rsmatto
6x Platinum Member
Joined: December 2008
Posts: 6,529
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Post by rsmatto on Feb 18, 2011 11:17:25 GMT -5
I wonder why "What It Ain't", "Another Try", and "I Wouldn't Be A Man" are not on there when they went to radio. Same here. Especially since they were left off in place of non-singles like "Backwoods Boy" and "As Fast I Could." Because it's not a real 'greatest hits' project but instead a budget sale item to get into stores like Target and Walmart in a featured location.
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Post by kt1990 on Feb 20, 2011 7:25:49 GMT -5
Has this already been posted? I apologize if it already has! Alison Krauss and Union Station Announce New AlbumPaper Airplane To Be Released April 12th, 2011 On April 12th, 2011 Rounder Records will release the eagerly anticipated Alison Krauss and Union Station album, Paper Airplane. A truly breathtaking collection of 11 exquisite songs, Paper Airplane is Krauss’ 14th album and the band’s follow-up to 2004’s triple Grammy® winning Lonely Runs Both Ways (Rounder). It is Krauss’ first release since her 2007 internationally acclaimed, multi-platinum collaboration with Robert Plant, Raising Sand, which won six Grammys including “Record Of The Year” and “Album Of The Year.”
Alison Krauss and Union Station features the talents of Krauss (fiddle and lead vocals), Dan Tyminski (guitar, mandolin and lead vocals), Barry Bales (bass and harmony vocals), Ron Block (banjo, guitar and harmony vocals), and Jerry Douglas (Dobro and harmony vocals). Paper Airplane was produced by the band and recorded in Nashville with engineer Mike Shipley (Maroon 5, The Cars, Def Leppard, Joni Mitchell). As bluegrass virtuosos the members of Union Station are beyond compare, and the music they create together transcends all genres. Their work on films such as Cold Mountain and O Brother, Where Art Thou? has contributed immeasurably to a renaissance of American roots music.
Part of Alison Krauss’ incontestable talent is how effortlessly she bridges the gap between roots music and country, rock and pop. A highly sought-after collaborator, Krauss has worked with some of the biggest names in popular music, including James Taylor, Phish, Dolly Parton, Yo Yo Ma & Bonnie Raitt. Since signing with Rounder Records at the age of 14 in 1985 Krauss has sold in excess of 12 million albums and garnered 26 Grammy® Awards, the most for any female and the third most of any recording artist in Grammy® history. Paper Airplane track list in full: 1. Paper Airplane 2. Dustbowl Children 3. Lie Awake 4. Lay My Burden Down 5. My Love Follows You Where You Go 6. Dimming Of The Day 7. On The Outside Looking In 8. Miles To Go 9. Sinking Stone 10. Bonita and Bill Butler 11. Opening Farewell Please visit www.alisonkrauss.com for latest news and updates
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Post by SweetHeartHolly on Feb 20, 2011 16:40:00 GMT -5
^^^ To me April 12th can't get here fast enough! :)
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phil1996
4x Platinum Member
Joined: October 2009
Posts: 4,833
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Post by phil1996 on Feb 20, 2011 16:53:38 GMT -5
Anything about a new James Wesley or Montgomery Gentry CD soon?
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.indulgecountry
Diamond Member
Best Country Poster 2011, 2017, & 2018
"You left a mark on my face // And brought a dozen red flags in a vase"
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Post by .indulgecountry on Feb 20, 2011 18:10:30 GMT -5
Anything about a new James Wesley or Montgomery Gentry CD soon? Jame's Wesley's Real is expected for released on March 15, 2011.
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rbundy1987
2x Platinum Member
Joined: February 2011
Posts: 2,620
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Post by rbundy1987 on Feb 22, 2011 21:35:41 GMT -5
The Judds "I Will Stand By You: The Essential Collection "Curb Records" Release Date: April 5th, 2011
01. Mama He's Crazy 02. Why Not Me 03. A Girl's Night Out 04. Love is Alive 05. Have Mercy 06. Grandpa (Tell Me 'Bout the Good Old Days) 07. Rockin' With the Rhythm of the Rain 08. I Know Where I'm Going 09. Turn It Loose 10. Young Love (Strong Love) 11. Love Can Build a Bridge 12. Flies On the Butter (You Can't Go Home Again) 13. I Will Stand By You 14. Back Home
Source: CMT dot com
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rbundy1987
2x Platinum Member
Joined: February 2011
Posts: 2,620
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Post by rbundy1987 on Feb 22, 2011 21:41:16 GMT -5
Here is the cover art for the front of the new Judds album due out April 5th!!
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rbundy1987
2x Platinum Member
Joined: February 2011
Posts: 2,620
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Post by rbundy1987 on Feb 22, 2011 21:55:18 GMT -5
Ricky Skaggs "The Essential Ricky Skaggs" "Sony Legacy"
Release Date: March 15th
Tracklist Disc: 1 1. Don't Get Above Your Raisin' 2. You May See Me Walkin' 3. Crying My Heart Out Over You 4. I Don't Care 5. Heartbroke 6. I Wouldn't Change You If I Could 7. Highway 40 Blues 8. You've Got A Lover 9. Don't Cheat In Our Hometown 10. Honey (Open That Door) 11. Uncle Pen 12. Something in My Heart 13. Country Boy 14. You Make Me Feel Like A Man 15. Cajun Moon 16. I've Got A New Heartache (Live)
Disc 2 1. Love's Gonna Get You Someday 2. I Wonder If I Care As Much 3. Love Can't Ever Get Better Than This 4. I'm Tired 5. (Angel On My Mind) That's Why I'm Walkin' 6. Thanks Again 7. Old Kind Of Love Goin' Round 8. Lovin' Only Me 9. Let It Be You 10. Heartbreak Hurricane 11. Hummingbird 12. He Was On To Somethin' (So He Made You) 13. Restless 14. Life's Too Long (To Live Like This) 15. Same Ol' Love 16. From The Word Love
Source: Amazon
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wilddustin
New Member
I Want To Know What Love Is...
Joined: July 2008
Posts: 267
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Post by wilddustin on Feb 23, 2011 0:05:16 GMT -5
The Judds "I Will Stand By You: The Essential Collection "Curb Records" Release Date: April 5th, 2011 Fail. This should have been a new album. Whether they would have had success at radio with a new single isn't even relevant. A CD with new material would have definitely sold better than this is going to. The Judds go on a reunion/farewell tour and instead of new material Curb recycles the same old music one more time and throws in a couple new songs? The only reason this halfway makes sense is because of the record label involved.
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someguy
Diamond Member
Joined: October 2003
Posts: 16,055
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Post by someguy on Feb 23, 2011 0:14:34 GMT -5
The Judds "I Will Stand By You: The Essential Collection "Curb Records" Release Date: April 5th, 2011 Fail. This should have been a new album. Whether they would have had success at radio with a new single isn't even relevant. A CD with new material would have definitely sold better than this is going to. The Judds go on a reunion/farewell tour and instead of new material Curb recycles the same old music one more time and throws in a couple new songs? The only reason this halfway makes sense is because of the record label involved. Yeah I completely agree. This is at least the thirteenth hits package that has been released for The Judds. In comparison, they have released only six studio albums (plus a Christmas record and the 4 song Big Bang Boogie EP that was attached to Wynonna's New Day Dawning album). I remember hearing that there would be some new Judds music on Wynonna's new album due later this year, so my hope is that this new hits package is in addition to that rather than as a replacement.
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.indulgecountry
Diamond Member
Best Country Poster 2011, 2017, & 2018
"You left a mark on my face // And brought a dozen red flags in a vase"
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Post by .indulgecountry on Feb 23, 2011 7:20:22 GMT -5
I can't believe the song "I Will Stand By You" wasn't scrapped.... that song was just embarassingly bad. If that song was any indication, they probably decided against releasing a new album 'cause they lost their touch.
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onebuffalo
Diamond Member
#LiteralLegender
I am One Buffalo.
Joined: June 2009
Posts: 26,677
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Post by onebuffalo on Feb 23, 2011 12:55:29 GMT -5
Ricky Skaggs "The Essential Ricky Skaggs" "Sony Legacy" Release Date: March 15th Tracklist Disc: 1 1. Don't Get Above Your Raisin' 2. You May See Me Walkin' 3. Crying My Heart Out Over You 4. I Don't Care 5. Heartbroke 6. I Wouldn't Change You If I Could 7. Highway 40 Blues 8. You've Got A Lover 9. Don't Cheat In Our Hometown 10. Honey (Open That Door) 11. Uncle Pen 12. Something in My Heart 13. Country Boy 14. You Make Me Feel Like A Man 15. Cajun Moon 16. I've Got A New Heartache (Live) Disc 2 1. Love's Gonna Get You Someday 2. I Wonder If I Care As Much 3. Love Can't Ever Get Better Than This 4. I'm Tired 5. (Angel On My Mind) That's Why I'm Walkin' 6. Thanks Again 7. Old Kind Of Love Goin' Round 8. Lovin' Only Me 9. Let It Be You 10. Heartbreak Hurricane 11. Hummingbird 12. He Was On To Somethin' (So He Made You) 13. Restless 14. Life's Too Long (To Live Like This) 15. Same Ol' Love 16. From The Word Love Source: Amazon If you have his Country Gentlemen 2 CD set, this is the same thing, just in rereleased form (like Alabama's 41 #1s package rechristened several years later as the Essential Alabama).
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Post by draggintheriver on Feb 24, 2011 22:47:31 GMT -5
You can pre-order Josh Kelley's album on his site ( www.joshkelley.com/store/). You can get an autographed CD for $10.99. There's only 411 total. And with your shipping cost it raises the price up to around 18 dollars. Not sure if you have to pay taxes or not. But if so I guess that will take the price over 20 dollars at that point. It's kind of a cool thing if you're a collector I guess, or a die hard Kelley fan. Pre order the hardcopy, or digital for a dollar less and instantly get two MP3 downloads of "Naleigh Moon" and "Gone Like That".
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.indulgecountry
Diamond Member
Best Country Poster 2011, 2017, & 2018
"You left a mark on my face // And brought a dozen red flags in a vase"
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Post by .indulgecountry on Feb 24, 2011 22:59:52 GMT -5
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mairy
2x Platinum Member
Joined: April 2009
Posts: 2,905
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Post by mairy on Feb 25, 2011 13:10:43 GMT -5
RELEASE DATE: APRIL 19Looking back at the history of music, you can pinpoint those times when change takes place…something new replaces the old. Music that once sounded "like this" suddenly sounds "like that." In the 1930's, country music was considered to be the sound of hillbilly string bands. When the music was electrified, a honky-tonk shuffle played with a drummer became the new sound. It was still country. In the mid-to late 1980s, there was another sea change—a short period of undeniable diversity coming out of Nashville that broke through on country radio. Steve Earle famously referred to it as "the great credibility scare," a time of creative freedom that's rarely been seen since. In the thick of that wide-open feeling, the duo of Foster & Lloyd came together and—along with Earle, Dwight Yoakam, Lyle Lovett, Rodney Crowell and others—was a part of the movement that changed the sound of country music and pioneered the Americana movement. In 1985, Radney Foster and Bill Lloyd were two young singer-songwriters signed to the same song publisher. They came from different backgrounds but had enough in common to create an almost immediate response to the songs they cowrote and recorded. Their first success came as songwriters (early songs were recorded by Sweethearts of the Rodeo and Ricky Van Shelton), but it was the distinctive sound of their publishing demos that gained them their record deal with RCA Records. The duo mixed straight up Buckaroo country with jangly-Byrds sounds, looking and sounding a little louder than most of the other country acts of the era. Their first single, the rockabillyish-honky-tonkin', "Crazy Over You," shot to the top of the charts, making them the first duo in Country music history to score a No. 1 on their debut single. Foster & Lloyd also became one of the first acts to be played simultaneously on Country and College radio, sharing common musical ground and press accolades with Rank and File, Lone Justice and the Blasters. The combination of their harmony vocals (recalling everyone from The Everly Brothers to Rockpile) with their self-produced guitar-centric sound and solid, clever song craft won over critics and fans alike. In the end, they recorded three groundbreaking albums for RCA (containing hits "Sure Thing," "What Do You Want From Me This Time," "Texas in 1880" and "Fair Shake," as well as "Crazy Over You"), toured internationally, garnered a Grammy nomination and were a constant presence at the CMA awards. The duo split in 1990, with both members going on to successful solo careers. Though they remained friends and wrote together sporadically over the years, it took a request from the Americana Music Association to reunite for a fundraiser to get the duo together again onstage. News that Foster & Lloyd were performing for the first time in 20 years spread like wildfire, and the show sold out in 15 minutes. The band that night included Cheap Trick bassist Tom Petersson and drummer Keith Brogdon, with a guest appearance by bluegrass virtuoso and longtime friend, Sam Bush, on mandolin. "It was so much fun getting back together onstage, and we realized that the new songs we had written together still had that magic," says Foster. "We decided to start getting together once a month to write. Soon the songs were pouring out, and we knew we needed to get back in the studio." Again, like it was in the beginning, they went in to the recording process to please themselves first–let the chips fall where they may. The result is the new album: It's Already Tomorrow. Fans of their older records will no doubt hear the familiar blend that only happens when Radney and Bill work together. One might think that after a twenty-year break, the vocal harmonies might creak a little but the duo sounds surprisingly strong from the opening notes. Foster's voice is strong, deep and resonant throughout the album and you can hear the years of experience in his tone and timbre. Lloyd is still hitting all the high harmonies with style. Their blend is cohesive and is arguably tighter than it used to be. As before, it's the guitars that hold center spotlight when it comes to the instrumental aspect of the Foster & Lloyd sound. Lloyd delivers his usual guitar hooks sounding reckless enough to be exciting but melodic enough to be memorable. There are plenty of crunchy guitars to go with the twangy and succinct solos' that you can hum later. Foster also adds both electric and rhythm acoustic parts to the mix. The listener will also hear a deeper kind of songwriting that comes with age and time. Radney and Bill both recognize the creative spark between them and talk about it without reserve. "When Radney and I get together, it's hard to tell where one thing ends and one thing begins," says Lloyd. "You may think the more country sounding stuff would be him, but sometimes it's me. You'd think a certain guitar lick would be mine, but sometimes it's his. There's also a 'third thing' that happens when we work together that's different from each of our solo writing and recordings." "Years back, we would be able to get inside each other's heads pretty easily when we wrote—I think it kind of amazed both of us this time around how quickly we were able to get that back again." From the ringing opening notes of "It's Already Tomorrow," the rockin' twin telecasters of "That's What She Said," to the plaintive harmonies of the final acoustic track "When I Finally Let You Go," the collection is vintage Foster & Lloyd. The duo co-wrote all twelve songs and co-produced the set, which was recorded and mixed by Justin Tocket (known for his work with Marc Broussard, the Randy Rogers band and others) with the same core band of Foster, Lloyd, Petersson and Brodgon. Petersson even joined the duo in co-writing one of the songs. "Bill was out in Las Vegas, playing with Cheap Trick on their Sgt. Pepper's orchestra production," explains Foster. "I went out to write with Bill and see the show. We got together with Tom afterwards, and came up with "Lucky Number." The duo also dug up an old song, "Picasso's Mandolin," which they had written years before with Guy Clark, who recorded it on his Boats To Build album. "We felt like we wanted to put our spin on the song," says Foster. "Bill found his original notes from that day, and we ended up writing another verse." They called again on Sam Bush, who completed the track with an inspired mandolin solo. Other guests include legendary pedal steel guitarist Lloyd Green, who is featured on "You Can't Make Love Make Sense" and the Beatle-esque ballad "If It Hadn't Been For You." Noted producer and former Emmylou Harris steel guitarist Steve Fishell also played blistering lap steel on "Don't Throw It Away," and singer/songwriter Beth Nielsen Chapman came by to lend her beautiful voice to "Lucky Number." After the core combo tracked the album, Radney and Bill recorded one last song, the acoustic-based "When I Finally Let You Go," in Radney's home studio. Bruce Springsteen's E. St. Band bassist, Garry Tallent, was in town visiting and added a nylon string bass part to the recording. Through all the inventive lyrical twists and turns and crackerjack guitar licks, what comes through loudest is a sense of fun, adventure…and freedom. "Back then, we were concerned with trying to keep ourselves within a radio format," says Lloyd. "We would try and be different enough to stand out but we didn't want to color too far outsides the lines (although some would say we colored right off the page from the git-go). We didn't have any constraints this time. The sound of this new album is unfettered by formats…either real or imagined." Country. Rock n' Roll. Power-pop. Folk. Americana. Whatever you want to call it, Radney and Bill combined make Foster & Lloyd music. It's Already Tomorrow. Hear it today!
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Ragin
6x Platinum Member
Everybody Wants a Piece of the Action!!!
Joined: September 2003
Posts: 6,487
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Post by Ragin on Feb 25, 2011 14:01:28 GMT -5
Ricky Skaggs "The Essential Ricky Skaggs" "Sony Legacy" Release Date: March 15th Tracklist Disc: 1 1. Don't Get Above Your Raisin' 2. You May See Me Walkin' 3. Crying My Heart Out Over You 4. I Don't Care 5. Heartbroke 6. I Wouldn't Change You If I Could 7. Highway 40 Blues 8. You've Got A Lover 9. Don't Cheat In Our Hometown 10. Honey (Open That Door) 11. Uncle Pen 12. Something in My Heart 13. Country Boy 14. You Make Me Feel Like A Man 15. Cajun Moon 16. I've Got A New Heartache (Live) Disc 2 1. Love's Gonna Get You Someday 2. I Wonder If I Care As Much 3. Love Can't Ever Get Better Than This 4. I'm Tired 5. (Angel On My Mind) That's Why I'm Walkin' 6. Thanks Again 7. Old Kind Of Love Goin' Round 8. Lovin' Only Me 9. Let It Be You 10. Heartbreak Hurricane 11. Hummingbird 12. He Was On To Somethin' (So He Made You) 13. Restless 14. Life's Too Long (To Live Like This) 15. Same Ol' Love 16. From The Word Love Source: Amazon I never could get into Ricky Skaggs. It's funny, because in many ways he is the quintessential type of artist in country that would appeal to me, but I just don't like his music.
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Kanenrá:ke
Moderator
ethereal eternal nonexistent
she left her briquettes out in typical heaux fashion.
Joined: January 2009
Posts: 12,278
Staff
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Post by Kanenrá:ke on Feb 25, 2011 23:42:37 GMT -5
RELEASE DATE: APRIL 19Looking back at the history of music, you can pinpoint those times when change takes place…something new replaces the old. Music that once sounded "like this" suddenly sounds "like that." In the 1930's, country music was considered to be the sound of hillbilly string bands. When the music was electrified, a honky-tonk shuffle played with a drummer became the new sound. It was still country. In the mid-to late 1980s, there was another sea change—a short period of undeniable diversity coming out of Nashville that broke through on country radio. Steve Earle famously referred to it as "the great credibility scare," a time of creative freedom that's rarely been seen since. In the thick of that wide-open feeling, the duo of Foster & Lloyd came together and—along with Earle, Dwight Yoakam, Lyle Lovett, Rodney Crowell and others—was a part of the movement that changed the sound of country music and pioneered the Americana movement. In 1985, Radney Foster and Bill Lloyd were two young singer-songwriters signed to the same song publisher. They came from different backgrounds but had enough in common to create an almost immediate response to the songs they cowrote and recorded. Their first success came as songwriters (early songs were recorded by Sweethearts of the Rodeo and Ricky Van Shelton), but it was the distinctive sound of their publishing demos that gained them their record deal with RCA Records. The duo mixed straight up Buckaroo country with jangly-Byrds sounds, looking and sounding a little louder than most of the other country acts of the era. Their first single, the rockabillyish-honky-tonkin', "Crazy Over You," shot to the top of the charts, making them the first duo in Country music history to score a No. 1 on their debut single. Foster & Lloyd also became one of the first acts to be played simultaneously on Country and College radio, sharing common musical ground and press accolades with Rank and File, Lone Justice and the Blasters. The combination of their harmony vocals (recalling everyone from The Everly Brothers to Rockpile) with their self-produced guitar-centric sound and solid, clever song craft won over critics and fans alike. In the end, they recorded three groundbreaking albums for RCA (containing hits "Sure Thing," "What Do You Want From Me This Time," "Texas in 1880" and "Fair Shake," as well as "Crazy Over You"), toured internationally, garnered a Grammy nomination and were a constant presence at the CMA awards. The duo split in 1990, with both members going on to successful solo careers. Though they remained friends and wrote together sporadically over the years, it took a request from the Americana Music Association to reunite for a fundraiser to get the duo together again onstage. News that Foster & Lloyd were performing for the first time in 20 years spread like wildfire, and the show sold out in 15 minutes. The band that night included Cheap Trick bassist Tom Petersson and drummer Keith Brogdon, with a guest appearance by bluegrass virtuoso and longtime friend, Sam Bush, on mandolin. "It was so much fun getting back together onstage, and we realized that the new songs we had written together still had that magic," says Foster. "We decided to start getting together once a month to write. Soon the songs were pouring out, and we knew we needed to get back in the studio." Again, like it was in the beginning, they went in to the recording process to please themselves first–let the chips fall where they may. The result is the new album: It's Already Tomorrow. Fans of their older records will no doubt hear the familiar blend that only happens when Radney and Bill work together. One might think that after a twenty-year break, the vocal harmonies might creak a little but the duo sounds surprisingly strong from the opening notes. Foster's voice is strong, deep and resonant throughout the album and you can hear the years of experience in his tone and timbre. Lloyd is still hitting all the high harmonies with style. Their blend is cohesive and is arguably tighter than it used to be. As before, it's the guitars that hold center spotlight when it comes to the instrumental aspect of the Foster & Lloyd sound. Lloyd delivers his usual guitar hooks sounding reckless enough to be exciting but melodic enough to be memorable. There are plenty of crunchy guitars to go with the twangy and succinct solos' that you can hum later. Foster also adds both electric and rhythm acoustic parts to the mix. The listener will also hear a deeper kind of songwriting that comes with age and time. Radney and Bill both recognize the creative spark between them and talk about it without reserve. "When Radney and I get together, it's hard to tell where one thing ends and one thing begins," says Lloyd. "You may think the more country sounding stuff would be him, but sometimes it's me. You'd think a certain guitar lick would be mine, but sometimes it's his. There's also a 'third thing' that happens when we work together that's different from each of our solo writing and recordings." "Years back, we would be able to get inside each other's heads pretty easily when we wrote—I think it kind of amazed both of us this time around how quickly we were able to get that back again." From the ringing opening notes of "It's Already Tomorrow," the rockin' twin telecasters of "That's What She Said," to the plaintive harmonies of the final acoustic track "When I Finally Let You Go," the collection is vintage Foster & Lloyd. The duo co-wrote all twelve songs and co-produced the set, which was recorded and mixed by Justin Tocket (known for his work with Marc Broussard, the Randy Rogers band and others) with the same core band of Foster, Lloyd, Petersson and Brodgon. Petersson even joined the duo in co-writing one of the songs. "Bill was out in Las Vegas, playing with Cheap Trick on their Sgt. Pepper's orchestra production," explains Foster. "I went out to write with Bill and see the show. We got together with Tom afterwards, and came up with "Lucky Number." The duo also dug up an old song, "Picasso's Mandolin," which they had written years before with Guy Clark, who recorded it on his Boats To Build album. "We felt like we wanted to put our spin on the song," says Foster. "Bill found his original notes from that day, and we ended up writing another verse." They called again on Sam Bush, who completed the track with an inspired mandolin solo. Other guests include legendary pedal steel guitarist Lloyd Green, who is featured on "You Can't Make Love Make Sense" and the Beatle-esque ballad "If It Hadn't Been For You." Noted producer and former Emmylou Harris steel guitarist Steve Fishell also played blistering lap steel on "Don't Throw It Away," and singer/songwriter Beth Nielsen Chapman came by to lend her beautiful voice to "Lucky Number." After the core combo tracked the album, Radney and Bill recorded one last song, the acoustic-based "When I Finally Let You Go," in Radney's home studio. Bruce Springsteen's E. St. Band bassist, Garry Tallent, was in town visiting and added a nylon string bass part to the recording. Through all the inventive lyrical twists and turns and crackerjack guitar licks, what comes through loudest is a sense of fun, adventure…and freedom. "Back then, we were concerned with trying to keep ourselves within a radio format," says Lloyd. "We would try and be different enough to stand out but we didn't want to color too far outsides the lines (although some would say we colored right off the page from the git-go). We didn't have any constraints this time. The sound of this new album is unfettered by formats…either real or imagined." Country. Rock n' Roll. Power-pop. Folk. Americana. Whatever you want to call it, Radney and Bill combined make Foster & Lloyd music. It's Already Tomorrow. Hear it today! First Matraca Berg returns, now Foster & Lloyd?!! Okay now bring back Bobbie Cryner and I can die happy.
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mairy
2x Platinum Member
Joined: April 2009
Posts: 2,905
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Post by mairy on Mar 2, 2011 5:04:36 GMT -5
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Deleted
Joined: January 1970
Posts: 0
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Post by Deleted on Mar 2, 2011 22:23:38 GMT -5
According to James Wesley's Twitter, his album "Real" will NOT be released on March 15th. No set date has been announced, but James says they are still working on it.
*That's kind of a bummer, since "Real" is now starting to struggle a bit, and it's best to have the album out there with a successful single.. At least it does sound like the album will be released, but we'll have to wait longer. I hope its not anytime after April, but if they want to wait until another single is up and running ("Real" isn't going to last much longer), than maybe it would be released in the fall? I'm not too keen on the idea of waiting that long :(
Hopefully we'll know more in the coming weeks.
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kim8
Platinum Member
Joined: September 2007
Posts: 1,652
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Post by kim8 on Mar 2, 2011 23:08:39 GMT -5
These clips sound fantastic. Thanks for the link. Can't wait to get this on Tuesday!
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.indulgecountry
Diamond Member
Best Country Poster 2011, 2017, & 2018
"You left a mark on my face // And brought a dozen red flags in a vase"
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Post by .indulgecountry on Mar 2, 2011 23:13:24 GMT -5
These clips sound fantastic. Thanks for the link. Can't wait to get this on Tuesday! +1000 Can't wait. Its been so so long and its finally almost here at last.
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Deleted
Joined: January 1970
Posts: 0
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Post by Deleted on Mar 2, 2011 23:56:37 GMT -5
The clips for Sara's album did indeed sound pretty excellent. The only one I really didn't like was the first track "Desperately". "A Little Bit Stronger" is pretty good, but I don't think it's the best. "Anywhere" and "Ticket To Ride" sound like huge smashes, and "What That Drink Cost Me" sounds like a classic in the making. "Life Without Losing" was good too, "Alone" seemed pretty good but maybe not so 'epic', though I'll hold final judgment until I hear the whole song! I'm not totally sold on "Wildfire", but it sounded decent at least, and could be a grower...again, I'll need to hear the whole song. I wasn't thrilled with how she phrased the lyrics in the bluegrass version of "Born To Fly", but that's just because they seemed a little bit too 'off' from the original. That song is still solid, though.
I don't have any money at all, literally. I'm not asking for sympathy or anything, lol, but college has made me broke!! As soon as I do get enough cash, I'll definitely be purchasing Sara's album! :)
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Post by fe_lipeoliveira on Mar 3, 2011 14:13:01 GMT -5
Wow, I just got to hear the Sara's samples and recognized "My Heart Can't Tell You No" as a brazilian song I loved when was a child. Just googled it and found it: It's a Rod Stewart song, that gained a portuguese version back in the '90s!
Loved the preview. Sara is always smart with the songs selection, they make a solid album.
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Deleted
Joined: January 1970
Posts: 0
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Post by Deleted on Mar 3, 2011 14:50:12 GMT -5
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onebuffalo
Diamond Member
#LiteralLegender
I am One Buffalo.
Joined: June 2009
Posts: 26,677
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Post by onebuffalo on Mar 3, 2011 14:52:58 GMT -5
^I vote that CD cover of the year!
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Deleted
Joined: January 1970
Posts: 0
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Post by Deleted on Mar 3, 2011 15:06:12 GMT -5
I think it's a great cover, lol! Special Guests of Paul McCartney and the Dixie Chicks, too...should make for an interesting album!
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Deleted
Joined: January 1970
Posts: 0
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Post by Deleted on Mar 3, 2011 21:23:28 GMT -5
** Thanks to CCT's Kevin59 for the find** If you click on her website below, there will be a spot right on the homepage where it says "Paper Airplane, Free Download. GET IT NOW!" and you just have to click on it! Then you register with your email, and it will send a link to your email. Source: alisonkrauss.com/------------------------------------------------------------- Here is a link to just listen to the song alisonkrauss.com/mp3
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Post by SweetHeartHolly on Mar 3, 2011 23:56:57 GMT -5
^^^ Thank you so much for sharing such wonderful news about AKUS. I just now got my copy of the song and I love it!!! :)
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Typo
6x Platinum Member
Dispensable
Joined: September 2009
Posts: 6,913
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Post by Typo on Mar 4, 2011 0:32:49 GMT -5
...I guess Julianne Hough's album got scrapped?
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Post by draggintheriver on Mar 4, 2011 12:19:07 GMT -5
...I guess Julianne Hough's album got scrapped? I guess so :/. I just read she's set to do another movie soon. Is there any new information on Randy Travis' upcoming duets album?
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