Billboard 200: 6/12/10: "Glee" #1- 63,000

[Rodze]

www.billboard.com/news/glee-edges-out-stp-holds-on-to-no-1-on-1004094983.story#/news/glee-edges-out-stp-holds-on-to-no-1-on-1004094983.story

Glee: the Music, Volume 3 - Showstoppers" holds at No. 1 on the Billboard 200 albums chart for a second week, while the new release schedule was light due to the "American Idol" finale. "Showstoppers" moved 63,000 copies (down 54%) according to Nielsen SoundScan.

In the runner-up spot, Stone Temple Pilots return with its first studio album since 2001 as its new self-titled set enters at No. 2 with 62,000. It's the quartet's sixth top 10 album -- the band's entire output of studio releases. STP is the Billboard 200 albums chart sole new entry -- the fewest since the chart dated March 13 when Johnny Cash's "American VI: Ain't No Grave" was the only top 10 arrival.

It's the second week in a row where the kids of "Glee" have blocked a rock band from the No. 1 slot. Last week the Rolling Stones' reissue of "Exile On Main St." re-entered the tally at No. 2 with 76,000. (This week, the Stones fall to No. 7 with 28,000 -- down 64%.)

It's unlikely that "Glee" will hold for a third frame at the top next week. Jack Johnson's just-released "To the Sea" seems set to debut at No. 1 with around 250,000 copies sold by week's end on June 6, according to industry prognosticators.

As for the rest of the Billboard 200's top 10 this week, Justin Bieber's "My World 2.0" is up one rung to No. 3 (50,000; down 19%), Lady Antebellum's "Need You Now" rises two positions to No. 4 (46,000; up 1%) and Usher's "Raymond v Raymond" climbs three slots to No. 5 (35,000; down 13%). Lady Gaga's "The Fame" flies up six positions to No. 6 with 31,000 and an 11% increase -- a gain no doubt fueled by the artist's music being featured prominently in last week's episode of Fox TV's "Glee."

The Black Keys' "Brothers" drops five rungs to No. 8 with just under 26,000 (down 65%), Carole King and James Taylor's "Live at the Troubadour" climbs two spots to No. 9 with almost 26,000 as well (down 16%) and Nas and Damian Marley's "Distant Relatives" descends five slots to No. 10 with 25,000 (down 56%).



Overall album sales in this past chart week (ending May 30) totaled 4.98 million units, down 6% compared to the sum last week (5.31 million) and down 13% compared to the comparable sales week of 2009 (5.75 million). Year to date album sales stand at 125.4 million, down 11% compared to the same total at this point last year (140.2 million).

1 - Glee: the Music, Volume 3 - "Showstoppers" - 63,000
2 - Stone Temple Pilots - 62,000
3 - Justin Bieber - "My World 2.0" - 50,000
4 - Lady Antebellum - "Need You Now" - 46,000
5 - Usher - "Raymond v Raymond" - 35,000
6 - Lady Gaga - "The Fame" - 31,000
7 - Rolling Stones - 28,000
8 - The Black Keys - "Brothers" - 26,000
9 - Carole King and James Taylor - "Live at the Troubadour" - 26,000
10 - Nas and Damian Marley - "Distant Relatives" - 25,000

www.mtv.com/news/articles/1640557/20100602/stone_temple_pilots.jhtml
11 - Marc Anthony - "Iconos" - 24,000
13 - Soundtrack - "Sex and the City 2" - 22,000
20 - Hank Williams III - "Rebel Within" - 17,000
27 - Widespread Panic - "Dirty Side Down" - 13,000
158 - Rihanna - "Rated R: Remixed" - 3,000

[areyoureadytojump]

I think 4.98 million is a new low for album sales.

[Rodze]

Idol sales: content.usatoday.com/communities/idolchatter/post/2010/06/carrie-underwood-sees-album-sales-gains-after-idol-performance/1

Poison, Best of Poison (5,000, +117 percent, 777,000) (#111 BB200)
Bee Gees, Ultimate Bee Gees (3,000, +20 percent, 94,000)

[slicknickshady]

Slow week.

[galvanize]

There's still Glee, Miley Cyrus, Jack Johnson, & Eminem to keep sales from falling through in the next few weeks. Maybe even Aguilera if she has a wing & a prayer to get her over 150,000 copies.

[HolidayGuy]

No mention of Damita in the Idol round-up. Hmmph.

I'd think 4.98m albums is a SoundScan-era low.

[badrobot]

45 weeks for Gaga in the top ten now, I believe.

Must be a bummer for STP to be so close!

[HolidayGuy]

Paul Grein's Yahoo! Chart Watch blog:

Week Ending May 30, 2010: A So-So Showing For Idol
Posted Wed Jun 2, 201 by Paul Grein in Chart Watch

American Idol's Season 9 winner Lee DeWyze edged out runner-up Crystal Bowersox as their rivalry moves from the Idol stage to the pop charts. DeWyze placed five songs on the Hot Digital Songs chart. Bowersox scored with three. (Their duet version of "Falling Slowly" also charted, giving them a combined total of nine charted songs.)

If those numbers sound a little light, they are. Last year, winner Kris Allen and runner-up Adam Lambert put a combined 26 songs on Hot Digital Songs in the week their rivalry came to an end.

DeWyze debuts at #12 with his version of U2's "Beautiful Day," at #20 with Leonard Cohen's "Hallelujah," at #61 with Simon & Garfunkel's "The Boxer," at #76 with R.E.M.'s "Everybody Hurts" and at #121 with Lynyrd Skynyrd's "Simple Man." Bowersox bows at #32 with her version of Patty Griffin's "Up To The Mountain (MLK Song)," at #113 with Alannah Myles' "Black Velvet" and at #117 with Kris Kristofferson's "Me And Bobby McGee." The pair's duet version of the Oscar-winning "Falling Slowly" bows at #38.

This is the first time in four years that none of the Idol contestants cracked the top 10 on Hot Digital Songs in the week after the winner was crowned. This last happened in June 2006 when Taylor Hicks' "Do I Make You Proud" debuted at #18. In May 2007, Jordin Sparks' "This Is My Now" bowed at #9. In May 2008, David Cook put three songs in the top 10, topped by "The Time Of My Life" at #1. In May 2009, Kris Allen had two songs in the top 10, topped by "No Boundaries" at #4. Adam Lambert had one, "Mad World," at #7.

In fairness to DeWyze, this was the first time in Idol history that the winner wasn't given a new "coronation song." "Beautiful Day" is a marvelous song, but, as they say, it's been done. U2's 2000 version won Grammys as Record and Song of the Year. It has sold 1,366,000 digital copies. American Idol has been slipping a bit in the ratings and in the buzz battle with such newer shows as Glee. You would think they would respond to the slippage by trying harder, not by seeming to take the easy way out.

Some of you have questioned why the Idol contestants' songs haven't been listed on the Hot Digital Songs chart all along. The reason is obvious: If one contestant consistently led the field, you would know the probable outcome weeks ahead of the show's finale. American Idol is first and foremost a television show. Fox and the producers have a huge stake in not giving away the ending.

The last week of Idol also gave a big boost to a few other songs. Carrie Underwood's "Undo It" vaulted from #61 to #18. Will Young's "Leave Right Now" re-enters at #50. Poison's "Every Rose Has Its Thorn" debuts at #82. The song was performed on the show by third-place finisher Casey James and Poison's Bret Michaels.

While Idol's ratings have dropped this season, it still finished the season as the #1 series on television, according to the A.C. Nielsen ratings. This was the sixth year in a row it has finished #1. It's the first series in TV history to rank #1 for the season six times (consecutively or not). All In The Family and The Cosby Show were each #1 for five straight seasons. Keep this in mind the next time you read a story pointing out Idol's ratings slippage. It's inevitable for an aging series. The bigger story is that the show has stayed on top this long.

Here's another sign that Glee has surpassed Idol as the key music show on TV. In what was for Glee a routine week, it put more songs on Hot Digital Songs than Idol did in this special week where their songs from the season are released for the first time. There are 11 Glee songs on this week's chart, topped by the cast's version of Lady Gaga's "Poker Face" (featuring Idina Menzel), which debuts at #9. It's the sixth Glee song to make the top 10 on Hot Digital Songs; the third in the past four weeks.

Katy Perry's "California Gurls" (featuring Snoop Dogg) returns to #1 on Hot Digital Songs in its third week. It sold 269,000 copies this week, bringing its three-week total to 793,000. Will "California Gurls" also step up to the top spot on the Hot 100? I'll update this item as soon as the chart is posted, later today.

Glee: The Music, Vol. 3, Showstoppers holds at #1 on The Billboard 200 for the second week. It's the first TV soundtrack to log two or more weeks at #1 since High School Musical 2 had four weeks on top in 2007.

Glee holds the top spot with sales of 63,000 copies. This is the eighth week in a row that the #1 album has sold fewer than 150,000 copies. This is the longest run of #1 albums that sold fewer than 150K since the spring of 1995, when there was an 11-week stretch of #1 albums that fell below that sales threshold. But the current tepid streak will end next week with the arrival of Jack Johnson's To The Sea, which is expected to sell in the range of 250,000 copies. (The fate of an entire industry rests on Johnson's tanned shoulders. Good thing he's such a mellow dude.)

Stone Temple Pilots' Stone Temple Pilots debuts at #2. This is the band's first studio album in nearly nine years. All six of the band's studio albums have made the top 10, dating back to 1992's Core. The new album sold 62,000 copies in its first week. The band's last studio album, Shangri-La Dee Da, sold 98,000 copies in its first week in June 2001, when it debuted at #9.

Lady Antebellum's Need You Now rebounds from #6 to #4. It also logs its 18th week at #1 on Top Country Albums. It's the first album to spend its first 18 weeks at #1 on the country chart since Billy Ray Cyrus' Some Gave All in 1992.

Lady Gaga's The Fame rebounds from #12 to #6 in the wake of a Glee episode which featured two of her songs ("Bad Romance" and "Poker Face"). The Fame has sold 3,398,000 copies, more than any other album in this week's top 30. (This tally for The Fame doesn't count The Fame Monster EP, which has sold 1,100,000 copies.)

This week, The Fame tops the 1 million mark in 2010 sales. It's the first album that was released prior to 2010 to sell 1 million copies in 2010. The album was released in October 2008. You might think that an album this successful would have to have debuted at #1, or very close to it. Actually, it entered the chart at #17 (for the week ending Nov. 2, 2008). It was that week's ninth highest new entry. It has outsold that week's highest new entry, Pink's Funhouse, nearly two to one. Funhouse has sold 1,704,000 copies as of this week.

This is the 45th week in the top 10 for The Fame, which peaked at #2. Since 1963, only four other albums that failed to reach #1 have logged as many as 45 weeks in the top 10. Shania Twain's Come On Over is the leader with 53 weeks, followed by Wilson Phillips' Wilson Phillips (52 weeks), Iron Butterfly's In-A-Gadda-Da-Vida (49 weeks) and Backstreet Boys' Backstreet Boys (also 45 weeks). But then you already knew that if you read my recent Chart Watch Extra, "Always A Bridesmaid..." If you missed it, here's a link.

We Meet Again: There are two albums in the top 10 by artists whose careers date back to the 1960s. The Rolling Stones' Exile On Main St. drops from #2 to #7. Carole King/James Taylor's Live At The Troubadour rebounds from #11 to #9. This isn't the first time that King and the Stones have appeared in the top 10 together. Tapestry knocked Sticky Fingers out of the #1 spot in June 1971. (They met in the top 10 a few more times in the ‘70s, too.)

Here's the low-down on this week's top 10 albums.

1. Various Artists, Glee: The Music, Vol. 3, Showstoppers, 63,000. The album holds at #1 in its second week. Nearly 22,000 copies were sold digitally, making it the week's #1 Digital Album. Seven songs from the album are listed on Hot Digital Songs, topped by "Poker Face," which vaults from #66 to #9.

2. Stone Temple Pilots, Stone Temple Pilots, 62,000. This new entry is the band's sixth consecutive studio album to reach the top 10. This is its highest-charting album since Purple had three weeks on top in 1994. "Between The Lines" enters Hot Digital Songs at #187.

3. Justin Bieber, My World 2.0, 50,000. The former #1 album inches up from #4 to #3 in its 10th week. Three songs from the album are listed on Hot Digital Songs, topped by "Eenie Meenie" (a duet with Sean Kingston), which dips from #17 to #19.

4. Lady Antebellum, Need You Now, 46,000. The former #1 album rebounds from #6 to #4 in its 18th week. Two songs from the album are listed on Hot Digital Songs. "Need You Now" dips from #20 to #23. "American Honey" dips from #54 to #55.

5. Usher, Raymond V Raymond, 35,000. The former #1 album rebounds from #8 to #5 in its ninth week. Four songs from the album are listed on Hot Digital Songs, topped by "OMG" (featuring will.i.am), which dips from #1 to #3.

6. Lady Gaga, The Fame, 31,000. The album rebounds from #12 to #6 in its 83rd week. This is its 45th week in the top 10. Six songs from the expanded version of the album are listed on Hot Digital Songs, topped by "Alejandro," which holds at #6.

7. The Rolling Stones, Exile On Main St., 27,000. The album slips from #2 to #7 in its second week. It's the #1 Catalog album for the second week.

8. The Black Keys, Brothers, 26,000. The album drops from #3 to #8 in its second week.

9. Carole King/James Taylor, Live At The Troubadour, 26,000. The album rebounds from #11 to #9 in its fourth week. This is its third week in the top 10.

10. Nas & Damian Marley, Distant Relatives, 25,000. The rap-reggae collabo drops from #5 to #10 in its second week.

Three albums dropped out of the top 10 this week. Band Of Horses' Infinite Arms drops from #7 to #23, AC/DC's Iron Man 2 drops from #9 to #14, and LCD Soundsystem's This Is Happening nosedives from #10 to #38.

Marc Anthony's Iconos debuts at #11. This is Anthony's highest-charting Spanish-language album to date. His wife, Jennifer Lopez, has climbed a tad higher with a Spanish-language album. Lopez's Como Ama Una Mujer debuted at #10 in April 2007.

The Sex And The City 2 soundtrack debuts at #13. It's the week's #1 theatrical movie soundtrack, displacing AC/DC's Iron Man 2. The first Sex soundtrack debuted at #2 in June 2008. The album's key track, Alicia Keys' "Rapture," enters Hot Digital Songs at #180.

Hank Williams III's Rebel Within debuts at #20. This new entry is Williams' second top 20 album in a row. Damn Right Rebel Proud hit #18 in October 2008. (I guess he likes the word "rebel.") Williams is a third-generation star. He's the son of country star Hank Williams Jr. and the grandson of the late country legend Hank Williams. Third-generation stars are rare, as you might imagine, but I can think of a couple other examples. Debby Boone is the daughter of ‘50s star Pat Boone and the granddaughter of country great Red Foley. Gunnar and Matthew Nelson (who comprised the ‘90s duo Nelson) are the twin sons of the late pop star Rick Nelson and the grandsons of bandleader Ozzie Nelson, who had a run of hits in the 1930s.

"Nothin' On You" by B.o.B featuring Bruno Mars tops the 2 million mark in paid downloads this week. The song is as timeless as a Smokey Robinson love song from the 1960s and as current as this week's chart.

Guns N' Roses' 1988 classic "Sweet Child O' Mine" also tops the 2 million mark in paid downloads this week. It's the seventh pre-1990 song to reach this plateau. It follows Journey's "Don't Stop Believin'," Michael Jackson's "Thriller," Survivor's "Eye Of The Tiger," Bon Jovi's "Livin' On A Prayer," Lynyrd Skynyrd's "Sweet Home Alabama" and Queen's "Bohemian Rhapsody." It's an extraordinary achievement for songs to connect in a big way in two separate eras.

Shameless Plug: On Friday, I'll have a Chart Watch Extra in which I list the R&B songs that have sold the most copies in the digital era. The #1 title is in the previous paragraph, Michael Jackson's "Thriller." In fact, Jackson makes a clean sweep of the top five. Who else is up there? Check back on Friday, when you'll find out at last. (Hint, hint.)

Shrek Forever After was #1 at the box-office for the second weekend in a row. All four Shrek movies opened at #1 at the box-office, but this is only the second (following Shrek 2) to manage a second week on top. An album featuring Harry Gregson-Williams' score has sold about 2,000 copies. A pop soundtrack is due June 29. (I guess better late than never.)

Heads Up: Jack Johnson's To The Sea is a lock to debut at #1 next week. It will be Johnson's third album in a row to debut in the top spot. Taio Cruz's U.S. debut, Rokstarr, which features his #1 smash "Break Your Heart" (featuring Ludacris), will probably put enter the chart around #10. Also due: Clay Aiken's Tried & True, Lamb Of God's Hourglass: The CD Anthology and Hawthorne Heights' Skeletons.

Photo Finish: Notice how Lee DeWyze and Crystal Bowersox occupy the top two positions, in that order, on the cover of Idol's recently released Season 9 compilation? It's almost as if the producers knew the likely outcome. Hmmm.

(It's probably just a coincidence. On the Season 8 Idol compilation, third-place finisher Danny Gokey was in the upper left spot. Winner Kris Allen and runner-up Adam Lambert were in the second row.)

[slicknickshady]

I don't know why people think Miley is going to sell a lot. Eminem is going to destroy her.

[Rodze]

www.billboard.biz/bbbiz/content_display/industry/e3i4ad94ea6265fac0221b6c46fd0385046

Fewer new releases are reaching one million units in sales, a very small number of them even get to 5,000 units and maintaining early sales momentum is increasingly difficult. Those were the lessons learned from Nielsen’s presentation at last month’s NARM conference in Chicago. Some of the highlights from the presentation:

12 Albums Released in 2009 Sold More than One Million Units
Of the 97,751 albums released in 2009, only 12 of them sold more than one million units last year, according to Nielsen SoundScan. The number of titles to reach one million units in previous years was 35 in 2006, 27 in 2008 and 22 in 2009.

The new releases that do sell over one million units in the year of their release, however, are maintaining their average. Between 2006 and 2009, the average annual tally for titles reaching the one million mark has ranged from a low of 1.42 million in 2008 to a high of 1.61 million in 2009. In years past, there were far more titles in the one million to 1.4 million range. Now such titles would probably not reach the one million mark and as a result would not be included in these calculations. So, the average of the titles in this million-plus ground stays about the same even though there are fewer sales and less revenue from these million-plus sellers.

A side note: Albums routinely sell well after their year of release. In the case of Taylor Swift, her 2006 debut sold over one million units in both 2007 and 2008 after selling less than 300,000 units in the year it was released. Zac Brown Band’s The Foundation, released in 2008, sold over one million units in 2009. And Michael Jackson’s catalog sold millions in 2009 but was not counted in these figures.

Only 771 of 2009’s New Albums Sold Over 5,000 Units
The numbers are enough to make you stop and think. Only 2.1% of the 97,751 albums released in 2009 – or about 2,050 unique titles – reached a threshold most people would assume is within reach of just about any artist.

The Number of New Albums Actually Dropped in 2009
If 97,751 new releases seems high, consider it’s actually a lower number than the 105,000 new releases that came out in 2008. Expect the number of new releases to hold steady or decline in the coming years. In recent years, digital distributors flooded online retail with foreign catalogs being licensed to new territories. In effect, these distributors are catching up to all the music that’s available from around the world. As with most games of catch up, this one won’t go on forever. As fewer and fewer old recordings find their way to U.S. retailers for the first time, the unique number of titles released in a given year will fall. There may be an increase in the number of domestic recordings, but it may not be enough to make up for the fall in new foreign catalogs.

Albums’ Second-Week Fade Are Getting Bigger
The median second-week fade was 62.8% in 2009 and had steadily dropped each year from 33.9% in 2000. Nielsen’s explanations are good ones: marketing budgets are more limited, pre-sales are more common, core fans are more aware of new releases, piracy may be eroding sales of casual fans.

These are the results of the last decade’s shift from physical to digital sales. Internet sales – both physical and digital – mean a greater percentage of total sales will come from pre-orders that SoundScan counts as first-week sales.

Here are a few other thoughts. Because radio plays less of a role in album sales, few albums get the lasting benefits of radio promotion that helps sales after the initial push. And because there are fewer marketing dollars being spent at physical retail, there are fewer titles enrolled in price-and-placement programs that used to position a sale-priced CD for the first two or four weeks of release.

These factors combine to create a retail environment in which it is easier to get core fans’ attention but difficult to market beyond those core fans.

[Choco]

Jun 2, 2010 16:25:22 GMT -5 slicknickshady said:

I don't know why people think Miley is going to sell a lot. Eminem is going to destroy her.

Even if she doesn't beat Eminem, she's most likely doing strong numbers. They both appeal to different audiences, so it's not like people will have to pick between one of them.

[felipe]

Is 63k the all-time low for a #1 album?

[nicole]

I don't think so - didn't we just have one at 60K?

[Love Plastic Love]

Jun 2, 2010 16:25:22 GMT -5 slicknickshady said:

I don't know why people think Miley is going to sell a lot. Eminem is going to destroy her.

I don't get why these statements go together. Miley WILL sell a lot. Eminem will beat her. Both of those statements can be true.

[areyoureadytojump]

www.billboard.biz/bbbiz/content_display/charts/chart_alert/e3i4811cd742d860d93d3a541ef1a0888b0

'Idol' Impacts, 'Glee' Halts Stone Temple Pilots' Flight
June 02, 2010

Editor: Keith Caulfield; Contributors: Gary Trust, Alex Vitoulis; Editorial Director: Silvio Pietroluongo

It was all quiet on the album release front last week as only one of last week's new releases debuts in the top 10 of the Billboard 200: Stone Temple Pilots' new self-titled set starts at No. 2, behind the "Glee: The Music, Volume 3—Showstoppers" album, which holds at No. 1 for a second week . . . The season finale of "American Idol" makes waves on the charts this week, as winner Lee DeWyze, runner-up Crystal Bowersox and a few of the show's guest stars impact our lists.

FLASH POINTS

• Last week's album release schedule was rather paltry—perhaps because everyone was staying out of the way of the "American Idol" finale? Whatever the case, the top 10 on the Billboard 200 houses just one new entry. That's the fewest we've seen since the March 13 chart when Johnny Cash's "American VI: Ain't No Grave" was the only top 10 arrival.

• "Glee: The Music, Volume 3—Showstoppers" holds at No. 1 on the Billboard 200 for a second week, selling 63,000 copies (down 54%), according to Nielsen SoundScan. In the runner-up spot, Stone Temple Pilots return with their first studio album since 2001 as their new self-titled set enters at No. 2 with 62,000. It's the quartet's sixth top 10 album—the band's entire output of studio releases.

• It's the second week in a row where the kids of "Glee" have blocked a rock band from the No. 1 slot. Last week the Rolling Stones' reissue of "Exile on Main St." re-entered the tally at No. 2 with 76,000. (This week, the Stones fall to No. 7 with 28,000, down 64%.)

• It's unlikely that "Glee" will hold for a third frame at the top next week. Jack Johnson's just-released "To the Sea" seems set to debut at No. 1 with around 250,000 copies sold by week's end on June 6, according to industry prognosticators.

• As for the rest of the Billboard 200's top 10 this week, here's your recap. Justin Bieber's "My World 2.0" is up one rung to No. 3 (50,000; down 19%), Lady Antebellum's "Need You Now" rises two positions to No. 4 (46,000; up 1%), and Usher's "Raymond v Raymond" climbs three slots to No. 5 (35,000; down 13%). Lady Gaga's "The Fame" jumps six positions to No. 6 with 31,000 and an 11% increase—a gain no doubt fueled by her music being featured prominently in last week's episode of Fox TV's "Glee."

• The Black Keys' "Brothers" drops five rungs to No. 8 with nearly 26,000 (down 65%). Carole King and James Taylor's "Live at the Troubadour" climbs two spots to No. 9 with almost 26,000 as well (down 16%), and Nas and Damian Marley's "Distant Relatives" descends five slots to No. 10 with 25,000 (down 56%).

• While the top 10 of the Billboard 200 is a bit dry this week, at least we can look to "American Idol" to spice things up a bit. The show's season finale's fingerprints are all over the charts this week. Winner Lee DeWyze, runner-up Crystal Bowersox and a number of the show's guest stars impact the Digital Songs chart and the Billboard 200.

• Many of the contestants' songs have been available to purchase in the iTunes Store for weeks now, but, as in years past, their weekly sales are withheld from SoundScan (and from appearing in the iTunes Store's own popularity lists) to keep from influencing the voting public in the course of the season.

• This past week was the first of the current "Idol" season where the sales were transmitted to SoundScan, and thus, we see DeWyze and Bowersox arrive on the Digital Songs chart. DeWyze's top seller is his cover of U2's "Beautiful Day," which bows at No. 12 with 95,000. Bowersox's biggest is her rendition of Patty Griffin's "Up to the Mountain," debuting at No. 32 with 49,000.

• Neither "Idol" posed a threat for the No. 1 position though. Katy Perry retakes the pole position with "California Girls," rising two spots with 269,000 (up 16%). Last week's No. 1, Usher's "OMG," falls to No. 3 with 227,000 (down 4%). Two songs jump into the top 10 this week: La Roux's "Bulletproof" (rising from No. 11 to No. 7 with 119,000—up 22%) and the "Glee" Cast's cover of Lady Gaga's "Poker Face" (flying from No. 66 to No. 9 with 109,000, up 353%).

• DeWyze also posts entries on the 75-position chart with "Hallelujah" (No. 20; 63,000), "Falling Slowly" (with Bowersox, No. 38; 44,000) and "The Boxer" (No. 61; 26,000). Bowersox debuts with only the two previously mentioned titles.

• Last year, winner Kris Allen sold 134,000 downloads of the original tune "No Boundaries" in its first week, entering at No. 4. Runner-up Adam Lambert's best-seller was his redux of Tears for Fears' "Mad World" with 115,000 (No. 7). Each of the two gents posted five debuts on the Digital Songs chart.

• Two years ago, champion David Cook moved 236,000 of "The Time of My Life" (No. 1) while second-placer David Archuleta's biggest single during finale week was his cover of John Lennon's "Imagine" (71,000; No. 16). Cook wowed the list with 14 individual debuts, while Archuleta managed three.

• DeWyze's "Beautiful Day" and Bowersox's "Up to the Mountain" seem on course for somewhat tepid debuts on the sales/airplay-hybrid Billboard Hot 100 chart, due to be released on Thursday (June 3). A full recap of all the Billboard Hot 100 chart action will follow on Thursday morning.

• DeWyze and Bowersox also released digital albums last week titled "Season 9 Favorite Performances." Each features 12 tracks from throughout the season by each performer. Both titles sold about 2,000 downloads each, with Bowersox's just a hair ahead of DeWyze's. Neither title debuts on the Billboard 200 or the Digital Albums chart.

• Those sales stats are a far cry from the "Favorite Performances" numbers that Allen and Lambert posted last year. Lambert's "Favorite Performances" blew in with 16,000 sold in its first week, bowing at No. 33 on the Billboard 200 and No. 5 on Digital Albums. Allen's "Favorite Performances" moved 10,000 upon its arrival, starting at No. 50 on the Billboard 200 and No. 8 on Digital Albums.

• Shifting gears from the DeWyze and Bowersox lovefest, other "Idol"-related titles make an impact on Digital Songs and on the Billboard 200. Carrie Underwood's "Undo It," which she performed on the finale, climbs from No. 61 to No. 18 on Digital Songs with 69,000 (up 165%). Her album "Carnival Ride" also moves from No. 35 to No. 24 on the Billboard 200 with 16,000 (up 36%) . . . Will Young's "Leave Right Now" benefits from his performance on the first half of the two-night finale, as it debuts at No. 50 on Digital Songs with 32,000 . . . Poison's "The Best of Poison" re-enters the Billboard 200 at No. 111 with 5,000 (up 117%) after the band's Bret Michaels performed the set's "Every Rose Has Its Thorn" on the finale.

• Overall album sales in this past chart week (ending May 30) totaled 5 million units, down 6% compared with the sum last week (5.3 million) and down 13% compared with the comparable sales week of 2009 (5.8 million). Year-to-date album sales stand at 125.4 million, down 11% compared with the same total at this point last year (140.2 million).

• Digital track sales this past week totaled 21.7 million downloads, down 1% compared to last week (21.9 million) and up 1% compared to the comparable week of 2009 (21.5 million). Year-to-date track sales are at 488 million, down less than 1% compared with the same total at this point last year (488.6 million).

• AND NEXT WEEK:

• Next week on the Billboard 200, look for Jack Johnson's "To the Sea" to swim in at No. 1, garnering the singer/songwriter his third chart-topping album.

• Industry prognosticators think "To the Sea" could sell 250,000 copies by week's end on June 6. Johnson's last studio set, "Sleep Through the Static," sold 375,000 when it debuted at No. 1 back in 2008. His first topper came with the soundtrack to "Curious George," which bowed with 163,000 in his premiere frame.

• Other albums on course to make noteworthy debuts next week on the Billboard 200 include Clay Aiken's "Tried and True," Taio Cruz's "Rokstarr" and Hawthorne Heights' "Skeletons."

• Next week's Billboard 200 competes with the same week in 2009 when: Dave Matthews' Band's "Big Whiskey and the GrooGrux King" took the crown at No. 1 in its opening week, selling 424,000 copies. The previous week's No. 1, Eminem's "Relapse," slipped to No. 2 in its third chart week, shifting 141,000 (down 33%). Two more albums arrived in the top 10 that week: 311's "Uplifter" at No. 3 with 60,000 and Chickenfoot's self-titled set at No. 4 with 52,000.

MARKET WATCH

• Album units, current chart week: 5 million units
• DOWN 6% from last week's charts: 5.3 million units
• DOWN 13% from the comparable week in 2009: 5.8 million units
• This week: No album sells more than 100,000 copies.
• This week last year on the Billboard 200: Eminem's "Relapse" refused to budge from No. 1, holding at the top a second week, selling 211,000 (down 65%). The highest debut on the chart belonged to Marilyn Manson's "The High End of Low," which arrived at No. 4 with 49,000. Two more sets started in the top 10 that week: Wisin and Yandel's "La Revolucion" (No. 7 with 36,000) and Grizzly Bear's "Veckatimest" (No. 8 with 33,000).

A LOOK AHEAD

• Among the albums released this week, due on next week's charts: Jack Johnson's "To the Sea," Clay Aiken's "Tried and True," Taio Cruz's "Rokstarr," Hawthorne Heights' "Skeletons," Cherryholmes' "IV Common Threads," the "Listen Up! The Official 2010 FIFA World Cup Album" compilation and Tift Merritt's "See You on the Moon."

• Next week's Billboard 200 competes with the same week in 2009 when: Dave Matthews' Band's "Big Whiskey and the GrooGrux King" took the crown at No. 1 in its opening week, selling 424,000 copies. The previous week's No. 1, Eminem's "Relapse," slipped to No. 2 in its third chart week, shifting 141,000 (down 33%). Two more albums arrived in the top 10 that week: 311's "Uplifter" at No. 3 with 60,000 and Chickenfoot's self-titled set at No. 4 with 52,000.

[areyoureadytojump]

Will the following albums be certified by the RIAA on tomorrow's chart?

Numbers are from the 5/29/10 chart:

Usher 680k
Now 33 478k
Ke$ha 689k
Ludacris 404k
Eminem 1,942,449
Mary J Blige 765k
Adam Lambert 638k
Drake 458k
Kenny Chesney 642k
Brad Paisley 546k
Robin Thicke 396k
Now 32 896k

Albums only on the BB200 for 5+ weeks are listed and have sold over 400k. Will the following albums be certified by the RIAA on tomorrow's chart?

[areyoureadytojump]

SOUNDSCAN (WEEK ENDING 5/30/10)

1) Glee Cast – Glee: The Music, Volume 3 Showstoppers – 62,947 (After 2 weeks – 198,758
2) Stone Temple Pilots – Stone Temple Pilots – 61,559
3) Justin Bieber – My Word 2.0 - 50,319 (After 10 weeks – 1,154,950)

Other Debuts
10) Marc Anthony – Iconos – 24,282
12) Sex And The City 2 Soundtrack – 21,762
19) Hank Williams III – Rebel Within – 17, 185
26) Widespread Panic – Dirty Side Down – 13,457
31) Wynonna – Love Heals – 11,797
36) Leela James – My Soul – 10,762

[areyoureadytojump]

Jun 2, 2010 18:22:11 GMT -5 felipe said:

Is 63k the all-time low for a #1 album?

Nope.

Compiled by 2m...

#1 Albums < 70,000 copies (soundscan era)

60,064 Dreamgirls (1/27/07)
60,343 Justin Bieber - My World 2.0 (5/29/10)
60,519 Alicia Keys - As I Am (2/2/2008 )
61,259 Alicia Keys - As I Am (2/16/2008)
62,272 Taylor Swift - Fearless (3/7/2009)
62,575 Taylor Swift - Fearless (2/7/09)
62,947 Glee Cast - Vol. 3 (6/12/10)
63,301 Tayor Swift - Fearless (1/31/09)
64,831 Juno (2/9/2008)
65,398 Daughtry - Daughtry (2/3/07)
66,355 Dreamgirls (1/20/07)

[slicknickshady]

Jun 2, 2010 16:49:07 GMT -5 Choco said:

Jun 2, 2010 16:25:22 GMT -5 slicknickshady said:

I don't know why people think Miley is going to sell a lot. Eminem is going to destroy her.

Even if she doesn't beat Eminem, she's most likely doing strong numbers. They both appeal to different audiences, so it's not like people will have to pick between one of them.

I guess it all depends on what a lot is.

IMO 250,000 - 300,000 opening week for Miley isnt A lot.

500,000 and above in one week is what i consider a lot. Maybe my expectations are just way too high because my favorite Artists happen to be TOOL and Eminem and these act's do over 500,000 K the week there albums are released.

Compared to 63,000 the numbers 250,000-300,000 may seem like a lot but they are not to me.

[Love Plastic Love]

Typically, you shouldn't look at the exception to make a rule. For example, if I used Gaga as the baseline for all success in album sales I could pretty much dismiss every album released in the past two years as disappointments or not really selling a lot (including Em, for that matter). Using one or two artists to establish a rule is pretty limited though because it doesn't hit the music world as a whole. Not many people are selling 250-350K in their debut weeks anymore. Those are good numbers in today's musical climate-record breaking or jaw dropping? Nah, but just because something isn't the exception of success doesn't mean it isn't successful at all.

[JamaicaFunk²]

Jun 2, 2010 11:15:24 GMT -5 Rodze said:

Idol sales: content.usatoday.com/communities/idolchatter/post/2010/06/carrie-underwood-sees-album-sales-gains-after-idol-performance/1

By the end of Summer, Carrie's "Some Hearts" album should hit 7 million in sales. When was the last time an album did that?? 2004?

[areyoureadytojump]

No new RIAA certifications this week.

[PDC1987]

Jun 3, 2010 8:36:14 GMT -5 JamaicaFunk² said:

Jun 2, 2010 11:15:24 GMT -5 Rodze said:

Idol sales: content.usatoday.com/communities/idolchatter/post/2010/06/carrie-underwood-sees-album-sales-gains-after-idol-performance/1

By the end of Summer, Carrie's "Some Hearts" album should hit 7 million in sales. When was the last time an album did that?? 2004?

Nickelback?

[HolidayGuy]

Anyone mind posting BB 200 and Top Current Albums, in easy copy-and-paste format? Thanks.

Surprised Janet Jackson's Number Ones didn't re-enter the overall BB 200 (it did Current Albums, at 180).

[Rodze]

^ www.ukmix.org/forums/viewtopic.php?t=71926




gothamjungle.com/GothamBlog/?p=9087
1 GLEE CAST GLEE: THE MUSIC, VOLUME 3 SHOWSTOPPERS (DELUXE) 62947 198758
2 STONE TEMPLE PILOTS STONE TEMPLE PILOTS 61559 62144
3 JUSTIN BIEBER MY WORLD 2.O 50319 1154950
4 LADY ANTEBELLUM NEED YOU NOW 46361 2172429
5 USHER RAYMOND V RAYMOND 35430 756654
6 LADY GAGA FAME 31152 3397958
7 BLACK KEYS BROTHERS 25537 99217
8 CAROLE KING & JAMES TAYLOR LIVE AT THE TROUBADOUR 25509 177863
9 DAMIAN MARLEY & NAS DISTANT RELATIVES 25166 82700
10 MARC ANTHONY ICONOS 24282 24514
11 GODSMACK ORACLE 22295 209667
12 SEX AND THE CITY 2 SOUNDTRACK 21762 21815
13 AC/DC IRON MAN 2 21200 284830
14 VARIOUS NOW 33 20072 520634
15 B.O.B. B.O.B. PRESENTS: THE ADVENTURES OF BOBBY RAY 19678 190166
16 KE$HA ANIMAL 19562 729235
17 BROOKS & DUNN #1S ... AND THEN SOME 18918 346484
18 ZAC BROWN BAND FOUNDATION 17695 1951915
19 HANK WILLIAMS III REBEL WITHIN 17185 17405
20 JUSTIN BIEBER MY WORLD 16891 1369732


v No problem.

[HolidayGuy]

Oh, thanks, Rodze- should have known to check there. :) And thanks for the top 20 #s.

[kissin'u]

so glad Ke$ha is keeping decent sales in these hard times. Platinum should be no problem. 1.5-2 million if they go 5-6 singles deep.

[WouldYouJumpTheGDTrainAlready?]

^with a re-release.

[vandj4ever]

Jun 3, 2010 1:58:57 GMT -5 slicknickshady said:

IMO 250,000 - 300,000 opening week for Miley isnt A lot.

500,000 and above in one week is what i consider a lot. Maybe my expectations are just way too high because my favorite Artists happen to be TOOL and Eminem and these act's do over 500,000 K the week there albums are released.

Compared to 63,000 the numbers 250,000-300,000 may seem like a lot but they are not to me.

It's because your expectations are to high imo.

Most releases don't sale 500k opening week. I'm not a fan but If Miley can debut in the other range stated above I'd say it's definitely good. But also it depends on who you are talking about. If an act consisently opens 500k each album then for them...if they opened with half of that sure I could see questions being raised. But that applies to anyone. If your average opening is 100k and then fell to 30k people would find it disappointing.

Works the other way too. Say if you consistently open at 50k but then one album shot up to 200k? That might not be a big deal to Eminem but it'd be huge for the act in question and they'd get a lot of positive mileage from it.

[slicknickshady]

I'm not saying 250-300 K isnt good. It's really good. Then again in a few years my opinion could change and i may think that it is a lot. I guess my point is of course 250-300 K seems like a lot compared to 63 K.

I actually think im predicting too high for Miley. I mean Can't Be Tamed is flopping big time. I don't know why i believe it will do between 250-300K.

But i think we can all agree it will be nice to have a chart with a few albums selling over 200 K. lol. 63 K is just embarrassing.