Deleted
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Post by Deleted on May 31, 2012 0:10:17 GMT -5
With "Maybe" up by 7% in overall Hot 100 points and "Somebody" down by 4%, Jepsen continues to narrow the gap between the chart's top two titles, likely setting up a closer battle for next week's No. 1 song.
Could we figure out the formula from this?
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Lozzy
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Post by Lozzy on May 31, 2012 4:32:47 GMT -5
With "Maybe" up by 7% in overall Hot 100 points and "Somebody" down by 4%, Jepsen continues to narrow the gap between the chart's top two titles, likely setting up a closer battle for next week's No. 1 song. Could we figure out the formula from this? I tried. 6/2/12
"Call Me Maybe": 293,000 sales, 74 million audience, 989,000 streams "Somebody That I Used To Know": 289,000 sales 137 audience, 1,200,000 streams
6/9/12
"Call Me Maybe": 301,000 sales, 86 million audience, 1,000,000 streams "Somebody That I Used To Know": 264,000 sales, 138 million audience, 1,100,000 streams
"Call Me Maybe" up 7% in total chart points, "Somebody That I Used To Know" down 4%
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assume chart formula is in form 'x = ad + be + cf' where;
'x' represents total chart points 'a' represents total sales points (assume 1 sale point = 1,000 sales) 'b' represents total airplay points (assume 1 airplay point = 1,000,000 impressions) 'c' represents 1,000 on-demand streams (assume 1 streaming point = 1,000 streams) 'd', 'e' and 'f' are coefficients of 'a', 'b' and 'c' respectively
301d + 86e + 1000f = 1.07 (293d + 74e + 989f) 301d + 86e + 1000f = 313.51d + 79.18e + 1058.23f (1)
264d + 138e + 1100f = 0.96 (289d + 137e + 1200f) 264d + 138e + 1100f = 277.44d + 131.52e + 1152f (2)
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301d + 86e + 1000f = 313.51d + 79.18e + 1058.23f 301d - 313.51d = 79.18e - 86e + 1058.23f - 1000f -12.51d = -6.82e + 58.23f d = (58.23f - 6.82e)/-12.51 (3)
sub (3) into (2):
264((58.23f - 6.82e)/-12.51) + 138e + 1100f = 277.44((58.23f - 6.82e)/-12.51) + 131.52e + 1152f (15372.72f - 1800.48e)/-12.51 + 138e + 1100f = (16155.3312f - 1892.1408e)/-12.51 + 131.52e + 1152f (15372.72f - 1800.48e)/-12.51 - (16155.3312f - 1892.1408e)/-12.51 = 131.52e - 138e + 1152f - 1100f (15372.72f - 1800.48e - 16155.3312f + 1892.1408e)/-12.51 = -6.48e + 52f 15372.72f - 1800.48e - 16155.3312f + 1892.1408e = -12.51(-6.48e + 52f) 91.6608e - 782.6112f = 81.0648e - 650.52f 91.6608e - 81.0648e = 782.6112f - 650.52f 10.596e = 132.0912f e = 12.466138165345413f
sub 'e = 12.466138165345413f' back into (3):
d = (58.23f - 6.82(12.466138165345413f))/-12.51 d = (58.23f - 85.019062287655717f)/-12.51 d = (-26.789062287655717f)/-12.51 d = (26.789062287655717/12.51)f d = 2.141411853529634f
so
d = 2.141411853529634f e = 12.466138165345413f
now let's assume d = 1, in other words, sales points are NOT weighted, but airplay and streaming points are
1 = 2.141411853529634f f = 0.466981630998131
e = 12.466138165345413 * 0.466981630998131 e = 5.821457532701054
so …
sales points are not weighted airplay points are weighted by 5.821457532701054 streaming points are weighted by 0.466981630998131
x = a + 5.821457532701054b + 0.466981630998131c
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let's test it out
"Call Me Maybe" for 6/9/12
x = 301 + 5.821457532701054 * 86 + 0.466981630998131 * 1000 x = 301 + 500.645347812290605 + 466.981630998131 x = 1268.626978810421605
"Call Me Maybe" for 6/2/12
x = 293 + 5.821457532701054 * 74 + 0.466981630998131 * 989 x = 293 + 430.787857419877996 + 461.844833057151559 x = 1185.632690477029555
1185.632690477029555 * 1.07 = 1268.626978810421605
the formula works for "Call Me Maybe"
"Somebody That I Used To Know" for 6/9/12
x = 264 + 5.821457532701054 * 138 + 0.466981630998131 * 1100 x = 264 + 803.361139512745452 + 513.6797940979441 x = 1581.040933610689552
"Somebody That I Used To Know" for 6/2/12
x = 289 + 5.821457532701054 * 137 + 0.466981630998131 * 1200 x = 289 + 797.539681980044398 + 560.3779571977572 x = 1646.917639177801598
1646.917639177801598 * 0.96 = 1581.040933610689552
the formula works for "Somebody That I Used To Know"
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So, it looks like 'x = a + 5.821457532701054b + 0.466981630998131c' may be something to consider. There are three major faults (besides the fact that I could have easily messed up the math);
– It's highly unlikely that sales points are actually left unweighted. However, as Billboard haven't released the actual 'total chart points' figure for either of these songs (nor any other song ever that I can recall), there's no real way we can know what the actual figures look like. The important thing is that the coefficients of the airplay, sales and streaming totals (represented here as 'd', 'e' and 'f') are in the right ratio.
– This assumes that the chart formula is in the previously defined form 'x = ad + be + cf'. I expect that it is, as this form definitely makes the most sense, but it may be something totally different.
– And for the most obvious one - rounding. The sales, airplay, streaming and percentage increase figures that have been used in the above calculations were all rounded, as Billboard doesn't release exact figures for any of these. To work out an exact formula, it would be necessary to have exact figures. It would also be helpful to have more sets of figures to try this out with, but I don't recall Billboard ever publishing 'change of total chart points' figures before today. [/size] Make of that what you will.
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Post by ListenToItTwice on May 31, 2012 8:06:22 GMT -5
^ Most dedicated poster 2012. A fascinating read and incredibly worthy attempt.
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Post by ListenToItTwice on May 31, 2012 8:11:02 GMT -5
I am absolutely blown away by the success of "Lights" as a single. For me, seeing Ellie Goulding get a top 20 hit (#17 on the Hot 100 this week) is more surprising than seeing Adele get three #1s. Honestly. :O
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Deleted
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Post by Deleted on May 31, 2012 10:03:15 GMT -5
Billboard Hot 100
01 01 21 Gotye Featuring Kimbra, Somebody That I Used To Know 02 02 14 Carly Rae Jepsen, Call Me Maybe 03 03 06 Maroon 5 Featuring Wiz Khalifa, Payphone 04 04 23 Fun. Featuring Janelle Monae, We Are Young 05 05 15 Nicki Minaj, Starships 06 06 21 Flo Rida Featuring Sia, Wild Ones 07 07 15 One Direction, What Makes You Beautiful 08 08 20 The Wanted, Glad You Came 09 09 09 Justin Bieber, Boyfriend 10 NE 01 Phillip Phillips, Home
11 13 06 Rihanna, Where Have You Been 12 10 20 Train, Drive By 13 15 05 Usher, Scream 14 16 08 Pitbull, Back In Time 15 11 23 Kelly Clarkson, Stronger (What Doesn't Kill You) 16 23 12 Karmin, Brokenhearted 17 22 23 Ellie Goulding, Lights 18 12 16 Calvin Harris, Feel So Close 19 20 13 Eric Church, Springsteen 20 14 15 Katy Perry, Part Of Me
21 17 28 Drake Featuring Rihanna, Take Care 22 24 13 Luke Bryan, Drunk On You 23 18 28 Drake Featuring Lil Wayne, The Motto 24 26 08 Kanye West, Big Sean, Pusha T, 2 Chainz, Mercy 25 30 07 David Guetta Featuring Sia, Titanium 26 21 24 Adele, Rumour Has It 27 25 14 Carrie Underwood, Good Girl 28 28 16 Kirko Bangz, Drank In My Cup 29 31 16 Kip Moore, Somethin' 'Bout A Truck 30 29 21 Jason Mraz, I Won't Give Up
31 32 14 Rihanna Featuring Chris Brown, Birthday Cake 32 27 14 Usher, Climax 33 36 19 Tyga Featuring Lil Wayne, Faded 34 19 08 Jennifer Lopez Featuring Pitbull, Dance Again 35 NE 01 Katy Perry, Wide Awake 36 34 36 Rihanna Featuring Calvin Harris, We Found Love 37 33 14 Jason Aldean, Fly Over States 38 35 39 Adele, Set Fire To The Rain 39 38 62 LMFAO Featuring Lauren Bennett & GoonRock, Party Rock Anthem 40 42 11 Neon Trees, Everybody Talks
41 41 07 Ca$hOut, Cashin Out 42 39 39 LMFAO, Sexy And I Know It 43 43 08 Demi Lovato, Give Your Heart A Break 44 72 08 Gloriana, (Kissed You) Good Night 45 40 35 Flo Rida, Good Feeling 46 54 11 Eli Young Band, Even If It Breaks Your Heart 47 37 26 David Guetta Featuring Nicki Minaj, Turn Me On 48 49 49 Maroon 5 Featuring Christina Aguilera, Moves Like Jagger 49 55 08 Nicki Minaj Featuring 2 Chainz, Beez In The Trap 50 56 12 Zac Brown Band, No Hurry
51 52 14 B.o.B, So Good 52 57 19 Tim McGraw, Better Than I Used To Be 53 53 11 Young Jeezy Featuring Ne-Yo, Leave You Alone 54 58 05 Wiz Khalifa, Work Hard, Play Hard 55 46 13 LoveRance Featuring IamSu & Skipper Or 50 Cent, UP ! 56 65 09 Havana Brown Featuring Pitbull, We Run The Night 57 51 19 Miranda Lambert, Over You 58 64 18 Brantley Gilbert, You Don't Know Her Like I Do 59 60 08 Nicki Minaj Featuring Chris Brown, Right By My Side 60 45 10 Taylor Swift, Eyes Open
61 95 02 Gym Class Heroes Featuring Ryan Tedder, The Fighter 62 61 13 Travis Porter Featuring Tyga, Ayy Ladies 63 63 12 Drake Featuring Lil Wayne, HYFR (Hell Yeah F*****g Right) 64 67 14 Fun., Some Nights 65 59 02 Kenny Chesney, Come Over 66 73 03 Dierks Bentley, 5-1-5-0 67 48 09 Alex Clare, Too Close 68 70 06 Toby Keith, Beers Ago 69 66 06 Linkin Park, Burn It Down 70 71 08 DJ Khaled Featuring Chris Brown, Rick Ross, Nicki Minaj & Lil Wayne, Take It To The Head
71 69 08 Trey Songz, Heart Attack 72 68 15 Chris Brown, Turn Up The Music 73 62 03 2 Chainz Featuring Drake, No Lie 74 76 09 One Direction, One Thing 75 89 03 Calvin Harris Featuring Ne-Yo, Let's Go 76 NE 01 Lupe Fiasco, Around My Way (Freedom Ain't Free) 77 77 05 Hunter Hayes, Wanted 78 74 05 Grouplove, Tongue Tied 79 79 09 Josh Turner, Time Is Love 80 82 10 Drake Featuring The Weekend, Crew Love
81 91 04 B.o.B Featuring Taylor Swift, Both Of Us 82 81 08 Of Monsters And Men, Little Talks 83 78 12 M83., Midnight City 84 90 02 J. Cole Featuring Missy Elliott, Nobody's Perfect 85 88 04 Jana Kramer, Why Ya Wanna 86 87 03 The Band Perry, Postcard From Paris 87 84 08 Andy Grammer, Fine By Me 88 75 15 Rascal Flatts, Banjo 89 NE 01 Chris Brown, Don't Wake Me Up 90 NE 01 Jason Derülo, Undefeated
91 98 02 Love And Theft, Angel Eyes 92 97 04 Future, Same Damn Time 93 99 06 John Legend Featuring Ludacris, Tonight (Best You Ever Had) 94 80 18 Blake Shelton, Drink On It 95 100 02 Dustin Lynch, Cowboys And Angels 96 NE 01 Rita Ora, How We Do (Party) 97 NE 01 Phillip Phillips, We've Got Tonight 98 86 09 Chris Cagle, Got My Country On 99 94 09 Michel Teló, Ai Se Eu Te Pego 100 96 14 Skrillex Featuring Sirah, Bangarang
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Spidey
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Post by Spidey on May 31, 2012 10:07:49 GMT -5
There really needs to be a shake-up in the Top 10 of the Hot 100. It's really starting to get boring.
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kingofpain
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Post by kingofpain on May 31, 2012 10:07:52 GMT -5
Well... at least Ellie Goulding is in the top 20 and I'm glad Havana Brown moved up :)
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Deleted
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Post by Deleted on May 31, 2012 10:23:29 GMT -5
There really needs to be a shake-up in the Top 10 of the Hot 100. It's really starting to get boring. Agreed. I just noticed that the same 8 songs have been in the top 10 since 4/4/12 (fun's 5th week at #1). So that's 9 weeks in a row....
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Kishi KCM
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Post by Kishi KCM on May 31, 2012 10:33:56 GMT -5
Yay for Michel Telo! =)
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Honeymoon
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Post by Honeymoon on May 31, 2012 10:37:53 GMT -5
Yeah aside from a few nice jumps and debuts (and by all accounts, with nearly 300k sold, Phillips should've easily been top five with the previous formula), this chart is a bore. Either streaming should be reduced or sales increased. You just can't ignore how massive sales are at the moment, the Hot 100 should reflect that to some degree. And with streaming such a big part of the component now, will "Party Rock Anthem", "Sexy and I Know It", "Moves Like Jagger" et all EVER go away?
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SPRΞΞ
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Post by SPRΞΞ on May 31, 2012 10:43:58 GMT -5
The On-Demand chart might be the reason the chart is so boring now.
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Deleted
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Post by Deleted on May 31, 2012 10:55:30 GMT -5
The lack of hot new releases is probably a better reason
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badrobot
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Post by badrobot on May 31, 2012 11:05:18 GMT -5
^I agree with 2m.
BTW, if you want boring charts, go back about 7-9 years when the Hot 100 looked nearly identical to the slow-moving airplay chart.
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Honeymoon
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Post by Honeymoon on May 31, 2012 11:30:03 GMT -5
^I agree with 2m. BTW, if you want boring charts, go back about 7-9 years when the Hot 100 looked nearly identical to the slow-moving airplay chart. That was because there was very low single sales, physically or digitally, so there was not really a way for them to include them fairly in any substantial way. It's not really comparable to the situation of the current chart. And I don't think it's because of a lack of new hits... "Where Have You Been" and "Scream", for example, would probably be top ten this week with the old formula. There's no way for knowing this for sure obviously but streaming (and airplay for that matter) do hinder the initial success of new hits, typically.
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Deleted
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Post by Deleted on May 31, 2012 11:31:39 GMT -5
Obviousy there are new releases every week. By "hits" I mean big enough to crack the top 10 on its own
Justin Bieber may do it next week
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Agent Yoncé
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Post by Agent Yoncé on May 31, 2012 11:44:50 GMT -5
I wonder if Usher will release his video now. He's so close to the Top 10 w/o one. Doesn't he have another performance happening?
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Deleted
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Post by Deleted on May 31, 2012 12:11:19 GMT -5
People were begging for streaming to be included, and now that it is, they're complaining it slows down the chart. Maybe the general public just doesn't move on from songs very quickly. The Hot 100 moved very quickly in the late 80s and it was an inaccurate mess. It might be more fun to watch a fast moving chart, but the components of the Hot 100 aren't exactly fast moving.
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Au$tin
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Post by Au$tin on May 31, 2012 14:41:55 GMT -5
People were begging for streaming to be included, and now that it is, they're complaining it slows down the chart. Maybe the general public just doesn't move on from songs very quickly. The Hot 100 moved very quickly in the late 80s and it was an inaccurate mess. It might be more fun to watch a fast moving chart, but the components of the Hot 100 aren't exactly fast moving. This exactly. The general public aren't like us music and chart fanatics. They see a song reach its peak and then get bored with it, because they don't notice if a song's peaked in popularity or not. I mean I still have friends who jam to "Rolling in the Deep" like it's the latest hot smash. And streaming really shows this. I do wish it were a bit quicker, and I think with more and more people discovering streaming and learning how to utilize the Internet to help them discover new music, eventually it will move much more swiftly than it does today.
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cesarams
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Post by cesarams on May 31, 2012 16:15:38 GMT -5
Slizzard. I'm your fan, want your autograph
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fridayteenage
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Post by fridayteenage on May 31, 2012 16:30:48 GMT -5
Party Rock Anthem went down this week...one whole spot. At this rate it'll be #1 or #2 on longest-charters ever.
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Post by josh on May 31, 2012 16:37:37 GMT -5
This chart includes sales from after the BBMAs. I figured PRA and SAIKI would be bulleted, but they weren't. Hopefully next week since sales have gone down they will both see big decreases. :)
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Post by ListenToItTwice on May 31, 2012 17:47:33 GMT -5
We can only hope. I think PRA has a somewhat clear shot at being the #2 longest-charter (thanks to the stability in airplay and, in turn, sales that its status as a new 'perennial summer hit' will bring it), but #1 is a long ways away.
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c0ldasfire
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Post by c0ldasfire on May 31, 2012 18:13:51 GMT -5
I am very happy to see that "Titanium" is finally becoming a hit!
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Honeymoon
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Post by Honeymoon on May 31, 2012 18:54:17 GMT -5
People were begging for streaming to be included, and now that it is, they're complaining it slows down the chart. Maybe the general public just doesn't move on from songs very quickly. The Hot 100 moved very quickly in the late 80s and it was an inaccurate mess. It might be more fun to watch a fast moving chart, but the components of the Hot 100 aren't exactly fast moving. It just depends on one's subjective interpretation of "popularity", doesn't it? I personally value sales info much more than I do airplay figures or streaming. And Billboard does the same doesn't it? They remove songs that have logged 20+ weeks if they fall below #50 (assuming they don't collect enough points to make the top 50 again, they cannot re-enter or remain on the Hot 100). So I don't think there's a wrong or right way to do it. I just personally prefer a chart where sales are more influential and always have. You can probably guess that I wasn't a fan of the Hot 100 around '01-'04.
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cesarams
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Post by cesarams on May 31, 2012 19:27:09 GMT -5
We can only hope. I think PRA has a somewhat clear shot at being the #2 longest-charter (thanks to the stability in airplay and, in turn, sales that its status as a new 'perennial summer hit' will bring it), but #1 is a long ways away. I can't PRA will stay on hot 100 more than RITD. I mean, I loved PRA last summer but RITD it's miles and miles ahead of it.
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forg
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Post by forg on May 31, 2012 19:47:58 GMT -5
Good thing RITD smashed earlier and it was able to take the Billboard Yearend #1 otherwise PRA would have taken it and it would have been 4 consecutive years of dance songs on top but I do like PRA though, it's just fun song to be with a crowd like I Gotta Feeling and Low back in the day
Also props to Moves Like Jagger, still hanging on the chart
I'm Yours' longevity record is hard to beat since it didn't have the usual chart run as it stayed mostly low key during its early chart run before gaining new life.
And yeah the chart is static right now but good thing I like most of the songs in the top 10 so not complaining here that much. But definitely wish some newsongs climb already
Still sad Rumour Has It only peaked at #16. I wish it went to the top 10 at least
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Deleted
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Post by Deleted on Jun 1, 2012 7:09:43 GMT -5
Good thing RITD smashed earlier and it was able to take the Billboard Yearend #1 otherwise PRA would have taken it and it would have been 4 consecutive years of dance songs on top but I do like PRA though, it's just fun song to be with a crowd like I Gotta Feeling and Low back in the day On the next decade chart, the order will be reversed though
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Post by neverduplicated on Jun 1, 2012 8:11:24 GMT -5
Either streaming should be reduced or sales increased. You just can't ignore how massive sales are at the moment, the Hot 100 should reflect that to some degree.
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Rodze
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Post by Rodze on Jun 1, 2012 8:35:13 GMT -5
If you're paying attention, you'll know sales have been heavily down-weighted.
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Post by neverduplicated on Jun 1, 2012 16:26:39 GMT -5
With "Maybe" up by 7% in overall Hot 100 points and "Somebody" down by 4%, Jepsen continues to narrow the gap between the chart's top two titles, likely setting up a closer battle for next week's No. 1 song. Could we figure out the formula from this? I've been doing some math based on this information, and it seems like the weighting could be... Sales - 1 (per thousand sales) Airplay - 3.24 (per million impressions) Streaming - 1.29 (per ten thousand streams) Using these numbers does make those percentage increases and decreases work, but we may need numbers for other songs before we could verify.
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