SZA – SOS

[SHOOTER]

Certified Gold with 86k sales. What a time to be alive!

I think she'll be a shoo-in for Urban Contemporary Album at the Grammys.

[Live Your Life]

[Live Your Life]

Grammys Preview: Best New Artist Hopefuls Khalid, SZA & Julia Michaels on Rooting for Change in Music

"What are you doing over there? Come hop into bed with us,” Julia Michaels says brightly.

While Khalid and Michaels swap ­stories beside one another inside a ­penthouse suite perched above downtown Las Vegas, SZA has planted herself on a bench halfway across the room.

“I’m having a moment,” the R&B artist, born Solána Imani Rowe, explains quietly. “I’m going to stay here so that my energy doesn't spread.”

The three artists have come together this late September afternoon to talk about the 60th annual Grammy Awards, for which they are all solid bets to be ­nominated in multiple categories, ­including best new artist. And though it’s an opportunity to bask in their ­achievements during the last year, they’re also reckoning with the ­pressures of ­success, celebrity and recognition.

Especially SZA, whose 90-year-old nana is on her mind tonight. As a young woman, SZA’s “spitfire” grandmother -- who ­narrates her granddaughter’s critically adored second album, Ctrl, which reached No. 3 on the Billboard 200 in July -- was promised a promotion only to have it handed to a white peer. “She was never the same after that,” says SZA later in the night, long after Khalid and Michaels have left to continue rounds of radio promo, planned to coincide with their ­appearances at that weekend’s iHeartRadio Music Festival. “I would really love to win a Grammy before she dies,” she eventually confesses, tearing up. “I want to excel at something, to follow through, to not be afraid. Now that I’m here, I think I’m scared to care.”

But she does care, and the depths of that care become obvious when the group discussion turns to the February 2017 awards show, and how it ended: with Adele onstage holding another album of the year Grammy and addressing the fact that she had just taken the trophy many fans were hoping would go to a certain visionary R&B singer. “What the f**k does Beyoncé have to do to win album of the year?” the British superstar asked later in the press room.

Khalid, Michaels and SZA all agree that, as Khalid says, “representation is changing in music” -- and that, as Michaels adds, it is becoming “genre-less.” And their ascents are, in many ways, representative of paths now open to artists refashioning the ­culture, and, increasingly, the Grammys.

Raised the only child of a mother whose military career uprooted him constantly, 19-year-old Khalid established himself as one of the year’s breakouts with American Teen, a stew of folk, R&B, pop and ’80s synth-imbued tracks that ­capture love and loneliness in the ­digital era. A few days from now he’ll sing “Location,” which peaked at No. 16 on the Billboard Hot 100, as the opening act for Lorde in Manchester, England. “When I was a sophomore, I remember tweeting: ‘I want to go to the Grammys.’ So for me to win a Grammy -- if I do -- 15-year-old me would be ­screaming,” he says, beaming.

For Michaels, 23, who grew up in California and spent years co-writing pop smashes like Justin Bieber’s “Sorry” and Selena Gomez’s “Hands to Myself,” the decision to step into the spotlight with the release of her own EP, Nervous System, solidified her status as an ­influential force driving mainstream pop in a more ­introspective direction. “I’ve been on albums that have been nominated, I’ve been at the Grammys for the past three years, but having it be for your own, it’s so much more surreal,” she says.

SZA, 26, who was born in Missouri and raised Muslim in New Jersey, stretched the very notion of what constitutes R&B through Ctrl, a personal reflection on self­discovery in which she asserts, in a direct and ­effortless way, ownership over her sexuality. And yet the prospect of being ­recognized this awards season seems so fragile that she’ll only acknowledge it in a whisper: “It’s a blessing.”

Who will be your plus-one, assuming you’re nominated?

SZA: My mom and my nana, who both narrate my album. My granny is scared of flying. She said she would fly if I had a baby or got married. And the Grammys is like having a baby, so...

Julia Michaels: I’m going to bring my manager, Beka Tischker, with me. I couldn’t do this without her.

Khalid: I’d bring my best friend Carlos and my mom. After my dad passed away [when I was 7], my mom became my rock. She’s the one who inspired me -- she sings as well. So when I sing, I’m like a mirror image of her. If the nomination comes, I want her to see the hard work that she [fostered in] my brain.

What do you think your dad would’ve thought of the path you’ve made for yourself?

Khalid: I was actually thinking today that he would be so proud of the person that I’m becoming. I don’t really feel like he got a chance to learn about the creative side of me, and I’m pretty sure he would’ve loved it. The more I grow up and the more I become a man and less of a teen, I see my dad’s face in my own.

Kendrick Lamar’s DAMN. and Ed Sheeran’s Divide are favorites for album of the year. Who will you root for if they do get nominated?

Michaels: I don’t think I can choose. I got to work with Ed on this record, and his point of view is so clear. I basically sat down and wrote a couple of melodies, and he just filled in all of the words with ­everything he was feeling about his [girlfriend] and his relationship. He has always done things that are really true to him, and so has Kendrick. They’re both really unique; they are both really ­innovative in their own ways.

SZA: Dot [Lamar]. I don’t know Ed ­personally, though I love him and his music. But I watched [her Top Dawg labelmate Lamar’s] process -- he’s a true, genuine genius. Dot doesn’t play any instruments, but he designed and ­produced his whole album. From scratch. Like... it’s too much. It’s too incredible. I’ve never witnessed anyone do that, except for maybe Frank [Ocean]. It’s past due. He’s the most inspiring person I’ve ever met in my entire life.

Khalid: Kendrick’s album was necessary, especially in 2017 with the world being in a place that it shouldn’t be -- America being in a place that it shouldn’t be. And having someone who resembles me, an African-American male, with so much integrity, so much strength, so much sense of self. The fact that he can step up and use his platform to help other people...

SZA: And still have it sound fly. That’s the crazy part. Making that s**t sound hot. He somehow manages to be an ­activist with a platinum album. It’s very rare. Nina Simone talked about [this], the ­responsibility that we all have as artists to reflect the time, and I always feel like I don’t know what the f**k I’m going to do to reflect it. But Kendrick, I don’t know that he’s thinking about what he can do -- I think he’s just being it. It's coming out of his pores.

Race and gender have been major topics of discussion around the Grammys the past few years. Do you think women and people of color are underrepresented in the industry?

SZA: I don’t think they’re ­underrepresented. There are tons of [black and women artists]. It’s just a matter of: Are you noticed when you come to the surface? Hip-hop right now is higher-selling than pop music. We know where it originated from; it’s not a f**king secret. It’s a matter of when other people do hip-hop and they don’t look like me, ­suddenly it’s ­innovative: “I’ve never heard this before.” No, you have. For the last 100 years.

Khalid: For me, I feel like the ­representation in music as a whole is changing. When I was growing up, when I was younger -- well, I’m only 19, but I didn’t see a lot of people who embodied me in the mainstream. But they were there. I feel like now, hip-hop and R&B, like SZA said, is so alive, so dominant to the point where it influences others. And it’s great.

SZA: It’s a weird paradox for me. You have one foot [in the place] where Issa Rae was like, “I’m rooting for everyone black!” [at the Emmy Awards]. But then you’re also like, “I’m rooting for everyone just because they are awesome.” Sometimes you feel guilty, because I don’t want to just root for everyone black. But it’s also like, “Maybe my friends might be ­underrepresented tonight,” and you have to mob for them.

Khalid: I feel like right now as listeners we are accepting the fact that music has no image.

Michaels: Yes, it’s becoming genre-less.

SZA: Hell yes! That’s the word: genre-less. It’s like everything converging in the most beautiful f**king way.

Khalid: It’s me looking at myself: chubby little black boy singing whatever the f**k I want! For folk to be one of my influences, but for me to also use R&B and soul as an influence. I love ’80s and ’90s pop. I feel like music is changing, and it takes us as a whole. We are the change. We do have the power to change things.

What’s the best advice you’ve received from another artist?

Michaels: I worked with Linkin Park not too long ago. I tend to take myself really seriously, and be a bit of a control freak. When Chester [Bennington], Mike [Shinoda] and Brad [Delson] were in the studio, they were having so much fun. Cracking jokes. They’ve been doing this for years and would just go in there and act like it was their first time in the studio. Being around that was so eye-opening. Before I go onstage, I f**king panic. But I’ve been thinking about how there is so much fun to be had.

Khalid: I recently had a conversation with Mac Miller, and he told me I can’t make everyone happy, and sometimes I do need time for myself. I need time to be human and not let all these distractions and all the outside [parts] of my life right now [prevent] me from doing everything that I was doing normally.

How about Lorde -- what have you learned from her?

Khalid: Meeting your influence is ­definitely the hardest thing ever, because they can either be the nicest or they can be ­everything you didn’t expect. But she was everything I expected and more. A while back, before I took off, she told me I was in the same position that she had been in a couple of years back. She was herself and she broke through. She wasn’t afraid to get up there and dance. I loved that.

Do you all feel like you’ve adjusted to being well-known?

Khalid: I do the same s**t. I don’t like going out. I would rather chill with my friends, watch Netflix, listen to music. I want to keep being myself and surrounding myself with people that I love. I never want it to be: “Since I got all of these people watching me, I got to do something cool.”

Michaels: I don’t know if you ever get fully adjusted to the photo shoots and the promo. But I will tell you that there is ­nothing like the unconditional love that you get from a fan. I was in France a couple of days ago, and I was posting things on Instagram Stories and this girl who had ­followed it found me and just started ­crying. And you realize that this young girl who lives all the way across the other side of the world is so affected by everything you say. She feels like she knows you. You’ve written something that feels so close to her, and I feel that’s what we strive for -- to have people feel on a deeper level.

Khalid: It’s overwhelming.

Michaels: I’m a super touchy person, so anytime someone wants to give me a hug at meet-and-greets, I’m like, “Come here!” I always end up with a cold, but I don’t care.

SZA: My immune system has taken the ­craziest hit, but I can’t not meet them. It would feel worse missing a meet-and-greet than it would getting sick.

Does it ever feel overwhelming for you?

SZA: I was sleeping on a futon with a ­person I barely knew two years ago, so this is just a completely different ­situation. It’s ­interesting to all of a sudden be ­considered valuable.

Khalid: It’s a good feeling.

SZA: It makes me confused. “How was I not valuable before all of this? Now I become valuable?” But then you think, “OK, I’m fine. I’m still going to eat off the floor, still going to not lotion and still going to do all the s**t I would do anyways.” All of those things have to continue to happen. I would have never thought someone would ­consider me valuable, though. I wasn’t popular in high school; I had no friends.

Michaels: I was homeschooled. I had no one.

Khalid: I was in and out of places; ­everything was temporary. Losing ­friendships. And there was that feeling of value. I had to take a step back in the process of creating the album where it was like, “I have to find love for myself.” I’m still ­striving, still finding self-­acceptance. I’m 19, still learning things about myself and the energy that I don’t need to be around.

Michaels: I think we all are.

Julia, has touring for your solo career affected the songwriting process you have with other artists?

Michaels: No. A lot of the songs that I’ve written have been for pitch, which means that the artist wasn’t even there. When you do these promo runs, you don’t really get time to be creative, but when I’m home and I get a couple of days off, the ideas start to flow. Being alone can really do a lot to a ­person in terms of introspection. I start sessions next week to hopefully put out new music at the beginning of the year, and I’m really excited about it.

If you guys win, where will you display your Grammy?

Michaels: I have a music room in my house; a very small, cute little place where I keep my piano and my little leather sofa. So I’d probably put it right there. Or buy a chain and wear it around my neck.

Khalid: I would have to buy a house to put the Grammy in. [Laughs.] Either that or keep it in my mom’s house, but I know I’m going to want to keep it.

What would you wear to the ceremony? Do you go casual? Dressy? Go for theatrics and get carried in an egg, like Lady Gaga in 2011?

Michaels: I would dress up! It’s a moment. I’ve worn Dior for most of the things that I’ve done, so I’d love to do something again with them and wear something really unique.

Khalid: Honestly, I would just come as I am. f**k it! I want to be comfortable, not like, “Damn, this is too tight on me; I can’t move.”

SZA: I’m in between. I’m either going to go in jeans, a rolled-up T-shirt and some Chucks -- just like hella comfortable -- and a blunt. Or full Cinderella.

Khalid: Actually, I’ll probably need to dress up nice. My mom is probably going to make me dress up.

[Linnethia Monique]

https://www.instagram.com/p/Bau9IOGDjmT

Real n!ggas do not deserve pussy!
Bring on Doves in the Wind!

[Mazo]

Where's the video for The Weekend?

[Live Your Life]

[wavey.]

She gets her first Top 10 as "What Lovers Do" jumps to #9 on the Billboard Hot 100.

[Glove Slap]

Nov 13, 2017 14:16:54 GMT -5 wavey. said:

She gets her first Top 10 as "What Lovers Do" jumps to #9 on the Billboard Hot 100.

Yes! In these triggered times, one Queen can still help out another.

Don't think I've posted in this thread but her album is 🔥🔥🔥. Hope she keeps sending singles to Urban throughout next year.

[Linnethia Monique]

I still want her to throw a curve ball and send Prom to Pop just for the hell of it.

[dbhmr]

Nov 13, 2017 17:28:37 GMT -5 Linnethia Monique said:

I still want her to throw a curve ball and send Prom to Pop just for the hell of it.

Yessss but then I'd cry when it didn't go to #1. </3 One of my favorite songs of the year.

This album is still amaze even after my husband has played the s**t out of it for months.

ETA: My love for this album led me to explore her debut, and I'm shocked at how different it is, sonically. Has she given any interviews explaining the switch, or her process for this album? I liked her debut a lot, as well, but clearly CTRL is the stronger of the two. Still, "Babylon" might be my favorite song of hers now. I also love her out-Dido-ing Dido with "Shattered Ring."

[wavey.]

Nov 13, 2017 17:51:46 GMT -5 dbhmr said:

Nov 13, 2017 17:28:37 GMT -5 Linnethia Monique said:

I still want her to throw a curve ball and send Prom to Pop just for the hell of it.

Yessss but then I'd cry when it didn't go to #1. </3 One of my favorite songs of the year.

Has she given any interviews explaining the switch, or her process for this album?

[Deleted]

Nov 13, 2017 17:28:37 GMT -5 Linnethia Monique said:

I still want her to throw a curve ball and send Prom to Pop just for the hell of it.

Hearing Prom in the current Madness game going on, is what prompted me to give her album a full listen 
I already loved The Weekend and Love Galore but had yet yo check out her whole album

But Prom clicked with me instantly and is my faved from her, I am infatuated for it and it's my top track of her album, her show record was amazing though 

Rooting for her real hard

[Glove Slap]

I just want Garden (Say It Like Dat) to be an Urban smash in the Spring/early Summer (pretty sure Doves... is next since they did a video), and the rest is cherry.

Also I will STAB if she gets snubbed for BNA.

[Linnethia Monique]

Nov 13, 2017 17:51:46 GMT -5 dbhmr said:

Nov 13, 2017 17:28:37 GMT -5 Linnethia Monique said:

I still want her to throw a curve ball and send Prom to Pop just for the hell of it.

Yessss but then I'd cry when it didn't go to #1. </3 One of my favorite songs of the year.

This album is still amaze even after my husband has played the s**t out of it for months.

ETA: My love for this album led me to explore her debut, and I'm shocked at how different it is, sonically. Has she given any interviews explaining the switch, or her process for this album? I liked her debut a lot, as well, but clearly CTRL is the stronger of the two. Still, "Babylon" might be my favorite song of hers now. I also love her out-Dido-ing Dido with "Shattered Ring."

Since we want to dive into pre-CTRL material, her songs with Kingdom are great too!
https%3A//soundcloud.com/kkingdomm/down4whatever-ft-sza

[SHOOTER]

http://instagr.am/p/BbduMv7jHvh

[Linnethia Monique]

SNL musical guest on Dec. 9th!

Edit: I just realized that that is only 6 months to the day that she dropped her debut.

[Troublemaker]

#20 on Rolling Stone's Best Albums of the Year
www.rollingstone.com/music/lists/50-best-albums-of-2017-w511763/sza-ctrl-w511783

[wavey.]

Nov 27, 2017 17:04:52 GMT -5 Linnethia Monique said:

SNL musical guest on Dec. 9th!

Yasss

[Linnethia Monique]

Category 4 - Best New Artist
SZA

Category 17 - Best R&B Performance
SZA - The Weekend

Category 19 - Best R&B Song
• Supermodel

Tyran Donaldson, Terrence Henderson, Greg Landfair Jr., Solana Rowe & Pharrell Williams, songwriters (SZA)

Category 20 - Best Urban Contemporary Album
• Ctrl

SZA

Category 23 - Best Rap/Sung Performance
• Love Galore

SZA Featuring Travis Scott

5 Nominations!

[Ling-Ling]

Get it! I would have preferred to see her in AOTY over Jay-Z or Gambino, but whatever, I'll take it! She deserves every one of these noms.

[Heart Shaped Box]

All her nominations are deserved. I'll give her all the song and album awards, but not sure about Best New Artist yet cause she's a s**tty live performer lol

[Glove Slap]

Great nomination results for her! Don't see her winning BNA in the end (although since she's nominated I no longer have to stab) with 5 noms overall, and always thought she was an outlier for AOTY because TDE would want as strong a chance as possible with Kendrick, but I hope she can pick up most of the others.

[dbhmr]

They absolutely should have made room for her in AOTY, but thrilled for her noms!

[Live Your Life]

https://www.instagram.com/p/BcFi_igBVip

[Linnethia Monique]

First, I'm going to need Solána to update her iOS because fam that "I" bug made that a headache to read.
Second, WHERE IS THE VIDEO TO YOUR GRAMMY NOMINATED SONG "THE WEEKEND"?!

[Heart Shaped Box]

lol she really is so insecurr

Cute, though. I'm happy she's LIVING for her moment.

Though is she being a little extra? Z was a sick album and got her noticed, and I think it set her up for success on Ctrl.

I hear her though. She's really been trying.

[Live Your Life]

[Glove Slap]

She sang great, but on the whole it was underwhelming because of the arrangements that clashed and worked against the strengths of the material, especially The Weekend.

[Glove Slap]

Time's #1 album of the year.

time.com/5034987/best-albums-2017/

[gbaby]

How do you pronounce Sza? I've heard Suh-zee-uh, Sigh-zuh, and a few other variations.