No. 1s.)
Elsewhere in the Global 200’s top 10, Karol G’s “Provenza” vaults 15-6. The song, released April 22 (and whose title pays tribute to a neighborhood in her native Medellín, Colombia), ascends with a 37% increase to 50.2 million global streams. Karol G achieves her third Global 200 top 10, following “Bichota” (No. 7, January 2021) and “MAMIII,” with Becky G (No. 4, this March). “Provenza” concurrently powers 25-7 on Global Excl. U.S. (37.3 million streams outside the U.S., up 41%), likewise becoming her third top 10, after “Bichota” and “MAMIII” each reached No. 5. Styles No. 1, PSY & SUGA No. 2 on Global Excl. U.S. Harry Styles’ “As It Was” claims a fifth week at No. 1 on the Billboard Global Excl. U.S. chart, all from its debut atop the tally, with 74.8 million streams (down 3%) and 8,700 sold (up 1%) in territories outside the U.S. in the April 29-May 5 tracking week. PSY’s “That That,” featuring SUGA, debuts at No. 2 on Global Excl. U.S., with 61.5 million streams and 18,800 sold outside the U.S. As on the Global 200, PSY notches his first entry on Global Excl. U.S. and SUGA posts his second (following the No. 55-peaking “Girl of My Dreams,” with Juice WRLD). “That That” is the highest-charting solo Global Excl. U.S. hit for a BTS member, and the second top 10, after Jung Kook’s “Stay Alive” debuted and peaked at No. 8. (As a group, BTS has posted a leading five Global Excl. U.S. No. 1s.) Rounding out the Global Excl. U.S. top five, Jack Harlow’s “First Class” descends to No. 3 from its No. 2 high; Glass Animals’ “Heat Waves” retreats 3-4, after three weeks at No. 1; and Camila Cabello’s “Bam Bam,” featuring Ed Sheeran, backtracks to No. 5 from its No. 4 best. The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated May 14, 2022) will update on Billboard.com tomorrow (May 10). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard‘s subscription-based service. For all chart news, you can follow billboard and billboardcharts on both Twitter and Instagram. Luminate, the independent data provider to the Billboard charts, completes an exhaustive and thorough review of all data submissions used in compiling weekly chart rankings. Luminate reviews and authenticates data, removing any suspicious or unverifiable activity using established criteria before final chart calculations are made and published. In partnership with Billboard, data deemed suspicious and unverifiable is disqualified prior to final calculations. |
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Post by Baby Yoda Hot100Fan on May 10, 2022 20:53:08 GMT -5
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Post by Baby Yoda Hot100Fan on May 10, 2022 20:53:26 GMT -5
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khan
Platinum Member
Joined: July 2020
Posts: 1,106
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Post by khan on May 11, 2022 15:22:57 GMT -5
On this week of Khan's Global 200 updates, Future prevents much from happening. Less work for me! docs.google.com/spreadsheets/d/1jSdctFcLyQl6HJYoi9Jr2OHFGkn-TBnxWVFNxMlzrto/edit?usp=sharing- Future for the most part held every other song on the main chart in place. Well, except on the Excl US where he only charted twice. However he did give us one new interesting record, and that's with Nigeria. "Wait for U" topped the charts in the USA and came close on the main chart here, where it reached #2. That means featured Nigerian artist Tems, who was really more sampled than featured, has tied fellow countryman CKay for highest Nigerian (and African overall) peak on the chart! This is very much untrue on the Excl US, where the song only debuts at #29. As a side note, this is also the highest American and Canadian song, with Justin Bieber being overtaken as biggest Canadian for the first time since Christmas. - That's uh the only new peak lol. Thanks Future! Don't expect much new news here with all the album bombs coming this summer. • Spain is gone. On the main Global 200, there is not a single Spaniard represented. Obviously untrue on the other chart, but this is still notable. I think this might be the first time ever, or at least certainly the first in the year I've been keeping track. There has constantly been a Spanish presence among all the Latin hits of the world, but at the current moment, they've coincidentally all become very weak. • Colombia has a new worldwide leader, as everyone expected. Karol G's "Provenza" overtakes her Becky G collab to hold the crown for that country. • Germany has a new hip-hop smash that isn't available on American Spotify for some reason. "Beautiful Girl" by Luciano makes a respectable debut on both charts, and it's the highest German song. • Panama comes back onto the main chart for the same reason as the Excl US last week, Mora's new Sech collab. • With "Moth to a Flame" slowly disappearing, Avicii is now the biggest Swede and "Wake Me Up" the biggest Swedish song on both charts. |
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Post by Baby Yoda Hot100Fan on May 16, 2022 22:52:27 GMT -5
5/16/2022 By Gary Trust
"As It Was" continues atop the Global 200 & Global Excl. U.S., while Bad Bunny charts seven songs in each top 10 – and rewrites the record for the most concurrent top 10s on the latter list.
Harry Styles‘ “As It Was” remains the biggest song in the world, as it claims a sixth week at No. 1 on the Billboard Global 200 and Billboard Global Excl. U.S. charts.
Meanwhile, Bad Bunny debuts a whopping seven songs in the top 10 of each global chart – all from his new album, Un Verano Sin Ti, which launches at No. 1 on the U.S.-based Billboard 200 – led by “Moscow Mule” at No. 2 on both the Global 200 and Global Excl. U.S. On the latter list, the Puerto Rican superstar breaks the record for the most simultaneous top 10s.
The two charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
‘As’ No. 1, ‘Mule’ Kicks Up No. 2 Debut on Global 200
Harry Styles’ “As It Was” logs a sixth week at No. 1 on the Billboard Global 200, all from its debut week, with 92.4 million streams (down 7%) and sold 15,600 sold (down 9%) worldwide in the May 6-12 tracking week.
Notably, the song ties for the longest Global 200 reign among British acts, matching the six-week commands of Glass Animals’ “Heat Waves,” beginning this March, and Adele’s “Easy on Me,” starting last October. (Australia’s The Kid LAROI and Canada’s Justin Bieber hold the overall record: “Stay” dominated for 11 weeks beginning last August.)
Bad Bunny debuts seven songs in the Global 200’s top 10, all from his new Billboard 200 leader Un Verano Sin Ti, led by “Moscow Mule,” which launches at No. 2 with 97.2 million streams and 1,600 sold worldwide. It’s followed in the Global 200 top five by “Me Porto Bonito,” with Chencho Corleone, at No. 4 (70.3 million streams, 1,100 sold) and “Tití Me Preguntó” at No. 5 (65.8 million streams, 900 sold). Bad Bunny’s other top 10 debuts on the latest list: “Ojitos Lindos,” with Bomba Estéreo (No. 6); “Después De La Playa” (No. 7); “Party,” with Rauw Alejandro (No. 8); and “Tarot,” with Jhay Cortez (No. 9).
Bad Bunny doubles his top 10 Global 200 total to eight over the chart’s history, a haul that includes one No. 1: “Dakiti,” with Jhay Cortez, for three weeks beginning in December 2020. Alejandro and Cortez add their second top 10s apiece and Corleone and Bomba Estéreo each earn their first.
With seven, Bad Bunny boasts the second-most simultaneous Global 200 top 10s, after Drake amassed eight on the Sept. 18, 2021, chart (led by “Way 2 Sexy,” featuring Future and Young Thug, at No. 2 that week).
The other two songs in the Global 200’s top 10 this week: Jack Harlow’s “First Class” holds at No. 3, after hitting No. 2, and Future’s “Wait for U,” featuring Drake and Tems, drops to No. 10, a week after it soared in at No. 2.
Styles No. 1, Bad Bunny Makes History on Global Excl. U.S.
As on the Global 200, Harry Styles’ “As It Was” notches a sixth week at No. 1 on the Billboard Global Excl. U.S. chart, all from its debut atop the survey, with 70.4 million streams and 8,200 sold (down 6% in each metric) in territories outside the U.S. in the May 6-12 tracking week.
Also mirroring the Global 200, Bad Bunny debuts seven songs in the Global Excl. U.S. top 10, paced by “Moscow Mule” at No. 2 with 67.6 million streams and 400 sold outside the U.S. It’s followed in the top five by “Ojitos Lindos,” with Bomba Estéreo, at No. 3 (53.7 million streams, 300 sold) and “Me Porto Bonito,” with Chencho Corleone, at No. 4 (46.9 million streams, 200 sold). Bad Bunny’s other top 10 debuts on the latest tally: “Tití Me Preguntó” (No. 6); “Party,” with Rauw Alejandro (No. 7); “Después De La Playa” (No. 9); and “Tarot,” with Jhay Cortez (No. 10).
With seven, Bad Bunny shatters the record for the most simultaneous Global Excl. U.S. top 10s, previously held by three acts with three each in a single frame: Ed Sheeran (Dec. 18, 2021), Drake (Sept. 18, 2021) and Olivia Rodrigo (June 5, 2021).
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khan
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Joined: July 2020
Posts: 1,106
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Post by khan on May 18, 2022 14:22:37 GMT -5
If you thought last week was bad, this episode of Khan's Global 200 updates is even MORE blocked from anything happening by Bad Bunny's historic album bomb. Almost half of each top fifty belongs to him, even if he couldn't end up taking the #1 as I expected. Biggest star in the world here, and all of these will probably hang on next week. docs.google.com/spreadsheets/d/1jSdctFcLyQl6HJYoi9Jr2OHFGkn-TBnxWVFNxMlzrto/edit?usp=sharing- Obviously, no new peaks this week. In fact only about 10-15 songs on either chart actually have a green up arrow next to their name. So here's all the May 21st specifics! • The biggest American song in the world is now "Moscow Mule" by Bad Bunny! At #2 on both charts, this is the first time that the USA has been represented on the world stage by unincorporated territory Puerto Rico since, well, Bad Bunny's last smash. • Bad Bunny once again chooses to work with some less mainstream artists on this last album, including Colombian band Bomba Estéreo. The psychedelia-tinged group features on "Ojitos Lindos" and beats out Karol G for biggest Colombian song this week. • Un Verano Sin Ti pushing everything down hard leads to some landmark low points. Australia is out of the top 20 for the first time since before "Astronaut in the Ocean" if memory serves right, and South Korea is out of the top 40 for the first time surely ever. Both only apply to the main chart. • Speaking of Oz, "Cold Heart (Pnau Remix)" is above "Stay" for Australia on the Excl US. • Because of Japanese members Sakura and Kazuha, new/extremely popular out-the-gate South Korean sorta-supergroup Le Sserafim has their big debut single take the Japanese crown for the week over Ive. Both charts. • On the Excl US, Daft Punk are finally not the biggest Frenchies in the world by default, as "Crazy What Love Can Do" pushes David Guetta over them. • A very rare occasion of a smaller country dropping out of the Excl US before the main chart: "To the Moon" and the Gambia. |
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Post by Baby Yoda Hot100Fan on May 23, 2022 15:24:58 GMT -5
5/23/2022 By Gary Trust
"As It Was" keeps atop the Global 200 & Global Excl. U.S., Kendrick Lamar debuts three top 10s and Lizzo leaps with "About Damn Time."
Harry Styles‘ “As It Was” remains the biggest song in the world, as it logs a seventh week at No. 1 on the Billboard Global 200 and Billboard Global Excl. U.S. charts.
Meanwhile, Kendrick Lamar debuts three songs in the Global 200’s top 10 and one in the Global Excl. U.S. top tier and Lizzo‘s “About Damn Time” surges to the top 10 of both tallies.
Plus, Karol G‘s “Provenza” hits the Global Excl. U.S. top five, tying her best rank on the survey.
The two charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
‘As’ Becomes Sole Longest-Leading Global 200 Hit Among British Acts
Harry Styles’ “As It Was” adds a seventh week at No. 1 on the Billboard Global 200, all from its debut week, with 87.9 million streams (down 5%) and 16,300 sold (up 5%) worldwide in the May 13-19 tracking week.
Notably, the song rewrites the mark for the longest Global 200 reign among British acts since the list launched, passing the six-week commands of Glass Animals’ “Heat Waves,” beginning this March, and Adele’s “Easy on Me,” starting last October. (Australia’s The Kid LAROI and Canada’s Justin Bieber hold the overall record: “Stay” led for 11 weeks beginning last August.)
Kendrick Lamar debuts three songs in the Global 200’s top 10, led by “N95” at No. 2, as it starts with 68.3 million streams and 3,200 sold worldwide. Also new in the tier for Lamar: “Die Hard,” with Blxst and Amanda Reifer, at No. 7 (48.3 million streams, 2,900 sold worldwide) and “United in Grief” at No. 9 (43.8 million streams, 800 sold globally). All three tracks are from Lamar’s album Mr. Morale & The Big Steppers, which roars in at No. 1 on the U.S.-based Billboard 200 with 295,500 equivalent album units, the top weekly sum for a set in 2022.
Lamar lands his first three top 10s since the Global 200 began, while Blxst and Reifer also each appear in the chart’s top tier for the first time.
Bad Bunny’s “Moscow Mule” dips 2-3 in its second week on the Global 200 and his “Me Porto Bonito,” with Chencho Corleone, holds at No. 4 in its second frame, with both songs from his album Un Verano Sin Ti. Rounding out the chart’s top five, Jack Harlow’s “First Class” slips 3-5, after hitting No. 2.
Elsewhere in the Global 200’s top 10, Lizzo’s “About Damn Time” ascends 12-10. As its profile has swelled on TikTok, the song sports a 7% gain to 41.7 million streams worldwide. The track is Lizzo’s first Global 200 top 10 in the chart’s archives. Styles Ties Adele, Lamar & Lizzo Enter Global Excl. U.S. Top 10 As on the Global 200, Harry Styles’ “As It Was” logs a seventh week at No. 1 on the Billboard Global Excl. U.S. chart, all from its debut atop the survey, with 67 million streams (down 5%) and 8,400 sold (up 2%) in territories outside the U.S. in the May 13-19 tracking week. Among British acts, the track ties Adele’s “Easy on Me” for the longest domination so far on the Global Excl. U.S. chart. Bad Bunny’s “Ojitos Lindos,” with Bomba Estéreo, rises 3-2 on Global Excl. U.S., his “Moscow Mule” descends 2-3 and his “Me Porto Bonito,” with Chencho Corleone, keeps at No. 4, with all three Un Verano Sin Ti songs in their second week each on the chart. Karol G’s “Provenza” pushes 8-5 on the Global Excl. U.S. chart with 42.3 million streams (down 3%) and 600 sold (down 2%) outside the U.S. The Colombian artist – the song’s title pays tribute to a neighborhood in her native Medellín – matches her best Global Excl. U.S. placement, following the No. 5-peaking “Bichota” (January 2021) and “MAMIII,” with Becky G (this March). Elsewhere in the Global Excl. U.S. top 10, Kendrick Lamar’s “N95” debuts at No. 6 (led by 31.2 million streams outside the U.S.) and Lizzo’s “About Damn Time” bounds 15-9 (26.3 million streams, up 16%, beyond the U.S.), marking each artist’s first top 10 on the tally. The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated May 28, 2022) will update on Billboard.com tomorrow (May 24). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard‘s subscription-based service. For all chart news, you can follow billboard and billboardcharts on both Twitter and Instagram. Luminate, the independent data provider to the Billboard charts, completes an exhaustive and thorough review of all data submissions used in compiling weekly chart rankings. Luminate reviews and authenticates data, removing any suspicious or unverifiable activity using established criteria before final chart calculations are made and published. In partnership with Billboard, data deemed suspicious and unverifiable is disqualified prior to final calculations. |
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khan
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Post by khan on May 25, 2022 13:45:24 GMT -5
It's that wonderful time of year for the Global 200, Eurovision! The impact this year isn't as big as last time, probably due to all the album bombs, but there is some news. docs.google.com/spreadsheets/d/1jSdctFcLyQl6HJYoi9Jr2OHFGkn-TBnxWVFNxMlzrto/edit?usp=sharing- Let's start with something from this week's album bomb instead of ESC. Kendrick Lamar has given a country one of the biggest jumps in peak ever on this chart. Where Barbados only appeared in the bottom 15 before because of a minor recurrent moment for "Umbrella" by Rihanna, "Die Hard" by Kendrick Lamar features frontwoman of Barbadian pop band Cover Drive, Amanda Reifer. He's huge worldwide, performing great on the Excl US for an American rapper, and that means Reifer gives the small Barbados a peak of #7 on the main chart and #15 on the Excl US, an incredible performance! Bet you didn't expect something like that unless Rihanna came back, eh? - The one other new peak this week comes from Eurovision, and to no one's surprise, it's the winner. Ukraine came crashing into the top spot with historic viewer votes this year, running away with the ESC trophy and the world's attention. Last year's Go_A held the previous Ukrainian peak, but Kalush Orchestra with "Stefania" handily outdo that performance by bringing Ukraine to #85 on the main chart and #39 on the Excl US, the first appearance in the top 100 and top 50 respectively. - Now for May 28th specifics. • To round out the ESC impact: Spain finally returns to the main chart with Chanel's high debut, Sweden and Norway get new leaders on Excl US with Cornelia Jakobs and Subwoolfer riding the Eurovision attention, and Måneskin's new single "Supermodel" premiered at the finals easily takes the Italian crown. That last one is probably the only one to stay. • Japan is back, baby! Sugoi or something! After being led by K-pop groups for months, fully Japanese Kenshi Yonezu breaks through album bombs to debut way high on both charts and take the crown. |
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Post by Baby Yoda Hot100Fan on May 31, 2022 12:51:27 GMT -5
5/31/2022 By Gary Trust
Styles claims five songs in the Global 200 top 10 and four in the Global Excl. U.S. top 10.
Harry Styles‘ “As It Was” remains the biggest song in the world, as it adds an eighth week at No. 1 on the Billboard Global 200 and Billboard Global Excl. U.S. charts.
Meanwhile, the British-born superstar boasts five songs in the Global 200 top 10 and four in the Global Excl. U.S. top 10, all from his new album Harry’s House. The set, released May 20, soars in at No. 1 on the U.S.-based Billboard 200 with 521,500 equivalent album units earned in the week ending May 26, according to Luminate – the biggest week for an album in the U.S. this year.
The two charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
Styles Scores Five in Global 200 Top 10
Harry Styles’ “As It Was” logs an eighth week at No. 1 on the Billboard Global 200, all from its debut week, with 116.9 million streams (up 33%) and 19,300 sold (up 18%) worldwide in the May 20-26 tracking week. The song’s streaming sum is the second-best in a single week this year, trailing only its opening frame (122.1 million, on the chart dated April 16).
The lead single from Harry’s House, the third solo album from the singer-songwriter who broke through in One Direction, heads up four other songs from the set in the Global 200’s top 10. Here’s a look at all five Styles songs in the region and their worldwide streams and sales for the week:
No. 1, “As It Was” (116.9 million streams; 19,300 sold)
No. 2, “Late Night Talking” (66 million; 4,900)
No. 5, “Music for a Sushi Restaurant” (49.5 million; 2,200)
No. 6, “Matilda” (49.5 million; 2,100)
No. 10, “Little Freak” (43.5 million; 1,400)
Styles is the third artist to chart at least five concurrent Global 200 top 10s, following Drake (eight, Sept. 18, 2021) and Bad Bunny (seven, May 21, 2022).
Meanwhile, Bad Bunny sports four songs in the Global 200’s top 10, all from his album Un Verano Sun Ti: “Me Porto Bonito,” with Chencho Corleone, rises from No. 4 to a new No. 3 high; “Ojitos Lindos,” with Bomba Estéreo, pushes 6-4, also for a new best; “Tití Me Preguntó” rebounds 8-7, after reaching No. 5; and “Moscow Mule” falls 3-8, after hitting No. 2.
Breaking up Styles and Bad Bunny’s hold on the Global 200 top 10, Jack Harlow’s “First Class” descends 5-9, after reaching a No. 2 high.
‘As It Was’ Passes ‘Easy on Me’ for Longest-Leading Global Excl. U.S. No. 1 Among British Acts
As on the Global 200, Harry Styles’ “As It Was” posts an eighth week at No. 1 on the Billboard Global Excl. U.S. chart, all from its debut atop the list, with 83 million streams (up 24%) and 9,500 sold (up 13%) in territories outside the U.S. in the May 20-26 tracking week.
Among British acts, the song surpasses Adele’s “Easy on Me” (seven weeks at No. 1 beginning Oct. 30, 2021), for the longest domination so far on the Global Excl. U.S. chart. “As It Was” is also now a week from potentially tying for the chart’s longest command overall, held by nine-week leaders “abcdefu” by GAYLE (beginning this January), “Stay” by The Kid LAROI and Justin Bieber and “Drivers License” by Olivia Rodrigo (both in 2021). (BTS’ “Dynamite” also led for eight weeks, in 2020-21.)
Styles debuts three other songs in the Global Excl. U.S. top 10, also from his album Harry’s House: “Late Night Talking” (No. 3, led by 39.8 million streams outside the U.S.), “Matilda” (No. 8; 29.1 million) and “Music for a Sushi Restaurant” (No. 10; 28.7 million).
Elsewhere in the Global Excl. U.S. top five, Bad Bunny’s “Ojitos Lindos,” with Bomba Estéreo, holds at its No. 2 high, his “Me Porto Bonito,” with Chencho Corleone, keeps at its No. 4 peak and his “Tití Me Preguntó” rebounds 8-5 for a new best. Bad Bunny adds his sixth top five Global Excl. U.S. hit, the most among soloists and second overall only to BTS’ seven.
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khan
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Post by khan on Jun 1, 2022 15:05:28 GMT -5
Considering this is the smallest album bomb of the year so far by track numbers, I wasn't expecting things to stay so slow on the global charts. On this week's update from Khan on the Global 200, there are no new peaks, so get ready for a lot of June 4th specific news. docs.google.com/spreadsheets/d/1jSdctFcLyQl6HJYoi9Jr2OHFGkn-TBnxWVFNxMlzrto/edit?usp=sharing- Said June 4th specifics: • As the Kendrick Lamar album bomb falls off, Bad Bunny returns to being the biggest American representation in the world. Different song than last time, though, with "Me Porto Bonito" with fellow Puerto Rican Chencho Corleone rising up to #2. • Turns out Kenshi Yonezu didn't have much legs. His single from last week plummets, returning Rei of Ive and "Love Dive" to being the biggest song with a Japanese singer on it in the world. Meanwhile on the Excl US, "Mixed Nuts" by Official Hige Dandism is finally the biggest Japanese song there despite being out for months. • France is back on the charts with a modern song after some Daft Punk domination. In the same week where David Guetta would have taken it over Daft Punk anyway, French rappers Alonzo, Ninho, and Naps collab on a track that debuts high enough on both charts to secure the French crown. Interestingly, Billboard misspelled Ninho's name as Ninha on the charts this week, even though he's charted before while spelled correctly. • Argentina is still gone on the main chart, but a duet between Colombian band Morat and Argentine rapper Duki becomes the largest song for the latter country this week. • Turkey is also back on the lower rungs of the Excl US with a new single from rapper Velet. Turkey charts a lot with rap songs, but it seems to be a different person each time. Guess they have a lot of superstars over there. • South Korea is at #74 on the main chart and #50 on the Excl US. Super low for the iron grip they had on global music during BTS's Be era. |
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Post by Baby Yoda Hot100Fan on Jun 6, 2022 17:24:07 GMT -5
6/6/2022 By Gary Trust
Harry Styles‘ “As It Was” continues as the biggest song in the world, as it logs a ninth week at No. 1 on the Billboard Global 200 and Billboard Global Excl. U.S. charts. On the latter list, the song ties for the longest reign yet.
Meanwhile, fellow British singer-songwriter Kate Bush‘s 1985 classic “Running Up That Hill (A Deal With God)” blasts onto the surveys at Nos. 3 and 5, respectively, powered by its sync in the new fourth season of Netflix’s Stranger Things.
The two charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
Styles No. 1, Bush No. 3 on Global 200
Harry Styles’ “As It Was” adds a ninth week at No. 1 on the Billboard Global 200, all from its debut week, with 96.7 million streams (down 17%) and 16,500 sold (down 15%) worldwide in the May 27-June 2 tracking week.
Bad Bunny boasts three songs in the Global 200’s top five, all from his album Un Verano Sin Ti: “Me Porto Bonito,” with Chencho Corleone, rises to a new No. 2 high from No. 3; “Tití Me Preguntó” climbs 7-4, also reaching a new best; and “Ojitos Lindos,” with Bomba Estéreo, backtracks to No. 5 from its No. 4 high.
Kate Bush’s 1985 hit “Running Up That Hill (A Deal With God)” roars onto the Global 200 at No. 3, fueled by its placement in Netflix’s Stranger Things. The fourth season of the ’80s-set show, which premiered May 27, incorporates the song in multiple episodes, serving as a recurring theme for the character of Max Mayfield, played by Sadie Sink. The song bows with 49.1 million streams and 28,600 sold worldwide May 27-June 2, both totals up from nominal levels. The classic by the English singer-songwriter, who first appeared on Billboard‘s charts in 1979, initially hit No. 30 on the U.S-based Billboard Hot 100 in November 1985, prior to re-entering at No. 8 on the latest list. The track, which Bush solely wrote and produced, reached No. 3 on the Official UK Singles chart in 1985 and has likewise returned to that tally’s top 10. ‘As It Was’ Ties Longest Global Excl. U.S. Reign As on the Global 200, Harry Styles’ “As It Was” claims a ninth week at No. 1 on the Billboard Global Excl. U.S. chart, all from its debut atop the list, with 70.9 million streams (down 15%) and 9,100 sold (down 5%) in territories outside the U.S. in the May 27-June 2 tracking week. The song ties for the chart’s longest Global Excl. U.S. command yet, matching previous nine-week leaders “abcdefu” by GAYLE (beginning this January), “Stay” by The Kid LAROI and Justin Bieber and “Drivers License” by Olivia Rodrigo (both in 2021). Bad Bunny lines up the next three songs in the Global Excl. U.S. top five, as “Me Porto Bonito,” with Chencho Corleone, rises to a new No. 2 best from No. 4; “Ojitos Lindos,” with Bomba Estéreo, drops to No. 3 from its No. 2 high; and “Tití Me Preguntó” ascends 5-4 for a new best rank. Rounding out the Global Excl. U.S. top five, Kate Bush’s “Running Up That Hill” debuts at No. 5 with 31.7 million streams and 10,200 sold outside the U.S., up from negligible sums. The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated June 11, 2022) will update on Billboard.com tomorrow (June 7). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard‘s subscription-based service. For all chart news, you can follow billboard and billboardcharts on both Twitter and Instagram. Luminate, the independent data provider to the Billboard charts, completes an exhaustive and thorough review of all data submissions used in compiling weekly chart rankings. Luminate reviews and authenticates data, removing any suspicious or unverifiable activity using established criteria before final chart calculations are made and published. In partnership with Billboard, data deemed suspicious and unverifiable is disqualified prior to final calculations. |
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khan
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Posts: 1,106
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Post by khan on Jun 8, 2022 12:33:11 GMT -5
The album bombs have finished for now, maybe. On this episode of Khan's weekly Global 200 updates, let's see how that affects the charts. docs.google.com/spreadsheets/d/1jSdctFcLyQl6HJYoi9Jr2OHFGkn-TBnxWVFNxMlzrto/edit?usp=sharingDespite nothing stopping them, there's no new peaks this week. Everything is June 11th specifics. • After being ruled by various Coldplay songs for so very long, Scotland finally has a new representative. Calvin Harris's new single "Potion" becomes the biggest song from a Scot in the world, with his old single and apparent soccer anthem "One Kiss" rebounding to just a few spots below it on both charts. • Jamaica comes back to the main chart with a new single from Sleepy Hallow, the current record holder on that main chart. "Die Young" doesn't even appear at all on the Excl US chart, as trap songs tend to do, and where Jamaica has been represented by dance/pop for a while. • Speaking of countries coming back, China! It's been a while, but Seventeen's Chinese members Jun and The8 are once again representing their birthplace on both charts through their new single. This dethrones Yuqi of (G)I-dle on the Excl US. • We'll see how long it lasts, but Japan is fully Japan again, as their biggest song this week becomes "Mixed Nuts" from Official Hige Dandism. • France is back to being represented by dance songs: old Daft Punk on the main chart and new David Guetta on the Excl US. • Indian rapper Sidhu Moose Wala was unfortunately killed last week, which brings three of his old hits into the Excl US chart. To demonstrate his popularity, the Indian diaspora in Canada was evidently big enough to have him chart on the Canadian Hot 100 this week, too. • The return of two unexpected countries to the Excl US, Kazakhstan and Russia! Our old friend Imanbek is back with a new collab with BOYR, a Russian EDM producer. • Korea's really going through a slump, as their biggest song on the main chart this week becomes BTS's "Butter" by default with all the newer songs falling short. |
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Post by Baby Yoda Hot100Fan on Jun 13, 2022 13:14:03 GMT -5
6/13/2022 By Gary Trust
Bush's 1985 classic "Running Up That Hill" rules the Global 200 sparked by its new "Stranger Things" sync, while Styles' "As It Was" adds a record-breaking 10th week atop Global Excl. U.S.
Kate Bush‘s 1985 classic “Running Up That Hill (A Deal With God)” hits No. 1 on the Billboard Global 200 chart, powered by its sync in the new fourth season of Netflix’s Stranger Things.
Meanwhile, Harry Styles‘ “As It Was” logs a record-breaking 10th week at No. 1 on the Billboard Global Excl. U.S. survey.
Plus, Post Malone’s “I Like You (A Happier Song),” featuring Doja Cat, debuts at No. 7 on the Global 200 and two songs ascend to the Global Excl. U.S. top 10: Shakira and Rauw Alejandro’s “Te Felicito” (29-6) and Bad Bunny’s “Efecto” (13-9).
The two charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
‘Hill’ Climbs to No. 1 on Global 200
Kate Bush’s “Running Up That Hill (A Deal With God),” originally released in 1985, rises to No. 1 on the Global 200, a week after it launched at No. 3, fueled by its placement in Netflix’s Stranger Things. The fourth season of the ’80s-set show, which premiered May 27, incorporates the song in multiple episodes, serving as a recurring theme for the character of Max Mayfield, played by Sadie Sink.
The song drew 85.9 million streams (up 75%) and sold 37,200 sold (up 30%) worldwide in the June 3-9 tracking week.
“Hill” is the song released the earliest to top the Global 200 so far, surpassing Mariah Carey’s 1994 carol “All I Want for Christmas Is You,” which has led for eight weeks over the past two holiday seasons.
“Hill” also extends a streak of British acts ruling the Global 200 to 16 weeks, via three songs. Prior to “Hill,” Harry Styles’ “As It Was” led for nine weeks (April 16-June 11) and Glass Animals’ “Heat Waves” reigned for six (March 5-April 9). Bush is the sixth British act to lead the list, after Styles, Glass Animals, Adele (“Easy on Me”), Coldplay (“My Universe,” with BTS) and Ed Sheeran (“Bad Habits”).
Styles’ “As It Was” drops to No. 2 on the Global 200 and Bad Bunny boasts the next three songs on the chart, all from his album Un Verano Sin Ti: “Me Porto Bonito,” with Chencho Corleone, dips to No. 3 from its No. 2 high; “Tití Me Preguntó” holds at its No. 4 best; and “Ojitos Lindos,” with Bomba Estéreo, keeps at No. 5 after reaching No. 4.
Also in the Global 200’s top 10, Post Malone’s “I Like You (A Happier Song),” featuring Doja Cat, debuts at No. 7. The song, from the former’s new album Twelve Carat Toothache, starts with 38.6 million streams and 5,600 sold globally. Post Malone adds his second top 10 on the chart and scores his best rank, after the set’s “One Right Now,” with The Weekend, debuted and peaked at No. 9 in November. Doja Cat collects her fourth top 10 on the tally.
‘As It Was’ Rewrites Longest Global Excl. U.S. Reign
Harry Styles’ “As It Was” notches a record-setting 10th week at No. 1 on the Billboard Global Excl. U.S. chart, all from its debut atop the list, with 68 million streams (down 4%) and 8,400 sold (down 7%) in territories outside the U.S. in the June 3-9 tracking week.
The song achieves the longest Global Excl. U.S. command yet, passing nine-week leaders “abcdefu” by GAYLE (beginning this January), “Stay” by The Kid LAROI and Justin Bieber and “Drivers License” by Olivia Rodrigo (both in 2021). Kate Bush’s “Running Up That Hill” surges 5-2 in its second week on Global Excl. U.S., with 57.2 million streams (up 80%) and 14,900 sold (up 46%) outside the U.S. As on the Global 200, Bad Bunny links the next three songs in the Global Excl. U.S. top five, as “Me Porto Bonito,” with Chencho Corleone, slides to No. 3 from its No. 2 best; “Ojitos Lindos,” with Bomba Estéreo, drops 3-4 after reaching No. 2; and “Tití Me Preguntó” retreats to No. 5 from its No. 4 high. Shakira and Rauw Alejandro’s “Te Felicito” flies 29-6 on the Global Excl. U.S. chart. The song soars by 89% to 44.3 million streams and 178% to 1,200 sold outside the U.S., sparked by buzz on TikTok (and alongside Shakira’s June 4 announcement that she and Gerard Piqué separated after a 11-year relationship). Shakira posts her first Global Excl. U.S. top 10 since the chart began and Alejandro adds his fourth. Plus, Bad Bunny’s “Efecto” jumps 13-9 on Global Excl. U.S., driven by its 21% gain to 33.6 million streams beyond the U.S. The song becomes his record-padding 12th top 10 on the chart – and the eighth from his Un Verano Sin Ti album; no other act has even that many top 10s at all on the list so far, as Justin Bieber and BTS follow Bad Bunny with seven total top 10s each. The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated June 18, 2022) will update on Billboard.com tomorrow (June 14). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard‘s subscription-based service. For all chart news, you can follow billboard and billboardcharts on both Twitter and Instagram. Luminate, the independent data provider to the Billboard charts, completes an exhaustive and thorough review of all data submissions used in compiling weekly chart rankings. Luminate reviews and authenticates data, removing any suspicious or unverifiable activity using established criteria before final chart calculations are made and published. In partnership with Billboard, data deemed suspicious and unverifiable is disqualified prior to final calculations.
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Verisimilitude
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Joined: July 2010
Posts: 8,976
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Post by Verisimilitude on Jun 13, 2022 14:01:31 GMT -5
Legend Kate with a Global #1 smash in 2022, we love to see it.  |
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Post by Baby Yoda Hot100Fan on Jun 14, 2022 9:42:31 GMT -5
These are from last week. They got posted yesterday.
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khan
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Post by khan on Jun 15, 2022 13:56:19 GMT -5
Khan's weekly update on the Global 200 this time around is pretty low-key, but we have another new peak to talk about at least! docs.google.com/spreadsheets/d/1jSdctFcLyQl6HJYoi9Jr2OHFGkn-TBnxWVFNxMlzrto/edit?usp=sharing- Our new all-time peak to discuss is Russia! Weird time for it to happen... As stated last week, our favorite Kazakh representative on the charts Imanbek made a surprise comeback onto the Excl US chart by remixing Akon's old song "Belly Dancer" which has been going viral on TikTok. He did it by collaborating with BYOR, a Russian DJ. With a rise up to #134 on this week's Excl US, BYOR beats the tie of rapper Capital Bra and singer Helene Fischer to become the unequivocal all-time Russian leader on the chart! Time will tell if he eventually accomplishes this on the main chart. - The United Kingdom can add another #1 to its trophy shelf as Kate Bush rules the world this week. The British have really been gripping the charts this year, a sharp step up from last year where only Ed Sheeran could do it for a couple weeks. - And now some June 18th specifics. • The chart impact that only affected the Excl US last week from Sidhu Moose Wala's death peaks this week, the first full tracking week since the killing. India finally comes back onto the main chart, now led by his song "295" instead of what the leader on the Excl US was last week. • After getting closer and closer for weeks, "Crazy What Love Can Do" by David Guetta finally gets the title for highest French song on the main chart. • Two new leaders, only on the Excl US. Tini takes it for Argentina over Duki with "La Triple T" and Scotland replaces "Potion" which was at #31 last week with "One Kiss" which is at #31 this week. • "Take Me to Church" by Hozier falls off both charts this week after an extremely long and stable run in the bottom fifty, the first time Ireland has been missing in nearly a year. |
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Post by Baby Yoda Hot100Fan on Jun 20, 2022 14:43:08 GMT -5
6/20/2022 By Gary Trust
BTS‘ “Yet to Come” soars in at No. 1 on the Billboard Global Excl. U.S. chart, becoming the group’s record-extending sixth leader on the list. It’s from the South Korean superstars’ new album Proof, which premieres at No. 1 on the U.S.-based Billboard 200.
Meanwhile, Harry Styles‘ “As It Was” rebounds for a 10th week at No. 1 on the Billboard Global 200 chart.
Plus, BTS’ “Run BTS,” also from Proof, and Joji’s “Glimpse of Us” open in the Global Excl. U.S. top 10. Elsewhere in the Global 200’s top 10, “Yet to Come” debuts at No. 2 and Joji’s ballad and Bad Bunny’s “Efecto” are also new to the tier.
The two charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
BTS Bounds In at No. 1 on Global Excl. U.S.
BTS’ “Yet to Come” roars in at No. 1 on the Billboard Global Excl. U.S. chart with 96.5 million streams and 42,000 sold in territories outside the U.S. in the June 10-16 tracking week.
The song is the group’s record-padding sixth Global Excl. U.S. No. 1 since the chart began. Here’s a recap:
“Dynamite,” eight weeks at No. 1, starting Sept. 26, 2020
“Life Goes On,” one week, Dec. 5, 2020
“Butter,” five weeks, June 5, 2021
“Permission to Dance,” one, July 24, 2021
“My Universe,” with Coldplay, one, Oct. 9, 2021
“Yet to Come,” one to-date, June 25, 2022
Further, BTS (which is going on a self-described “hiatus”) banks its record-extending 17th week atop Global Excl. U.S.
Harry Styles’ “As It Was” drops to No. 2 on Global Excl. U.S. after a record 10 weeks at No. 1; Kate Bush’s 1985 classic “Running Up That Hill,” renewed via its sync in Netflix’s Stranger Things, dips from its No. 2 high to No. 3; Bad Bunny and Chencho Corleone’s “Me Porto Bonito” retreats 3-4 after reaching No. 2; and Bad Bunny’s own “Tití Me Preguntó” holds at No. 5 after hitting No. 4.
Elsewhere in the Global Excl. U.S. top 10, BTS’ “Run BTS,” also from Proof, debuts at No. 8 with 33 million streams and 19,000 sold outside the U.S. Thanks to “Yet to Come” and “Run BTS,” the group ups its count to nine top 10s on the chart.
Plus, Joji’s “Glimpse of Us” debuts at No. 9 on Global Excl. U.S. (33.9 million streams, 1,000 sold). The ballad marks the first appearance on the chart for the Japanese-born singer-songwriter, who originally broke through as a comedian/personality on YouTube (helping build buzz for Baauer’s 2013 viral smash, and a five-week No. 1 on the U.S.-based Billboard Hot 100, “Harlem Shake”).
‘As It Was’ Tops Global 200 for 10th Week Harry Styles’ “As It Was” returns for a 10th week at No. 1 on the Billboard Global 200. It’s just the second song to reign for double-digit weeks so far, after The Kid LAROI and Justin Bieber’s “Stay” dominated for 11 frames beginning last August. BTS’ “Yet to Come” debuts at No. 2 on the Global 200, becoming the act’s ninth top 10; Kate Bush’s “Running Up That Hill (A Deal With God)” descends to No. 3 a week after surging to No. 1; and Bad Bunny boasts the next two songs on the chart, as “Me Porto Bonito,” with Chencho Corleone, falls 3-4 after hitting No. 2 and his unaccompanied “Tití Me Preguntó” drops to No. 5 from its No. 4 best. Additionally, Joji’s “Glimpse of Us” debuts at No. 6 on Global Excl. U.S., marking his first top 10, and Bad Bunny’s “Efecto” rises 12-9, becoming his 12th top 10 – and the seventh from his Un Verano Sin Ti album. The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated June 25, 2022) will update on Billboard.com tomorrow (June 21). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard‘s subscription-based service. For all chart news, you can follow billboard and billboardcharts on both Twitter and Instagram. Luminate, the independent data provider to the Billboard charts, completes an exhaustive and thorough review of all data submissions used in compiling weekly chart rankings. Luminate reviews and authenticates data, removing any suspicious or unverifiable activity using established criteria before final chart calculations are made and published. In partnership with Billboard, data deemed suspicious and unverifiable is disqualified prior to final calculations. |
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khan
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Post by khan on Jun 22, 2022 11:55:10 GMT -5
This weekly update from Khan on the Global 200 finally has some new peaks to speak about! Been a while. docs.google.com/spreadsheets/d/1jSdctFcLyQl6HJYoi9Jr2OHFGkn-TBnxWVFNxMlzrto/edit?usp=sharing- The biggest news this week regarding this sheet has to be Japan. "Homura" by LiSA has held the all-time Japanese peak at #8 for a year and a half now. While that record was driven by sales, we now have a new stream-driven champion. Japanese singer Joji just edges out a new #6 peak for the land of the rising sun with his sudden "Glimpse of Us" smash. Of course the song being in English probably helps there, but Joji is indeed a Japanese man so he counts. LiSA still has the peak on the Excl US, since "Homura" got to #2 there. - Another new peak is only on Excl US because the song hasn't even crossed over to the main chart yet. "Belly Dancer" with Kazakh Imanbek and Russian BYOR moves up to #109 on that chart this week, which is now Russia's new all-time peak. Time will tell if this half-Russian song eventually does some damage on the main chart, but it has been rising steadily all month. - Finally, the Excl US chart welcomes a new #1 song. BTS's new single debuts at the top spot there, rounding out a seventh chart-topper for Korea there. - And now we move onto June 25th specifics. • It doesn't quite make the top spot, but obviously "Yet to Come" becomes the biggest song for South Korea on the main cart, too, this week. • Scotland is now represented by "One Kiss" on both charts as "Potion" ends up kinda flopping. • Argentina is back on both charts because of the 51st entry in the Bzrp Music Sessions series, which is always a reliable way to get Argentine representation on the charts. • Indonesia returns to the Excl US chart because of a hit single from an Indonesian Idol champion, Keisya Levronka. • With "Lo Siento BB:/" falling off the main chart, Mexico has no charting songs for the first time in like a year. |
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Post by Baby Yoda Hot100Fan on Jun 22, 2022 18:30:26 GMT -5
This are actually the videos for the previous week's charts:
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Abbaschand
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Post by Abbaschand on Jun 24, 2022 1:29:04 GMT -5
• Indonesia returns to the Excl US chart because of a hit single from an Indonesian Idol champion, Keisya Levronka. Fun fact: Keisya is not even the champion of Indonesian Idol. She finished the season...in 12th place. Not even close. |
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khan
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Post by khan on Jun 24, 2022 15:20:17 GMT -5
• Indonesia returns to the Excl US chart because of a hit single from an Indonesian Idol champion, Keisya Levronka. Fun fact: Keisya is not even the champion of Indonesian Idol. She finished the season...in 12th place. Not even close. Oh my gosh you're right lmao. Do you know why she's taking off if she finished that low then? TikTok presence? |
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Abbaschand
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Post by Abbaschand on Jun 24, 2022 17:22:53 GMT -5
Fun fact: Keisya is not even the champion of Indonesian Idol. She finished the season...in 12th place. Not even close. Oh my gosh you're right lmao. Do you know why she's taking off if she finished that low then? TikTok presence?Exactly. |
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Post by Baby Yoda Hot100Fan on Jun 28, 2022 11:57:14 GMT -5
6/27/2022 By Gary Trust
"As It Was" leads each list for an 11th week – tying for the longest Global 200 domination and extending its record run atop Global Excl. U.S.
Harry Styles‘ “As It Was” adds an 11th week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts. The song ties for the longest Global 200 reign yet and extends its record run atop Global Excl. U.S.
Meanwhile, Joji’s “Glimpse of Us” bounds to No. 2 on each tally; Drake debuts four songs in the Global 200’s top 10, all from his new album, Honestly, Nevermind; and Polimá WestCoast’s “Ultra Solo,” featuring Pailita, soars to the Global Excl. U.S. top 10.
‘As It Was’ Ties for Most Weeks Atop Global 200
Harry Styles’ “As It Was” logs an 11th week at No. 1 on the Billboard Global 200, led by 82.6 million streams worldwide in the June 17-23 tracking week. The song by the British star matches the chart’s longest command so far, after The Kid LAROI and Justin Bieber’s “Stay” dominated for 11 frames beginning last August.
Japanese-born singer-songwriter Joji’s “Glimpse of Us” surges from its No. 6 Global 200 debut to No. 2, up 58% to 82.5 million streams worldwide.
Drake debuts four tracks in the Global 200’s top 10: “Jimmy Cooks,” featuring 21 Savage (No. 3; 63.6 million global streams); “Falling Back” (No. 7); “Sticky” (No. 8); and “Massive” (No. 10). The Canadian star ups his record count to 17 Global 200 top 10s, as the four songs’ parent set, Honestly, Nevermind, launches at No. 1 on the U.S.-based Billboard 200 albums chart.
Elsewhere in the Global 200’s top five, Kate Bush’s 1985 classic “Running Up That Hill (A Deal With God)” descends 3-4, two weeks after hitting No. 1, fueled by its sync in Netflix’s Stranger Things, and Bad Bunny’s “Me Porto Bonito,” with Chencho Corleone, falls 4-5 after reaching No. 2.
Styles Back Atop Global Excl. U.S., Polimá WestCoast Hits Top 10
Harry Styles’ “As It Was” rebounds from No. 2 for a record-extending 11th week at No. 1 on the Billboard Global Excl. U.S. chart, with 63.5 million streams (down 2%) in territories outside the U.S. in the June 17-23 tracking week. (A week earlier, BTS’ “Yet to Come” blasted in at No. 1 on the Global Excl. U.S. chart; it falls to No. 8 on the latest list.)
As on the Global 200, Joji’s “Glimpse of Us” roars to No. 2 on Global Excl. U.S., a week after it debuted at No. 9. The ballad boasts a gain of 68% to 57.1 million streams outside the U.S.
Nos. 3-5 on Global Excl. U.S. hold in place from a week ago: Kate Bush’s “Running Up That Hill (A Deal With God),” at No. 3 after hitting No. 2; Bad Bunny and Chencho Corleone’s “Me Porto Bonito,” at No. 4 after reaching No. 2; and Bad Bunny’s own “Tití Me Preguntó,” at No. 5 after rising to No. 4.
Elsewhere in the Global Excl. U.S. top 10, Polimá WestCoast’s “Ultra Solo,” featuring Pailita, vaults 46-9, up 100% to 39.6 million streams outside the U.S. The collaboration marks the first top 10 on the chart for each Chilean act and was aided by the June 17 release of its remix adding Paloma Mami, Feid and De la Ghetto. The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated July 2, 2022) will update on Billboard.com tomorrow (June 28). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow billboard and billboardcharts on both Twitter and Instagram. Luminate, the independent data provider to the Billboard charts, completes an exhaustive and thorough review of all data submissions used in compiling weekly chart rankings. Luminate reviews and authenticates data, removing any suspicious or unverifiable activity using established criteria before final chart calculations are made and published. In partnership with Billboard, data deemed suspicious and unverifiable is disqualified prior to final calculations. |
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khan
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Post by khan on Jun 29, 2022 13:43:29 GMT -5
Funnily, on this week's chapter of Khan's Global 200 updates, there's almost no small movement news, just three very big and notable peaks from two of the biggest countries in the world and one decently big one. docs.google.com/spreadsheets/d/1jSdctFcLyQl6HJYoi9Jr2OHFGkn-TBnxWVFNxMlzrto/edit?usp=sharing- The easiest news to start with today is Japan, as it's just a continuation of last week. On the main chart, Joji's "Glimpse of Us" hops up a few spots from #6 to secure an impressive #2 peak not only for itself, but for all the Japanese. The song reaches the same spot on the Excl US, where it ties with "Homura" by LiSA for the biggest Japanese song of all time on that chart, both of course at #2. In either case, it's now a Japanese record-holder. - This may come as a shock to you, but a Russian artist has never charted on the main Global 200... until today. The largest country by land area has only secured a few Excl US entries, and that's it. On that secondary chart, "Belly Dancer" with Russian producer BYOR continues to get new peaks as it hops up to #98, Russia's first appearance in the top half. On the main chart, "Belly Dancer" just barely debuts at #199, but it still gives Russia a permanent record as appearing on the Global 200, finally. - It may be a smaller country, but Chile's new peak this week may be the most impressive just because of the sheer numbers it pulled. A remix of "Ultra Solo" by Chilean artists Polimá Westcoast and Pailita now features Feid, Paloma Mami, and De La Ghetto, a trio of non-Chileans whose names were big enough to rocket the song up to #26 on the main chart. There, it just beats out the #29-peaking "Una Noche en Medellín" by Cris MJ for all-time Chilean peak. On the Excl US, the posse cut much more handily wins out over Cris MJ, as the remix made it to #9, Chile's first appearance in the top ten of that chart. - July 2nd! • Måneskin's new single is finally running out of steam, giving way for Italy to be ruled by "Beggin'" again instead of "Supermodel" (on the main chart only). • "Lo Siento BB:/" falls out, so Christian Nodal and "Ya No Somos Ni Seremos" takes the Mexican crown this week! |
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