matty005
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Post by matty005 on Sept 1, 2015 19:56:02 GMT -5
Didn't see the post above me. What they said.
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Clauss
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Post by Clauss on Sept 1, 2015 20:01:56 GMT -5
this is ridiculous, there are so many more deserving songs that should be added as much as this.. smh Can you stop trolling this thread please? I recommend you to visit Rules, especially this one: LINK
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lyhom
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Post by lyhom on Sept 1, 2015 20:06:30 GMT -5
this is ridiculous, there are so many more deserving songs that should be added as much as this.. smh define "deserving" like I'm not a fan of taylor and I've never even heard the song (nor do I have any interest) but it's really no surprise, she's the biggest thing in pop right now and she's had all of her singles off of her album hit #1 on radio so...
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desertfloods
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Post by desertfloods on Sept 1, 2015 20:45:10 GMT -5
Well-deserved imo. To have a fifth single breaking record is even more amazing.
This, along with Blank Space, are definitely my favorite singles this era.
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tsr
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Post by tsr on Sept 1, 2015 21:03:29 GMT -5
"Wildest Dreams" takes in 178 adds this week, which breaks Janet Jackson's CHR record (PPW era) of 176 for "All For You" on R&R in 2001. oh shit.
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NeRD
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Post by NeRD on Sept 1, 2015 21:38:08 GMT -5
The real question is, could we safely say that she has overtaken the KPUs of the Teenage Dream (era), Dark Horse, and Roar? :o
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Au$tin
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Post by Au$tin on Sept 1, 2015 22:26:16 GMT -5
The real question is, could we safely say that she has overtaken the KPUs of the Teenage Dream (era), Dark Horse, and Roar? :o For fun: Day 5 for 5th Singles40 KATY PERRY Last Friday Night (T.G.I.F.) 881 (+122) +505 (+70) 6.888 (+0.671) 26 TAYLOR SWIFT Wildest Dreams 3007 (+548) +2919 (+465) 18.200 (+2.809) Though, "Wildest Dreams" is being treated more like a "first single" because of its radio remix. It was held back from early airplay because of that. It should probably be easier to compare in the coming weeks. If you jump a week ahead into LFN's run (since WD was held back like a week or so), they're a lot closer together.
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wjr15
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Post by wjr15 on Sept 1, 2015 22:36:05 GMT -5
The real question is, could we safely say that she has overtaken the KPUs of the Teenage Dream (era), Dark Horse, and Roar? :o Katy will return next year to reclaim her KPUs. But anyways, the adds for WD is very impressive. I thought radio might be hesitant with this single, but I am completely wrong. Definitely on it's way to the top of the radio charts
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SPRΞΞ
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Post by SPRΞΞ on Sept 1, 2015 22:39:17 GMT -5
lol I'm sure, the panel was way smaller back then. Will a new Katy single not receive the same treatment if it's good?
But anyways, this trilogy of new songs exploding at the same time will make the race to the top so exciting. Won't mind at all if this hits #1. JB looks like the clear shot (even after 8th day) right now, and I am not a fan of "Downtown" at all right now. So I wouldn't mind WD and WDYM trading spots at #1. "Locked Away" will be the one to dethrone.
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slamina
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Post by slamina on Sept 1, 2015 23:06:40 GMT -5
Radio's swiftness (lol) to embrace this single is impressive, and this is likely to be a Pop number one, but I think the odds of it reaching number one on the Hot 100 are slim. BB only slipped in that one initial week with the major video hype and promo. The album being a strong seller and the lack of presence on spotify will hurt her. 3 number ones (from an album) is pretty good for her considering it took her years and several singles to get her first one. We'll see what happens.
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SPRΞΞ
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Post by SPRΞΞ on Sept 1, 2015 23:11:55 GMT -5
If they had released the radio mix this week it would be the most exciting week of the Hot 100 in a very long time. That was a mistake, imo. I'm guessing they are saving it for later, but with the video premiere and Spotify out of the picture, I don't think she can overtake Bieber.
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popbox
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Post by popbox on Sept 2, 2015 3:52:35 GMT -5
All I can say about these radio records and that AMAZING video is nothing lasts forever, but this is getting good now.
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Juan Carlos
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Post by Juan Carlos on Sept 2, 2015 7:04:57 GMT -5
WEDNESDAY 9/2 UPDATE:
CHR/Pop: 59 25 TAYLOR SWIFT Wildest Dreams 3571 262 3309 21.404
+ 564 Spins + 390 Bullet + 3.204 Audience
Hot AC: 49 22 TAYLOR SWIFT Wildest Dreams 1255 187 1068 8.443
+ 188 Spins + 108 Bullet + 0.887 Audience
AC: 0 26 TAYLOR SWIFT Wildest Dreams 119 0 119 0.458
+ 46 Spins + 46 Bullet + 0.140 Audience
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Post by TroublemakerOlly on Sept 2, 2015 8:50:56 GMT -5
Taylor Swift Makes History... Most Added Ever September 2, 2015 at 6:14 AM (PT)
BIG MACHINE/REPUBLIC RECORDS superstar artist TAYLOR SWIFT has broken the record for most adds at MEDIABASE Top 40 with her new single, "Wildest Dreams." SWIFT and the promotion team at REPUBLIC landed 178 adds, topping a mark set in MARCH of this year by WARNER BROS. and artist JASON DERULO's "Want To Want Me" at 156 adds. Congratulations to REPUBLIC RECORDS EVP CHARLIE WALK, SVP/Promotion & Operation GARY SPANGLER, VP/Top 40/Promotion TOBY RUSSELL, BIG MACHINE SVP/Pop Promotion DAVID NATHAN, and of course, TAYLOR!
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inclinations
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Post by inclinations on Sept 2, 2015 8:51:39 GMT -5
best video this era, I'm amazed. Why didn't Style get an actual concept vid?
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Enigma.
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Post by Enigma. on Sept 2, 2015 9:05:20 GMT -5
mic.com/articles/124672/the-big-problem-with-taylor-swift-s-new-music-video-that-nobody-is-talking-aboutThe Big Problem With Taylor Swift's New Music Video That Nobody Is Talking AboutZak Cheney-RiceTaylor Swift had a good night Sunday. Whether she was mending conflict with Nicki Minaj or accepting the MTV Video Music Award for video of the year, the 25-year-old pop phenom has come a long way since being heckled off the VMAs stage by Kanye West in 2009. But amid all the hubbub, Swift also debuted the music video for her single "Wildest Dreams" — a midcentury fantasy set on the plains of an unspecified African country: The video's narrative of white people finding romance in the hinterlands of a land wracked by colonial violence is not only obliviously ahistorical, but also exhibits tropes that people across the African diaspora have been trying to dispel for years. Tweet from "Wildest Dreams" director Joseph Kahn, who conspicuously does not specify where in "Africa" his video was being filmed. First, the truth: The African continent endured unspeakable brutality under European colonial rule. Millions of people were enslaved, tortured or killed under violent systems of European law enforcement, forced labor and segregationist policies, fueled by a ravenous export economy that plundered much of the continent's natural resources and left many African nations indebted to — and often financially dependent on — their white former enslavers. Throughout this era, Western media put forth a specific vision of the colonial relationship, which can be summed up simply: Whites were heroes, saviors or adventurers in a wild and savage land. Blacks were primitive, sub-human, incompetent or — in some cases — completely invisible to the white gaze, and therefore unimportant to white interests. The image of Africa as a frontier playground is on full display in Swift's video. Not a single black African person is present, let alone one of specified national origin from among the continent's 54 countries. We see a land rich with wildlife but devoid of humans — a trope that reinforces notions of Africa as feral and exotic. The video also takes place in the mid-20th century, a time when such "classic" Hollywood efforts as The African Queen, and Out of Africa were either filmed or set — and which romanticize a version of the era that overlooks the anti-black violence and slavery on which the lifestyles depicted were built. These attitudes didn't stop decades ago, as more recent photo shoots for Vogue, Louis Vuitton and even some themed weddings have taken on the look of colonial Africa. All of this serves to obscure the lives of actual African people, past and present — whether intentionally or by omission. It's hard to decipher what the creators intended with this video. But considering the dark history in which its African tropes are rooted — not to mention Swift's own recent brushes with racial controversy, and widespread criticism of the public outrage around Cecil the lion's death compared to that over black lives taken by law enforcement in the United States — it seems remarkable that the insidious nature of the African colonial fantasy is so seamlessly glossed over. This matters. When a pop culture product reaches as many people as a Taylor Swift video does, the images it presents have implications beyond their immediate purview. That's why it's so important to know one's history.
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allow that
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Post by allow that on Sept 2, 2015 9:45:58 GMT -5
The Big Problem With Taylor Swift's New Music Video That Nobody Is Talking About:lots of text: It's hard to decipher what the creators intended with this video. Is it though? It's meant to entertain. Period. That article has so many stretches that it's difficult to read without a constant side eye. While much of what it says is true, so much is exaggerated and/or blamed on Taylor Swift/"white people who dare find romance" that it hurts its cause more than helps it. And lol @ the Taylor/Nicki exchange being held up as a "brush with racism."
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Spidey
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Post by Spidey on Sept 2, 2015 12:06:09 GMT -5
"Wildest Dreams" takes in 178 adds this week, which breaks Janet Jackson's CHR record (PPW era) of 176 for "All For You" on R&R in 2001. Well damn! :O
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Hefty Hanna
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Post by Hefty Hanna on Sept 2, 2015 12:28:43 GMT -5
Absolutely massive and totally deserving.
For me, 'Wildest Dreams' is to 1989 what 'All Too Well' was to Red and what 'Enchanted' was to Speak Now.
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Post by wonderstruck94 on Sept 2, 2015 13:31:59 GMT -5
mic.com/articles/124672/the-big-problem-with-taylor-swift-s-new-music-video-that-nobody-is-talking-aboutThe Big Problem With Taylor Swift's New Music Video That Nobody Is Talking AboutZak Cheney-RiceIt's hard to decipher what the creators intended with this video. But considering the dark history in which its African tropes are rooted — not to mention Swift's own recent brushes with racial controversy, and widespread criticism of the public outrage around Cecil the lion's death compared to that over black lives taken by law enforcement in the United States — it seems remarkable that the insidious nature of the African colonial fantasy is so seamlessly glossed over. This matters. When a pop culture product reaches as many people as a Taylor Swift video does, the images it presents have implications beyond their immediate purview. That's why it's so important to know one's history.
This writer is an idiot, sorry.
Seeing racism in every little thing isn't going to fix the problem. The "plot" of the video is they are movies stars, filming a movie and they have an affair. Now whether they are really in Africa, or even really had an affair, is up for interpretation considering that towards the end they are standing in front of a screen with a picture of Africa and she sings the line "even if it's just pretend".
I have absolutely no use for any writer that puts something like this out there but leaves no forum for the reader to comment. He wants his opinion to stand unchallenged, probably because he knows it's far fetched and he's just vying for attention.
______________________________________________
now what I really came in to say is I loved this song on first listen and the video makes me love the song even more. Beautifully shot, great "story" and Taylor could not look more stunning! She really has an old Hollywood glamour about her that is quite breathtaking.
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Enigma.
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Post by Enigma. on Sept 2, 2015 13:57:50 GMT -5
I personally totally see the point in that article but it's also a bit too harsh on Taylor. However, the point is worth of discussion but it doesn't shade this brilliant video.
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musicjunky318
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Post by musicjunky318 on Sept 2, 2015 16:34:45 GMT -5
A little late but the video is beautiful. Is it me or does she look like a young Elizabeth Taylor?
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Post by hitmakaontharise on Sept 2, 2015 16:44:56 GMT -5
this is ridiculous, there are so many more deserving songs that should be added as much as this.. smh More deserving? Um... Taylor is the "it" artist right now. She just had 4 #1 pop hits in a row. She's absolutely massive right now. This is the most "deserving." Radio stations add songs because they show potential hit status, not because of quality. Based on Taylor's previous numbers, I see no reason to not add Wildest Dreams, hence the large number of ads. Please do not confuse "deserve" with your personal opinion of songs. lol wow thanks for clearing everything up for me
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Post by hitmakaontharise on Sept 2, 2015 16:47:38 GMT -5
this is ridiculous, there are so many more deserving songs that should be added as much as this.. smh define "deserving" like I'm not a fan of taylor and I've never even heard the song (nor do I have any interest) but it's really no surprise, she's the biggest thing in pop right now and she's had all of her singles off of her album hit #1 on radio so... Deserving like people who have to try so hard just to get there songs on radio. She already had 4 number 1 songs.. ok congrats to her but dang enough already
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Glove Slap
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Post by Glove Slap on Sept 2, 2015 16:59:10 GMT -5
She looks very pretty in the video, definitely got a lot of Liz Taylor vibes. Aside from her strangely cheap looking wig during the outdoor "filming" scenes, absolutely everything is as aesthetically pleasing as can be, which suits the songs airy tone.
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nightshade
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Post by nightshade on Sept 2, 2015 17:06:42 GMT -5
For me, 'Wildest Dreams' is to 1989 what 'All Too Well' was to Red and what 'Enchanted' was to Speak Now. And to just about everyone else that would be 'Out of the Woods'. Congrats to Taylor for being this deep into the album era and still breaking records. Very much well deserved.
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Au$tin
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Post by Au$tin on Sept 2, 2015 18:47:47 GMT -5
define "deserving" like I'm not a fan of taylor and I've never even heard the song (nor do I have any interest) but it's really no surprise, she's the biggest thing in pop right now and she's had all of her singles off of her album hit #1 on radio so... Deserving like people who have to try so hard just to get there songs on radio. She already had 4 number 1 songs.. ok congrats to her but dang enough already But why should she stop? The music industry isn't a fairness game where everyone gets an equal shot. If you have the chops and knowhow to be successful, then you do it or you fail. Why would Taylor and her team suddenly stop promoting singles from 1989 right now? There's nothing to gain from that. Artists and their music are a commodity in a business. It would be like saying McDonald's has had a stronghold on the industry for enough time, they should step down and let In-N-Out have a chance. No. That just doesn't happen because that's not how a business is run. And the reason radio is infatuated with her is because she has already proven to be a success. The "had anyone else done this song, it wouldn't gain attention" argument I see floating around from time to time is stupid. Of course that's correct because that's how the music industry works! Radio walks a fine line. They have to pay royalties for playing a song, and they earn money off of advertisements. They charge to run ads, but they charge based on listening habits. If you start playing a song no one cares for, your number of listeners goes down, you can no longer charge the same price for ads, companies begin to not want to even advertise with you because you don't reach a big audience anymore, and suddenly the station is off the air forever. Taylor Swift is a low-risk artist. She's already proven herself, very recently, to have been successful, so the risk of adding her new single is next to none. The risk of adding the new Jane Doe song, on the other hand, is very risky as she has never had a hit before, and there's no reason to suspect this one to do so. That's where things like callout scores come into play as well as promotion. When Jane Doe's scores begin to trickle in and it shows people are actually into her song, it starts to take off as the risk of adding it lowers. For me, 'Wildest Dreams' is to 1989 what 'All Too Well' was to Red and what 'Enchanted' was to Speak Now. And to just about everyone else that would be 'Out of the Woods'. Nah, I'm with Hefty Hanna on this one. "Out of the Woods" is a good song, and a great single choice that will likely happen, but "Wildest Dreams" is the epitome of the album that I wouldn't necessarily expect to be a single, though always wishing for it, just like "All Too Well" and "Enchanted." "Out of the Woods," to me, is more in line with "22" and "Mean" as songs that are good that were likely to be singles (and they were).
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alestevens
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Post by alestevens on Sept 2, 2015 19:16:25 GMT -5
mic.com/articles/124672/the-big-problem-with-taylor-swift-s-new-music-video-that-nobody-is-talking-aboutThe Big Problem With Taylor Swift's New Music Video That Nobody Is Talking AboutZak Cheney-RiceTaylor Swift had a good night Sunday. Whether she was mending conflict with Nicki Minaj or accepting the MTV Video Music Award for video of the year, the 25-year-old pop phenom has come a long way since being heckled off the VMAs stage by Kanye West in 2009. But amid all the hubbub, Swift also debuted the music video for her single "Wildest Dreams" — a midcentury fantasy set on the plains of an unspecified African country: The video's narrative of white people finding romance in the hinterlands of a land wracked by colonial violence is not only obliviously ahistorical, but also exhibits tropes that people across the African diaspora have been trying to dispel for years. Tweet from "Wildest Dreams" director Joseph Kahn, who conspicuously does not specify where in "Africa" his video was being filmed. First, the truth: The African continent endured unspeakable brutality under European colonial rule. Millions of people were enslaved, tortured or killed under violent systems of European law enforcement, forced labor and segregationist policies, fueled by a ravenous export economy that plundered much of the continent's natural resources and left many African nations indebted to — and often financially dependent on — their white former enslavers. Throughout this era, Western media put forth a specific vision of the colonial relationship, which can be summed up simply: Whites were heroes, saviors or adventurers in a wild and savage land. Blacks were primitive, sub-human, incompetent or — in some cases — completely invisible to the white gaze, and therefore unimportant to white interests. The image of Africa as a frontier playground is on full display in Swift's video. Not a single black African person is present, let alone one of specified national origin from among the continent's 54 countries. We see a land rich with wildlife but devoid of humans — a trope that reinforces notions of Africa as feral and exotic. The video also takes place in the mid-20th century, a time when such "classic" Hollywood efforts as The African Queen, and Out of Africa were either filmed or set — and which romanticize a version of the era that overlooks the anti-black violence and slavery on which the lifestyles depicted were built. These attitudes didn't stop decades ago, as more recent photo shoots for Vogue, Louis Vuitton and even some themed weddings have taken on the look of colonial Africa. All of this serves to obscure the lives of actual African people, past and present — whether intentionally or by omission. It's hard to decipher what the creators intended with this video. But considering the dark history in which its African tropes are rooted — not to mention Swift's own recent brushes with racial controversy, and widespread criticism of the public outrage around Cecil the lion's death compared to that over black lives taken by law enforcement in the United States — it seems remarkable that the insidious nature of the African colonial fantasy is so seamlessly glossed over. This matters. When a pop culture product reaches as many people as a Taylor Swift video does, the images it presents have implications beyond their immediate purview. That's why it's so important to know one's history. I already informed many people about that lie, but the fact that media keeps misreporting this without actually paying much attention to the video makes me realize journalism is just dead. Now everyone just keeps reporting whatever gets them clicks, fact-checking is a thing of the past now! Sorry for the off-topic tho, i just needed to let that out lol!
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Post by hitmakaontharise on Sept 2, 2015 19:41:02 GMT -5
Deserving like people who have to try so hard just to get there songs on radio. She already had 4 number 1 songs.. ok congrats to her but dang enough already But why should she stop? The music industry isn't a fairness game where everyone gets an equal shot. If you have the chops and knowhow to be successful, then you do it or you fail. Why would Taylor and her team suddenly stop promoting singles from 1989 right now? There's nothing to gain from that. Artists and their music are a commodity in a business. It would be like saying McDonald's has had a stronghold on the industry for enough time, they should step down and let In-N-Out have a chance. No. That just doesn't happen because that's not how a business is run. And the reason radio is infatuated with her is because she has already proven to be a success. The "had anyone else done this song, it wouldn't gain attention" argument I see floating around from time to time is stupid. Of course that's correct because that's how the music industry works! Radio walks a fine line. They have to pay royalties for playing a song, and they earn money off of advertisements. They charge to run ads, but they charge based on listening habits. If you start playing a song no one cares for, your number of listeners goes down, you can no longer charge the same price for ads, companies begin to not want to even advertise with you because you don't reach a big audience anymore, and suddenly the station is off the air forever. Taylor Swift is a low-risk artist. She's already proven herself, very recently, to have been successful, so the risk of adding her new single is next to none. The risk of adding the new Jane Doe song, on the other hand, is very risky as she has never had a hit before, and there's no reason to suspect this one to do so. That's where things like callout scores come into play as well as promotion. When Jane Doe's scores begin to trickle in and it shows people are actually into her song, it starts to take off as the risk of adding it lowers. And to just about everyone else that would be 'Out of the Woods'. Nah, I'm with Hefty Hanna on this one. "Out of the Woods" is a good song, and a great single choice that will likely happen, but "Wildest Dreams" is the epitome of the album that I wouldn't necessarily expect to be a single, though always wishing for it, just like "All Too Well" and "Enchanted." "Out of the Woods," to me, is more in line with "22" and "Mean" as songs that are good that were likely to be singles (and they were). aight u taking this way to serious lmao no one told you to write a whole novel. I aint reading that. I never told her to stop cos lord knows she aint.
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matty005
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Post by matty005 on Sept 2, 2015 20:07:29 GMT -5
But why should she stop? The music industry isn't a fairness game where everyone gets an equal shot. If you have the chops and knowhow to be successful, then you do it or you fail. Why would Taylor and her team suddenly stop promoting singles from 1989 right now? There's nothing to gain from that. Artists and their music are a commodity in a business. It would be like saying McDonald's has had a stronghold on the industry for enough time, they should step down and let In-N-Out have a chance. No. That just doesn't happen because that's not how a business is run. And the reason radio is infatuated with her is because she has already proven to be a success. The "had anyone else done this song, it wouldn't gain attention" argument I see floating around from time to time is stupid. Of course that's correct because that's how the music industry works! Radio walks a fine line. They have to pay royalties for playing a song, and they earn money off of advertisements. They charge to run ads, but they charge based on listening habits. If you start playing a song no one cares for, your number of listeners goes down, you can no longer charge the same price for ads, companies begin to not want to even advertise with you because you don't reach a big audience anymore, and suddenly the station is off the air forever. Taylor Swift is a low-risk artist. She's already proven herself, very recently, to have been successful, so the risk of adding her new single is next to none. The risk of adding the new Jane Doe song, on the other hand, is very risky as she has never had a hit before, and there's no reason to suspect this one to do so. That's where things like callout scores come into play as well as promotion. When Jane Doe's scores begin to trickle in and it shows people are actually into her song, it starts to take off as the risk of adding it lowers. Nah, I'm with Hefty Hanna on this one. "Out of the Woods" is a good song, and a great single choice that will likely happen, but "Wildest Dreams" is the epitome of the album that I wouldn't necessarily expect to be a single, though always wishing for it, just like "All Too Well" and "Enchanted." "Out of the Woods," to me, is more in line with "22" and "Mean" as songs that are good that were likely to be singles (and they were).[/quote ]aight u taking this way to serious lmao no one told you to write a whole novel. I aint reading that. I never told her to stop cos lord knows she aint. I don't really venture over beyond the country boards, but you're an idiot. You make an absurd comment and then someone writes a very well thought out response and instead of being a decent human being, you just write back another absurd comment. You should never post again.
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