Billboard Hot 100: 02/09/13

[Rocky]

Fuckin' Problems top ten! :o Great! It may be higher next week.

[kingofpain]

F**k, Sweet Nothing didn't make the top 10 but that A$AP trash did.

[josh]

Jan 30, 2013 15:58:11 GMT -5 jebsib said:

Trust me, when most of us Hot 100 veterans realized that Top 40 airplay was not going to be the sole radio ingredient in the mix anymore, it was jarring, painful, inconsistent and fascinating all at the same time. But we got used to it. I know that crossover airplay sucks, but it IS still more accurately reflecting a song's national reach.

But a song not even top 50 on R&B/Hip-Hop Airplay shouldn't be #1 on R&B/Hip-Hop Songs. That's where the problem comes from.

[Au$tin]

Jan 30, 2013 16:23:18 GMT -5 josh said:

Jan 30, 2013 15:58:11 GMT -5 jebsib said:

Trust me, when most of us Hot 100 veterans realized that Top 40 airplay was not going to be the sole radio ingredient in the mix anymore, it was jarring, painful, inconsistent and fascinating all at the same time. But we got used to it. I know that crossover airplay sucks, but it IS still more accurately reflecting a song's national reach.

But a song not even top 50 on R&B/Hip-Hop Airplay shouldn't be #1 on R&B/Hip-Hop Songs. That's where the problem comes from.

This. I mean, if the format that Billboard is trying to claim it to be isn't supporting it that much, then why is it even considered correct for it to be #1 on the overall chart for it? It just makes no sense to me.

[jebsib]

But that's it: Format refers to radio station type. The main chart has switched its mission statement, so that airplay is only a smaller ingredient. The R&B airplay format has its own chart; The Adult R&B radio format has its own chart; The Rhythmic Top 40 format has its own chart. R&B / Hip-Hop airplay has its own chart. Mainstream r&b radio format has its own chart. I think even Rap airplay gets its own formatted radio chart. Airplay is copiously covered.

I think most people would agree that Thrift Shop is a hip-hop song, regardless of whether mainstream r&b radio programmers have added it. And yet it is getting insane streaming and sales points in the country. So what to do? Wait until a song gets to a certain audience threshold, despite millions in sales and streams? Maybe - Billboard's done weirder things!

[Deleted]

Jan 30, 2013 16:48:40 GMT -5 jebsib said:

The main chart has switched its mission statement, so that airplay is only a smaller ingredient.

That's the issue. For over six decades, the chart measured the most popular song among "urban audiences". Now the chart measures the most popular songs that Billboard considers R&B or Hip-Hop regardless of how they're actually performing among "urban audiences". It's measuring something different entirely, so it shouldn't be a continuation of the same chart.

[Au$tin]

I would call "Thrift Shop" hip-hop, but it's far from r&b. That's another problem I've had. R&B and hip-hop are not the same.

[wavey.]

Jan 30, 2013 16:08:36 GMT -5 kingofpain said:

F**k, Sweet Nothing didn't make the top 10 but that A$AP trash did.

You got a Fucking Problem.

[jebsib]

Just like for decades, the Hot 100 was a Top 40 radio format based chart. Then it HAD to change because demographics and technology changed. It could no longer be the top 100 songs played on CHR.

I don't like the current r&b or Country Song chart mix, but I at least see why they did it. And I'm not certain it will stick either (a la the ill-fated Pop 100), because UNLIKE the Hot 100, which is now simply a chart of bragging rights and not a real metric for programmers or digital stores to use (they rely on the component charts of course), who do these charts inform? The Hot 100 stats can at least be used mainstream shows like Entertainment Tonight or American Idol.

[Deleted]

Jan 30, 2013 17:19:03 GMT -5 wavey. said:

Jan 30, 2013 16:08:36 GMT -5 kingofpain said:

F**k, Sweet Nothing didn't make the top 10 but that A$AP trash did.

You got a f**king Problem.

I don't know how you can say honestly that that A$AP song is better than Sweet Nothing.

[Eqbk]

Jan 30, 2013 15:11:57 GMT -5 jebsib said:

Kinda like when the #1 song on the Hot 100 hadn't even cracked Hot 100 airplay (4 American Idol coronation songs, 2Pac's How Do U Want It, etc) ... it DOES happen...

The difference between the #1's you mentioned and the ones topping the genre charts in their current formulas is that those songs you mentioned hit #1 on an all-genre/all-inclusive chart. Adding sales, which likely resulted from airplay/exposure from other formats on a genre-specific chart is wrong imo. I'll use Rihanna's 'Diamonds' as an example. A good portion of the song's singles sales likely resulted from her airplay on pop (and other non-urban formats). Those sales aren't any indication of how popular the song is among urban listeners yet the sales gets incorporated into that specific genre chart anyway.

Jan 30, 2013 16:48:40 GMT -5 jebsib said:

I think most people would agree that Thrift Shop is a hip-hop song, regardless of whether mainstream r&b radio programmers have added it. And yet it is getting insane streaming and sales points in the country. So what to do? Wait until a song gets to a certain audience threshold, despite millions in sales and streams? Maybe - Billboard's done weirder things!

I get what you're trying to get at but this could get messy real quick as it lets Billboard decide what is considered what. I could completely see Rihanna's label/team pushing every song hers as R&B even when its clearly a pure pop song just b/c they want another #1.

[Adonis the DemiGod!]

The Macklemore situation is a strange one. I dont understand how he is not crowning the Alternative charts. Why is it okay for Alternative and rock to be airplay based but not R&B and hip hop?

[HolidayGuy]

Missing from the Billboard article posted:

A notable title departs the top 10 after rocketing 84-4 last week: Justin Timberlake's "Suit & Tie," featuring Jay Z, which falls to No. 13. The lead single from his album "The 20/20 Experience," due March 19, plunges 2-8 in its second week on Digital Songs, dropping by 65% to 109,000 after it stormed the chart last week with 315,000. Still, "Suit" climbs 16-14 on Radio Songs (61 million, up 14%) and enters Streaming Songs at No. 40 (536,000, up 109%). Promotion leading up to the set's release, which includes Timberlake's planned appearance at the Grammy Awards on Feb. 10, could secure the song's momentum in coming weeks.

[jebsib]

Alternative is not seen as a strong enough format to have its own genre chart. That is the all-encompassing Rock Songs, and Thrift Shop is nowhere to be seen on that chart, or Rock Digital songs... and yet the song #16 on Alternative airplay. Issues.

[chartfreak]

Jan 30, 2013 10:46:48 GMT -5 NeRD said:

I mean, since Pop caved in and added Thrift Shop because of its immense popularity, maybe they will do so for PIU as well?

With Warner Bros. now promoting the song to R&B/hip-hop radio, "Thrift" is approaching the 50-position R&B/Hip-Hop Airplay chart with a 236% gain to 1.6 million format impressions (or less than 1% of its overall audience; 54% of its listenership is owed to mainstream top 40 radio airplay).

How did POP cave in, if it's the driving force of it's success right now...airplay wise.

[renfield75]

That's another potential problem for Billboard. Say "Thrift Shop" goes to number one on the Alternative chart, will it still be excluded from the Rock Songs chart? The song would then be missing from a chart where the programmers are embracing it, yet it will likely spend months at number one on a chart (R&B/Hip-Hop Songs) where programmers aren't fully responding to it. This makes no sense.

And again, why is "I Will Wait" missing from Hot Country songs when it IS in the top 50 of airplay on country radio?

[Agent Yoncé]

These last few weeks been huge for A$AP Rocky.

[dlostfan]

Jan 30, 2013 18:11:28 GMT -5 HolidayGuy said:

Missing from the Billboard article posted:

A notable title departs the top 10 after rocketing 84-4 last week: Justin Timberlake's "Suit & Tie," featuring Jay Z, which falls to No. 13. The lead single from his album "The 20/20 Experience," due March 19, plunges 2-8 in its second week on Digital Songs, dropping by 65% to 109,000 after it stormed the chart last week with 315,000. Still, "Suit" climbs 16-14 on Radio Songs (61 million, up 14%) and enters Streaming Songs at No. 40 (536,000, up 109%). Promotion leading up to the set's release, which includes Timberlake's planned appearance at the Grammy Awards on Feb. 10, could secure the song's momentum in coming weeks.

It must have been really close for 10-13.

10. F**ing Problems - 83/12 + 47/7.5 + 1100/150 + 170/300 = 21100
13. Suit & Tie - 109/12 + 61/7.5 + 450/150 + 86/300 = 20500

[wavey.]

Jan 30, 2013 17:50:35 GMT -5 Codex said:

Jan 30, 2013 17:19:03 GMT -5 wavey. said:

You got a f**king Problem.

I don't know how you can say honestly that that A$AP song is better than Sweet Nothing.

I love Sweet Nothing! I also enjoy Fuckin Problem too.

[pnobelysk]

Jan 30, 2013 12:32:05 GMT -5 Agent Yoncé said:

M5 is gunning for their 4th straight Top 10 & 3rd from this era alone! :'(

Lucky strike and wipe your eyes could be big hits too .

[areyoureadytojump]

How come no one here posts Paul Grein's weekly Hot 100 column? It's full of sales info.

[areyoureadytojump]

Week Ending Jan. 27, 2013. Songs: Another F**kin’ Top 10 Hit
By Paul Grein

There was a day when you wouldn’t see “the F word” in the title of a top 10 hit. Times change. “F**kin Problems” by A$AP Rocky featuring Drake, 2 Chainz and Kendrick Lamar jumps from #15 to #10 in its 13th week on the Hot 100. It’s the third top 10 hit in two years with the once-taboo word in its title. P!nk’s “F**kin’ Perfect” peaked at #2 in February 2011. Cee-Lo Green’s “F**k You!” spent four weeks at #2 the following month.

One difference is that, while P!nk and Cee-Lo were veterans, this is A$AP Rocky’s first Hot 100 entry. (P!nk had amassed 10 previous top 10 hits. Green had scored one previous top 10 hit with Gnarls Barkley’s “Crazy.”)

Both of those earlier hits were embraced by Grammy voters, as well as pop fans. Cee-Lo’s smash was nominated for Record of the Year and Song of the Year. It won for Best Urban/Alternative Performance. P!nk’s hit was nominated for Best Pop Solo Performance.

A$AP Rocky’s debut album, Long.Live.A$AP, entered The Billboard 200 at #1 last week. It drops to #7 this week.

“F**kin Problems” is the first top 10 hit for A$AP Rocky, 2 Chainz and Lamar; the 10th for Drake.

“Thrift Shop” by Macklemore & Ryan Lewis featuring Wanz holds at #1 on the Hot 100 for the second week. The song sold 357K copies this week. The song tops the 2 million mark in digital sales this week. It also becomes the first song to sell 1 million copies in 2013.

The song also holds at #1 on Hot R&B/Hip-Hop Songs for the third week. This is the longest run at #1 on the R&B chart for a song by a white artist since Robin Thicke’s “Lost Without U” spent 11 weeks on top in 2007.

“Thrift Shop” is #1 on Hot Rap Songs for the fourth week. It jumps from #16 to #14 on Hot Alternative Songs.

The Lumineers’ “Ho Hey” holds at #3 for the fifth (non-consecutive) week. The song is #1 on Hot Rock Songs for the 11th week. It tops the 3 million mark in digital sales this week.

Taylor Swift’s “I Knew You Were Trouble.” rebounds from #5 to #4. The song has climbed as high as #2. The song tops the 3 million mark in digital sales this week. It’s Swift’s fifth song to reach that plateau, following “Love Story” (5,550,000), “You Belong With Me” (4,247,000), “We Are Never Ever Getting Back Together” (3,284,000) and “Our Song” (3,072,000). The current song isn’t listed on Nielsen SoundScan’s running list of the top-selling country songs in its history because it was deemed not to have sufficient country content. (“We Are Never Ever…,” which is also pop-oriented, must have just made the cut.)

“Scream & Shout” by will.i.am featuring Britney Spears jumps from #6 to #5. It’s the 10th top five hit for will.i.am (counting the Black Eyed Peas); the eighth for Spears. The song is #1 on Dance/Electronic Songs for the third week.

Here's the low-down on this week's top 10 songs.

The Top Five: “Thrift Shop” by Macklemore & Ryan Lewis featuring Wanz holds at #1 for the second week in its 17th week on the chart. This is its sixth week in the top 10. Digital sales rank: #1 (357K)…Bruno Mars’ “Locked Out Of Heaven” holds at #2 for the second week in its 17th week on the chart. This is its 14th week in the top 10. Digital sales rank: #7 (126K)… The Lumineers’ “Ho Hey” holds at #3 for the fifth non-consecutive week in its 34td week on the chart. This is its 11th week in the top 10. Digital sales rank: #5 (141K)…Taylor Swift’s “I Knew You Were Trouble.” rebounds from #5 to #4 in its 15th week on the chart. The song has climbed as high as #2. This is its eighth week in the top 10. Digital sales rank: #2 (190K)…“Scream & Shout” by will.i.am featuring Britney Spears jumps from #6 to #5 its ninth week on the chart. This is its fourth week in the top 10. Digital sales rank: #4 (170K)

The Second Five: “Don’t You Worry Child” by Swedish House Mafia featuring John Martin jumps from #7 to #6 in its 19th week on the chart. This is its third week in the top 10. Digital sales rank: #6 (132K)…“Beauty And A Beat” by Justin Bieber featuring Nicki Minaj rebounds from #9 to #7 in its 16th week on the chart. The song has climbed as high as #5. This is its eighth week in the top 10. Digital sales rank: #12 (88K)… Rihanna's “Diamonds” holds at #8 for the second week in its 18th week on the chart. This is its 15th week in the top 10. Digital sales rank: #22 (65K)…Phillip Phillips’ “Home” rebounds from #10 to #9 in its 31st week on the chart. The song has climbed as high as #6. This is its 13th week in the top 10. Digital sales rank: #10 (97K)…“F**kin Problems” by A$AP Rocky featuring Drake, 2 Chainz and Kendrick Lamar jumps from #15 to #10 in its 13th week. This is the first top 10 hit for A$AP Rocky, 2 Chainz and Lamar; the 10th for Drake.

“Suit & Tie” by Justin Timberlake featuring Jay-Z drops from #4 to #13 in its third week. Digital sales rank: #8 (109K).

Maroon 5’s “Daylight,” which was #21 last week, is expected to crack the top 20 in its eighth week. Digital sales rank: #9 (104K).

“Don’t Stop The Party” by Pitbull featuring TJR, which slipped from #17 to #22 last week, may return to the top 20 in its 15th week. The song tops the 1 million mark in digital sales. It’s Pitbull’s ninth million-seller as a lead artist. His top-seller is “Give Me Everything” (featuring Ne-Yo, Afrojack and Nayer), which has sold 4,615,000 copies since its release in 2011.

“Love Me” by Lil Wayne featuring Drake & Future, which was the top new entry at #53 last week, is expected to make a big jump in its second week. Digital sales rank: #3 (171K).

Bruno Mars’ “When I Was Your Man” leaps from #74 to #49 in its sixth week. It’s vying to become his 10th top 10 hit.

Here are key songs that are vying to enter the chart this week.

“Dope” by Tyga featuring Rick Ross. It’s from Tyga’s third studio album, Hotel California, which is due March 26. (Tyga should follow it with The Long Run, just to test Don Henley’s sense of humor.)

“Bad Ass” by Kid Ink featuring Meek Mill & Wale.

Miranda Lambert’s “Mama’s Broken Heart.” It’s from her hit album Four The Record.

“Ready” by Fabolous featuring Chris Brown. It’s from Fabolous’ sixth studio album, Loso’s Way: Rise To Power, which is due in February. The album is a sequel to Fabolous’ chart-topping 2009 album, Loso’s Way.

Florida Georgia Line’s “Get Your Shine On.” It’s the follow-up to “Cruise,” which spent five weeks at #1 on Hot Country Songs. Both songs are featured on the group’s album Here’s To The Good Times, which came out in December.

Christina Perri’s “Arms.” It’s from her 2011 album lovestrong.

“Somebody That I Used To Know” by Gotye featuring Kimbra this week becomes just the fourth song in digital history to top the 7 million mark in sales. It follows the Black Eyed Peas’ “I Gotta Feeling” (8,218,000), Adele’s “Rolling In The Deep” (7,702,000) and “Party Rock Anthem” by LMFAO featuring Lauren Bennett and GoonRock (7,527,000). “Somebody…” took just 56 weeks to top the 7 million mark, which is faster than any of these previous hits. The old record was held by “Rolling In The Deep,” which took 57 weeks. “Somebody…” was #1 for eight weeks last year.

One Direction’s “What Makes You Beautiful” tops the 4 million mark in digital sales this week. Only one other song by a British group or duo has sold 4 million or more digital copies. That’s Coldplay’s “Viva La Vida,” which is up to 5,827,000. “What Makes You Beautiful” reached #4 in April.

PSY’s “Gangnam Style” also tops the 4 million mark in digital sales. It’s the third comic/novelty song to reach this mark, following LMFAO’s “Sexy And I Know It” (5,975,000) and Cee-Lo’s aforementioned “F**k You!” (5,958,000). “Gangnam Style” logged seven weeks at #2 last fall. It was stuck behind Maroon 5’s “One More Night,” which, while a huge seller, has yet to reach 4 million. (It’s up to 3,749,000.)

P!nk’s 2010 smash “Raise Your Glass” tops the 4 million mark. It’s her second song to reach this milestone, following 2008’s “So What” (4,513,000). Both songs reached #1.

Kings of Leon’s “Use Somebody” tops the 4 million mark. This is the band’s best-seller. It reached #4 in September 2009.

To My Readers: I’ll have more to add after I’ve seen the full chart later today.

[stetz]

Jan 30, 2013 18:14:16 GMT -5 jebsib said:

Alternative is not seen as a strong enough format to have its own genre chart. That is the all-encompassing Rock Songs, and Thrift Shop is nowhere to be seen on that chart, or Rock Digital songs... and yet the song #16 on Alternative airplay. Issues.

It's #23 on the rock airplay chart. It sucks that with this new methodology means "gray area" songs include those whose style somewhat differs from their audience. Popular songs that blur lines are either near the top of a genre chart or not on it at all. In the debut week of the new methodology, a Train song was #4 on the rock songs chart, then it disappeared after basically because billboard changed its mind about it belonging there. If streaming and digital sales were included, but only format-specific airplay were factored, then that could be a fair middle ground. That way Thrift shop would be somewhere on the r&b/hip hop chart, but not at the top.

[Deleted]

Jan 30, 2013 17:40:38 GMT -5 jebsib said:

Just like for decades, the Hot 100 was a Top 40 radio format based chart. Then it HAD to change because demographics and technology changed. It could no longer be the top 100 songs played on CHR.

But the Hot 100 was always intended to measure the most popular songs in the country. Including formats other than Top 40 only made sense to more accurately measure what the Hot 100 actually intends to measure.

That's not the case with the new R&B and Country charts. They actually changed what the charts intend to measure rather than changing the way they measure it.

[jebsib]

I do understand what you are saying, and I'm not trying to argue; Just trying to figure out what has happened and why the labels would go along with this change. Because they are consulted MONTHS before every chart revamp. If they say no, it doesn't happen: Witness how long the addition of non-commercoial singles to the Hot 100 was. There are articles suggesting that Billboard wanted to switch to Soundscan as early as 1989, etc...

Wasn't the Hot R&B Singles chart always trying to measure the most popular R&B song in the country? Or the Country Singles chart always trying to measure the most popular Country & Western song in the USA? These are the revenue generating answers that the labels wanted. If they wanted demographic reactions, they could look at the component charts.

So it has now gone from "what Urban / African American or Rural / Country radio listeners like to hear" to "what is the most popular song among ALL Americans (that happen to be r&b or country based)".

Again, I'm not thrilled with the abrupt change (It could have been staggered a bit - or occurred at the break of the chart year) .. but I also don't get the outrage.

[stetz]

Wow at "Sail" reentering! Pleasant surprise, especially since I thought tracks only could reenter with 20 weeks under its belt if it landed in the top 50. This tune has found itself on the digital songs chart several times since its initial run - I wonder what about this occasion warrented it reentering.

[Deleted]

Billboard Hot 100

01 01 17 Macklemore & Ryan Lewis Featuring Wanz, Thrift Shop
02 02 17 Bruno Mars, Locked Out Of Heaven
03 03 34 The Lumineers, Ho Hey
04 05 15 Taylor Swift, I Knew You Were Trouble
05 06 09 will.i.am Featuring Britney Spears, Scream & Shout
06 07 19 Swedish House Mafia Featuring John Martin, Don't You Worry Child
07 09 16 Justin Bieber Featuring Nicki Minaj, Beauty And A Beat
08 08 18 Rihanna, Diamonds
09 10 31 Phillip Phillips, Home
10 15 13 A$AP Rocky Featuring Drake, 2 Chainz & Kendrick Lamar, F**kin' Problems

11 13 14 P!nk, Try
12 14 21 Alicia Keys Featuring Nicki Minaj, Girl On Fire
13 04 03 Justin Timberlake Featuring Jay-Z, Suit & Tie
14 17 12 Calvin Harris Featuring Florence Welch, Sweet Nothing
15 16 34 Imagine Dragons, It's Time
16 53 02 Lil Wayne Featuring Drake & Future, Love Me
17 21 08 Maroon 5, Daylight
18 11 32 Maroon 5, One More Night
19 12 18 Flo Rida, I Cry
20 18 49 Fun., Some Nights

21 19 29 Ed Sheeran, The A Team
22 24 14 Kelly Clarkson, Catch My Breath
23 25 36 Of Monsters And Men, Little Talks
24 20 18 Ke$ha, Die Young
25 23 24 Kendrick Lamar, Swimming Pools (Drank)
26 29 17 Gary Allan, Every Storm (Runs Out Of Rain)
27 22 15 Pitbull Featuring TJR, Don't Stop The Party
28 30 06 Ke$ha, C'mon
29 28 13 The Band Perry, Better Dig Two
30 26 18 The Script Featuring will.i.am, Hall Of Fame

31 32 25 Mumford & Sons, I Will Wait
32 34 40 Hunter Hayes, Wanted
33 27 11 2 Chainz, I'm Different
34 36 22 Imagine Dragons, Radioactive
35 33 26 Ne-Yo, Let Me Love You (Until You Learn To Love Yourself)
36 38 26 Miguel, Adorn
37 31 21 Psy, Gangnam Style
38 37 24 Florida Georgia Line, Cruise
39 35 21 Kanye West, Jay-Z, Big Sean, Clique
40 42 07 Trinidad James, All Gold Everything

41 44 12 Jason Aldean With Luke Bryan & Eric Church, The Only Way I Know
42 47 17 Randy Houser, How Country Feels
43 41 49 Carly Rae Jepsen, Call Me Maybe
44 45 56 Gotye Featuring Kimbra, Somebody That I Used To Know
45 39 11 One Direction, Little Things
46 58 04 Rihanna, Pour It Up
47 40 44 Alex Clare, Too Close
48 51 03 Blake Shelton, Sure Be Cool If You Did
49 74 06 Bruno Mars, When I Was Your Man
50 43 21 Lil Wayne Featuring Detail, No Worries

51 55 14 Kendrick Lamar Featuring Drake, Poetic Justice
52 54 09 Tim McGraw, One Of Those Nights
53 63 07 Carrie Underwood, Two Black Cadillacs
54 57 13 The Weeknd, Wicked Games
55 60 15 T.I. Featuring Lil Wayne, Ball
56 59 12 Little Big Town, Tornado
57 61 17 Brad Paisley, Southern Comfort Zone
58 48 20 Juicy J Featuring Lil Wayne & 2 Chainz, Bandz A Make Her Dance
59 62 10 Hunter Hayes, Somebody's Heartbreak
60 64 16 Ellie Goulding, Anything Could Happen

61 65 23 Muse, Madness
62 52 15 Nicki Minaj, Va Va Voom
63 RE 21 AWOLNATION, Sail
64 66 05 Anna Kendrick, Cups
65 87 02 Olly Murs Featuring Flo Rida, Troublemaker
66 56 16 Zac Brown Band, Goodbye In Her Eyes
67 69 07 Kacey Musgraves, Merry Go 'Round
68 NE 01 Tyga Featuring Rick Ross, Dope
69 68 10 Wiz Khalifa Featuring The Weeknd, Remember You
70 78 07 The Lumineers, Stubborn Love

71 72 08 Future, Neva End
72 77 10 Dierks Bentley, Tip It On Back
73 76 07 Jonn Hart Featuring iamSU, Who Booty
74 70 13 Chris Brown, Don't Judge Me
75 81 04 Fun., Carry On
76 80 04 Lee Brice, I Drive Your Truck
77 67 07 Chief Keef, Love Sosa
78 73 17 Taylor Swift, Begin Again
79 71 07 Big Sean, Guap
80 79 05 One Direction, Kiss You

81 88 05 Lupe Fiasco & Guy Sebastian, Battle Scars
82 89 04 Thompson Square, If I Didn't Have You
83 83 19 Kip Moore, Beer Money
84 93 21 Passion Pit, Take A Walk
85 92 05 The Barden Bellas, Bellas Finals: Price Tag/Don't You (Forget About Me)/Give Me Everything/Just The Way You Are/Party In The U.S.A./Turn The Beat Around
86 91 04 The Barden Bellas, The Treblemakers & The Bu Harmonics, Riff Off: Mickey / Like A Virgin / Hit Me With Your Best Shot / S&M / Let's Talk About Sex / I'll Make Love To You / Feels Like The First Time / No Diggity
87 75 10 Ludacris Featuring Usher & David Guetta, Rest Of My Life
88 95 06 Casey James, Crying On A Suitcase
89 NE 01 Miranda Lambert, Mama's Broken Heart
90 NE 01 Kid Ink Featuring Meek Mill & Wale, Bad Ass

91 82 02 A$AP Rocky Featuring Skrillex & Birdy Nam Nam, Wild For The Night
92 98 04 George Strait, Give It All We Got Tonight
93 97 03 Imagine Dragons, Demons
94 85 20 Justin Moore, Til My Last Day
95 90 12 Game Featuring Chris Brown, Tyga, Wiz Khalifa & Lil Wayne, Celebration
96 NE 01 Florida Georgia Line, Get Your Shine On
97 NE 01 Chris Cagle, Let There Be Cowgirls
98 RE 02 Kendrick Lamar, Bitch, Don’t Kill My Vibe
99 NE 01 Pitbull Featuring Christina Aguilera, Feel This Moment
100 84 17 Adele, Skyfall

Drop outs will be added in later

[kingofpain]

Oh well, so long Ellie Goulding! Gotye still hangs in there... and damn, it sucks that Pink was the one shut out at #11. Hopefully next week she'll crack the top 10?

[areyoureadytojump]

The Top 50 of the Hot 100 is here along with other charts:

www1.billboard.biz/bbbiz/photos/pdf/2013/TFMm0131.pdf

[forg]

Too bad for Try :(