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Post by areyoureadytojump on Jan 30, 2019 11:00:58 GMT -5
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kierz7
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Post by kierz7 on Jan 30, 2019 11:27:43 GMT -5
The fact that “High Hopes” has been number one on Radio Songs for ten weeks thus far is embarrassing.
There was a time when a song that garnered +10 weeks of substantial airplay to keep it at the pole position had audience impressions of well over +150-175M via. Nielsen BDS and +200-225M via. Mediabase.
The Peak Listener impressions of Songs which have spent +10 weeks or more atop the Hot 100 this Decade:
1) We Found Love - Rihanna: +160M BDS.
2) Blurred Lines - Robin Thicke: +228.9M BDS.
3) Uptown Funk - Mark Ronson: +189M BDS.
4) Hello - Adele: +170M BDS.
5) Love Yourself - Justin Bieber: +160M BDS.
6) Closer - The Chainsmokers: +155M BDS.
7) Shape Of You - Ed Sheeran: +185M BDS.
* * * * * * *
Girls Like You - Maroon 5: +128M BDS.
High Hopes - PATD!: +130M BDS.
• • • • • • •
The 2000’s were exceptional where Rhythmic and Urban radio formats were much more expansive and drew audience impressions that were virtually on the same level as Pop radio or even more in some cases. Urban AC Radio drew audience impressions that were similar to today’s AC audience impressions or a little less than your average HAC audience impressions.
Let’s take a look at massive radio hits from 2003 and 2004.
Crazy In Love - Beyoncé: +169M BDS. (#1 Peak)
Pop - 51M AI.
Urban - 60M AI.
Rhythmic - 58M AI.
[Essentially even].
Goodies - Ciara: +171M BDS (#1 Peak)
Pop - 44M AI.
Urban - 73M AI.
Rhythmic - 54M AI.
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Post by Rose "Payola" Nylund on Jan 30, 2019 11:52:00 GMT -5
I’m having MEGA deja vu with that post
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jayhawk1117
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Post by jayhawk1117 on Jan 30, 2019 12:16:00 GMT -5
The fact that “High Hopes” has been number one on Radio Songs for ten weeks thus far is embarrassing. There was a time when a song that garnered +10 weeks of substantial airplay to keep it at the pole position had audience impressions of well over +150-175M via. Nielsen BDS and +200-225M via. Mediabase. The Peak Listener impressions of Songs which have spent +10 weeks or more atop the Hot 100 this Decade: 1) We Found Love - Rihanna: +160M BDS. 2) Blurred Lines - Robin Thicke: +228.9M BDS. 3) Uptown Funk - Mark Ronson: +189M BDS. 4) Hello - Adele: +170M BDS. 5) Love Yourself - Justin Bieber: +160M BDS. 6) Closer - The Chainsmokers: +155M BDS. 7) Shape Of You - Ed Sheeran: +185M BDS. * * * * * * * Girls Like You - Maroon 5: +128M BDS. High Hopes - PATD!: +130M BDS. • • • • • • • The 2000’s were exceptional where Rhythmic and Urban radio formats were much more expansive and drew audience impressions that were virtually on the same level as Pop radio or even more in some cases. Urban AC Radio drew audience impressions that were similar to today’s AC audience impressions or a little less than your average HAC audience impressions. Let’s take a look at massive radio hits from 2003 and 2004. Crazy In Love - Beyoncé: +169M BDS. (#1 Peak) Pop - 51M AI. Urban - 60M AI. Rhythmic - 58M AI. [Essentially even]. Goodies - Ciara: +171M BDS (#1 Peak) Pop - 44M AI. Urban - 73M AI. Rhythmic - 54M AI. so you just gonna copy and paste, word for word, another post and expect no one to notice LMFAO |
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jayhawk1117
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Post by jayhawk1117 on Jan 30, 2019 12:16:54 GMT -5
hasn't AC always been late to the party with everything though |
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Post by Rose "Payola" Nylund on Jan 30, 2019 12:24:08 GMT -5
Sometimes I wonder if people even understand how some of the radio formats work.
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Choco
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Post by Choco on Jan 30, 2019 12:27:29 GMT -5
There’s nothing close to “GLY” making big gains in airplay. It’s crazy how not much is gaining traction in airplay. It will be top 10 for awhile. And save for the two Halsey songs, all the songs above GLY have peaked. Ariana has a new single which will accelerate the "thank u, next" decreases... maybe it might even return to the top 5  It'll be a while before Ellie Goulding gets close, if she even makes it that far. |
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kierz7
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Post by kierz7 on Jan 30, 2019 13:19:55 GMT -5
The fact that “High Hopes” has been number one on Radio Songs for ten weeks thus far is embarrassing. There was a time when a song that garnered +10 weeks of substantial airplay to keep it at the pole position had audience impressions of well over +150-175M via. Nielsen BDS and +200-225M via. Mediabase. The Peak Listener impressions of Songs which have spent +10 weeks or more atop the Hot 100 this Decade: 1) We Found Love - Rihanna: +160M BDS. 2) Blurred Lines - Robin Thicke: +228.9M BDS. 3) Uptown Funk - Mark Ronson: +189M BDS. 4) Hello - Adele: +170M BDS. 5) Love Yourself - Justin Bieber: +160M BDS. 6) Closer - The Chainsmokers: +155M BDS. 7) Shape Of You - Ed Sheeran: +185M BDS. * * * * * * * Girls Like You - Maroon 5: +128M BDS. High Hopes - PATD!: +130M BDS. • • • • • • • The 2000’s were exceptional where Rhythmic and Urban radio formats were much more expansive and drew audience impressions that were virtually on the same level as Pop radio or even more in some cases. Urban AC Radio drew audience impressions that were similar to today’s AC audience impressions or a little less than your average HAC audience impressions. Let’s take a look at massive radio hits from 2003 and 2004. Crazy In Love - Beyoncé: +169M BDS. (#1 Peak) Pop - 51M AI. Urban - 60M AI. Rhythmic - 58M AI. [Essentially even]. Goodies - Ciara: +171M BDS (#1 Peak) Pop - 44M AI. Urban - 73M AI. Rhythmic - 54M AI. so you just gonna copy and paste, word for word, another post and expect no one to notice LMFAO It was my post. Also, that’s exactly what I’m going to do and have done, Sweetheart! How wonderful of you to notice! *Blows Kisses* |
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kierz7
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Post by kierz7 on Jan 30, 2019 13:23:13 GMT -5
Another question.
How many songs, throughout Hot 100 history, have missed the chart year top ten but charged in the Y/E top ten?
Thus far, I’ve only found one song to do such - Paula Cole’s “I Don’t Want To Wait”.
Chart Peak: #11
Y/E Peak: #10
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renaboss
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Post by renaboss on Jan 30, 2019 13:43:49 GMT -5
Patsy Cline's "I Fall to Pieces", 1961: #12 weekly, #2 year-end
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Au$tin
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Post by Au$tin on Jan 30, 2019 14:04:11 GMT -5
It's kinda strange how "Tequilia" peaked at #18 on airplay in July 2018, dropped out of the Hot 100 in December 2018, and we're almost into February 2019 and it's #12 on airplay :/ That's what happens when a label doesn't push a song to crossover until after it long since peaked at its original format. It's becoming a hit on pop and the AC formats now, but was a hit in the summer of 2018 on country. I understand waiting until it really takes hold on its home format because that makes the crossover process easier when you have ammo like "hey, look, it's a hit here," but I don't understand waiting until the song is already dead at its home format before attempting crossover pushes. If I were a pop station PD in the Midwest, for example, I'd be super reluctant to add "Tequila" to my playlist now because it's very likely my listeners are sick to death of the track since it's likely my listeners are also listening to country radio at times given the Midwest and south have insane ratios of country to pop stations. (Where I grew up we had 10+ country stations, but only one pop, one rhythmic, and two hot ACs). |
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Post by Golden Bluebird on Jan 30, 2019 14:18:45 GMT -5
Another question. How many songs, throughout Hot 100 history, have missed the chart year top ten but charged in the Y/E top ten? Thus far, I’ve only found one song to do such - Paula Cole’s “I Don’t Want To Wait”. Chart Peak: #11 Y/E Peak: #10 I'm just gonna quote my post answering a thread in the YOP section back in 2017 asking what are the lowest-peaking songs to be in the YE Top 10. Year-End Top 10 songs that peaked lower than "Before He Cheats": "I Don't Want to Wait" by Paula Cole: Peaked at #11 and ended up at #10 on the Year-End top 10 of 1998. "One Hell of a Woman" by Mac Davis: Peaked at #11 and ended up at #10 on the Year-End top 10 of 1974. "I Fall to Pieces" by Patsy Cline: Only peaked at #12 yet made it as high as #2 in the Year-End top 10 of 1961. "Why Me" by Kris Kristofferson: Peaked at #16 and ended up at #6 on the Year-End top 10 of 1973. |
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Post by Golden Bluebird on Jan 30, 2019 14:21:52 GMT -5
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brady47
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Post by brady47 on Jan 30, 2019 14:29:56 GMT -5
It's kinda strange how "Tequilia" peaked at #18 on airplay in July 2018, dropped out of the Hot 100 in December 2018, and we're almost into February 2019 and it's #12 on airplay :/ That's what happens when a label doesn't push a song to crossover until after it long since peaked at its original format. It's becoming a hit on pop and the AC formats now, but was a hit in the summer of 2018 on country. I understand waiting until it really takes hold on its home format because that makes the crossover process easier when you have ammo like "hey, look, it's a hit here," but I don't understand waiting until the song is already dead at its home format before attempting crossover pushes. If I were a pop station PD in the Midwest, for example, I'd be super reluctant to add "Tequila" to my playlist now because it's very likely my listeners are sick to death of the track since it's likely my listeners are also listening to country radio at times given the Midwest and south have insane ratios of country to pop stations. (Where I grew up we had 10+ country stations, but only one pop, one rhythmic, and two hot ACs). Thank you for the explanation, very helpful! That's a shame that it's domination on airplay isn't reflected on the Billboard charts :( I don't get why songs that go recurrent automatically drop out of the airplay charts, but remain on the digital and streaming charts... |
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lazer
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Post by lazer on Jan 30, 2019 16:45:18 GMT -5
I hope J. Cole will able to get a #1. |
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Ｓｏｕｎｄｃｌ🕤ｃｋ
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Posts: 11,063
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Post by Ｓｏｕｎｄｃｌ🕤ｃｋ on Jan 30, 2019 16:51:41 GMT -5
Yes, get out GLY.
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Post by kcdawg13 on Jan 30, 2019 16:55:34 GMT -5
I hope J. Cole will able to get a #1. Same, Kendrick and Gambino got a #1, its J. Cole's turn. |
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rfucom
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Post by rfucom on Jan 30, 2019 17:18:44 GMT -5
J.Cole deserves that no.1 after 7rings.
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mackattack
Charting
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Post by mackattack on Jan 30, 2019 17:46:52 GMT -5
J.Cole deserves that no.1 after 7rings. He should have released on Friday and maybe put out a video. He would have gotten it easily. |
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Post by chartslovergermany on Jan 30, 2019 18:39:44 GMT -5
will return after superbowl or even much earlier😂😂 |
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Ｓｏｕｎｄｃｌ🕤ｃｋ
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Post by Ｓｏｕｎｄｃｌ🕤ｃｋ on Jan 30, 2019 18:48:31 GMT -5
will return after superbowl or even much earlier😂😂 Super Bowl is in 3 days. |
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Gary
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Post by Gary on Jan 30, 2019 18:50:29 GMT -5
In other words it isn't going anywhere for a while
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lazer
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Post by lazer on Jan 30, 2019 19:00:45 GMT -5
Justin Timberlake singles didn’t do so well after the Super Bowl.
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Ｓｏｕｎｄｃｌ🕤ｃｋ
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Post by Ｓｏｕｎｄｃｌ🕤ｃｋ on Jan 30, 2019 19:02:47 GMT -5
In other words it isn't going anywhere for a while This week ends before the Super Bowl. After Super Bowl we have Ariana's album and the Grammys. We'll see. GLY will have 32 weeks in the top 10 for sure. |
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Gary
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Post by Gary on Jan 30, 2019 19:08:27 GMT -5
This board has precited the death of this song for months. Although it is no longer #1, it is still around
Eventually this board will be right and this song will die off but it might not be for a bit.
Not sure how Ariana's album will help kill the song.
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eidde
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Post by eidde on Jan 30, 2019 19:09:32 GMT -5
My prediction is that GLY will fall out of the top 10 this week, return the following week, and fall a little in the top 10, before finally exiting the top 10 for good.
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Ｓｏｕｎｄｃｌ🕤ｃｋ
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Post by Ｓｏｕｎｄｃｌ🕤ｃｋ on Jan 30, 2019 19:17:12 GMT -5
This board has precited the death of this song for months. Although it is no longer #1, it is still around Eventually this board will be right and this song will die off but it might not be for a bit. Not sure how Ariana's album will help kill the song. Explain "death"? Out of the top 10? Top 20? Top 25? When I heard that Maroon 5 will perform at the Super Bowl, I knew GLY will have more than 30 weeks in the top 10. Well, maybe one Ariana's song (or even two) will debut in the top 10. |
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Gary
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Post by Gary on Jan 30, 2019 19:24:20 GMT -5
"death" = wishing that it be less popular than it is.
A theme of the Hot 100 threads for months
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Gary
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Post by Gary on Jan 30, 2019 19:27:26 GMT -5
Should it fall out next week, Note this song has already left the top 10 and returned twice before.
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Post by Naos on Jan 30, 2019 22:48:21 GMT -5
It won't happen, but it would be hilarious if "Girls Like You" got massive sales and returned to #1. I wonder how the board would react.
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