Unhinged
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Post by Unhinged on Aug 16, 2017 9:15:38 GMT -5
Happy Bitthday to the Queen! :)
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August
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Post by August on Aug 16, 2017 9:49:03 GMT -5
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Ling-Ling
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Kill Kill Kill Kill! Die Die Die!
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Post by Ling-Ling on Aug 16, 2017 10:04:13 GMT -5
As much as I wanted to come in here and just wish her Madgesty a happy birthday, I simply cannot. Because that ridiculous Pitchfork review of Bedtime Stories has me all riled up and angrified.
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Deleted
Joined: January 1970
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Post by Deleted on Aug 16, 2017 10:52:29 GMT -5
My favorite Madonna video
My favorite Madonna song
Срећан рођендан Мадона!
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Post by adamalterlago on Aug 16, 2017 11:27:02 GMT -5
I agree with most of those reviews. I think they were harder in the actual BEDTIME review than the score (6.8) it received. BEDTIME is in my top five but retrospectively, the reviewer brought up a lot of valid points. The sound she was going for with Dallas Austin and various producers during that era was already being popularized by many R&B singers at the time - and they were just doing it better. I love the title track but it's also almost a direct rip off of Bjork. I think what the reviewer was getting at was that it wasn't as forward thinking and original as we had come to expect from M (this is still happening with some of latest work). Once again, I'm a huge fan of BEDTIME but I can see this reviewer's point at times. I think he just went a little hard.
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jumpb4uthink
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Post by jumpb4uthink on Aug 16, 2017 12:15:36 GMT -5
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Post by areyoureadytojump on Aug 16, 2017 15:36:51 GMT -5
I watched this performance in the lounge at a college dorm. www.rollingstone.com/music/news/madonnas-best-performance-ever-express-yourself-vmas-1989-w49759412 Reasons This Is Madonna's Best Performance Ever: 'Express Yourself,' VMAs 1989By Justin Ravitz Queen of Pop, then 31, earns title as she does Roger Rabbit, publicly vogues for first time in mesmerizing take on classic feminist anthem There's a case to be made that there's no such thing as Peak Madonna. Over the past three decades, the Queen of Pop has ascended so many summits, pulled off so many comebacks and, yes, reinvented herself so many times that it feels impossible to distill her essence into one defining moment. And yet. Back in September 1989, Madonna opened the MTV Video Music Awards at the Universal Amphitheater in L.A. – Arsenio Hall hosted, newbies Paula Abdul and Guns N' Roses both had banner years and somehow Neil Young's "This Note's For You" won Video of the Year – with "Express Yourself." In six minutes, Madonna, then 31, divorced from love-of-her-life Sean Penn and riding the commercial and critical success of her revelatory fourth album, Like a Prayer, spelled out to audiences that night why she was (and always will be) one of the most electrifying, charismatic pop stars and live performers of all time. 1. The killer opening sample is so meta. Before self-referential everything and throwbacks became ubiquitous pop tropes, here, in the crackling open moments, we hear a somewhat-obscure bridge ("Dance and sing/Get up and do your thing") from Madonna's very first single, 1982's "Everybody," which she sang at downtown Manhattan clubs like Danceteria, spliced into the bass line. It's not simply a clever, tight bit of sampling: It's also a signal that our queen, then just five years into her superstardom, is already aware of the musical legacy she's building. This is muscular, established 1989 Madonna, but her beauty mark, those winks and kick-intensive choreography also signal that this is the I-want-to-rule-the-world ingenue of "Lucky Star" – and the even bolder, openly defiant, postmodern empress yet to fully reveal herself. 2. Her chair work is top-notch. Before Janet Jackson ("Miss You Much") and Britney Spears ("Stronger") but definitely after any number of participants in a Bob Fosse joint, our heroine first showed her mastery of chair-ography in 1986's "Open Your Heart" video, playing a tables-turning peep-show stripper. Even in silhouette, those preening, contorting shadows could only be hers. That's iconic. 3. And her stair work is even better. Never, ever, never underestimate the power of magical light-up stairs (an evolution of the sidewalk in Michael Jackson's "Billie Jean" video) to set the mood. No modern entertainer has descended (and, later, ascended) steps with as much precision or joie de vivre. Just ask the cheering crowd in the Universal Amphitheater what they think. 4. She's got the best wing-women in the biz. Who are these two other ladies? Glad you asked. Niki Harris (to Madonna's left) and Donna De Lory (to her right) were Madonna's principal, fan-beloved backup singers on her albums in the late Eighties and Nineties. Harris recorded the gospel solo in "Like a Prayer," and both provide gorgeous, timeless harmonies on "Express Yourself," "Vogue," "Rain" and other hits, helping to define her vocal style during this era. They also accompanied her on numerous tours as her spirited, bantering ladies-in-waiting. 5. It's a sneak peek at a world-conquering tour. Most famously, Niki and Donna were Madge's sidekicks on the Blonde Ambition Tour, which would kick off about a half a year after this VMAs turn and documented in 1991's Truth or Dare. This theatrical, girl-powered, slyly subversive VMAs performance sets the template for that historic trek, featured on Rolling Stone's 50 Greatest Concerts of the Last 50 Years list. In fact, the concert opened with a more expansive and elaborate version of the "Express Yourself" routine (adding Gaultier cone bras, shirtless hot men, more visual elements from David Fincher's Fritz Lang–inspired video and lots of humping .) 6. Her vocals aren't perfect, but they're the real deal. Madonna shrewdly never marketed herself as a singer with Whitney Houston–level pipes. But the woman who would, in the next decade, breathe life into songs written or co-written by Stephen Sondheim (I'm Breathless), Babyface (Bedtime Stories), Andrew Lloyd Webber (Evita) and a wide swathe of proto-EDM producers (including Ray of Light's William Orbit) brings fervent, soulful conviction and attitude to her strongest vocals. She may have a backing track here, but Madonna is assuredly not lip-syncing, aerobic routine or not. (The following year, in another classic but less off-the-cuff VMAs performance, she'd lip-sync "Vogue" entirely as Marie Antoinette.) 7. That song, though. Nearly 30 years on, beyond being simply a perfect, gotta-dance pop creation, "Express Yourself" remains one of Madonna's most trenchant feminist anthems. We're talking top three. It advances the theme of female sexual empowerment laid out in "Like a Virgin," which extolls a skillful lover who makes her feel "shiny and new" and "so good inside." In the brassy, clubby "Express Yourself," she instructs romantically challenged girlfriends to demand respect and communication as well as transcendent orgasms from their men: "Make you feel like a queen on a throne/Make him love you 'til you can't come down." 8. Can we talk about her hair? We're going to talk about her hair. Of all the Madonna cuts and hues we'd seen up to this point and the ones we had yet to see, this one – shaggy, tousled beachy blonde with dark Italian-girl roots showing – might be our favorite. Because the more she sweats and messes it up, the sexier it looks. 9. Actually, the whole look is really special. One more thing about the hair: It perfectly sets off the androgynous baggy suit, with trademark underwear-as-outerwear peaking beneath, and Jacko-esque black penny loafers (with white socks). And while Madonna's most famous accessory will always be the crucifix, the dangling gentlewoman's monocle – another reference to her Lady Factory Boss character from the video – sure is fun. 10. Madonna does the Roger Rabbit and the Running Man. Seriously. Around 3:08, after a masterful over-the-shoulder blazer-recovery move, the girls segue into their first extended dance break, in which Madonna murders the Roger Rabbit and the Running Man like the trained, intuitive dancer she is. Just look at her face: Has she ever looked freer or happier? This is a star. 11. There's a must-see microphone-cleavage move – and first-time voguing. There's another dance break (we love dance breaks!) around 4:10. After placing their microphones for safekeeping in a very novel (and sexy) place, there's a slo-mo crotch grab. Wait, are they voguing? Alert: We're pretty sure is the first time we're seeing Madonna vogue in public. ("Vogue" the single would drop in March 1990.) Stay cool. 12. The sign-off is way better than a mic-drop. Not content with thunderous applause, she kicks that poor chair clear off the platform. Again, really outstanding chair work. Then, after a high-five, a panting, satisfied Madge and her girls exit stage left. She has one word: "Yeah." Our thoughts exactly. The Eighties are over, the Nineties are here, and Madonna ain't going nowhere.
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Ling-Ling
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Post by Ling-Ling on Aug 16, 2017 16:22:21 GMT -5
YES! I love that article. I can't tell you how many times I've watched that performance. It's so f**king iconic.
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Post by areyoureadytojump on Aug 16, 2017 17:10:55 GMT -5
Updated list: www.huffingtonpost.com/entry/definitive-ranking-of-madonna-singles_us_56f1abf4e4b02c402f659777?utm_campaign=hp_fb_pages&utm_source=qv_fb&utm_medium=facebook&ncid=fcbklnkushpmg00000050ENTERTAINMENT 03/23/2016 10:27 am ET An Updated, But No Less Definitive Ranking Of Madonna’s Singles We refreshed our list to reflect the “Rebel Heart” era.By Matthew Jacobs Two years ago, right as “Like a Prayer” was turning 25, we ranked the 68 singles Madonna has released since her 1982 debut. Since then, “Rebel Heart“ — the singer’s 13th studio album — brought that total to 71, while another headline-grabbing world tour extended the shelf life of some of Madonna’s classics. Now it’s time to update our rankings. In instances where the Rebel Heart Tour prompted us to reevaluate certain songs, we’ve noted significant changes that depart from the previous list and linked to the performances that inspired them. A few other tracks were slightly reshuffled because who doesn’t question their judgment two years later? Otherwise, it’s the same drill as before. Rubric: • Billboard Hot 100 success (Many songs made splashes on the Hot Dance Club Play chart and abroad, including some that failed to chart on the Hot 100. For the sake of these rankings, only the Hot 100 performance was considered.) • Single’s longevity, or: Do people still know it? Is it still played on the radio and in other public arenas? • How the song contributed to Madonna’s image and critical reception • Author’s personal taste What’s missing? • Promotional singles don’t count (e.g. “Nobody Knows Me,” “Hey You”). • Featured-artist credits don’t count (e.g. “Me Against the Music” with Britney Spears). • Any songs that were not released as singles in the United States don’t count. Two exceptions: “Into the Groove” and “Fever,” neither of which was technically released as a single. Both were hits in their own right regardless, becoming some of Madonna’s most famous songs. #1 is Like A Prayer.... I'm still mad about Ghosttown.
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jumpb4uthink
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Post by jumpb4uthink on Aug 16, 2017 19:53:52 GMT -5
^ yea it's a shame Ghosttown wasn't a hit. It is a power ballad and would have been a number one hit for anyone else today and if M had released it in her prime, it would have been number 1 imo. It has a melody and hook and lyrics that screams hit and is completely relevant in today's messed up world.
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August
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Post by August on Aug 17, 2017 7:12:54 GMT -5
Ordered my RHT bluray / CD combo from Live Nation yesterday. They also offered a tshirt bundle, but I opted not to order that. I tend to not really wear concert shirts no matter how awesome the design is.
The big bummer is that Take a Bow is only included on the Japanese version of the concert release. Hopefully, someone will upload the HD Take a Bow performance to youtube.
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jumpb4uthink
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Post by jumpb4uthink on Aug 17, 2017 7:28:33 GMT -5
www.madonna.com/news/title/rebel-heart-tour-dvdblu-ray--cd-tracklisting-revealedRebel Heart Tour DVD/Blu Ray & CD Tracklisting Revealed August 16, 2017 While Madonna’s Rebel Heart Tour is now available for pre-order, we are happy to share the tracklisting to each of the formats to be released on September 16! Click here to pre-order your copy or visit Madonna’s official store now for exclusive t-shirt + DVD or Blu-Ray bundles and a fan club only t-shirt design! DVD+CD / BLU RAY + CD DVD / Blu-Ray 01. Rebel Heart Tour Intro 02. Iconic 03. Bitch I'm Madonna 04. Burning Up 05. Holy Water / Vogue 06. Devil Pray 07. Messiah (Video Interlude) 08. Body Shop 09. True Blue 10. Deeper and Deeper 11. HeartBreakCity 12. Like A Virgin 13. S.E.X. (Video Interlude) 14. Living For Love 15. La Isla Bonita 16. Dress You Up / Into The Groove 17. Rebel Heart 18. Illuminati (Video Interlude) 19. Music 20. Candy Shop 21. Material Girl 22. La Vie En Rose 23. Unapologetic Bitch 24. Holiday EXTRAS 01. An Excerpt from “Tears Of A Clown” 02. Like A Prayer CD 01. Rebel Heart Tour Intro 02. Iconic 03. Bitch I'm Madonna 04. Burning Up 05. Holy Water / Vogue 06. Devil Pray 07. Deeper and Deeper 08. HeartBreakCity 09. Living For Love 10. La Isla Bonita 11. Rebel Heart 12. Candy Shop 13. Unapologetic Bitch 14. Holiday DOUBLE CD / DIGITAL AUDIO CD1 01. Rebel Heart Tour Intro 02. Iconic 03. Bitch I'm Madonna 04. Burning Up 05. Holy Water / Vogue 06. Devil Pray 07. Body Shop 08. True Blue 09. Deeper and Deeper 10. HeartBreakCity 11. Like A Virgin CD2 01. Living For Love 02. La Isla Bonita 03. Dress You Up / Into The Groove 04. Rebel Heart 05. Music 06. Candy Shop 07. Material Girl 08. La Vie En Rose 09. Unapologetic Bitch 10. Holiday 11. BONUS TRACK: Like A Prayer
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Deleted
Joined: January 1970
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Post by Deleted on Aug 17, 2017 7:46:01 GMT -5
Updated singles list is interesting I agree with most of top 20 except for maybe Justify my love - so high up there
Ah and my favorite Madonna song ( which for me has some of her best lyrics - if not d best) so low :(
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SPRΞΞ
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Post by SPRΞΞ on Aug 17, 2017 12:06:11 GMT -5
^ yea it's a shame Ghosttown wasn't a hit. It is a power ballad and would have been a number one hit for anyone else today and if M had released it in her prime, it would have been number 1 imo. It has a melody and hook and lyrics that screams hit and is completely relevant in today's messed up world. Yes it would've definitely been a huge hit for her back in the day.
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chartfreak
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Post by chartfreak on Aug 18, 2017 20:39:52 GMT -5
I'm a little confused...will this be releases physically in stores??
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Post by areyoureadytojump on Aug 19, 2017 9:22:27 GMT -5
^Yes. There is a 1cd release. The digital album will be "2cds" or "double album."
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Post by areyoureadytojump on Aug 19, 2017 9:24:53 GMT -5
pitchfork.com/thepitch/6-sides-of-madonna-that-explain-her-genius-listening-guide/6 Sides of Madonna That Explain Her GeniusIn celebration of Madonna’s birthday (August 16), we’ve deemed it Madonna Day on Pitchfork. We’ve reviewed four of her classic albums—her 1983 debut, 1989’s Like a Prayer, 1994’s Bedtime Stories, and 1998’s Ray of Light—and now we move onto the ties that bind her career. If you were to see someone tweet the phrase “Madonna is everything,” you might attribute it to a very 2017 type of online hyperbole. And yes, Madonna is everything in that sense, but from a pop perspective Madonna also feels like everything because in a career spanning four decades she has attacked, absorbed, and conquered pop music from every possible angle. When Madonna’s referenced as the Queen of Reinvention, it tends to suggest the linear series of career moves, from album to album, sonic era to sonic era, hairstyle to hairstyle. In reality, her layered approach to pop domination has frequently seemed to consist of multiple Madonnas existing at the same time. Here are six of her best, key to understanding her work. Madonna, The ControversialistMany of Madonna’s supposedly controversial songs (like ‘80s hit “Papa Don’t Preach,” with its subtext of abortion) are now more clearly identified as feminist statements or expressions of self, but that’s not to say Madonna has never deliberately courted outright controversy. It’s easy to mock the quaint ’80s reaction to the lyrics of “Like A Virgin,” but it’s also fair to say that if a mainstream 2017 pop act—Ariana Grande, for instance—released the video Madonna made for “Like A Prayer,” all hell would still break loose. That video tackled religion, race, and sex, with scenes depicting murder, burning crosses, and Madonna with stigmata-esque wounds. It led to predictable complaints from the American Family Association, a denouncement by the Vatican, and a $5 million Pepsi ad campaign being benched. It would have been disingenuous of Madonna to feign surprise at the reaction. And she didn’t. Her response? “Art should be controversial, and that's all there is to it.” Madonna upped the ante on her next formal album, 1992’s Erotica, and its accompanying artifacts, including the boundary-breaking “Justify My Love” video and a coffee table book called Sex, whose main shock value these days involves the inclusion of Vanilla Ice. Fast-forward to 2017, after decades of refusing to be silenced: Live on CNN from the Women’s March on Washington, Madonna delivered a passionate speech about change, sacrifice, rebellion, the tyranny of Trump, and the power of love. There was more, of course: “To our detractors that insist this march will never add up to anything: fuck you. Fuck. You.” Not great news for CNN’s switchboard but a fair point, well made. Madonna, The Club QueenWhen Madonna descended on New York in 1978, she’d just dropped out of a University of Michigan dance scholarship and was hell-bent on making it as a professional dancer. So, spoiler alert, she’s not averse to tripping the light fantastic, as her 1983 debut proved out the gate. Her discography is full of floorfillers, and she holds the record for the most No. 1 singles on Billboard’s Dance/Club Songs Chart, even if some of those chart-topping tracks—like the various mixes of the poignant gender-role assessment “What It Feels Like For A Girl”—make for a somewhat complex shimmy. Peppered throughout Madonna’s career are more direct hints at what it might be like to actually—imagine this!—go dancing with Madonna. She likes to boogie woogie, this much we know from “Music.” On the 2000 album track “Impressive Instant,” Madonna reveals that her skills extend to both rhumba and samba (though bear in mind this was also the song where she declared, “I like to singy singy singy like a bird on a wingy wingy wingy,” so there’s that). Most significantly, Madonna’s belief in the dance floor as a sacred space is described in “Vogue” with words some will find as inspiring in 2017 as listeners almost three decades ago did: “When all else fails and you long to be something better than you are today, I know a place where you can get away—it's called a dance floor.” Released a few years earlier, True Blue album cut “Where’s The Party” was ostensibly a song about going out and losing control after a week at work. Madonna wistfully recalls that as a child she “couldn’t wait to get older,” before acknowledging that getting older hasn’t been everything she’d hoped, then looking ahead to the future: “Don't want to grow old too fast, don’t want to let the system get me down.” Like some of the best pop songs, it’s about living in the moment, even if the importance of doing so only makes sense in the context of what came before, and what will come in the future. Which leads us to… Madonna, The ClockwatcherMadonna looked closer to home on another time-shifting track, “This Used to Be My Playground” from A League of Their Own, with further songs like “Oh Father” and “Live To Tell” also looking back on Madonna’s upbringing with themes of defiance, resolve, and closure. A more literal timepiece motif emerged during the 2000s, when the lead singles from two successive Madonna albums each began with the sound of a clock ticking. In the first, 2005’s Abba-sampling behemoth “Hung Up,” the ticking clock was inspired by producer Stuart Price’s earlier remix of Gwen Stefani’s “What You Waiting For,” and was followed by Madonna’s observation that “time goes by so slowly for those who wait, those who run seem to have all the fun.” By 2008, it was Timbaland administering the ticks on “4 Minutes,” rather improbably Madonna’s second most-streamed song on Spotify. That song’s lyrics (“We only got four minutes to save the world… grab a boy, then grab a girl”) suggested procreation-based speed dating, but Madonna later explained that they hinged on “living on borrowed time essentially, and people are becoming much more aware of the environment and how we're destroying the planet.” Madonna may have overestimated the urgency but, well, that clock’s still ticking. Madonna, The MoviegoerThe are various words we might use to describe Madonna’s film career, one of the more generous being “lengthy.” Since the ’80s, Madonna’s screen credits have prompted a series of musical contributions whose quality has frequently, often mercifully, failed to correlate with that of the actual movie. Were one to assemble those alongside songs contributed to films in which Madonna didn’t even appear, you’d have one of the modern pop era’s most surreal career retrospectives. It would include glossy pop jam “Who’s That Girl,” wistful ballad-banger “I’ll Remember” (from a dreadful Joe Pesci-Brendan Fraser vehicle), the William Orbit-produced, Austin Powers-soundtracking “Beautiful Stranger,” a peculiar cover of “American Pie” featuring Rupert Everett, the slightly mind-boggling “Hanky Panky" (and the rest of her *Dick Tracy* companion LP), futuristic Bond theme “Die Another Day,” and (on a technicality) “Into the Groove.” By law, that compilation would also need to include Madonna’s take on “Don’t Cry For Me Argentina,” but not the version she sang in Evita. Instead we’d have the castanet-strewn, 100 percent spectacular, seven-minute remix, for which Madonna recorded brand new vocals and a second chorus entirely in Spanish. Sadly, some may say criminally, this definitive version of “Don’t Cry For Me Argentina” is unavailable on streaming services, but it does live on via YouTube. Madonna, The Pensive ChanteuseTreat with deep suspicion anybody who links lyrical substance to low tempo. That said, while Madonna has definitely explored the extremes of human emotion via dance floor smashes, some of her most profound thoughts have arrived within her most elegant songs. On her wildly underrated American Life album, “Nothing Fails” boasts a tempo that barely reaches the status of mid, but for a truly downbeat masterpiece, try Ray Of Light’s “Drowned World/Substitute For Love,” a prelude to a reflective and immersive album whose sonic departure made it the riskiest move in a career built on the avoidance of safe decisions. It’s there that we found Madonna, who’d previously sung plenty about being a daughter, singing for the first time about being a parent (via sparse lullaby “Little Star”) while also, on mesmerizing album closer “Mer Girl,” reflecting on the death of her own mother. Madonna, The Hopeful RomanticMadonna undoubtedly defined the role of sex in modern pop, but just as prominently—in songs as diverse as “Take A Bow,” “Get Together,” and “Borderline”—are themes of romance, heartbreak, and optimism. “The thing is,” Madonna told Rolling Stone regarding 2015’s “Living For Love,” “lots of people write about being in love and being happy or they write about having a broken heart and being inconsolable. But nobody writes about having a broken heart and being hopeful and triumphant afterwards. I didn't want to share the sentiment of being a victim. This scenario devastated me, but it just made me stronger.” The survival spirit of “Living for Love“ came to life in an unexpected way. One of the song’s first performances took place at the 2015 Brit Awards, where, at a key moment, a dancer tugged Madonna’s cloak. The garment should have billowed away to reveal Madonna’s full performance outfit, but the clasp jammed. Madonna was abruptly yanked off the stage platform but was back on her feet within seconds, singing lines like, “Lifted me up, and watched me stumble… after the heartache, I’m gonna carry on.” She finished the song, conjuring a live TV victory where others would have conceded defeat. The aftermath was Madonna in excelsis: She didn’t block the performance’s upload to the Brits’ YouTube channel. She didn’t hide the imperfection or pretend it had not happened. In fact, within a week, the full performance was on her official VEVO channel, where it remains. Elsewhere on Rebel Heart, Madonna sings, “I’m only human”—which is true, of course. Madonna definitely is a human being—she just happens to be one whose remarkable longevity and multifaceted creativity justify her reputation as the Queen of Pop.
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jumpb4uthink
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Post by jumpb4uthink on Aug 22, 2017 11:56:49 GMT -5
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Post by areyoureadytojump on Aug 23, 2017 8:21:00 GMT -5
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Post by areyoureadytojump on Aug 24, 2017 14:30:20 GMT -5
Nadya's Madonna impersonation
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Unhinged
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Post by Unhinged on Aug 24, 2017 15:38:36 GMT -5
lol @ "left my gag reflex at home."
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jumpb4uthink
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Post by jumpb4uthink on Aug 24, 2017 19:13:45 GMT -5
Lol that was hilarious. Taco Truck Bonita *rolling*
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Post by areyoureadytojump on Aug 24, 2017 21:05:21 GMT -5
"It's like choosing who is my favorite child. David!"
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HolidayGuy
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Post by HolidayGuy on Aug 26, 2017 12:52:00 GMT -5
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Post by catboy2017 on Aug 27, 2017 0:12:09 GMT -5
She looks fantastic... I think Madonna is changing what it's like to be 30/40/50...and beyond. Actually, I'd say Cher and Tina Turner led that way more than 30 years ago as women 40+ who kicked butt. Back in the 80's, that was 'over-the-hill' and marketed liked crazy for 40th birthdays (everything from t-shirts, banners, napkins, etc). Where M can break the mold for women is if she start having Pop hits again. True. That's what I expect from her. It'd be a really achievement if she can do it.
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Post by catboy2017 on Aug 27, 2017 0:16:26 GMT -5
^If she/they couldn't restore LDLHA back into the show (I would think the original edit would contain it, anyhow)... really, something so simple, not difficult... I dunno... Pat Leonard is very spot-on about artists. Some of the best artists didn't/don't have the best technical voices. It's all about emotion, how you convey it in song, etc.' Hi, Succulent. :) Well said HolidayGuy 👍🏼
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Post by catboy2017 on Aug 27, 2017 0:27:08 GMT -5
I wonder if she's writing new music or not... I'd be satisfied with a song for a soundtrack at least...like the old times
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Post by catboy2017 on Aug 27, 2017 0:31:22 GMT -5
perfect summer song and still my favorite Madonna song!
... I'll do the rest
Lyrics are awesome!
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Deleted
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Post by Deleted on Aug 27, 2017 4:02:29 GMT -5
Yes they are Of all the Madonna songs I can relate the most to this one Plus music is banging! And I love to hear thunders
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HolidayGuy
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Post by HolidayGuy on Aug 28, 2017 15:23:07 GMT -5
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