Gary
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Post by Gary on Aug 31, 2020 19:45:27 GMT -5
Albums to debut at #1 - pre 1991
Captain Fantastic & The Brown Dirt Cowboy, Elton John Rock Of The Westies, Elton John Songs In The Key Of Life, Stevie Wonder Bruce Springsteen & The E Street Band 1975-1985, Bruce Springsteen Whitney, Whitney Houston Bad, Michael Jackson
6/29/91
Slave To The Grind, Skid Row
1st album of the Soundscan era to debut at #1
With more than 750 #1 debuts since, it is a rarity now for an album to rise to #1 rather than debut there
Last such album - Frozen II Soundtrack
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Gary
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Post by Gary on Sept 8, 2020 17:28:50 GMT -5
20th song of 43 to NOT fall off #1 in week 2
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Gary
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Post by Gary on Oct 5, 2020 16:51:54 GMT -5
#44 Franchise, Travis Scott & Young Thug Featuring M.I.A.
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jodakyellow
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Post by jodakyellow on Oct 5, 2020 18:29:27 GMT -5
So we can divide them as 90s group, the Idol group and the Digital group. Well, I'd add a streaming group as a new one, but yes. (Two-and-a-half years later...) Just curious, where would you split the "digital sales" era of #1 debuts from the streaming era? Between CSTF and SOY?
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strongerq
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Post by strongerq on Oct 5, 2020 19:02:09 GMT -5
^ Shape Of You - 240,000 sales & 20M streams I'm The One - 171,000 sales & 54M streams God's Plan - 127,000 sales & 82M streams This is the turning point from most points coming from digital sales to most points coming from streaming.
I would say "I'm The One" is the first streaming #1 debut.
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fridayteenage
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Post by fridayteenage on Oct 5, 2020 20:19:03 GMT -5
I agree; the digital era #1 debuts all had 200k+ sales weeks.
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Gary
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Post by Gary on Oct 5, 2020 20:23:40 GMT -5
Of the 14 #1's during the covid - 9 have debuted there, we could call this the 'covid era'
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Gary
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Post by Gary on Oct 8, 2020 17:51:49 GMT -5
Why Have There Been So Many No. 1 Debuts This Year on the Hot 100? By Andrew Unterberger 10/8/2020 www.billboard.com/articles/business/chart-beat/9462429/number-one-debuts-hot-100-travis-scott/Once again this week, a new song has entered the Billboard Hot 100 via the top spot. That's nothing new at this point for Travis Scott, whose "Franchise" (featuring Young Thug and M.I.A.) becomes his third song to debut at No. 1 on the Hot 100, and it's certainly not an unusual accomplishment on the chart this year in general. For the first 37 years of the Hot 100 (dating to its 1958 launch), no songs debuted at No. 1 on the chart. Now, a total of 44 of them have, with a one-year record nine of those top-spot entrances (over 20%) coming in 2020. In fact, since Drake's "Toosie Slide" debuted on top in April, only four of the last 13 new No. 1 hits on the chart were hits that didn't debut at No. 1. The rest -- "Toosie," The Scotts, Travis Scott, and Kid Cudi's "The Scotts," Ariana Grande and Justin Bieber's "Stuck With U," Lady Gaga and Ariana Grande's "Rain on Me," 6ix9ine and Nicki Minaj's "Trollz," Taylor Swift's "Cardigan," Cardi B feat. Megan Thee Stallion's "WAP," BTS' "Dynamite" and now "Franchise" -- all eschewed a gradual climb up the chart to simply materialize at its apex in their first week. Why is this trend making it so that the No. 1 debut, once very much a rarity on the Hot 100, is now seemingly more rule than exception? Well, first off, it's important to remember that No. 1 bows have always come in waves on the Hot 100, usually corresponding with methodological changes in either the charts or within the industry. To begin with, after the seal was broken on the No. 1 debut in 1995 (by Michael Jackson's "You Are Not Alone"), there were ten No. 1 debuts between 1995-1998 -- not simply because there were suddenly that many instantly massive chart-topping smashes, but because labels began to realize that they could make more of an impact on the Hot 100 by waiting to release the physical single of a song. Once they had already accumulated enough airplay, a one-week sales boost (maximized by pent-up demand from a delayed single release) could send it straight to No. 1, and in the meantime, single sales wouldn't eat into more-profitable sales of the song's parent album. However, this strategy only worked for the period where Billboard's rules for the Hot 100 stated that a song must have a physical single release to be eligible for the chart. In late 1998, those rules were done away with, allowing songs to chart on airplay alone and essentially eliminating No. 1 debuts on the Hot 100 for nearly a half-decade in the process. Then, from 2003 to 2006, another four songs debuted atop the chart -- a rate of exactly one per year, as those debuts all came from the debut single releases of the winners from the competitive reality TV phenomenon American Idol (or in the case of Clay Aiken in 2003, the runner-up). Those artists' debut singles were released quickly after their crowning, and drew such blockbuster sales that airplay was practically irrelevant in their chart placement. Following Idol's slide from its peak popularity, there was again a multi-year gap in No. 1 debuts -- until iTunes' download numbers began to peak at the turn of the decade, resulting in another six much-anticipated new singles from superstar artists debuting at No. 1 between 2009 and 2012, largely off such digital sales and week-one airplay. And this time, there was no long period without debuts atop the Hot 100 to follow, since just as those iTunes downloads were starting to taper off at mid-decade, streaming began to rise in its stead, and was added in fuller force to the Hot 100 calculation formula -- once again allowing songs by big-name artists to achieve mass consumption immediately. Since 2009, there hasn't been a single calendar year that hasn't seen at least one debut at the chart's pole position. However, 2020 is still proving to be highly exceptional, even for the streaming era. In 2018, there were four debuts atop the chart (tied with 1995 for the most in a year until 2020), and in 2019 there were just three, compared to nine already this year, with nearly three months still to go. What's different this year? The biggest change would likely be the re-introduction of physical sales as a major factor -- collectible items marketed by star artists to rabid fanbases more interested in the merchandise aspect of a physical single release than as an actual way to listen to the song. Pop stars have gotten more and more creative with such direct-to-consumer (D2C) content, with artists like Scott offering as many as 15 different physical configurations of new songs for fans to purchase, allowing for greater first-week impact, particularly in an otherwise mostly depressed digital song sales market. (Such releases have usually been paired with a download, although per a recent chart rule change, any physical single sold with a digital download will no longer be counted as a digital sale and will only be counted as a physical sale upon its subsequent shipment to purchasers.) A greater number of surprise and/or event releases this calendar year has also helped contribute to the surfeit of No. 1 debuts. You may notice from the list of the nine such debuts that seven of them are collaborations -- big-name team-ups between star artists, some with already-established successful partnerships (like 6ix9ine and Nicki Minaj) and some with first-time heavyweight linkings (like Lady Gaga and Ariana Grande). Such collaborative releases often have a multiplying effect on first-week numbers, as fans of both artists come out in full force on debut week -- not just to hear the highly anticipated new song, but to actively support their faves on the charts, rooting them on like a sports team. And the two that came came from solo artists were also events in their own right: Taylor Swift, one of the biggest pop stars of the 21st century, releasing her first surprise album (with "Cardigan" its lead single), and BTS, likely the biggest pop group in the world right now, releasing their first English-language single in "Dynamite." Also clearing the way for these No. 1 debuts: The lack of enduring cross-metric smashes this year in general. After all, there might have been five or six extra No. 1 debuts in 2019 without the historic 19-week reign at No. 1 of Lil Nas X's Billy Ray Cyrus-featuring "Old Town Road" blocking all of them from the top spot. There hasn't been a song like that clogging pole position for so many weeks this year -- in fact, aside from a pair of Roddy Ricch hits (his own 11-week No. 1 "The Box" and his featured appearance on DaBaby's seven-week chart-topper "Rockstar"), no Hot 100 No. 1 this year has reigned for longer than four weeks. That's in large part because radio and streaming are out of sync in the hits they're pushing -- only The Weeknd's "Blinding Lights" has topped both Billboard's Radio Songs and Streaming Songs listings this year -- and because no song since "The Box" is dominating streaming at the level of an "Old Town Road," or even a "Despacito" (from 2017). That allows a great deal of opportunity for turnover at the top -- indeed, the 17 No. 1s we've seen so far this year have already passed last year's tally of 16 total Hot 100-toppers (and are the most in a year since 2010) -- since not many singles are enduring long and strong enough to keep the bar of entry for a No. 1 debut particularly high. Is this just the new normal for the Hot 100's top spot? Perhaps, though if history has taught us anything in this respect, it's to not expect this or indeed any chart trend to just continue indefinitely; sooner or later, some change will come that alters a key variable in the race for No. 1, and mucks up the whole equation. Regardless, one thing is for sure: Artists will always want the chart cachet and easily understood triumph that comes with a Hot 100 No. 1 debut -- and chances are, no matter how the code changes for landing one in the years to come, the biggest (and smartest) stars will continue to find new ways to crack it.
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WolfSpear
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Post by WolfSpear on Oct 8, 2020 21:04:04 GMT -5
It might become more commonplace than you think. Remember how people anticipated albums? Well, I’m sure the song has taken a similar role. People hop on the music video and any and ever remix. No wonder it’s become easier to accomplish this feat in this era.
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JukeboxJacob
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Post by JukeboxJacob on Oct 8, 2020 22:53:01 GMT -5
20th song of 43 to NOT fall off #1 in week 2 In a way, those could be considered “true” number one debuts
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Gary
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Post by Gary on Jan 19, 2021 18:53:45 GMT -5
Drivers License is the 1st song to debut at #1 since 2020
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WolfSpear
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Post by WolfSpear on Jan 20, 2021 13:09:28 GMT -5
Glad the wait is finally over 😝
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Gary
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Post by Gary on Mar 15, 2021 14:41:30 GMT -5
Well then what's next?
Another number one debut.. The 14th number one debut in the last 12 months but the first in 8 weeks.
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Gary
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Post by Gary on Mar 29, 2021 17:03:02 GMT -5
Here is What's Next - The 50th #1 debut
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Gary
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Post by Gary on Apr 6, 2021 5:11:22 GMT -5
List updated
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Post by phieaglesfan712 on Apr 7, 2021 5:34:13 GMT -5
What's Next is the first #1 debut to spend exactly 3 weeks in the Top 10.
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Gary
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Post by Gary on Apr 19, 2021 18:33:46 GMT -5
First number one debut since Lil Nas X
16th in the last year and 17th of the decade
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Gary
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Post by Gary on May 24, 2021 20:35:03 GMT -5
Good 4 U
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Gary
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Post by Gary on Jul 18, 2021 17:09:20 GMT -5
Assuming Permission To Dance goes #1 - thread updated
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Gary
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Post by Gary on Jul 19, 2021 17:08:22 GMT -5
55 of 1126 #1's have debuted at #1 (4.9%)
Breakdown From 1st #1 to #799 (0%) The 1st #1 debut was the 800th overall #1 (You Are Not Alone) 55 of the last 227 #1's debuted there (24.2%)
35 of the next 298 #1's debuted there 11.% (You Are Not Alone through Blinding Lights) (#800 through #1097) 20 of the last 29 have debuted at #1 69% (Toosie Slide Through BTS) (#1098 through #1126)
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Post by phieaglesfan712 on Aug 13, 2021 10:52:36 GMT -5
What's Next is the first #1 debut to spend exactly 3 weeks in the Top 10. Permission To Dance becomes the second. Prior to 2021, no #1 debut spent exactly 3 weeks in the Top 10. In fact, John Lennon’s “Whatever Gets You Through the Night” was the only #1 hit prior to 2021 to spend exactly 3 weeks in the Top 10: billboardchartrewind.wordpress.com/2018/05/02/the-most-and-the-least/#more-1909(Look at all the 2020 #1 debuts on the bottom that did not spend another week in the Top 10.)
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Gary
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Post by Gary on Aug 13, 2021 11:10:22 GMT -5
The exactly 3 weeks thing is kind of an offbeat statistic There have been #1's before 2021 less than 3 weeks
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Choco
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Post by Choco on Aug 13, 2021 12:48:39 GMT -5
Considering there have been #1 hits with 3 weeks on the top 100, yeah, it's a weird cut-off point.
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Gary
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Post by Gary on Sept 13, 2021 16:24:18 GMT -5
1st entry here in almost 2 months
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Gary
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Post by Gary on Oct 5, 2021 16:26:20 GMT -5
Coldplay x BTS
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Gary
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Post by Gary on Nov 22, 2021 19:15:37 GMT -5
58. Taylor Swift “All Too Well (Taylor’s Version)”
Chart Debut Date: Nov. 27, 2021
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Gary
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Post by Gary on Nov 22, 2021 19:21:54 GMT -5
11TH #1 debut this year, 1 shy of last year's total
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Gary
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Post by Gary on Nov 22, 2021 19:23:43 GMT -5
#1 debuts by decade
1990s - 10 2000s - 5 2010s - 20 2020s - 23
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Gary
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Post by Gary on Apr 11, 2022 22:19:44 GMT -5
Harry Styles
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Gary
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Post by Gary on Apr 11, 2022 22:21:14 GMT -5
Longest gap between #1 debuts since
35. Travis Scott "Highest In The Room" Chart Debut Date: October 19, 2019
36. Drake "Toosie Slide" Chart Debut Date: April 18, 2020
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