Billboard Hot 100 : 08/08/15

[ry4n]

And yet, despite Trap Queen's success, it could only get to #18 on pop. Lol.

[ry4n]

Top 10 flashbacks for this week


1 year ago (8/9/2014)

1 1 Rude - MAGIC! (3rd week of 6 @ #1)
2 2 Fancy - Iggy Azalea feat. Charli XCX
3 3 Stay With Me - Sam Smith
4 5 Am I Wrong - Nico & Vinz
5 4 Problem - Ariana Grande feat. Iggy Azalea
6 7 Maps - Maroon 5
7 9 Latch - Disclosure feat. Sam Smith
8 6 All Of Me - John Legend
9 11 Chandelier - Sia
10 10 Summer - Calvin Harris


5 years ago (8/7/2010)

1 1 Love The Way You Lie - Eminem feat. Rihanna (2nd week of 7 @ #1)
2 2 California Gurls - Katy Perry feat. Snoop Dogg
3 4 Dynamite - Taio Cruz
4 3 Airplanes - B.o.B feat. Hayley Williams
5 7 Billionaire - Travie McCoy feat. Bruno Mars
6 8 I Like It - Enrique Iglesias feat. Pitbull
7 6 Cooler Than Me - Mike Posner
8 5 OMG - Usher feat. will.i.am
9 9 Find Your Love - Drake
10 10 Ridin' Solo - Jason Derulo


10 years ago (8/6/2005)

1 1 We Belong Together - Mariah Carey (9th week of 14 @ #1)
2 2 Pon De Replay - Rihanna
3 4 Don't Cha - Pussycat Dolls feat. Busta Rhymes
4 6 Lose Control - Missy Elliott feat. Ciara & Fatman Scoop
5 8 Let Me Hold You - Bow Wow feat. Omarion
6 3 Hollaback Girl - Gwen Stefani
7 7 Behind These Hazel Eyes - Kelly Clarkson
8 5 Don't Phunk With My Heart - Black Eyed Peas
9 12 Pimpin' All Over The World - Ludacris feat. Bobby Valentino
10 9 Get It Poppin' - Fat Joe feat. Nelly


15 years ago (8/5/2000)

1 1 It's Gonna Be Me - *NSYNC (2nd and final week @ #1)
2 55 Incomplete - Sisqo
3 2 Bent - Matchbox 20
4 3 Everything You Want - Vertical Horizon
5 4 Try Again - Aaliyah
6 8 Jumpin', Jumpin' - Destiny's Child
7 5 I Wanna Know - Joe
8 6 Absolutely (Story Of A Girl) - Nine Days
9 7 Higher - Creed
10 15 Doesn't Really Matter - Janet Jackson

[allow that]

Jul 26, 2015 10:39:47 GMT -5 ry4n said:

And yet, despite Trap Queen's success, it could only get to #18 on pop. Lol.

because Pop is EVERYTHING!

[Gary]

We could rephrase that sentence.

"And yet, despite Trap Queen's success, it could only get to #18 on pop. Lol. "

this way

And yet, despite because of Trap Queen's success, it could only get a non-pop song got to #18 on pop. Lol.

[ry4n]

Or, pop was only willing to let Trap Queen get as high as #18, despite its success elsewhere.

I think Trap Queen was mostly seen as a novelty song, though.

[allow that]

Jul 26, 2015 11:29:58 GMT -5 ry4n said:

Or, pop was only willing to let Trap Queen get as high as #18, despite its success elsewhere.

Who cares though? The song wasn't created for the pop audience but still went top 20 at the format. That's called a hit that's way too big to ignore.

I think Trap Queen was mostly seen as a novelty song, though.

That's why Fetty has two follow-up singles blowing up at the same time now.

You think it's novelty because you don't like it. To me, Selena Gomez and Demi Lovato are the biggest novelty acts on the radio with their forced "look at me grow up" clown act. But I know not everyone agrees, so whatevs.

To each his own... no one should act like their own way is the way.

[Deleted]

No one tagged me for this disaster of a thread? lol.

For anyone who is curious as to why it grinds the urban fans' gears when you dismiss urban songs, let me put it to you this way: would you call Carrie Underwood a one-hit wonder because she hasn't charted on pop since Before He Cheats? Would you say Mumford and Sons are one-hit wonders because their only top 20 hit on pop was I Will Wait? Would you complain if either of those artists somehow crashed onto your radars again with another crossover hit? I doubt that you would, and in fact if someone did call one of them a one-hit wonder you'd probably bend over backwards to quantify the statement, clarify that obviously they're successful in their own genres and just happened to have that one song that crossed over, look at the other songs they had that managed to hit the Hot 100 top 40/20 despite lack of pop airplay, etc. So that's why it's obnoxious when you debate whether Fetty Wap will have another hit; he already does. He has already met all the typical standards of multiple-hit success. Like someone else said, urban has a lot of superstars that you guys don't know about, but you not knowing about them and pop not playing them doesn't render them nonexistent.

The sales environment for urban is different, to be sure, and it's definitely something I have ranted about before (yes, to the person who asked, "Adorn" finally went platinum, but goodness it took a year and a half to do so). But again, these things are all relative, so it doesn't make sense to dismiss an entire format simply because it isn't what you would consider successful on your format of choice. (I'd also argue that r&b and hip-hop probably shouldn't be compared to each other as much as they are, but that's another complaint for another day).

Funny story: on an urban forum that I lurk semi-regularly, some person made a comment a couple of weeks ago about how labels are always trying to push white female pop stars only for them to all "implode" within five years. They then proceeded to rattle off about ten names, almost none of whom had actually imploded. I don't remember the whole list but Miley, Demi, Carly, and Meghan were on there, and obviously neither of those four are anywhere near implosion. Hell, three of them you can't even say have fallen off yet - Meghan is on the tail end of a successful album and has a rising duet feature with someone else; Demi just released a new single which is currently rising; and Miley is in between albums, her previous one being an inarguable commercial success. Carly's only guilty of struggling to not be a one-hit wonder; you can't crash and burn if you never really got off the ground in the first place, can you?

It just goes to show that pop fans don't have the lockdown on being ignorant to anything outside their bubble, but it also takes a little air out of the balloon for those pop fans who think that breaking into their bubble really is the be-all and end-all of relevancy. A lot of people aren't actually checking for y'all or your approval, and some even get mad when they think their favorite singers are.

There's something that just...gets under my skin knowing that a lot of you guys will go above and beyond the call of duty to dismiss urban music in a way that you would never do toward any other genre. I'm not making any accusations or pointing any fingers, but if that statement makes you feel some type of way then I'm glad, because it should.

tl;dr I miss the 90s.

[#LisaRinna]

Jul 26, 2015 14:07:22 GMT -5 @antigonerising said:

No one tagged me for this disaster of a thread? lol.

For anyone who is curious as to why it grinds the urban fans' gears when you dismiss urban songs, let me put it to you this way: would you call Carrie Underwood a one-hit wonder because she hasn't charted on pop since Before He Cheats? Would you say Mumford and Sons are one-hit wonders because their only top 20 hit on pop was I Will Wait? Would you complain if either of those artists somehow crashed onto your radars again with another crossover hit? I doubt that you would, and in fact if someone did call one of them a one-hit wonder you'd probably bend over backwards to quantify the statement, clarify that obviously they're successful in their own genres and just happened to have that one song that crossed over, look at the other songs they had that managed to hit the Hot 100 top 40/20 despite lack of pop airplay, etc. So that's why it's obnoxious when you debate whether Fetty Wap will have another hit; he already does. He has already met all the typical standards of multiple-hit success. Like someone else said, urban has a lot of superstars that you guys don't know about, but you not knowing about them and pop not playing them doesn't render them nonexistent.

The sales environment for urban is different, to be sure, and it's definitely something I have ranted about before (yes, to the person who asked, "Adorn" finally went platinum, but goodness it took a year and a half to do so). But again, these things are all relative, so it doesn't make sense to dismiss an entire format simply because it isn't what you would consider successful on your format of choice. (I'd also argue that r&b and hip-hop probably shouldn't be compared to each other as much as they are, but that's another complaint for another day).

Funny story: on an urban forum that I lurk semi-regularly, some person made a comment a couple of weeks ago about how labels are always trying to push white female pop stars only for them to all "implode" within five years. They then proceeded to rattle off about ten names, almost none of whom had actually imploded. I don't remember the whole list but Miley, Demi, Carly, and Meghan were on there, and obviously neither of those four are anywhere near implosion. Hell, three of them you can't even say have fallen off yet - Meghan is on the tail end of a successful album and has a rising duet feature with someone else; Demi just released a new single which is currently rising; and Miley is in between albums, her previous one being an inarguable commercial success. Carly's only guilty of struggling to not be a one-hit wonder; you can't crash and burn if you never really got off the ground in the first place, can you?

It just goes to show that pop fans don't have the lockdown on being ignorant to anything outside their bubble, but it also takes a little air out of the balloon for those pop fans who think that breaking into their bubble really is the be-all and end-all of relevancy. A lot of people aren't actually checking for y'all or your approval, and some even get mad when they think their favorite singers are.

There's something that just...gets under my skin knowing that a lot of you guys will go above and beyond the call of duty to dismiss urban music in a way that you would never do toward any other genre. I'm not making any accusations or pointing any fingers, but if that statement makes you feel some type of way then I'm glad, because it should.

tl;dr I miss the 90s.

SCREAMING!

You better preach honey! And to everyone questioning Fetty's success I'm actually very surprised. Cause he just had the #2 song on iTunes like two weeks ago, which Pop fans are always perched at and checking fanatically so I don't get the fumes over "Trap Queen" invading y'all vines and crossing over to be a smash.

[allow that]

Jul 26, 2015 14:07:22 GMT -5 @antigonerising said:

For anyone who is curious as to why it grinds the urban fans' gears when you dismiss urban songs, let me put it to you this way: would you call Carrie Underwood a one-hit wonder because she hasn't charted on pop since Before He Cheats?

Wait up!! You mean Carrie Underwood isn't a one hit wonder?! :o :o :o

[damazz09]

Question about the 1995 Chart. I was going through the list and I can only remember about half of the songs. The chart seems to be skewed toward the R/B/Hip Hop charts at the time. Were the r&B/hip songs on the top 40 at the time and I can't remember, or were there certain measures that favored those type of songs?

[Glove Slap]

Jul 26, 2015 16:58:02 GMT -5 damazz09 said:

Question about the 1995 Chart. I was going through the list and I can only remember about half of the songs. The chart seems to be skewed toward the R/B/Hip Hop charts at the time. Were the r&B/hip songs on the top 40 at the time and I can't remember, or were there certain measures that favored those type of songs?

This was the period when a lot of labels more and more often didn't release physical singles to sell the album, or only released a limited amount so the song would chart, but then people would move on to the album. Rock and Pop acts generally were where this happened.

Hip-Hop & R&B acts on the other hand generally still issued cassette singles which is where the majority of sales came from. The sales would be strong too, so the songs would vault up the chart. Then they'd stay in the upper regions until the single was no longer being produced and shipped en masse or when people naturally stopped buying. Usually it was the former I believe. It wasn't that uncommon for songs to enter or jump really high, hang around in the upper chart area for several weeks and then fall relatively fast since the single was no longer in stock and the airplay chart didn't incorporate all formats, so they got minimal points counted. If R&B airplay had counted, they would have had more smoothed out descents.

[damazz09]

Jul 26, 2015 17:09:33 GMT -5 Glove Slap said:

Jul 26, 2015 16:58:02 GMT -5 damazz09 said:

Question about the 1995 Chart. I was going through the list and I can only remember about half of the songs. The chart seems to be skewed toward the R/B/Hip Hop charts at the time. Were the r&B/hip songs on the top 40 at the time and I can't remember, or were there certain measures that favored those type of songs?

This was the period when a lot of labels more and more often didn't release physical singles to sell the album, or only released a limited amount so the song would chart, but then people would move on to the album. Rock and Pop acts generally were where this happened.

Hip-Hop & R&B acts on the other hand generally still issued cassette singles which is where the majority of sales came from. The sales would be strong too, so the songs would vault up the chart. Then they'd stay in the upper regions until the single was no longer being produced and shipped en masse or when people naturally stopped buying. Usually it was the former I believe. It wasn't that uncommon for songs to enter or jump really high, hang around in the upper chart area for several weeks and then fall relatively fast since the single was no longer in stock and the airplay chart didn't incorporate all formats, so they got minimal points counted. If R&B airplay had counted, they would have had more smoothed out descents.

Ah gotcha. Thanks for clearing that up! Makes sense now.

[felipe]

Jul 26, 2015 9:08:49 GMT -5 ListenToItTwice said:

Jul 26, 2015 7:22:20 GMT -5 felipe said:

did black rappers stop making catchy, radio-friendly songs?

Yes, that one! An entire race of people forgot how to be successful in the music industry! I bet it's that one!

I'm not saying an entire race of people, I'm talking strictly about rappers. And I don't think they forgot how "to be succesful", sometimes it seems like a conscious choice not not do such pop-leaning songs. Kanye West can have a pop hit any time he wants it, but it seems like he prefers to do a more challenging, not radio-friendly, sound. Jay-Z had a big hit with Holy Grail, totally radio-friendly, but that's not really the overall sound of the album and the follow-up singles. Nicki Minaj has had major hits at pop radio (and just recently Hey Mama exploded in the US mainly because of her), but chose a more urban sound for her last album. Flo-Rida, on the other hand, does songs that cater to pop radio listeners and gets a lot of flak for it. So does Pitbul. It seems to me the issue is more related to sound than race.

[brucelover]

YEARS & YEARS - King: 0.937

Rise, please :prays:

[House Lannister]

Top 10 predictions (probably wrong):

1. Cheerleader
2. Can't Feel My Face
3. Watch Me
4. See You Again
5. Bad Blood
6. Trap Queen
7. Fight Song
8. Shut Up and Dance
9. Lean On
10. The Hills
11. Worth It
12. My Way
15. Good for You
20. She's Kinda Hot
21. 679

[therealstan123]

What happened to CFMF's gain? And still no music video...

[Deleted]

Unfortunately, CFMF could end up being blocked from #1 if the video does not get released soon...it has fallen quite a bit behind now in sales

[THINKIN BOUT YOU]

Jul 27, 2015 0:22:52 GMT -5 @markg94 said:

Unfortunately, CFMF could end up being blocked from #1 if the video does not get released soon...it has fallen quite a bit behind now in sales

Ikr!! Is he waiting for the right moment behind the curtain to release a phenomenal blockbuster like "wrecking ball 2.0: can't feel my ball"?

[THINKIN BOUT YOU]

Jul 26, 2015 17:09:33 GMT -5 Glove Slap said:

Jul 26, 2015 16:58:02 GMT -5 damazz09 said:

Question about the 1995 Chart. I was going through the list and I can only remember about half of the songs. The chart seems to be skewed toward the R/B/Hip Hop charts at the time. Were the r&B/hip songs on the top 40 at the time and I can't remember, or were there certain measures that favored those type of songs?

This was the period when a lot of labels more and more often didn't release physical singles to sell the album, or only released a limited amount so the song would chart, but then people would move on to the album. Rock and Pop acts generally were where this happened.

Hip-Hop & R&B acts on the other hand generally still issued cassette singles which is where the majority of sales came from. The sales would be strong too, so the songs would vault up the chart. Then they'd stay in the upper regions until the single was no longer being produced and shipped en masse or when people naturally stopped buying. Usually it was the former I believe. It wasn't that uncommon for songs to enter or jump really high, hang around in the upper chart area for several weeks and then fall relatively fast since the single was no longer in stock and the airplay chart didn't incorporate all formats, so they got minimal points counted. If R&B airplay had counted, they would have had more smoothed out descents.

Why? Why pop and rock? Self-esteem is too high?

[THINKIN BOUT YOU]

Jul 26, 2015 14:07:22 GMT -5 @antigonerising said:

No one tagged me for this disaster of a thread? lol.

For anyone who is curious as to why it grinds the urban fans' gears when you dismiss urban songs, let me put it to you this way: would you call Carrie Underwood a one-hit wonder because she hasn't charted on pop since Before He Cheats? Would you say Mumford and Sons are one-hit wonders because their only top 20 hit on pop was I Will Wait? Would you complain if either of those artists somehow crashed onto your radars again with another crossover hit? I doubt that you would, and in fact if someone did call one of them a one-hit wonder you'd probably bend over backwards to quantify the statement, clarify that obviously they're successful in their own genres and just happened to have that one song that crossed over, look at the other songs they had that managed to hit the Hot 100 top 40/20 despite lack of pop airplay, etc. So that's why it's obnoxious when you debate whether Fetty Wap will have another hit; he already does. He has already met all the typical standards of multiple-hit success. Like someone else said, urban has a lot of superstars that you guys don't know about, but you not knowing about them and pop not playing them doesn't render them nonexistent.

The sales environment for urban is different, to be sure, and it's definitely something I have ranted about before (yes, to the person who asked, "Adorn" finally went platinum, but goodness it took a year and a half to do so). But again, these things are all relative, so it doesn't make sense to dismiss an entire format simply because it isn't what you would consider successful on your format of choice. (I'd also argue that r&b and hip-hop probably shouldn't be compared to each other as much as they are, but that's another complaint for another day).

Funny story: on an urban forum that I lurk semi-regularly, some person made a comment a couple of weeks ago about how labels are always trying to push white female pop stars only for them to all "implode" within five years. They then proceeded to rattle off about ten names, almost none of whom had actually imploded. I don't remember the whole list but Miley, Demi, Carly, and Meghan were on there, and obviously neither of those four are anywhere near implosion. Hell, three of them you can't even say have fallen off yet - Meghan is on the tail end of a successful album and has a rising duet feature with someone else; Demi just released a new single which is currently rising; and Miley is in between albums, her previous one being an inarguable commercial success. Carly's only guilty of struggling to not be a one-hit wonder; you can't crash and burn if you never really got off the ground in the first place, can you?

It just goes to show that pop fans don't have the lockdown on being ignorant to anything outside their bubble, but it also takes a little air out of the balloon for those pop fans who think that breaking into their bubble really is the be-all and end-all of relevancy. A lot of people aren't actually checking for y'all or your approval, and some even get mad when they think their favorite singers are.

There's something that just...gets under my skin knowing that a lot of you guys will go above and beyond the call of duty to dismiss urban music in a way that you would never do toward any other genre. I'm not making any accusations or pointing any fingers, but if that statement makes you feel some type of way then I'm glad, because it should.

tl;dr I miss the 90s.

Wait.. What makes one an urban fan? All about the radio station (s)he is listening? Why the boundary between forums that distinct? Is it that pop fans do not listen to and give much whit about anything played in urban forum?

[THINKIN BOUT YOU]

Jul 26, 2015 19:36:48 GMT -5 House Lannister said:

Top 10 predictions (probably wrong):

1. Cheerleader
2. Can't Feel My Face
3. Watch Me
4. See You Again
5. Bad Blood
6. Trap Queen
7. Fight Song
8. Shut Up and Dance
9. Lean On
10. The Hills
11. Worth It
12. My Way
15. Good for You
20. She's Kinda Hot
21. 679

Trap queen is never leaving, it's "trapped".
See you again is descending one step at a time such that each spot it passes by tearfully yells: "see you again".
Fight song is fighting brushing one song down as a weekly motivation.
The hills block new songs from entering top 10 just like "the hills".

[Enigma.]

Jul 27, 2015 2:12:35 GMT -5 THINKIN BOUT YOU said:

Why? Why pop and rock? Self-esteem is too high?

Wish Self Esteem had charted better than it did..

[Ravi]

Jul 26, 2015 19:36:48 GMT -5 House Lannister said:

Top 10 predictions (probably wrong):

1. Cheerleader
2. Can't Feel My Face
3. Watch Me
4. See You Again
5. Bad Blood
6. Trap Queen
7. Fight Song
8. Shut Up and Dance
9. Lean On
10. The Hills
11. Worth It
12. My Way
15. Good for You
20. She's Kinda Hot
21. 679

I mostly concur.... I expect a close one for #10 though, and the #10-12 could come in any order.

[Ravi]

DP.

[Dylan :)]

I'm hoping Worth It at least reaches a new peak this week..

[Daniel Collins]

Mediabase 07/27/15

1. TAYLOR SWIFT - Bad Blood f/Kendrick Lamar: 189.280 (- 1.104)
2. THE WEEKND - Can't Feel My Face: 168.487 (+ 1.302)
3. OMI - Cheerleader: 157.872 (+ 1.238)
4. WALK THE MOON - Shut Up And Dance: 144.508 (- 0.928)
5. WIZ KHALIFA - See You Again f/Charlie Puth: 141.386 (- 2.497)
6. DAVID GUETTA - Hey Mama f/N. Minaj & Afrojack: 119.866 (- 1.737)
7. JASON DERULO - Want To Want Me: 106.154 (- 0.817)
8. ANDY GRAMMER - Honey, I'm Good: 106.025 (- 0.771)
9. RACHEL PLATTEN - Fight Song: 104.970 (+ 1.023)
10. FIFTH HARMONY - Worth It f/Kid Ink: 96.068 (+ 0.995)
11. MAJOR LAZER - Lean On f/MØ & DJ Snake: 83.750 (+ 1.346)
12. ED SHEERAN - Photograph: 82.080 (+ 1.727)
13. SKRILLEX & DIPLO - Where Are U Now w/J. Bieber: 80.176 (+ 0.459)
14. MARK RONSON - Uptown Funk f/Bruno Mars: 77.532 (- 0.697)
15. MAROON 5 - Sugar: 74.398 (+ 1.478)
16. OMARION - Post To Be f/Chris Brown&Jhene: 73.001 (+ 0.243)
17. BRANTLEY GILBERT - One Hell Of An Amen: 66.837 (+ 0.144) ▲
18. JASON ALDEAN - Tonight Looks Good On You: 66.609 (- 0.969) ▼
19. TOVE LO - Talking Body: 63.956 (- 1.095)
20. ELLIE GOULDING - Love Me Like You Do: 63.624 (- 0.443) ▲

THE WEEKND - Earned It: 63.467 (- 0.679)
FALL OUT BOY - Uma Thurman: 62.862 (+ 1.191)
MICHAEL RAY - Kiss You In The Morning: 61.821 (+ 0.931)
DEMI LOVATO - Cool For The Summer: 60.564 (+ 0.130)
SILENTO - Watch Me: 60.175 (+ 1.539)
LUKE BRYAN - Kick The Dust Up: 56.117 (+ 0.866)
SELENA GOMEZ - Good For You f/A$AP Rocky: 55.438 (+ 0.897)
JIDENNA - Classic Man: 55.166 (+ 0.407)
FETTY WAP - My Way f/Monty: 46.700 (+ 0.990)
THOMAS RHETT - Crash And Burn: 40.367 (+ 0.500)
SAGE THE GEMINI - Good Thing f/Nick Jonas: 26.820 (- 0.035)
X AMBASSADORS - Renegades: 26.496 (+ 0.420)
MEEK MILL - All Eyes On You f/Minaj/Brown: 22.507 (+ 0.380)
CHARLIE PUTH - Marvin Gaye f/Meghan Trainor: 21.763 (+ 1.305)
FLORIDA-GEORGIA LINE - Anything Goes: 20.786 (+ 1.313)
ZEDD - Beautiful Now f/Jon Bellion: 20.349 (+ 0.406)
JASON DERULO - Cheyenne: 18.789 (- 0.011)
R. CITY - Locked Away f/Adam Levine: 18.585 (+ 1.158)
5 SECONDS OF SUMMER - She's Kinda Hot: 17.791 (+ 1.785)
KELLY CLARKSON - Invincible: 16.284 (+ 0.087)
JANET JACKSON - No Sleeep: 15.373 (+ 0.395)
THE WEEKND - The Hills: 11.485 (+ 0.547)
SHAWN MENDES - Stitches: 9.946 (+ 0.344)
MEGHAN TRAINOR - Like I'm Gonna Lose You: 9.385 (+ 0.507)
CALVIN HARRIS + DISCIPLES - How Deep Is Your Love: 7.108 (+ 0.490)

[peacebone]

www.periscope.tv/w/aIZ2qjg3MTg1fDQ4MTczNjQ3fI-KFvZh_F0Kg0zhtUrmQQwU9lOM3Vk9EMK6TVb5GsI=

Streaming on Periscope right now.

1. OMI - Cheerleader (=)
2. The Weeknd - Can't Feel My Face (=)
3. Silento - Watch Me (+2)
4. Taylor Swift/Kendrick Lamar - Bad Blood (=)
5. Wiz Khalifa/Charlie Puth - See You Again (-2)
6. Fetty Wap - Trap Queen (=)
7. Fetty Wap/Monty - My Way (+80) [biggest one-week jump since Katy Perry's Roar]
8. Rachel Platten - Fight Song (=)
9. Walk the Moon - Shut Up and Dance (-2)
10. Major Lazer/DJ Snake/MO - Lean On (-1)
12. Fifth Harmony/Kid Ink - Worth It (+2)
22. 5 Seconds of Summer - She's Kinda Hot (DEBUT)

Also, shoutout to whoever chose Grizzly Bear's Two Weeks as their song of the summer in the Periscope stream.

[Dylan :)]

YAS 5H! About time they got a new peak! Four weeks too many at #14. I'm very curious to see how it will finish in the year end chart. I think it may finish out like Same Love/Best Day of My Life/Want U Back

[Mikel Echarri]

OMI's 'Cheerleader' No. 1 for Third Week on Hot 100 

By Silvio Pietroluongo (Where's Gary?)| July 27, 2015 3:17 PM EDT

"Cheerleader" thwarts The Weeknd's "Can't Feel My Face" again to maintain its Hot 100 rule. Plus, Fetty Wap doubles-up in top 10.

Three cheers -- and three weeks at No. 1 -- for OMI's "Cheerleader"!

"Cheerleader" leads the Billboard Hot 100 for a third week, actually widening its lead over runner-up "Can't Feel My Face" by The Weeknd (it spends a second week at No. 2). Just a week ago, The Weeknd looked to continue its momentum to a possible No. 1 standing, as "Face" had just 9 percent fewer points than "Cheerleader."

This week (on the chart dated Aug. 8, which will post to Billboard's websites on July 28), the gap is 15 percent as "Cheerleader" stands nearly steady in points while "Face" retreats by 6 percent, brought down solely by a 24 percent dip in download sales to 122,200 (2-4 on Digital Songs). On Radio Songs, "Face" moves forward 4-2 with 136.8 million audience impressions (up 7 percent), while holding at No. 6 on Streaming Songs (10.8 million plays, up 1 percent). The launch of the "Face" official music video on Tuesday (July 28) should help boost the track's streaming total next week and bring it back in line for a possible No. 1 Hot 100 takeover.

Back to OMI's "Cheerleader," the Louder Than Life/Ultra/Columbia release continues to charge ahead, earning the Airplay Gainer award for the first time and rising 5-3 on Radio Songs with 131.8 million audience impressions (up 9 percent). The track holds at No. 1 on Digital Songs for a fourth week (163,000; minus 5 percent) and maintains its so-far No. 3 peak on Streaming Songs for a third frame (13.7 million plays).

OMI's 'Cheerleader' Tops Hot 100, The Weeknd Closes In

The big news in the Hot 100's top 10 this week is the 87-7 rise for Fetty Wap's "My Way," featuring Monty. The 80-spot leap is the largest into the top 10 since Katy Perry roared 83 spots (85-2) with, well, "Roar" on the chart dated Aug. 13, 2013.

"My Way," which is spending a fifth week in the top 10 -- and 12th week overall -- on R&B/Hip-Hop Airplay (No. 3) was finally released to digital retailers on Friday, July 17. The track opens at No. 2 on Digital Songs and No. 1 on both R&B/Hip-Hop Digital Songs and Rap Digital Songs with 152,000. "Way" concurrently debuts on Streaming Songs at No. 16 with 6.6 million plays, of which 77 percent are views from YouTube unofficial user-generated clips as. The track has yet to have an official video released to YouTube. On Radio Songs "Way" leaps 42-33 (38.9 million audience impressions, up 11 percent) and surges 25-5 on Hot R&B/Hip-Hop songs.

Fetty Wap (on independent 300 Records) now has two songs in the top 10, as his former No. 2-peaking "Trap Queen" stays stationary at No. 6. Just one week ago The Weeknd became the third artist to double up in the top 10 in 2015 and the first male lead to do so since June 2014. The Weeknd's "The Hills," however, slopes downward this week (10-11).

Fetty Wap is the first male rapper, as a lead act, to have two concurrent top 10 singles in nearly four years. It last happened on the Sept. 3, 2011-dated chart, when Lil Wayne debuted at No. 2 with "She Will," featuring Drake, and dropped 6-8 with "How to Love." (The last time any male rapper had two simultaneous top 10 cuts, even as a featured act, was on the April 6, 2013 list. Drake was No. 7 that week with "Started From the Bottom," and was featured on Lil Wayne's "Love Me," at No. 9.)

Further down the chart, Fetty Wap's "679" holds at No. 18, making him the first male rapper with three songs in the top 20 since Eminem ranked at No. 2 with "The Monster," featuring Rihanna, No. 13 with "Rap God" and No. 19 with "Berzerk" on the Nov. 23, 2013, Hot 100.

Recapping the rest of the Hot 100's new top 10, Silento moves back to a No. 3 peak with "Watch Me" after spending the last two weeks at No. 5. The song also rises to the top of Hot Rap Songs. Meanwhile, former No. 1s "Bad Blood" by Taylor Swift (holding at No. 4) and "See You Again," by Wiz Khalifa featuring Charlie Puth, (3-5) round out the top five.

Anchoring the top 10, Rachel Platten's "Fight Song" holds at its No. 8 peak, Walk the Moon's "Shut Up and Dance" back steps two spots from 7-9, and "Lean On" by Major Lazer & DJ Snake featuring MØ retreats 9-10.

Outside the top 10, Fifth Harmony's "Worth It," featuring Kid Ink, marches forward to a new peak, climbing 14-12 as the chart's Streaming Gainer (up 27 percent to 7.6 million). Meanwhile, 5 Seconds of Summer score a sizzling start, as "She's Kinda Hot" is the Hot Shot Debut at No. 22, powered by a No. 3 debut on Digital Songs (124,000).

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Oh so the video is coming out tomorrow after all! Well I guess that means Cheerleader will be saying goodbye soon
3-4 weeks is still pretty good though. I'm liking this turnover rate! It's been a while huh?
and congrats to Fetty!