ry4n
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Post by ry4n on Dec 23, 2020 21:32:27 GMT -5
Finally, the conclusion. Here is the OUTSTANDING tier. The entries that go “above and beyond”, or they go the “extra mile”. The ones that have winner quality, in my view. 33 | Athena - For Real | Turkey | 2004 | 3 | 32 | Vanilla Ninja - Cool Vibes | Switzerland | 2005 | 6 | 31 | Inga and Anush - Jan Jan | Armenia | 2009 | 6 | 30 | Kalomira - Secret Combination | Greece | 2008 | 6 | 29 | Wig Wam - In My Dreams | Norway | 2005 | 5 | 28 | Maria Haukaas Storeng - Hold On Be Strong | Norway | 2008 | 5 | 27 | Alenka Gotar - Cvet z juga | Slovenia | 2007 | 2 | 26 | Elena Risteska - Ninanajna | F.Y.R. Macedonia | 2006 | 3 | 25 | Tina Karol - Show Me Your Love | Ukraine | 2006 | 2 | 24 | Magdi Rúzsa - Unsubstantial Blues | Hungary | 2007 | 1 | 23 | Urban Trad - Sanomi | Belgium | 2003 | 4 | 22 | Nicola - Don't Break My Heart | Romania | 2003 | 3 | 21 | Hadise - Düm Tek Tek | Turkey | 2009 | 5 | 20 | NOX - Forogj, világ! | Hungary | 2005 | 4 | 19 | Beth - Dime | Spain | 2003 | 2 | 18 | Dima Bilan - Never Let You Go | Russia | 2006 | 1 | 17 | Nuša Derenda - Energy | Slovenia | 2001 | 2 | 16 | Shiri Maimon - Hasheket Shenish'ar | Israel | 2005 | 3 | 15 | Jelena Tomašević feat. Bora Dugić - Oro | Serbia | 2008 | 4 | 14 | Sirusho - Qélé, Qélé | Armenia | 2008 | 3 | 13 | AySel and Arash - Always | Azerbaijan | 2009 | 4 | 12 | Urban Symphony - Rändajad | Estonia | 2009 | 3 | 11 | Vânia Fernandes - Senhora do mar (Negras águas) | Portugal | 2008 | 2 | 10 | Ani Lorak - Shady Lady | Ukraine | 2008 | 1 | 9 | Yohanna - Is It True? | Iceland | 2009 | 2 | 8 | Antique - (I Would) Die for You | Greece | 2001 | 1 | 7 | Ruslana - Wild Dances | Ukraine | 2004 | 2 | 6 | Brainstorm - My Star | Latvia | 2000 | 1 | 5 | Sertab Erener - Everyway That I Can | Turkey | 2003 | 1 | 4 | Helena Paparizou - My Number One | Greece | 2005 | 2 | 3 | Luminița Anghel & Sistem - Let Me Try | Romania | 2005 | 1 | 2 | Alexander Rybak - Fairytale | Norway | 2009 | 1 | 1 | Željko Joksimović & Ad-Hoc Orchestra - Lane moje | Serbia & Montenegro | 2004 | 1 |
There's just something so magical about "Lane moje". Portugal 2008 and Serbia 2008 complete the atmospheric trifecta. The rest of the top 20 is filled with bops, including four of my favourite winners. Along with the two best "traditional" Eurovision ballads of the decade (in my opinion), which are Iceland 2009 and Israel 2005. STATS:{Year Stats} Year | Average | St. Dev. | Highest Ranked Entry | 2003 | 150.00 | 99.63 | 5. Sertab Erener - Everyway That I Can [Turkey] | 2009 | 158.52 | 101.72 | 2. Alexander Rybak - Fairytale [Norway] | 2005 | 159.97 | 99.59 | 3. Luminița Anghel & Sistem - Let Me Try [Romania] | 2006 | 166.73 | 102.07 | 18. Dima Bilan - Never Let You Go [Russia]
| 2008 | 168.51
| 98.69
| 10. Ani Lorak - Shady Lady [Ukraine]
| 2004 | 168.56 | 96.99 | 1. Željko Joksimović & Ad-Hoc Orchestra - Lane moje [Serbia & Montenegro] | 2000 | 169.63 | 93.31 | 6. Brainstorm - My Star [Latvia] | 2007 | 174.86 | 96.74 | 24. Magdi Rúzsa - Unsubstantial Blues [Hungary] | 2002 | 187.13 | 85.60 | 41. Sahlene - Runaway [Estonia] | 2001 | 192.65 | 96.87 | 8. Antique - (I Would) Die for You [Greece] |
I thought 2009 and 2008 would be ontop for sure, but I guess the DNQ's really hurt those years. 2003 has the strongest bottom tier though. 2002 meanwhile is the most consistently bland and 2001 is the worst overall. Not even Helena could save the latter. {Country Stats} Country | Average | Total Entries | Highest Ranked Entry | Serbia & Montengro | 32.50 | 2 | 1. Željko Joksimović & Ad-Hoc Orchestra - Lane moje [2004]
| Ukraine | 75.71 | 7 | 7. Ruslana - Wild Dances [2004]
| Iceland | 82.44 | 9 | 9. Yohanna - Is It True? [2009]
| Azerbaijan
| 91.50 | 2 | 13. AySel and Arash - Always [2009]
| Serbia | 96.33 | 3 | 15. Jelena Tomašević feat. Bora Dugić - Oro [2008]
| Albania | 101.67 | 6 | 34. Kejsi Tola - Carry Me in Your Dreams [2009]
| Norway | 104.33 | 9 | 2. Alexander Rybak - Fairytale [2009]
| Greece | 105.78 | 9 | 4. Helena Paparizou - My Number One [2005]
| San Marino
| 107.00
| 1
| 107. Miodio - Complice [2008]
| Armenia
| 107.25
| 4
| 14. Sirusho - Qélé, Qélé [2008]
| Turkey
| 112.20
| 10
| 5. Sertab Erener - Everyway That I Can [2003]
| Croatia | 112.60 | 10 | 35. Claudia Beni - Više nisam tvoja [2003]
| Georgia | 119.50 | 2 | 105. Sopho Khalvashi - Visionary Dream [2007]
| Moldova | 124.00 | 5 | 39. Natalia Barbu - Fight [2007]
| Sweden | 130.90 | 10 | 36. Roger Pontare - When Spirits Are Calling My Name [2000]
| Spain | 134.40 | 10 | 19. Beth - Dime [2003]
| Bosnia & Herzegovina | 138.56 | 9 | 38. Hari Mata Hari - Lejla [2006]
| Finland | 149.50 | 8 | 49. Lordi - Hard Rock Hallelujah [2006]
| Slovenia | 151.22 | 9 | 17. Nuša Derenda - Energy [2001]
| France | 153.60 | 10 | 56. Natasha St-Pier - Je n'ai que mon âme [2001]
| Russia | 160.70 | 10 | 18. Dima Bilan - Never Let You Go [2006]
| Romania | 165.00 | 9 | 3. Luminița Anghel & Sistem - Let Me Try [2005]
| Hungary | 168.25 | 4 | 20. NOX - Forogj, világ! [2005]
| Malta | 171.60 | 10 | 61. Ira Losco - 7th Wonder [2002]
| Cyprus | 172.33 | 9 | 43. Lisa Andreas - Stronger Every Minute [2004]
| Estonia | 174.00 | 10 | 12. Urban Symphony - Rändajad [2009]
| Denmark | 174.67 | 9 | 58. Rollo & King - Never Ever Let You Go [2001]
| F.Y.R. Macedonia | 179.25 | 8 | 26. Elena Risteska - Ninanajna [2006]
| Belarus | 180.33 | 6 | 73. Dmitry Koldun - Work Your Magic [2007]
| Slovakia | 183.00 | 1 | 183. Kamil Mikulčík and Nela Pocisková - Leť tmou [2009]
| Porutgal | 189.50 | 8 | 11. Vânia Fernandes - Senhora do mar (Negras águas) [2008]
| Poland | 194.50 | 8 | 70. Ich Troje - Keine Grenzen – Żadnych granic [2003]
| Bulgaria | 202.60 | 5 | 93. Deep Zone and Balthazar - DJ, Take Me Away [2008] | Austria | 206.67 | 6 | 155. Alf Poier - Weil der Mensch zählt [2003]
| Andorra | 206.83 | 6 | 110. Marian van de Wal - La mirada interior [2005]
| Montenegro | 214.67 | 3 | 144. Andrea Demirović - Just Get Out of My Life [2009]
| Latvia
| 215.10
| 10
| 6. Brainstorm - My Star [2000]
| United Kingdom | 215.30 | 10 | 42. Jessica Garlick - Come Back [2002]
| Netherlands
| 216.56 | 9 | 66. Esther Hart - One More Night [2003]
| Belgium | 217.00 | 9 | 23. Urban Trad - Sanomi [2003]
| Germany
| 220.80
| 10
| 52. Texas Lightning - No No Never [2006]
| Switzerland | 221.88 | 8 | 32. Vanilla Ninja - Cool Vibes [2005]
| Israel | 228.30 | 10 | 16. Shiri Maimon - Hasheket Shenish'ar [2005]
| Ireland | 247.56 | 9 | 132. Brian Kennedy - Every Song Is a Cry for Love [2006]
| Monaco | 259.33 | 3 | 161. Lise Darly - Tout de moi [2005]
| Lithuania | 261.25 | 8 | 196. Linas and Simona - What's Happened to Your Love? [2004]
| Czech Republic | 283.33 | 3 | 243. Tereza Kerndlová - Have Some Fun [2008]
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Leo ✔ Soundcl🕤ck born fearlessarrow kimberly Mylo13 💜 Future Captain mrmike855
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Soundcl🕤ck
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Post by Soundcl🕤ck on Dec 23, 2020 22:14:28 GMT -5
Great top 10! All good songs. I agree with "Lane moje", there is something magical about it + nostalgia. Maybe even the first ESC song since "Nocturne" that makes me feel that way.
Looking forward to the next decade! Great job ry4n!
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ry4n
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Post by ry4n on Jan 2, 2021 17:19:32 GMT -5
Oslo 2010 – Semi-Final 1 Host: Norway Slogan: “Share the Moment” Participants: 39 Voting method: 12-point system (50/50 system - combined) Format: 2 Semi-Finals / Grand Final = the top 10 of semi 1 & 2 + the Big 4 + host General Overview:The 2010s decade of Eurovision opens in Oslo; which means a return of Nordic humour! The three presenters are Erik Solbakken, Haddy N'jie and Nadia Hasnaoui, who interject some comedic comments throughout the night. They're also professional in their approach. This trio seems likeable so far. In contrast to previous years, there are no opening acts in the semi finals in 2010. The show begins with a brief video montage and the hosts welcoming the audience, but otherwise we jump right into it! One of the intermission segments involves numerous crowds screaming at cameras, which got annoying and went on too long. The main interval act (“Human Sounds”) is odd and quirky, however. It's basically a series of clips showcasing people creating sounds with their bodies. It concludes with an opera singer shattering an audience member's wine glass lol. The 2010 contest sees Andorra, Czechia, Hungary and Montenegro depart, while Austria and San Marino extend their absences. The only returning country is Georgia following last year's suspension. As a consequence, the number of participating countries is reduced to 39; the lowest since 2006. This was partly due to the global financial crisis of the time. Andorra has yet to return (as of 2020), while the rest will reappear sometime this decade. Starting in 2010, the 50/50 system is implemented for the semi-finals, and not just the Grand Final. Subsequently, this year the juries prevented Finland, Lithuania and (ironically) Sweden from qualifying. Bosnia, Israel and Ireland took their places. The are a few notable disparities between the televote and the jury vote in SF1. For example, the jury-heavy songs include Portugal and Bosnia, while the televote-heavy songs include Greece, Iceland and Russia. Belgium also won the overall jury vote by a wide margin. On the flip side, both metrics ranked Latvia in last place. Another important rule change occurred in 2010. For the first time ever, the viewers could vote during the performances, with the phone lines opening at the start of the show. This will be the case in 2011 as well, until the EBU reverts to the standard 15-minute window in 2012. I assume this change was intended to alleviate the disadvantage of the early running order slots. Quality-wise, this is a remarkably weak semi-final. It's filled with bland and bizarre entries. Indeed, my 9th and 10th qualifiers were chosen by default. Interestingly, nothing from SF1 lands in the eventual top 5, and only two of them are in the top 10. Still, this semi has some classics and fan-favourites. The Entries:✓ Moldova: SunStroke Project and Olia Tira - Run Away So the first Eurovision performance of the 2010s is... an Internet meme! (it features “Epic Sax Guy”). Considering that meme culture will largely define this decade, it's a perfect introduction. “Run Away” is campiness done right, without being cringe or pretentious. Mostly because the artists deliver the appropriate energy on stage. Moreover, the performance is immediately eye-catching, thanks to the clothing choices, the excessive eye make-up, the spinning dude with a neon violin, and of course the hip-thrusting saxophonist. The visuals also establish a party night aesthetic. As for the song, “Run Away” utilizes a wonky chorus structure that involves abrupt pauses and blast-offs, supported by a jittery violin and a pulsating motorized synth. It's turbulent but catchy. It's also an escape/release of the anxious claustrophobia expressed in the lyrics. The song breathes melodrama and panic. Elsewhere, the sax riff adds another quirky component to the mix, and the dance/club production is very 2010. In conclusion, “Run Away” is what a novelty entry should be. Strangely, it only finished at 22nd, although SunStroke Project will get a top 3 placing later... ✓ Russia: Peter Nalitch and Friends - Lost and Forgotten “Lost and Forgotten” is a satirical parody of depressing and mopey break-up ballads. Accordingly, the arrangement exaggerates its dreary nature, as the narrator feels ignored by his love interest. The mood is completed by falling snow on stage, and by the band wearing winter clothes. But the pivotal joke happens after the “I'm looking at your photo” line. The lead singer literally pulls out a hand-drawn sketch of his ex. He stares at the photo heartbroken, while a band mate tells him to burn it. It's soooo stupid that I can't help but laugh. However this melody drags on too much in a lethargic way, the vocals are unpleasant, and the “wooooo”'s are silly. The chorus is okay though. The folk genre makes it tolerable. × Estonia: Malcolm Lincoln - Siren Is this three joke entries in a row? The Baltic countries love to send these eccentric entries, but most of the time I do not understand the appeal, and “Siren” is no exception. The staging is beyond bizarre. The pianist is so extra, the spinning camera makes me nauseous, and the dorky dance moves aren't endearing. One of the backing singers collapses at the end too. It just seems “try-hard” to me. Furthermore, the song is extremely dull. The piano-lead verses are too minimalist. The pacing does pick up in the chorus, but that chorus goes absolutely nowhere. It perks up, then resorts to a monotonous rut. Which does capture the theme of feeling stuck in life. But it's aurally unsatisfying. × Slovakia: Kristina - Horehronie How is this a DNQ? “Horehronie” is easily Slovakia's best Eurovision entry, although that's not saying much. The wood-clanging percussion beat is both inventive and addictive. The stomping rhythm really drives the song and keeps the energy afloat. And it illustrates the sounds of the Slovakian forests (which cover 40% of the country, apparently). The title “Horehronie” refers to a popular tourist region there. Kristina views this place as her sanctuary, where she finds peace by connecting with nature. The lyrics, the wooden beat, and the plant-based outfits combine to create that nature imagery. I like the green aesthetic. The pan flutes and the chanting lady are nice additions too. That said, the song is a little too monotonous, and it doesn't really go anywhere. × Finland: Kuunkuiskaajat - Työlki ellää Another Ethnic-influenced entry that should have qualified. Finland even reached 6th place in the televote, but the juries tanked it. “Työlki ellää” is just so innocent and jubilant. The song is a folk music jamboree with a bouncy melody, and it encompasses the accordion, the fiddle, and well-timed hand claps. There's also a whirlwind of tempo shifts. The decelerations and accelerations can seem gimmicky, though. Still, “Työlki ellää” is a fun song. The ensemble delivers radiant energy on stage and spry dance moves. The luminous white outfits complement the vibe. And it feels nostalgic in a way. Lyrically, the song analyzes the songwriting process, the origins of inspiration, and how playing music is a livelihood. × Latvia: Aisha - What For? Latvia's list of existential frustrations finishes in dead last. Likewise, Finland 2005 and Cyprus 2006 also DNQ'ed when they attempted this theme. My theory is that Eurovision is a form of escapism and viewers aren't interested in facing such heavy subject matter. Indeed, “What For?” conveys a weighty, gut-wrenching tone, where Aisha is despondent by the lack of answers to life's deep questions. For example: what is the purpose of death and suffering. But some of the words are too shallow (ie. “Why are the skies so blue and mountains high?”) or too silly (“But [God's] phone today is out of range”). Oh, and Aisha's vocals are unpleasantly tone deaf in the verses. Yikes. On the positive side, the chorus is salvageable thanks to the sloshing production and the escalations of the “what for”s. ✓ Serbia: Milan Stanković - Ovo je Balkan Bop! “Ovo je Balkan” is so catchy and upbeat. The song involves an addictive beat, a perky bounce, and a flurry of horns that sound characteristically Balkan. It also utilizes repetition and stutters cleverly. Namely the “heeeee-e-e-e-ey” bit, the numerous “Ljubica”s, and the “Balkan Balkan Balkan / hop hop hop” section. The latter is also distorted like a radio broadcast. Milan meanwhile supplies flirtatious charm and a bright smile. He has natural charisma. As for the staging, it fulfills the requirements to be visually complete. For example: the circular walled platforms, the “robotic” female dancers, and Milan's uninhibitedly giddy dance moves. Not sure what I think about the outfits though. All in all, “Ovo je Balkan” is an obvious qualifier. Although the song has a high burn rate. ✓ Bosnia & Herzegovina: Vukašin Brajić - Thunder and Lightning (It's getting exciting). So “Thunder and Lighting” projects a relentlessly, overpowering, “epic”-sounding atmosphere thanks to a dramatic guitar line. It replicates the intensity of a thunderstorm as Vukašin encourages reconciliation with his estranged lover. But there's something underwhelming and basic about this song. I expected more. The structure sticks to a generic template, the instrumentation isn't that dynamic, and the lyrics are cliche. The stage utilizes the smoke machine and flashing lights, though. The dark aesthetic of the 2010 contest suits this one. “Thunder and Lightning” is kind of a random qualifier to me, but this is the weaker semi. Either way, this was Bosnia's worst result since the relegation era. × Poland: Marcin Mroziński - Legenda What... the... actual... f**k... This is disturbing. Poland obviously went for the shock factor with this staging. The atmosphere is bone-chilling too. The backing singers are creepy, between the shrieking, the apple-biting, the haunting harmonies, and the intense facial expressions. And the performance concludes with Marcin “strangling” one of the girls as her shirt gets torn off. To give some context, the song is subverting the common fairy tale tropes, where the princess doesn't want to be “rescued” by the knight. This changes our perspective of the knight's intentions – he is no longer a hero but a predator. While I appreciate the creativity, the visual representation is unsettling. The screaming is annoying. And the song is excessively intense. Still, the chorus employs a “marching through the forest” rhythm that's enjoyable (ie. the “forever ever and ever” bit). ✓ Belgium: Tom Dice - Me and My Guitar “Me and My Guitar” was the huge jury favourite of 2010. It was enough for Belgium to win in SF1, and to be 2 points shy of winning the jury vote at the Grand Final. But the televoters ranked it 14th. The song foreshadows a 2010s trend: the acoustic male ballad. It's the template that Ed Sheeran, Passenger, James Bay, etc. will soon exploit. While this genre is generally not my thing, Tom delivers a heartfelt, honest, and personal performance here. In the song, he describes the lengthy struggle to break into the music industry and feeling pressured to abandon his dream. Appropriately, the only things on stage are Tom and his guitar. The backing track adds some unobtrusive support though. The minimalist approach allows Tom to express fragile vulnerability. He sounds passionate and driven about his goal. And he's a capable live performer. But, the melody is too dull and plain. Although the “maybe I should get a nine to five” hook is alright. Ultimately “Me and My Guitar” broke Belgium's 5-year DNQ streak, and it became their first top 10 since “Sanomi” in 2003. Considering their last three entries were terrible, this is refreshing by comparison. × Malta: Thea Garrett - My Dream Was Chiara not available? This sounds exactly like one of her ballads, minus the compelling vocal climaxes. Oh wait, “My Dream” was written by the same team that wrote Chiara's 1998 entry, no wonder. This is such a bland, indistinct and uninteresting ballad. The only thing of note is when the angel wings appear behind Thea. And even that doesn't excite me. Otherwise, the song tries to be inspirational but it just isn't. The message is written with generic lyrics and the arrangement is ordinary AF. There's just... nothing to care about here. ✓ Albania: Juliana Pasha - It's All About You Well, this sounds noticeably similar to Christina Aguilera's “Keeps Gettin' Better”, but it's a bop nonetheless. The fizzy electro beat channels the “loud” dance-pop hits of the time. There's a fierceness to the buzzing synths, while the jogging rhythm drives the song. Furthermore, the chorus is an adrenaline rush that expresses Juliana's smitten devotion. She even wants to get engaged? (ie. “make a deal and seal it”). The chorus is easily catchy too, thanks to the well-timed echoes from the backing singers. Elsewhere, the flashing purple lights match the energy. The “we've been down...” hook is decent. And the “cool-down” in the bridge sets up the finale. There's also an electric violin solo; which is kind of random. Still, I feel like other entries have more to offer. ✓ Greece: Giorgos Alkaios and Friends - OPA! I understand how some would find this irritating, but I think it's brilliant. “OPA!” is an insanely catchy song that specializes in the call-and-response format. The “hey!” and “opa!” cheers are the obvious hooks. Specifically in how the two sections contrast – the “hey!” lines stop early to allow an instrumental response (which signifies the rising flames mentioned in the lyrics), while the “opa!” lines are more complete. The chorus then concludes on a bounce rhythm. The song's structure is dynamic in other ways too. The vocals intensify midway through the verses as an escalation tactic. There's growls, the four isolated clangs, and the bridge introduces a traditional stringed instrument, followed by a record scratch. Moreover, the instrumentation blends a marching drum rhythm with Greek elements and 2010-era synths that emanate like smoke. There's a lot going on, but it's cohesive. Giorgos also delivers some commanding/intimidating stage presence. Incidentally “OPA!” is the televote winner of SF1, and it extended Greece's top 10 streak. ✓ Portugal: Filipa Azevedo - Há dias assim This is Portugal's last qualification until Salvador. On first impression, “Há dias assim” seemed like a slow and boring ballad that benefited from weak competition, but it placed 4th in the semi-final. That said, the song definitely improves in the second half, when the instrumentation expands beyond the initial piano-ballad structure. The dramatic transitions and the vocal climaxes are the highlights. More specifically, it's the shifts that lead into the later choruses. Filipia also delivers a warm and personable performance. The lyrics, meanwhile, touch on the themes of loneliness and separation. It's not my favourite entry, but it's amongst the 10 best songs of SF1. × F.Y.R. Macedonia: Gjoko Taneski - Jas ja imam silata Yeah, this is the most forgettable entry of SF1. The heavy guitar line and the chorus melody are both agreeable and inoffensive, but “Jas ja imam silata” doesn't leave much of an impression. It's an obvious DNQ. The song channels 1980s rock music though, which is difficult to dislike. There's even an electric guitar solo! In the song, Gjoko basically declares “I'm better off without you”. He serves some attitude as he invalidates the significance of the relationship. He's already moved on. But otherwise, the guest rapper doesn't add much. And the seductive female dancers on stage don't match the theme. I guess that's one way to attract votes. ✓ Belarus: 3+2 feat. Robert Wells - Butterflies “Butterflies” is a strong contender for my least favourite ESC entry of all time. I despise everything about it. Firstly, it's one of the dullest songs in existence. The vocals are so toneless and lethargic – it's excruciating to listen to. Moreover, the melody moves at such a sluggish pace that it's sleep inducing. The song sounds 50-years out of date; completed by a formal stage aesthetic that includes tuxedos, theatre curtains and a grand piano. The main metaphor (“we're like butterflies flying to the sun”) is lame. The song is about opening up and letting love in, but the emotion doesn't take hold. And then the cherry on top: the butterfly wing reveal! Which is one of the cringiest things I've witnessed in this contest. The drums FINALLY enter during this section, but it's too little too late to salvage the song. ✓ Iceland: Hera Björk - Je ne sais quoi The other Icelandic Björk. So “Je ne sais quoi” is this year's fan-favourite flop (there's usually one every year). Despite reaching third in SF1, Iceland floundered at 19th place at the Grand Final. Maybe the staging was too bland, since Hera and the backing singers are mostly stationary throughout the performance. The camera work and the background lights compensate somewhat, though. That said, Germany also had basic staging, so I don't know. As for the song, “Je ne sais quoi” is an encompassing, 2010-style, dance-pop banger. It sounds like a European chart hit from the time, and not too dissimilar from Iceland's 2008 entry, which Hera was actually a backing singer for. The first verse builds up anticipation nicely; whereas the second verse indulges in the motorized synths. The chorus, meanwhile, is an explosion of “brash” euphoric synths that overtakes the arena. It's a killer chorus. Namely in how Hera belts the song title and the ensuing “oh!”s. She's a talented vocalist and a confident performer. But.... I find that Hera's delivery is more a showcase of skill than a showcase of emotion. It makes this entry seem a little robotic, even if the production and the melodic structure are slick. My Ranking:01. Moldova: SunStroke Project and Olia Tira - Run Away ✓02. Greece: Giorgos Alkaios and Friends - OPA! ✓03. Iceland: Hera Björk - Je ne sais quoi ✓04. Finland: Kuunkuiskaajat - Työlki ellää 05. Slovakia: Kristina - Horehronie 06. Serbia: Milan Stanković - Ovo je Balkan ✓07. Albania: Juliana Pasha - It's All About You ✓08. Belgium: Tom Dice - Me and My Guitar ✓09. Portugal: Filipa Azevedo - Há dias assim ✓10. Bosnia & Herzegovina: Vukašin Brajić - Thunder and Lightning ✓11. Russia: Peter Nalitch and Friends - Lost and Forgotten ✓12. Poland: Marcin Mroziński - Legenda 13. F.Y.R. Macedonia: Gjoko Taneski - Jas ja imam silata 14. Latvia: Aisha - What For? 15. Estonia: Malcolm Lincoln - Siren 16. Malta: Thea Garrett - My Dream 17. Belarus: 3+2 feat. Robert Wells - Butterflies ✓That was a struggle to pick 10 songs. What a weak semi-final. Leo ✔ Soundcl🕤ck born fearlessarrow kimberly Mylo13 💜 Future Captain mrmike855 yuh yuh
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Leo ✔
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Post by Leo ✔ on Jan 2, 2021 17:28:27 GMT -5
From this semifinal I only enjoy Run Away, Ha dias assim, Tyolki ellaa, Horehronie (deserved to be a qualifier) and Je Ne Sais Quoi (utterly robbed on the finals)
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born
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Post by born on Jan 2, 2021 17:51:37 GMT -5
My Ranking:01. Greece: Giorgos Alkaios and Friends - OPA!
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ry4n
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Post by ry4n on Jan 16, 2021 18:26:05 GMT -5
Oslo 2010 – Semi-Final 2 Host: Norway Slogan: “Share the Moment” Participants: 39 Voting method: 12-point system (50/50 system - combined) Format: 2 Semi-Finals / Grand Final = the top 10 of semi 1 & 2 + the Big 4 + host General Overview:The opening of SF2 is the same deal as SF1 – a short video, followed by host introductions, and then straight into the first song. One of the filler segments includes a montage of memorable Eurovision bottom 3 finishers (these are always fun), in hour of Norway's infamous legacy of finishing dead last. It includes several of their own. The main interval act, meanwhile, begins with a video of a kid travelling towards the arena in Oslo, alongside heightened background sounds. It's weird but well-produced. This eventually segues into a live group performance of break dancing, accompanied by a choir providing the beat-boxing. This year's theme of “share the moment” feels so... alien in the current state of the world. Elsewhere, Lys Assia is the guest of honour for the zillionth time. Interestingly, Azerbaijan won the televote, Georgia won the jury vote, and Turkey won the combined tabulation. And as previously mentioned, the juries bumped Lithuania and Sweden in favour of Israel and Ireland. I have no issue with Lithuania being excluded, but ouch at Sweden. That said, the 10 qualifiers all make sense... Sweden (and Croatia) were just victims of tough competition. The improvement in quality compared to SF1 is insane lol. Romania and Turkey are my two favourites of the entire contest. I had a hard time deciding my “winner” between them... it's virtually a tie. The Entries:× Lithuania: InCulto - Eastern European Funk Sometimes I like a trashy entry. “Eastern European Funk” is another eccentric offering from the Baltics, but this one is utterly wacky. There's kazoos, beat-boxing, horn breakdowns, foam instruments, and of course the most memorable moment: the glitter shorts reveal. There's also dancing caricatures on the background lights. It's a ridiculous performance. The lyrics address a touchy subject: the social inequality between Western and Eastern Europe. But the band uses a lighthearted approach to endear themselves to the audience. As for the song, “Eastern European Funk” follows a bouncy ska rhythm. The arrangement is chaotic and jumpy, and it's kind of a mess. But some parts are begrudgingly catchy (like the “no sir, we're not equal, no...” part). I won't complain about this DNQ-ing though. ✓ Armenia: Eva Rivas - Apricot Stone Armenia and Azerbaijan were ambitious during this period. This entry tells a story. The staging is like watching a scene from a play. The outfits and the props imply a cultural context. In the first verse, Eva is scared to leave the guidance and the security of her home. But in the second verse, she grows and overcomes those fears, while still cherishing the “apricot stone” gift. It symbolizes her connections to her origins (the apricot fruit is significant in Armenian culture). I like the lyrics. Additionally, the song features the duduk – a woodwind instrument carved from apricot wood. In regards to the melody, the chorus is somewhat “plain”, but the vowel elongation is catchy (ie. “in my haAaAaAaAand”). The verses and the pre-chorus draw me in though; particularly the “may the winter...” part. There's also dramatic bangs and blasts of pyro throughout the performance. But this is one of those songs where I like the verses better than the chorus. ✓ Israel: Harel Skaat - Milim Israel selects an orchestral ballad that's reminiscent of old school Eurovision. It's a classy performance, complete with a suit and grand piano. It proved to be a safe choice... with the juries. Indeed, the Grand Final result shows “Milim” ranked 5th in the jury vote and 19th in the televote. Anyways, the song steadily builds to a climax, while Harel delivers an impassioned performance. He supplies the devastated emotions and the big vocals. Also, his facial expressions are charming with the way he looks into the camera. The song describes the aftermath of being abandoned by a loved one. The lyrics are observational with specific imagery. The “-alim” rhymes are decent too. But this song falls into the “boring ballad” category for me. ✓ Denmark: Chanée and N'evergreen - In a Moment Like This Denmark provides the latest Thomas G:son composition, and his involvement is pretty obvious here. “In A Moment Like This” sounds noticeably similar to Sweden's entries from the 2000s. I also hear a resemblance to “Nothing's Gonna Stop Us Now” by Starship. Still, the exclamation of the song title (“IN A MOMENT LIKE THIS”) is a powerful and irresistible hook. The duo bellows it from the rooftop. It's also followed by a secondary hook - the “wanna know, wanna know, wanna know” repetition. No wonder this entry landed in the top 5 (which is Denmark's best placement since 2001). Moreover, the key change is huge, the verses suspend anticipation, and the staging is fitting. The duo are partitioned by a wall and pushed apart by a “treadmill”. The lyrics describe two lovers yearning to bridge their separation. Later on, they holds hands while the wind machine batters their faces. The grandiose atmosphere works. × Switzerland: Michael von der Heide - Il pleut de l'or Switzerland takes last place for SF2. “Il pleut de l'or” attempts to be eccentric and anthemic but it's just a mess. It feels forced. Michael uses a talking voice in the verses that I don't care for, especially the long pauses. The pacing of the ticking clock rhythm feels “off” too. Furthermore, the energy on stage is off-putting, the “raining gold” metaphor is meaningless, and the “dadadam” hook is lifeless. The only redeemable aspect is the dramatic blasts in the chorus. But I have no idea what this entry is going for. × Sweden: Anna Bergendahl - This Is My Life It's the darkest moment in Swedish history: when Anna failed to qualify in Eurovision! The country had been under performing since 2007 though, so it wasn't that unexpected. On the flipside, the DNQ reinvigorated Sweden's efforts for the rest of the decade. So “This Is My Life” is a timid and personal ballad. Anna's vocals are fragile and shaky, but she maintains fortitude. This dichotomy expresses her internal struggle; like she's nervous but she won't back down either. She even stumbles over the words (ie. “this is my... life... my friend”). The lyrics are about claiming her independence. The arrangement gains strength as it progresses too. It peaks during the bridge with the “I don't wanna”'s, and concludes on an encouraging final chorus. Anna's little hops are also cute. Still, I can see how this entry was overlooked. The Melfest runner-up that year, Salem Al Fakir's “Keep on Walking”, probably stood a better chance at qualifying. Maybe Eric Saade's "Manboy” as well, but he'll win Melfest with a better song next year. Timoteij's “Kom” was great too. ✓ Azerbaijan: Safura - Drip Drop “CAN I LOOOOVE YOOOOU FOREVEEEEER”. WHAT. A. CHORUS. “Drip Drop” is the big power ballad of 2010. Azerbaijan killed it with their 2009 and 2010 entries. The chorus hits instantly, thanks to the explosive vocal and the swelling instrumental. It represents Safura bawling her eyes out. The methodical, wide gaps between the percussion beats are effective too. The instrumental moves like heavy footsteps; or like teardrops ricocheting off a surface. In the song, Safura suspects her lover is cheating, and she questions whether to continue the relationship. I love her confrontational tone in the second verse. The bridge/final chorus transition is also a highlight. Furthermore, the “drip drop” section adds a cute hook, alongside her arm movements. The staging focuses on the choreography. ✓ Ukraine: Alyosha - Sweet People Ukraine continues to impress, despite changing their selection twice this year. The vocals, the devastated tone and the guitars all pack a punch here. It's a powerful performance. The song tackles a serious global issue: the environment, where Alyosha holds the policy makers responsible. She finds it absurd that humanity is destroying their own home; which is a good point. The lyrics are essentially doomposting, with lines such as “The end is really near” and “Don't turn all the earth to stone”, but it helps the message resonate. The music is what I love about this entry, though. Alyosha's piercing pleas of “MEEEEEEESAGE” and “because because because” hit hard. She pours anguish into the words. Moreover, the song's progression is epic. It begins with a dark, dystopian acoustic guitar. But halfway through, an electric guitar enters to amplify the outrage. On stage, Alyosha performs solo against red lighting. × Netherlands: Sieneke - Ik ben verliefd (Sha-la-lie) This is such a bizarre selection. Had the Netherlands given up? In 2010, they opted for a jaunty circus song (flashbacks to 1970s Eurovision), complete with a wagon contraption in the background. Needless to say, this was a huge misfire and it continued their DNQ streak. The “figurines” standing by the wagon are pure cringe, especially their facial expressions. And I want to destroy that calliope! Furthermore, the song's tone is too jolly and the lyrics are too silly. So many European cities are mentioned. Sieneke has fun with it on stage, though. And the “Shalalee shalala” hook is hilarious. ✓ Romania: Paula Seling and Ovi - Playing with Fire “Playing With Fire” is just a flawless Eurovision entry. Firstly, the song is insanely catchy. The melody is incredibly active and there is no shortage of hooks. For example: the “girl girl girl” / “boy boy boy” lead-offs, the “uh boy, till you drop” response, and the “ARE YOU RUNNING AWAYYYYY” part. The shout-out-loud chorus is instant too. Moreover, the instrumental follows an unconventional groove. The firm bass piano notes zigzag all over the place. It sticks out in a good way. It's also volatile and combustible at times. The performance, meanwhile, involves Paula and Ovi bickering back and forth while exchanging their lines. It's like a tug of war. Their interactions are campy (and theatrical), but never cringe. They have chemistry and expressive body language. It displays the passionate attraction of two people that can't stand each other. The staging also includes a conjoined transparent piano, which is a memorable visual; as well as black outfits and pyro. Lastly, the vocals are on point, including Paula's wails in the bridge. Ultimately, “Playing With Fire” equalled Romania's best placement of 3rd from 2005. × Slovenia: Ansambel Žlindra and Kalamari - Narodnozabavni rock Well, it's inventive at least. The Slovenian entry merges traditional polka with rock music, featuring the accordion and the electric guitar. The lyrics literally describe the song itself. It sounds like two people arguing over their preferred music genre. The instrumental bridge showcases the fusion the best. However, the first half of the song employs several abrupt genre switches and it's annoying. It's like they keep changing the radio station. There's no cohesion. Otherwise, the “Naj bo (naj bo (naj bo))” bit, where the three vocalists enter one by one, is an okay hook. And there's enthusiasm. ✓ Ireland: Niamh Kavanagh - It's for You The winner of 1993 returns! Niamh boosted Ireland back into qualification territory this year, however they still landed in the bottom 3 at the Grand Final. “It's for You” is a lovely ballad, although it is a slow one that lacks an enduring melody. The lyrics are sweet, where Niamh promises to love and support this person. Her compassionate vocal texture and her warm, down-to-Earth stage presence makes this work. It's why “In Your Eyes” is my favourite Irish winner. Furthermore, the instrumentation is triumphant, like the dawn of a new day. The penny whistle is characteristic of traditional Irish music. And the final chorus transition is climactic. The song is kinda boring though. × Bulgaria: Miro - Angel si ti Well, this is a forgettable entry. The “ohhhhhh ohhhhhh” hook dominates the song since it's used so excessively, but it's a weak hook. On the flip side, the dance-pop beat is elaborate and energetic, with a hint of disco. But... there's not much happening here. It's so empty. The choreography is fine, but nothing spectacular, although Miro is a confident performer. ✓ Cyprus: Jon Lilygreen and The Islanders - Life Looks Better in Spring This deserved better than bottom 5. “Life Looks Better in Spring” has a clear melody, and Jon delivers a heartfelt performance. He comes off as genuine and down-to-Earth. The backing singers play a significant role too. They ensure the melody sticks, thanks to their “aaaah”s and “ooooh”s, and emphasizing Jon's lines in the chorus. They also provide a comforting and supportive vocal texture. Moreover, the arrangement establishes a mood. “Life” is a reflective and daydream-y song, where Jon reminisces about a defunct relationship. He's not over his ex. The unresolved emotions hit him in the chorus, when the song becomes more distressed. There's just something relatable about this entry. × Croatia: Feminnem - Lako je sve The return of Feminnem, who represented Bosnia in 2005. I've noticed that Croatia's entries are usually growers, and “Lako” is no different. Indeed, I had it ranked outside my qualification zone on first impressions, and now it's in my top 10 of the whole year. The vocal performance is a major highlight of this entry. The trio provides raw and heavy emotional weight to the song. They also harmonize and trade lines cleanly. “Lako” is a guilty confession, where the narrator admits that she cheated. So it's appropriate that the performance is a gut punch. The staging is also elegant (the dresses, the curtains, the arm swaying). What drags “Lako” down is the mundane instrumentation in the first half. But the song undergoes such a compelling journey from the fragile opening to the pleading climax. The last half leaves an impact thanks to the strings entering, the aforementioned arm swaying, and the pause in the final chorus. The song then concludes on a somber note. ✓ Georgia: Sofia Nizharadze - Shine The jury winner of SF2, and Georgia's best result to date, coming in at 9th (they matched that placement in 2011 but with less points). The staging is the most notable aspect here. It involves a skilled and agile choreography routine, where Sofia twirls, leans over, and gets lifted up several times. The camera work complements it, while the red and white design (the Georgian flag colours) is visually pleasing. Sofia also delivers an intense vocal performance during this. The initial chorus melody sticks (ie. the “Like the tide's gonna turn...” / “...when it's cold” part), especially when the rock instrumentation enters. But it falls apart during her screams of “shine... shine”. The song becomes too shouty. The graceful verses are fine, though. Lyrically, “Shine” is about encouraging someone to embrace change and to not fixate on the past. Sofia takes on an empathetic tone. ✓ Turkey: maNga - We Could Be the Same The winner of SF2 and the runner-up overall. “We Could Be the Same” really stands out. The song blends punk rock with rap verses, record scratches, and symphonic strings. The closest comparison that comes to mind is Linkin Park. The instrumental breaks are my favourite aspect; they're so hectic and euphoric. Overall though, the song achieves an adrenalized atmosphere. The intro also gets me hyped. The guitar riff before the chorus is a great transition. And the rush of the chorus melody is undeniable (“FOR ALL THIS TIME...”). Furthermore, the staging is visually stunning, thanks to the flashing lights, the pyro and the black colours. There's also a dancing robot in the background, which is very Eurovision. As for the lyrical content, the song is about disregarding the outsiders who disapprove of the singer's relationship. The title suggests that it's because of their differences (possibly in a religious or ethnic context?) But yeah, maNga blew the roof off with this performance. My Ranking:01. Turkey: maNga - We Could Be the Same ✓02. Romania: Paula Seling and Ovi - Playing with Fire ✓03. Azerbaijan: Safura - Drip Drop ✓04. Cyprus: Jon Lilygreen and The Islanders - Life Looks Better in Spring ✓05. Ukraine: Alyosha - Sweet People ✓06. Armenia: Eva Rivas - Apricot Stone ✓07. Croatia: Feminnem - Lako je sve 08. Denmark: Chanée and N'evergreen - In a Moment Like This ✓09. Georgia: Sofia Nizharadze - Shine ✓10. Sweden: Anna Bergendahl - This Is My Life 11. Lithuania: InCulto - Eastern European Funk 12. Israel: Harel Skaat - Milim ✓13. Ireland: Niamh Kavanagh - It's for You ✓14. Slovenia: Ansambel Žlindra and Kalamari - Narodnozabavni rock 15. Bulgaria: Miro - Angel si ti 16. Netherlands: Sieneke - Ik ben verliefd (Sha-la-lie) 17. Switzerland: Michael von der Heide - Il pleut de l'or There's 11 songs I wanted to qualify here. Leo ✔ Soundcl🕤ck born fearlessarrow kimberly Mylo13 💜 Future Captain mrmike855 yuh yuh
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Leo ✔
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Post by Leo ✔ on Jan 16, 2021 18:34:18 GMT -5
"Playing with Fire" is perfect!! "we could be the same" is overrated. #sorrynotsorry
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Post by born on Jan 27, 2021 15:42:14 GMT -5
I absolutely stan! This SF2 Top 5 is overall Top 5 worthy.
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Post by ry4n on Jan 29, 2021 7:12:26 GMT -5
Oslo 2010 – Grand Final Host: Norway Slogan: “Share the Moment” Participants: 39 Voting method: 12-point system (50/50 system - combined) Format: 2 Semi-Finals / Grand Final = the top 10 of semi 1 & 2 + the Big 4 + host Winner: Lena - Satellite Country: Germany Points: 246 (53.9% of highest score possible) Language: English YouTube | Spotify | LyricsGeneral Overview:The 2010 contest is less elaborate than 2009. Last year, Moscow reimagined the stage design by cramming in as many LED screens as possible. This year, Oslo goes the exact opposite route and eliminates them altogether. Instead, the background wall is filled with a dense array of lights, which are used in clever ways during the individual performances. This meant that the stage looked noticeably dark. There's also strings of hanging beads. The Grand Final opens with a timeline of the previous contests. The completionist in me wishes they would include clips of all the winners, not just the most recognizable ones. This eventually segues into Alexander Rybak performing “Fairytale”, but initially in the wrong tempo for some reason. The theme of “Share the Moment” is prominent throughout the night, between the postcards and the interval act. There's also satellite link-ups showing rooms full of supporters for their respective country. The postcards are unique (as they were in '08 and '09). Instead of cutting to a pre-recorded vignette, the images are displayed as a hologram within the arena. First, the country shape is formed. Then a video of fans gathering together somewhere in the country is shown. Meanwhile, the camera cuts to the artist(s) preparing on stage. Lastly, they end with a hologram of the flag. The interval act makes me feel nostalgic. It's a giant flash mob happening across the entire European continent, while Madcon's “Glow” plays in the background. The song becomes monotonous after 7 minutes, though. The sequence begins and ends in the arena, with the audience dancing in unison. In between, the camera shuffles through a dancing crowd from each country, as well as the aforementioned supporter rooms. There's also a person dancing on a rock in the middle of the North Sea. It's so strange to watch this in pandemic times. The vote reveal is not suspenseful at all – “Satellite” is another landslide winner. The third largest gap of the 12-point era, in fact (after 2009 and 1982). Indeed, Germany's lead kept widening as the votes came in. Belgium sunk 2-6 towards the end, though. Also the scoreboard graphics are starting to resemble what they look like today. After the winner is officially announced, the back wall opens up so Lena can walk directly from the Green Room to the main stage. This year's major hiccup happened during Spain's performance, which was disrupted by a stage invader. The security personnel promptly apprehended the person, and Daniel Diges and the backing dancers continued as normal. Consequently, Spain were allowed to performed a second time after Denmark. The Grand Final is an even mix of bops and ballads. There's too many slow ones however, so there is a ballad fatigue. Overall, I'd say 2010 is a step down from 2009. Many of the DNQs are trainwrecks too. But this year contains many high quality and beloved entries too. It's not the best of the decade, but nowhere near the worst (that one's next). The Entries: Azerbaijan: Safura - Drip Drop The running order slot hindered this, I think. Spain: Daniel Diges - Algo pequeñito “Algo pequeñito” is notoriously remembered for the stage invader. But ignoring that distraction, the song tackles the concept of a “dark mood in a happy setting”. It accomplishes this via circus instrumentation lead by a bouncy 3/4 waltz rhythm, while Daniel expresses torment. He begs for one sign, any sign, that things are okay in this relationship. No matter how small. The song correspondingly increases in intensity as Daniel becomes more desperate. It culminates with that huge note at the end. A second singer also joins in to amplify the tension. The staging, meanwhile, involves four circus entertainers displaying some animated choreography. I like the song's journey and the melodrama – the escalations are effective (there's even fireworks on the last one!) and the chorus melody sticks. But the circus elements don't really work imo; the staging feels mismatched with the song's tone. The staging is really distracting too. Norway: Didrik Solli-Tangen - My Heart Is Yours This just seems like an unambitious host entry, despite it winning a major national final. Didrik builds to a big vocal climax here, accompanied by a classy formal stage setting. But the pacing is sooooo sloooooooow. It's tedious. The song is also generic, anonymous, and unoriginal. “My Heart Is Yours” is indistinguishable from any other Eurovision ballad. Bland lyrics, bland instrumentation, predictable arrangement. It leaves me feeling cold. And the melody is reminiscent of a lullaby. The opening verse is basically the same as “you are my sunshine, my only sunshine...” Although there is an optimistic tone, it's still one of my least favourite host entries ever. Moldova: SunStroke Project and Olia Tira - Run Away Cyprus: Jon Lilygreen and The Islanders - Life Looks Better in Spring Bosnia & Herzegovina: Vukašin Brajić - Thunder and Lightning This could grow on me in the future Belgium: Tom Dice - Me and My Guitar Serbia: Milan Stanković - Ovo je Balkan Belarus: 3+2 feat. Robert Wells - Butterflies Hopefully the last time I ever listen to this Ireland: Niamh Kavanagh - It's for You Greece: Giorgos Alkaios and Friends - OPA! This has a high burn rate tbh United Kingdom: Josh Dubovie - That Sounds Good to Me Yeah, this deserved last place. The backing track is generic piano house transplanted from 1991 – it's so cheap, dated, and out-of-touch. The UK recruited Pete Waterman of S/A/W fame to oversee their 2010 selection, since Andrew Lloyd Webber's involvement was successful last year. The production team dominated the British pop charts of the late 80s. But even their songs from that era have aged like milk. And “That Sounds Good to Me” sounds like they haven't updated their formula in 20 years. Furthermore, Josh's vocals are mediocre and his dance moves appear forced. It's like he hates his own song. The lyrics are uninspired too (ie. “So if you bring the sunshine / I'll bring the good times”). The “oh whoa whoa yeah” hook from the backing singers is okay, though. And the chorus melody makes an effort (like the “happy ever AFTER” bit)... but Josh's unconvincing performance spoils it. Georgia: Sofia Nizharadze - Shine Turkey: maNga - We Could Be the Same Albania: Juliana Pasha - It's All About You Iceland: Hera Björk - Je ne sais quoi Ukraine: Alyosha - Sweet People France: Jessy Matador - Allez Ola Olé “Allez Ola Olé” is a refreshing selection from France, since the song contains African and dancehall elements. The percussion rhythm is infectious. The song is also a hook-fest from beginning to end. The opening verses contain plenty of “eh” rhymes. Following this, the title phrase and the “badabadam” parts are repeated quite frequently – arguably to the point of annoyance – but it's undeniably catchy and memorable. The “tribal” drum breakdown breaks that monotony though. Moreover, Jessy delivers insane energy and charisma on that stage. He jumps around for three whole minutes getting the audience hyped up. The backing dancers are enthusiastic too. It's a work-out. “Allez Ola Olé” is the “Hora din Moldova” of 2010 I guess? There's also butt shakes and butt slaps lmao. In summary, the song is highly energetic and the performance compels the crowd to dance. The chorus is literally a sports stadium chant. Incidentally, the song was re-used for the FIFA World Cup later that year. Romania: Paula Seling and Ovi - Playing with Fire Russia: Peter Nalitch and Friends - Lost and Forgotten Armenia: Eva Rivas - Apricot Stone Germany: Lena - Satellite (winner review below) Portugal: Filipa Azevedo - Há dias assim Israel: Harel Skaat - Milim Denmark: Chanée and N'evergreen - In a Moment Like This The Winner:So Germany achieves their second win, and their first since reunification. For a country that has appeared in every Grand Final except one, I would've expected more than two. But I guess Belgium and Switzerland don't have that many wins either, and their participation streaks were only broken during the relegation era. It's also the first (and so far only) time that a “big four/five” auto-qualifier has won. Although Italy could pull it off in the near future. The common theory is that “Satellite” won because it wasn't extravagant or bombastic. I do agree that Lena's performance feels approachable. And “Satellite” is indeed a “simple” pop song (too simple to be my “winner”), but it's simplicity done well. Lena's quirky personality elevates it so much. Her unabashedly thick accent is large part of that. As well as her offhand remarks like “I did it just the other day!” She reminds me of Lily Allen in that regard. Or “Foundations” by Kate Nash (which Lena actually covered during the German national selection). “Satellite” isn't as brutally candid as those two comparisons, but Lena's casual approach is similar. Like, the line “I bought new underwear, they're blue” is odd information to include. The lyrics list commonplace activities, so it has a down-to-Earth charm. The song pulls off the bubbly infatuation angle well. The satellite metaphor is pretty cheesy, but that's fine for Eurovision. The empty staging matches this theme of normalcy. Lena's dorky dance moves are like she's bopping to her favourite song in her bedroom or something. She has stage presence and her reaction to winning is adorable. The percussion beat is refreshing for the contest as well. It channels indie-pop songs from that time period. The beat is similar to a clacking tongue. It's minimalist in a way, but still upbeat. The “love, oh love” hook is memorable too. “Satellite” was an immediate #1 hit in the German charts, and it became a commercial success across the rest of the continent after the contest. Verdict: Bottom of YASSSS tier My Ranking:Grand Final: 01. Turkey: maNga - We Could Be the Same 02. Romania: Paula Seling and Ovi - Playing with Fire 03. Azerbaijan: Safura - Drip Drop 04. Cyprus: Jon Lilygreen and The Islanders - Life Looks Better in Spring 05. Germany: Lena - Satellite 06. Ukraine: Alyosha - Sweet People 07. Moldova: SunStroke Project and Olia Tira - Run Away 08. France: Jessy Matador - Allez Ola Olé 09. Greece: Giorgos Alkaios and Friends - OPA! 10. Iceland: Hera Björk - Je ne sais quoi 11. Armenia: Eva Rivas - Apricot Stone 12. Denmark: Chanée and N'evergreen - In a Moment Like This 13. Serbia: Milan Stanković - Ovo je Balkan 14. Georgia: Sofia Nizharadze - Shine 15. Albania: Juliana Pasha - It's All About You 16. Israel: Harel Skaat - Milim 17. Ireland: Niamh Kavanagh - It's for You 18. Belgium: Tom Dice - Me and My Guitar 19. Portugal: Filipa Azevedo - Há dias assim 20. Spain: Daniel Diges - Algo pequeñito 21. Bosnia & Herzegovina: Vukašin Brajić - Thunder and Lightning 22. Russia: Peter Nalitch and Friends - Lost and Forgotten 23. Norway: Didrik Solli-Tangen - My Heart Is Yours 24. United Kingdom: Josh Dubovie - That Sounds Good to Me 25. Belarus: 3+2 feat. Robert Wells - Butterflies Full Ranking: 01. Turkey: maNga - We Could Be the Same 02. Romania: Paula Seling and Ovi - Playing with Fire 03. Azerbaijan: Safura - Drip Drop 04. Cyprus: Jon Lilygreen and The Islanders - Life Looks Better in Spring 05. Germany: Lena - Satellite 06. Ukraine: Alyosha - Sweet People 07. Moldova: SunStroke Project and Olia Tira - Run Away 08. France: Jessy Matador - Allez Ola Olé 09. Greece: Giorgos Alkaios and Friends - OPA! 10. Iceland: Hera Björk - Je ne sais quoi 11. Armenia: Eva Rivas - Apricot Stone 12. Croatia: Feminnem - Lako je sve 13. Finland: Kuunkuiskaajat - Työlki ellää 14. Slovakia: Kristina - Horehronie 15. Denmark: Chanée and N'evergreen - In a Moment Like This 16. Serbia: Milan Stanković - Ovo je Balkan 17. Georgia: Sofia Nizharadze - Shine 18. Albania: Juliana Pasha - It's All About You 19. Sweden: Anna Bergendahl - This Is My Life 20. Lithuania: InCulto - Eastern European Funk 21. Israel: Harel Skaat - Milim 22. Ireland: Niamh Kavanagh - It's for You 23. Belgium: Tom Dice - Me and My Guitar 24. Portugal: Filipa Azevedo - Há dias assim 25. Spain: Daniel Diges - Algo pequeñito 26. Bosnia & Herzegovina: Vukašin Brajić - Thunder and Lightning 27. Russia: Peter Nalitch and Friends - Lost and Forgotten 28. Poland: Marcin Mroziński - Legenda 29. Slovenia: Ansambel Žlindra and Kalamari - Narodnozabavni rock 30. F.Y.R. Macedonia: Gjoko Taneski - Jas ja imam silata 31. Bulgaria: Miro - Angel si ti 32. Netherlands: Sieneke - Ik ben verliefd (Sha-la-lie) 33. Latvia: Aisha - What For? 34. Estonia: Malcolm Lincoln - Siren 35. Switzerland: Michael von der Heide - Il pleut de l'or 36. Malta: Thea Garrett - My Dream 37. Norway: Didrik Solli-Tangen - My Heart Is Yours 38. United Kingdom: Josh Dubovie - That Sounds Good to Me 39. Belarus: 3+2 feat. Robert Wells - Butterflies Leo ✔ Soundcl🕤ck born fearlessarrow kimberly Mylo13 💜 Future Captain mrmike855 yuh yuh
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Soundcl🕤ck
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Post by Soundcl🕤ck on Jan 29, 2021 7:22:12 GMT -5
Great top 10 picks, only Iceland is missing definitely...and Moldova, yeah I remember when Germany won, I was like WTF??!??? This won? but now it's one of my favorites......
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Post by ry4n on Jan 29, 2021 7:26:12 GMT -5
Great top 10 picks, only Iceland is missing definitely...and Moldova, yeah I remember when Germany won, I was like WTF??!??? This won? but now it's one of my favorites...... I loved Satellite when I first heard it, then found it overrated when I saw how good Turkey and Romania are, but now I love it again I think it's a decent winner and Eurofans are just salty that Turkey lost
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Post by Soundcl🕤ck on Jan 29, 2021 7:38:12 GMT -5
Great top 10 picks, only Iceland is missing definitely...and Moldova, yeah I remember when Germany won, I was like WTF??!??? This won? but now it's one of my favorites...... I loved Satellite when I first heard it, then found it overrated when I saw how good Turkey and Romania are, but now I love it again I think it's a decent winner and Eurofans are just salty that Turkey lostYeah, I think we had a similar situation in 2018, when Toy won (probably the only winning song that has more dislikes than likes?). but that may not have much to do with Toy beating Fuego, though. I think both songs deserved win, and I think that for Germany-Turkey too.
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Post by kimberly on Jan 29, 2021 7:40:06 GMT -5
"Satellite" is a great song but Turkey and Romania had great songs AND great stage shows. I much prefer Lena's 2011 performance to this one. This was a big stage and Germany chose to do... nothing
EDIT: "Fuego" deserved in 2018 by far imo, a lot of things about Netta's win don't sit right with me
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Post by Leo ✔ on Jan 29, 2021 7:49:58 GMT -5
Im happy Lena won and those Turkey supporters can stay pressed :sip2: That's the proof that you don't have to go exactly big to win.
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Post by kimberly on Jan 29, 2021 7:56:52 GMT -5
Im happy Lena won and those Turkey supporters can stay pressed I'm glad Costa Rica doesn't get a vote :kii:
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Post by Leo ✔ on Jan 29, 2021 8:15:21 GMT -5
Im happy Lena won and those Turkey supporters can stay pressed I'm glad Costa Rica doesn't get a vote :kii: Neither does USA
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Post by kimberly on Jan 29, 2021 8:33:45 GMT -5
I'm glad Costa Rica doesn't get a vote Neither does USA who says I lived in the US in 2010
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Post by born on Jan 29, 2021 16:15:13 GMT -5
My Ranking:Grand Final: 01. Romania: Paula Seling and Ovi - Playing with Fire 02. Turkey: maNga - We Could Be the Same 03. Azerbaijan: Safura - Drip Drop 04. Ukraine: Alyosha - Sweet People 05. Germany: Lena - Satellite 06. Cyprus: Jon Lilygreen and The Islanders - Life Looks Better in Spring
08. France: Jessy Matador - Allez Ola Olé 09. Armenia: Eva Rivas - Apricot Stone 10. Denmark: Chanée and N'evergreen - In a Moment Like This 12. Moldova: SunStroke Project and Olia Tira - Run Away 13. Iceland: Hera Björk - Je ne sais quoi 14. Georgia: Sofia Nizharadze - Shine 15. Albania: Juliana Pasha - It's All About You 18. Belgium: Tom Dice - Me and My Guitar20. Israel: Harel Skaat - Milim 22. Bosnia & Herzegovina: Vukašin Brajić - Thunder and Lightning 23. Norway: Didrik Solli-Tangen - My Heart Is Yours The fact that I like all of these (with the bold ones being the ones I love, and the blue ones being my favorites) reminds me that 2010 was a pretty good year for Eurovision. I forgot tbh. That always happens when I'm not a fan of the Greek entry of that year, see 2012 & 2016 :kii:
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Post by ry4n on Apr 6, 2021 18:46:19 GMT -5
Düsseldorf 2011 – Semi-Final 1 Host: Germany Slogan: “Feel Your Heart Beat!” Participants: 43 Voting method: 12-point system (50/50 system - combined) Format: 2 Semi-Finals / Grand Final = the top 10 of semi 1 & 2 + the Big 5 + host General Overview:2011 sees Eurovision return to central Europe for the first time since Switzerland hosted in 1989. Like last year, there are no opening acts in the semi-finals. Instead we go straight to the host introductions. The presenters are Anke Engelke, Judith Rakers and a familiar face to the contest: Stefan Raab. He was responsible for Germany's joke entries from 1998 and 2000, and he organized the 2010 national final that Lena ultimately won. The trio delivers plenty of comedy throughout the night, but YIKES at Raab's misogyny “jokes”. This year sees four countries return: Austria, Hungary, San Marino, and of course the big one: Italy (which I'll cover in the Grand Final). None of the 2010 participants withdrew, so the number of overall entries matched the record of 43 again. The interval act involves an ensemble of drummers. The musicians are talented and there's a couple of cool moments, like when they drum each other's drums, or when one dude runs across the drums. Once again, the phone lines were open from the beginning of the show instead of after the last performance. This rule will be reverted next year. The 2011 contest is notorious for having unexpected results, and that begins in SF1 where Armenia and Turkey fail to qualify. Both countries were basically guaranteed to finish on the left side of the scoreboard during this time period (along with Russia, Greece and Azerbaijan... all of which are in this semi). But this time the juries said NOPE, even though both were top ten on televote. Which I don't mind since “Boom Boom” and “Live It Up” are massive steps down in quality. I suppose this justified the inclusion of the juries. Well, I would say that, but they also blocked Norway from advancing. In their place, we have Serbia, Switzerland and... the jury winner itself Lithuania. Which is the only time that a semi-final jury winner wasn't top 10 on the televote. Just another example of how erratic the results are this year. Also of note: only one point separated Switzerland, Malta and Armenia from being the 10th qualifier. The Entries: × Poland: Magdalena Tul - Jestem First up, it's the last placed entry of SF1... which I think is an overly harsh result for this. The production is stylish, the choreography looks fierce, and the snaps and whispers are seductive. The “breakdowns” (the parts with the fluttering taps and whispers) give the song flavour. There's also a bouncy groove and a strutting rhythm. “Jestem” paints the image of Magdalena confidently walking onto the scene. The choreo and the puffs of smoke enhance that attitude. Lyrically, Magdalena describes how she has the power in her relationship because her love interest is dependent on her. So why did this flop? Well, the studio recording is better than the live version. The vocal mixing on the ESC stage is messy. Magdalena's lead isn't that cohesive with the backing singers. That said, this entire semi-final seems to have audio issues. So perhaps being first in the running order made Poland's flaws look worse. × Norway: Stella Mwangi - Haba Haba Seeing what last year's host country sends is fascinating to me for some reason. In recent years they've ranged from obvious NQ (Latvia 2004), to continued ambitiousness (Turkey 2005 and Ukraine 2006), to more of the same (Greece 2007 and Finland 2008), to not taking it seriously at all (Serbia 2009 and Russia 2010). Norway 2011, meanwhile, tries something fresh by channeling African influences, since Stella is of Kenyan origin. “Haba Haba” features prominent steel drums and the main hook is in Swahili. Said lyric is a piece of advice from Stella's grandmother that translates to “little by little fills the measure”. It's about having patience and believing that things will turn out okay in time. The song promotes a positive mindset, and I'm a sucker for some infectious positivity. The tone is sincere and encouraging. The steel drums establish a laid back, sunshiny mood. And Stella and the backing exhibit radiant smiles on stage. The chorus is also hard to resist singing along to it. The biggest flaw is the minimal lyrics – every line in the song is said twice. The staging lacks something too. × Albania: Aurela Gaçe - Feel the Passion Well, Aurela certainly “feels the passion” in her performance, but her vocal style is not for me. It's too unrefined, uncontrollable and screechy. Yes, raspy vocals are emotionally expressive, and intense passion should be unrestrained, but Aurela's wailing is unpleasant on the ears. The other aspects of this entry are fine, though. The rock instrumentation, the red colour scheme, the blasts of fire... I appreciate what it's going for. There's a sinister vibe to this song. Like the movie's villain has trapped you or something. The pre-chorus is decent too. Lyrically, “Feel the Passion” describes how love makes Aurela fly like an eagle, and there's even eagle wings on screen to match. But yeah the vocals ruin the experience for me. × Armenia: Emmy - Boom Boom And with that, Armenia's top 10 streak comes to a screeching halt. Their previous entries all understood what would succeed in this era of the Eurovision. But in 2011, they went the opposite direction. They chose a campy entry (the kind that I'd expect from the Netherlands) and the juries sunk it. It became Armenia's first non-qualifier. “Boom Boom” is a chipper bubblegum pop song, but it's too juvenile to work. In particular, the main hook – the “boom boom chucka chucka / your love is like a like a” part – sounds silly. It's spoken like a cheerleader chant. The lyrics, meanwhile, compare fighting for love to a boxing match. And the staging takes this metaphor literally. There's robes and a giant boxing glove. But the peak moment is when the backing dancers create a boxing ring out of tethers. I face palmed at that. The percussion beat also slams like a punching fist. Otherwise, “Boom Boom” is a somewhat catchy song, but it sounds cheap and tacky. Emmy delivers some enthusiasm but my eyes are on the male backing dancers though lol. × Turkey: Yüksek Sadakat - Live It Up Likewise, Turkey's consistent run comes to an end in 2011 via their first non-qualifier. The last time they missed the Grand Final was in 1994 (due to relegation), so this is their worst result in 17 years. “Live It Up” is yet another rock song from Turkey. They had excelled with that genre in recent years so I can't blame them. But “Live It Up” pales in comparison to their 2004, 2008 and 2010 entries. “For Real”, “Deli” and “We Could Be The Same” each had something special. This does not. The guitar groove is generic, the melody is forgettable, and the atmosphere is bland. The lyrics promote being happy in the moment, but the execution (the instrumentation, the vocal tone) doesn't raise my spirits. The song is just nothing. It sounds half-hearted. Also, why is there a body contortionist in a cage and why does she sprout wings at the end? I don't get it. The smoke and fire aren't impressive on this one either. The “HEEEYS” are alright though. ✓ Serbia: Nina - Čaroban “CHAR...OH...BAHN!” I've totally overlooked this entry until now. “Čaroban” is simple in concept. It's a homage to 1960s music. The instrumentation (the horns, the percussion) is similar to songs of the time; while the staging embraces that retro aesthetic. The LED screen encompass a hypnotic swirl of gaudy colours and the performers are dressed in vintage clothing. The song, meanwhile, exudes a smitten and joyful vibe, where Nina declares she's found her perfect match. The chorus is a frantic rush of excitement over the situation. It gets broken up by the staggered “CHAR...OH...BAHN!” hook, which balances out the frantic parts. The pauses are an effective method to make that hook land. And the camera cuts on each syllable are cute. “Čaroban” is likable entry and Nina delivers friendly stage presence. But it's too “simple” to reach my overall top 10. ✓ Russia: Alexej Vorobjov - Get You By landing in 16th, this is Russia's worst placement since the introduction of the televote (and their worst until Julia Samoylova). There's many things to hate about this entry. Firstly, Alexej seems arrogant and unlikable on the live stage. Secondly, the lyrics sound presumptuous rather than flirtatious (ie. “Oh oh... I'm coming to get you” and “I know you want me to”). Alexej's overconfidence makes it sound worse. Finally, the song is just generic boyband pop. The Russian chanting at the beginning doesn't fit in either, even if it does offer something different. Still, Russia provides high production values here. The choreography routine is impressively synchronized. And that “OHH OH” hook is begrudgingly stuck in my head. I should note that RedOne was involved in this. He was a definitive part of the pop landscape at the time; supplying hits to Lady Gaga among others. “Get You” is no “Bad Romance” or “Alejandro”, but it is structured like a radio hit. The melody is there and the production is full. It's booming dance-pop with some alarm beeps. But it's not that distinct. ✓ Switzerland: Anna Rossinelli - In Love for a While Switzerland achieves their first qualification in 5 years (by 1 point!)... only to finish in dead last at the Grand Final anyway. It's not that bad? “In Love for a While” is a cute and bubbly song, although it does sound like a TV advertisement song. It reminds me of “New Soul” and “1234” in that regard. Still, I appreciate the day-dreamy atmosphere and Anna is a capable vocalist. She emphasizes the melody. And the twinkly plucking of the strings establishes a laid back and innocent vibe. The song is dominated by stringed instruments. Also, the “na na na na na” bit in the middle is like Anna drifting off into thought while spontaneously singing to herself. Although, those “nana”s go on too long. The song involves her reflecting on and cherishing her long term relationship. There's also bubbles in the background lol. ✓ Georgia: Eldrine - One More Day A nu metal song gives Georgia their equal best result to date at 9th. Interestingly, their first four entries all placed between 9-12. “One More Day” is probably my favourite Georgian entry overall though. The verse/chorus contrast is effective, while Sopho Toroshelidze's gritty vocal complements the angst-y vibe. The verses project a misty image, thanks to the looping guitar. The chorus, on the other hand, is an anxious jolt back to reality. It's when the heavy electric guitars burst onto the scene and Sopho's impulses take over. She rebelliously erupts in the succeeding lines as the lights flash in the background. In the song, Sopho experiences an internal, indecisive, tug-of-war. She's tempted by desire but holds back for “one more day”. The post-chorus is where she resigns to her fate. The second verse involves the rapper providing his perspective. He also interjects in the rest of the song. I don't mind his contribution though. As for the staging, it features some green and black outfits that ultimately won the Barbara Dex Award. Moldova was robbed. ✓ Finland: Paradise Oskar - Da Da Dam “Da Da Dam” is a folksy lullaby about environmentalism. I thought this was going to be the “Me And My Guitar” of 2011, but it sunk into the bottom 5 at the Grand Final. And that's despite finishing 3rd in this semi. I prefer “Da Da Dam” to Tom Dice's song, though. Oskar's performance is genuine and heartfelt. He tells a story about a boy named Peter who's determined to save the planet but no one will listen to him. The lyrics are centered around Peter's story instead of the issue itself. The final chorus switches the speaker to show how Oskar is inspired by Peter's earnestness. Yeah, this entry is waaaay overly cutesy, especially with the rising Earth image on the background LED. But the melody is cozy and effortless – the “da da dam” hook fulfills the same purpose as the “na na na” one from Switzerland earlier. And Oskar displays some charming smiles. The song has heart and melody. × Malta: Glen Vella - One Life Well, this is bland and forgettable. The issue with “One Life” is that the song has no hook. Not a single line jumps out. The melody is weak and it doesn't stick with me. The song's message isn't that deep either – basically Glen urges taking a chance on love because YOLO. It's easy to see how this entry got lost in the shuffle; although the juries were more favourable towards it. There are some positives, though. Glen puts a lot of effort into his performance. The key change is fine. And the dance-pop production is probably the best aspect? It channels that euphoric atmosphere that's present in 2011 music. The swinging back-and-forth beat is lively too. But the song never becomes the bop it wants to be. It's like the “Angel si ti” of 2011. × San Marino: Sen(h)it - Stand By The first appearance of the icon Senhit! Except her 2011 entry is nothing like “Adrenalina”. Instead, “Stand By” is a retro-sounding introspection ballad. The instrumental is hazy in a way. The arrangement ebbs and flows like waves crashing on the shore. The lurching guitar and the backing vocalists are highlights here. Senhit's approach is also personable. In the song, she wants to forget all her troubles for one night. Like mentally escape from a painful situation. Possibly the death of a love one? “Stand By” is a warm and gentle song, but the pacing is noticeably sluggish. The song is kinda boring tbh. Similar to Malta, the juries liked it but the televoters were apathetic. × Croatia: Daria - Celebrate Croatia was one of my favourite countries up through 2010, but I don't expect that to continue lol. “Celebrate” is a total train wreck entry. Daria gives one unenthusiastic/half-assed performance here, between her lacklustre vocals and her amateur-level choreography. Lol at those arm waves. There's also TWO costume change magic tricks for some reason, initiated by a magician/DJ who exhibits awkward energy. Plus the song is trashy. The “shine like a comet in our musical galaxy” lyric is corny and clumsy. And the production is so mechanical. It's very 2011 dance-pop, packed with industrial beeps and boops. There's also a dubstep breakdown during the bridge. Which I think is the first instance of dubstep in Eurovision? This entry is a mess... but in a guilty pleasure way? ✓ Iceland: Sjonni's Friends - Coming Home It's impossible to look at this entry without acknowledging the context surrounding it. Sigurjón Brink was scheduled to perform “Coming Home” at the Icelandic national final, but he died one week beforehand. Subsequently, his musician friends gathered to perform it as a tribute. And they obviously won the national final. Coincidentally, the song's tone is appropriate for a state of grief. It's very comforting and peaceful. The lyrics are about anticipating a meet-up with a loved one. But lines such as “it's time to go”, “I just wanna see your face again” and “when my time on earth comes to an end” take on new meaning. Like the narrator is reuniting in spirit. It implies that Sigurjón is in a better place now. Musically, “Coming Home” channels 1920s vocal harmony groups. There's prominent horns too. The harmonizing is tight and there's positive energy on stage. The group also have some doofy interactions. Otherwise, the chorus melody is clear and instant, and the slow-down transition into the final chorus is alright too. ✓ Hungary: Kati Wolf - What About My Dreams? This was a hyped-up entry that floundered at the Grand Final. In studio form, “What About My Dreams?” is a winner contender. But the live version is a disappointment. Indeed, Kati appears stiff and nervous on stage and her vocals are shaky. The verses are especially awkward because of how the production breaks. It leaves the spotlight entirely on her. The song is a powerful assertion. Kati is standing up for herself in a one-sided relationship. But her nervous performance undermines that message. The black backdrop is interesting idea though. That said, she does improve in the Grand Final performance. Otherwise, “What About My Dreams?” is an ANTHEM. The verse/chorus contrast is impactful. The verses are static and pensive (with some anticipatory drums), while the chorus soars thanks to the dance-pop production. The chorus conveys a sense of running away or standing out on the edge. The song title is exclaimed like a rooftop declaration. While the “I can't hold back, I can't go back” response takes it to the next level. The final post-chorus is a powerful moment too thanks to the backing singers. There's also 80s synths and claps at one point. × Portugal: Homens da Luta - A luta é alegria Portugal had a low-key resurgence during 2008-2010, but it's back to DNQ territory until Salvador. This year they selected a band of comedic street performers with a protest song against the “reaction” (a reference to the Salazar era). On stage, they're dressed as working class citizens while holding signs in a variety of languages. The aesthetic is very colourful. “A luta é alegria” is basically a joke/parody entry that goes right over my head because I don't understand the nuances of Portuguese culture and history. Are the outfits meant to be stereotypes? Their expressions imply it's a joke. Musically, it's a Portuguese folk song that follows a drum march beat and involves collective singing. But it's just monotonous and relentless. Like it just keeps going. ✓ Lithuania: Evelina Sašenko - C'est ma vie The jury winner of SF1, despite finishing 11th on the televote. “C'est ma vie” is the only conventional vocal ballad in this semi so that explains that. The song is very theatrical; like a Broadway or West End showtune. To be honest, I just find ballads in this style dull. “C'est ma vie” is all bombast and has insufficient emotional resonance. Evelina provides a technically skilled vocal performance here. She carefully shows off every single note and she displays a confident beaming smile while doing it. She ensures her vocals are at the forefront. But it's a bit tedious. The intensifying orchestral peaks are probably the best aspect of this song. The performance is also notable for Evelina using sign language during the second verse. ✓ Azerbaijan: Ell & Nikki - Running Scared (winner review in the Grand Final post) ✓ Greece: Loukas Giorkas feat. Stereo Mike - Watch My Dance The winner of SF1, largely thanks to the televote, and another easy top ten for Greece. “Watch My Dance” is an ambitious entry. The song fuses classical Greek singing with English rap verses. It includes prominent bouzouki to ensure that Greek characteristic. And there's architectural columns on the LED screen lol. Loukas's vocal in the classical parts is smooth but Stereo Mike's rapping is.... not. He has a grunting voice and his flow is weak. Otherwise, “Watch My Dance” is remarkably atmospheric in how the percussion consumes the entire arena. It's a series of incessant, pounding, Earthquake stomps. It's apocalyptic. Like the world is crumbling down around them. The lyrics are about self-empowerment, maintaining inner strength and fortitude, and not giving up in the face of adversity. So the production represents that adversity as the duo stands tall and fearless in the raining debris. The pyro captures the dramatic nature too. It's a well-staged entry. Gotta love the break-dancing going on in the background. But 2011 is the year where all my favourites disappoint me for one reason or another, and Stereo Mike is the reason for this one. My Ranking:01. Georgia: Eldrine - One More Day ✓02. Hungary: Kati Wolf - What About My Dreams? ✓03. Norway: Stella Mwangi - Haba Haba 04. Serbia: Nina - Čaroban ✓05. Greece: Loukas Giorkas feat. Stereo Mike - Watch My Dance ✓06. Iceland: Sjonni's Friends - Coming Home ✓07. Poland: Magdalena Tul - Jestem 08. Switzerland: Anna Rossinelli - In Love for a While ✓09. Finland: Paradise Oskar - Da Da Dam ✓10. Lithuania: Evelina Sašenko - C'est ma vie ✓11. Croatia: Daria - Celebrate 12. San Marino: Senhit - Stand By 13. Azerbaijan: Ell & Nikki - Running Scared ✓14. Russia: Alexej Vorobjov - Get You ✓15. Malta: Glen Vella - One Life 16. Armenia: Emmy - Boom Boom 17. Albania: Aurela Gaçe - Feel the Passion 18. Turkey: Yüksek Sadakat - Live It Up 19. Portugal: Homens da Luta - A luta é alegria I only really like 1-9. Picking a #1 was so difficult. None of these are a 10/10. Leo ✔ Soundcl🕤ck born fearlessarrow kimberly Mylo13 💜 Future Captain mrmike855 yuh yuh
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Post by kimberly on Apr 6, 2021 18:48:44 GMT -5
Poland and Norway were robbed
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Post by Leo ✔ on Apr 6, 2021 20:05:54 GMT -5
"Celebrate" is a bop and I don't accept any slander :C
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Post by Leo ✔ on Apr 6, 2021 20:26:38 GMT -5
SAAAALAAD BREAAAAK
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Post by mrmike855 on Apr 6, 2021 21:01:32 GMT -5
The chorus of Greece's song is the best I've heard from them in the "semi-final" era, but it's a shame you have to listen to the white boy rapping to get to it.
Hungary is a true banger in the studio version, but the live is just so weak, if I'd have been watching in 2011, I would've been so disappointed.
What is even the point of Portugal. Parodying a specific part of Portuguese history in a Portuguese song? No one is going to find it funny, and that's the only way this song could possibly work.
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Post by kimberly on Apr 6, 2021 21:08:55 GMT -5
Hungary is a true banger in the studio version, but the live is just so weak, if I'd have been watching in 2011, I would've been so disappointed. I remember there was so much hype around this song leading up to the rehearsals, only for it to finish 22nd in the end. I'm pretty sure it was in my top five if not my favorite before the live shows. tragic, really.
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Post by ry4n on Apr 6, 2021 21:30:28 GMT -5
TBH this is going to be another year where the top end of my rank will be dominated by SF2 songs (+ Lena of course)
Edit: well actually there's a lot of "meh" stuff in SF2 too. There's only like 15 songs from this year that are worth caring about.
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Post by ry4n on Apr 21, 2021 15:22:24 GMT -5
Düsseldorf 2011 – Semi-Final 2 Host: Germany Slogan: “Feel Your Heart Beat!” Participants: 43 Voting method: 12-point system (50/50 system - combined) Format: 2 Semi-Finals / Grand Final = the top 10 of semi 1 & 2 + the Big 5 + host General Overview:The second semi-final produces a more decisive winner than the first (61.5% vs 55.4%). Sweden takes the crown here, and they top the televote as well. While the jury winner is Slovenia. There's only one country among the televote top 10 that was kicked out by the juries and that's Belarus. In exchange we have Estonia. Imagine if “Rockefeller Street” had been a non-qualifier. Also of note, Moldova barely even qualified (and they wouldn't have under the current voting system), yet they finished in 12th place at the Grand Final. The show includes a segment of Anke and Stefan butchering some ESC classics. That was kinda funny. The hosts point out that the already-qualified artists are chilling in their own reserved section of the audience. Which makes me wonder where they put the non-qualifiers. And the interval act involves break-dancing set to classical music. That's an unlikely combination. Quality-wise, the best entries of SF2 are above the best entries of SF1 – the first semi felt very average by comparison – but SF2 contains a fair amount of mediocre offerings too. The Entries: ✓ Bosnia & Herzegovina: Dino Merlin - Love in Rewind Of all the feelgood/retro entries from the 2011 contest, “Love in Rewind” is my favourite. It's so adorable and heartwarming. Dino and the backing band provide natural, infectious positive energy on stage. From the excited foot tapping, to the trumpeter prancing about, to the collective arm wave at the end. The staging makes me smile. Moreover, the song is propelled by a triumphant, foot-stomping beat. It has a steady bounce, while the melody reminds me of the McCartney-lead Beatles songs. It sticks with me in a welcomed way. Hooks-wise, there's plenty of “wah-oh”'s, as well as the “your love... your love” bit. I also like how the instrumentation expands from the minimal opening verse, until it leads to a nice finale. On the lyrical side, “Love in Rewind” sees Dino reflect and appreciate the life he built with his partner (he was 48 at the time). He feels content and fulfilled. It's a positive outlook. The only issue is that Dino can't really sing... ✓ Austria: Nadine Beiler - The Secret Is Love This is Austria's first qualification since 2004, although they skipped four contests in between. Nadine delivers a towering vocal performance here. She projects big notes, while the arrangement intensifies as it goes. The song begins a capella, then the instrumental arrives, followed by the backing choir, and eventually the climax hits. But... I'm gonna toss “The Secret Is Love” into the “boring ballad” bin. It leaves me feeling cold. The instrumental and the melody are so formulaic, stale and predictable. It sounds like every Idol/X Factor ballad ever. Appropriate since Nadine won one of those TV singing competitions in 2007 (where she beat out Conchita Wurst in the finale). Furthermore, the lyrics are cliche and the message is uninspired. This is hardly the first song to convince us that love will solve all problems. As for the staging, Nadine stands on a platform above a floor of misty smoke, set against a dark backdrop. It makes her the center focus. At the Grand Final, “The Secret Is Love” wound up being a jury favourite but bottom 2 in the televote... × Netherlands: 3JS - Never Alone Onto chapter 7 of the Netherlands's long DNQ streak. This one also finished dead last in the semi-final. But, unlike their 2009 and 2010 oddities, “Never Alone” flops for being mediocre more than anything else. It also had to compete with Denmark who pulled off a stadium rock atmosphere more convincingly. The chorus on “Never Alone” wants to be an uplifting anthem – the song is about reassuring and supporting a despondent friend to lift their spirits – but the execution doesn't reach those heights. The hooks are lacking and the arrangement is generic. It isn't powerful enough and it doesn't stand out much. The song sounds dated too. Also, the lead singer exhibits some awkward stage presence. Everything about this live performance seems unpolished, from the vocals to the body language. × Belgium: Witloof Bay - With Love Baby Belgium is the unlucky 11th placer of SF2, but I am thankful this didn't advance. As I said in my review of Latvia's 2006 entry, a cappella groups are never going to appeal to me. Human-made sounds aren't enough to fill the void of an empty backing track. “With Love Baby” is a tedious experience, even if it isn't as messy as “I Hear Your Heart”. Most of this song is monotonous. The lyrics are meaningless and repetitive (the phrase “with love” is spoken 44 times). And the harmonizing becomes irritating and shriek-y towards the end. The abrupt beat-boxing interludes are an engaging aspect though. The staging, meanwhile, is as minimalist as the song. There's no props, no complicated choreo, and no stimulating images on screen. The ensemble seems to lack chemistry though. × Slovakia: TWiiNS - I'm Still Alive This is an unfortunate running order. My bottom 4 of this semi-final are all in a row. “I'm Still Alive” is so lifeless and uneventful. That song title is cruelly ironic. The vocals are lethargic (which makes them sound bored), while the instrumental is stuck on this monotonous looping drum beat for three minutes. The song is like a car sitting in idle. It goes nowhere. There's no progression beyond this one solitary spot. “I'm Still Alive” is supposed to be a triumphant moment. It's about pushing forward in life. It's from the perspective of someone who has endured and persevered. But the execution fails to capture that message. The melody is bland and the chorus falls flat. It's so basic too. Otherwise, the twins look elegant on stage. ✓ Ukraine: Mika Newton - Angel The 2011 contest has one of the weakest top 5's ever, with so many flawed and overrated entries. “Angel” is my favourite of the bunch, but it still doesn't like a winner contender to me. I'm surprised it placed 4th. It's an understated ballad with a low-key melody. The atmosphere is captivating though. The instrumentation is beautiful yet melancholic – there's something darker lurking beneath. It's also careful and intricate. Aside from the guitars and drums, it features music box twinkles, dubstep moments, and a desolate bridge. While Mika's vocal adds a layer of despair. Lyrically, “Angel” is a wistful love song, where the uncertainty of “... and you?” and the “we're in danger” line suggests something troubling. Dreams aren't reality and she's distracted by this nagging worry. Perhaps a loss of innocence? I wish the lyrics were more specific though. Otherwise, the chorus melody is sufficient and the staging is creative. The concept involves a sand artist constructing images that are projected on the LED screen. Mika's feathery shoulder pads are memorable too. ✓ Moldova: Zdob și Zdub - So Lucky More like SO ANNOYING. Moldova has a reputation for sending zany entries, and this one is probably the most extreme. The staging is certainly attention-grabbing, between the tall cone hats and the girl on the unicycle who's dressed like a fairy. It has that “WTF” factor. There's also some hypnotic witches(?) on screen. The song, meanwhile, is quite aggressive punk rock, where the lead singer shouts at the audience during the verses. He displays exaggerated arrogance and he brags about his possessions for the first minute. The chorus, meanwhile, is comparatively toned down. It's lead by some light horns. But in between all this, there's some obnoxious explosions of circus horns, alongside flashing lights. It's like the song plunges off a cliff. It's terrifying. In the song, the singer is entranced by an elusive woman. His mates congratulate him by shouting “SO LUCKY” multiple times. This is clearly intended as a joke entry. It's weird without being pretentious, but the song is so noisy. Zdob și Zdub also represented Moldova on their 2005 debut with their drumming grandma. I liked that one better. ✓ Sweden: Eric Saade - Popular Sweden wins the semi-final, they finish 3rd overall, and they nearly topped the televote. The juries held them back this time ironically. Still, 2011 proved to be a turning point in Sweden's trajectory, as it began their current run of frequent top fives. An 18-year old Ryan would have ranked “Popular” at #1 without hesitation. From a musicality perspective, it is THE bop of 2011. The production is a jam-packed, thunderous banger, and it is definitively 2011 dance-pop. There's that combination of rolling clacks, claps and whistles to build hype. The verses move like a washer on spin cycle. The bridge is dramatic and escalating with the shattering glass. And the chorus is MASSIVE. The erupting synths strike the arena hard. And the “I put my hands up in the light” part takes it further. The staging, meanwhile, has high production values; the calculated choreography in particular. Also, the glass box smashing is a nice touch and Eric has charisma. “Popular” should be a winner contender... but it's brought down by terrible lyrics and a stiff verse melody. The notorious example is that opening line (“Don't say that it's impossible / 'Cause I know it's possible”). Plus the idea of pursuing popularity to impress a girl feels inane. Eric's live vocals aren't the greatest either. 2011 sees Melfest ditch the regional juries completely in favour of the international ones (2010 had a mix of both). The runner-up in the contest was “In The Club” by Danny Saucedo (meh). More importantly, Loreen entered with “My Heart Is Refusing Me”, which lost out in Andra Chansen. She'll have her moment soon enough... × Cyprus: Christos Mylordos - San aggelos s'agapisa The Cypriot entry starts off dreary and solemn like a funeral. The singers are appropriately dressed in black to match. But then, just as the electric guitars kick in, the camera cuts to a screaming lady who's twirling a ball on a rope. It's a random moment but that's Eurovision for ya. The staging is also notable for how the singers continually lean on a 45° angle; which is highlighted by the circling camera shots. It's an intriguing visual. The singers also display a serious demeanour (and show off their arms) while standing on a foggy surface. Cyprus aims for a haunting/chilling atmosphere here. In the lyrics, the narrator experiences painful heartbreak where the wounds cut deep. The vocalists use a deadpan style to convey a sense of numbness. But... this song tends to drag because of it. The harmonies are too dull and it's not a catchy song. Still, I like how the guitar remains for the latter half of the song. It intensifies things as the desperation catches up. Plus the Mediterranean strings add a Cypriot texture. × Bulgaria: Poli Genova - Na inat How this failed to qualify is beyond me. Maybe the staging lacks something, I don't know. Although Bulgaria always struggled before 2016 (with the exception of “Water”). “Na inat” (“For Spite”) is a rock power ballad that captures exactly what spite feels like. Poli delivers a raw live performance here, while the electric guitar projects a fiery attitude. The song is about fighting against the oppressors. Poli is pissed off and fired up. She's firm and defiant. And I believe the words she's saying. “Na inat” feels like a protest song too. It's a gutsy rallying cry that proves how spite can motivate people. The switch from “I” to “we” pronouns promotes unity as well. I assume there's a political subtext to these lyrics? Musically, the chorus is an outburst of angst. It strikes instantly thanks to Poli's bitterness and the sustained guitar. The verse instrumentation is more restless by contrast. Elsewhere, the “yeah ehh yeah” hook works. The pyro is used effectively during the final chorus. And the bridge sets up that final chorus well, where the song briefly retreats to a lonely piano after Poli draws strength from a higher power. × F.Y.R. Macedonia: Vlatko Ilievski - Rusinka It's too bad Russia wasn't voting in this semi-final. The premise of “Rusinka” is straightforward – the Macedonian narrator meets a Russian girl and decides to learn the language for her. The lyrics even mention vodka and rakija, the famous alcoholic drinks of the two nations. And the instrumental switches to a Russian accordion in the bridge. This is treated as a joke entry though. Vlatko also sings into a megaphone at one point because... why not. Beyond that, the song is admittedly catchy. The shouts of “Muzika! Muzika!”, the “kakalin” / “kamaja” part, and the background “hah hah”s are the obvious hooks. And the backing dancers bring some well-coordinated choreography. It's an energetic song and performance. But it's borderline annoying and messy. The audio is so busy, with the symphonic strings, the metal drums, the guitar, the folk elements, and the pace changes. And the hooks become intrusive. Vlatko's raspy voice doesn't bother me though. × Israel: Dana International - Ding Dong For the second year in a row a 90s winner returns to underwhelming results. At least Niamh Kavanagh qualified. It appears Dana's name power wasn't enough. Indeed, I'm not really sure what this entry is going for? The dance-pop production, with its euphoric ascensions and skidding synths, implies it's a party banger. While the bridge contains a Hebrew prayer – the song's message is about following the guidance of your heart's desires. And the “ding dong”s (plus the “bells of your soul” metaphor) are corny. It's like this song is tying to be contemporary pop, spiritual, and campy all at the same time. But all these ideas undermine each other and it barely commits to being campy anyway. Moreover, the chorus is weak and deflating, when it should soar instead. The lame “ding dong”s don't help. I do like the bridge, though. It has an exciting build-up thanks to the drum stomps. But yeah, this entry falls short of its goals. ✓ Slovenia: Maja Keuc - No One “No One” is the jury winner of SF2 and it's my “winner” of 2011. The song undertakes such a compelling journey. It's a haunting ballad that progressively intensifies. The opening verse is driven by sharp, chilling piano notes, as Maja is alone on stage. She talks about being ditched on a one night stand. This section exemplifies her feeling of neglect. Following this, the guitars and the backing singers enter for the chorus. While the second verse allows the instrumentation to flourish. Maja, meanwhile, stands her ground. She asserts her independence and refuses to be used or taken for granted. The song further escalates during the “round and round” bridge (which is my favourite part). And in the finale, the atmosphere dives deeper and deeper. It captures a sense of sinking, helpless desperation. This is where Maja's lover comes crawling back but she turns them away. They blew their chance. She warns that they'll never find a relationship because of how they discard people. The lyrics are harsh but empowering. “No One” is a well-written song. Furthermore, Maja's stage presence is impressively fierce – she looks like someone not to be messed with. While the backing singers act as her support network. Her vocals are top notch too; reminiscent of Christina Aguilera. ✓ Romania: Hotel FM - Change I'd say this is the weakest of the retro feelgood entries from 2011. “Change” is a pleasant, sunshiny, inoffensive song but not a particularly exciting one either. The songwriters do make an effort, as evidenced by the eager, foot-tapping piano notes, the chorus melody, and even the clapping in the final chorus. The song is catchy enough to qualify – the “I can't change / I can't change the world alone” part does stick out. Plus the arrangement is organized and not messy. But the texture is so BLAND. Both the instrumental and the melody are uninspired. The faint horns don't add much. And the staging isn't special either. It's just “meh” despite the catchiness. As for the message, “Change” urges us to take responsibility for our happiness. To stop dreaming and procrastinating and to take action. And to do our individual part to change the world together. But it comes off as pushy? ✓ Estonia: Getter Jaani - Rockefeller Street Another huge favourite that flopped at the Grand Final. This is a brilliantly absurd entry. “Rockefeller Street” describes a surreal street party in Manhattan filled with unusual characters, and the staging illustrates this image. The layout involves miniature skyscraper props, even more skyscrapers on the LED screen, and it embraces a vivid colour scheme. Getter, meanwhile, exhibits some hammy facial expressions. She also does a magic trick. While the backing dancers execute some elaborate choreography. It's campy at times, like when they move as marionettes or curiously peek from behind the towers. But they also do hand stands and back flips. It's an energetic performance. As for the song, “Rockefeller Street” is whimsical and fairytale-esque. The verses follow a fanciful footstep rhythm, alongside clinking glass bottles. The pre-chorus builds anticipation via marching solider drums. The chorus is propelled by a peppy bounce. And the “keep movin” bridge is a release. There's also a switch-up to Old Hollywood music. There is a lot going on in this entry. But, even though the song contains like five different sections, they all transition seamlessly. The staging is iconic, the backing track is slick, and the “1-2-7-3 DOWN THE ROCKEFELLER STREET” hook is catchy AF. Fun fact: This was written by the same person behind “Rändajad” and “Verona”. × Belarus: Anastasia Vinnikova - I Love Belarus Speaking of absurd entries, this year Belarus offers some unabashed patriotism. In the song, Anastasia fervently proclaims enamoured love for her country. On the one hand, this is arguably propaganda, especially knowing that Lukashenko is involved with the Belarusian selection process. The original version also romanticized the USSR (it was disqualified for being too old, even after a lyric change). The present lyrics are more palatable, describing Belarus as unified and free as Anastasia affirms loyalty to her country. On the other hand, this entry is too catchy to hate. The collective chants of “I love Belarus”, with the ensuing rising melody, is infectious. The blasts of fire enhance the punchy nature of it. And it's performed with conviction on the live stage. Furthermore, the traditional instrument is a welcomed addition. And the transition into the final chorus is a highlight. Although, Anastasia is not the best vocalist. × Latvia: Musiqq - Angel in Disguise I have a huge soft spot for this one. The main singer (Emīls Balceris) is so charming, both in his body language and his vocal tone. He comes off as confident and personable. He can easily attract a potential love interest. He also shows off his vocal abilities, including the ad libs and the falsetto at the end. Furthermore, the backing track employs a fluid, glossy, bobbling rhythm. The pacing of it is optimal and it matches the relaxed and inviting vibe of the performance. While the verses emphasize the “I” rhymes. The lyrics are awkwardly phrased at times though (ie. the “kill me with killer kiss” and “love me with luscious thighs” lines), plus the rapper is pointless. It's not the deepest love song either. But “Angel In Disguise” is like a romantic dance at a wedding reception (the tuxedos give me that image). ✓ Denmark: A Friend in London - New Tomorrow Denmark earns consecutive top fives. I used to really hate this entry. “New Tomorrow” aims to be an epic stadium rock anthem with an inspirational message. The theme is similar to Romania's entry. The song encourages reassessing one's path and priorities in life; and to pursue meaningful goals over superficial or frivolous stuff like fame. But the lead singer uses an overly sentimental voice to sound empathetic. It's earnest but cloying. Like he seems eager to please. The opening twinkles are cutesy too. I also find the “come on boys, come on girls” hook annoying. That all said, the musicality is appealing. The chorus maintains an enveloping atmosphere, thanks to the sustained guitar, and the background “ahh ohh”s later on. There's also a very obvious chorus melody (which probably explains the placement). While the verses are lead by commanding drums. Elsewhere, the “we can change it all today” hook is a highlight. And the guitarist on the right is animated lol. “New Tomorrow” isn't anything original – it was even accused of plagiarizing multiple songs – but I can see why it did well. ✓ Ireland: Jedward - Lipstick Twins John and Edward trolled the X Factor UK in 2009 where they placed 6th ahead of Lucie Jones. Ireland subsequently capitalized on this gimmick by sending them to Eurovision (twice). The first time was fruitful, as “Lipstick” came in 8th place – Ireland's best result in 11 years. Jedward were known for their hyper energy on the X Factor, and they deliver exactly that on the ESC stage. They're like two kids on a sugar rush. Their appearance is also kitschy, with the red glitter jackets, the oversized shoulder pads, and the spiked-up hair. Otherwise, the relentlessly overpowering dance-pop banger production truly carries this entry. It drowns out Jedward's vocal limitations – their diction is a mess in the chorus for instance. The backing singers compensate throughout. Their eagerness on the “knoooOOOW” / “miiiIIIND” hooks is jarring too. As for the lyrics, the song uses a “hit and run” analogy to describe how the twins are going to proceed with a girl they're powerless to resist. Yeah this is a trashy bop. The bass-y synth line before the chorus signals oncoming danger though. And Ireland also makes good use of the LED screen. My Ranking:01. Slovenia: Maja Keuc - No One ✓ 02. Bulgaria: Poli Genova - Na inat 03. Estonia: Getter Jaani - Rockefeller Street ✓04. Ukraine: Mika Newton - Angel ✓ 05. Bosnia & Herzegovina: Dino Merlin - Love in Rewind ✓ 06. Sweden: Eric Saade - Popular ✓ 07. Latvia: Musiqq - Angel in Disguise 08. Ireland: Jedward - Lipstick ✓ 09. Denmark: A Friend in London - New Tomorrow ✓ 10. Cyprus: Christos Mylordos - San aggelos s'agapisa 11. Belarus: Anastasia Vinnikova - I Love Belarus 12. Moldova: Zdob și Zdub - So Lucky ✓ 13. Israel: Dana International - Ding Dong 14. F.Y.R. Macedonia: Vlatko Ilievski - Rusinka 15. Romania: Hotel FM - Change ✓ 16. Austria: Nadine Beiler - The Secret Is Love ✓ 17. Netherlands: 3JS - Never Alone 18. Slovakia: TWiiNS - I'm Still Alive 19. Belgium: Witloof Bay - With Love Baby Leo ✔ Soundcl🕤ck born fearlessarrow kimberly Mylo13 💜 Future Captain mrmike855 yuh yuh
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Soundcl🕤ck
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Post by Soundcl🕤ck on Apr 21, 2021 15:35:33 GMT -5
Love in Rewind is probably my favorite 2011 ESC song
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Leo ✔
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Julia Michaels Stan
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Post by Leo ✔ on Apr 21, 2021 15:38:27 GMT -5
"Na Inat" is amazing and I'm glad Poli got her redemption in 2016, but yet, still hurts :'( Never liked "Poopular" "Rockefeller Street" is so good but the staging is tragic. I hate Jedward.
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kimberly
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Post by kimberly on Apr 21, 2021 15:44:36 GMT -5
omg yay another Maja Keuc stan
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ry4n
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Post by ry4n on Jun 4, 2021 17:02:32 GMT -5
Düsseldorf 2011 – Grand Final Host: Germany Slogan: “Feel Your Heart Beat!” Participants: 43 Voting method: 12-point system (50/50 system - combined) Format: 2 Semi-Finals / Grand Final = the top 10 of semi 1 & 2 + the Big 5 + host Winner: Ell & Nikki - Running Scared Country: Azerbaijan Points: 221 (43.8% of highest score possible) Language: English YouTube | Spotify | LyricsGeneral Overview:2011 is the year where all of the big favourites stumbled and the betting odds were completely wrong. France was the projected winner and they didn't even come close. Blue and Jedward attracted name-recognition hype, but neither reached the top 5. Estonia and Hungary were also overestimated. On the opposite end of the spectrum, Italy was the true dark horse, reaching second place despite having over 100:1 odds! Ukraine and Greece were underestimated too. Although I should note that Azerbaijan was predicted to perform well. Just like the semi-finals, the Grand Final dives right into the host introductions. This eventually transitions into Stefan Raab leading a 1950s rock 'n' roll remix of “Satellite”, since Lena was busy preparing for her own performance; although she does make a cameo at the end of it. The reprisal servers frantic, spontaneous energy, featuring some big band brass, flag waving, and a fireworks finale. The postcards aren't as conceptual as the previous few contests. The sequence begins with the artists greeting the camera while standing in front of the audience. This is followed by the heartbeat logo. Then, a miniature replica of notable German infrastructure is shown, which transitions to the usual videos of a person doing an activity. The host country's postcard shows the staff prepping for show itself, which I thought was cute. This year's venue is a football stadium and it held a record capacity of 38,000. The stage layout includes another elevated circle, with a wide LED screen behind it. It's not as elaborate as Moscow, but a return to form after Oslo. The interval act stars Jan Delay in a plaid tuxedo. His two songs are upbeat, funky disco numbers that feature some rapping! It continues the old school theme from Raab's opener. Jan's music is not necessarily my thing, but the performance energizes the crowd. The backing singers, in their silver glitter shirts, are prominent too. Just before the vote reveal, Raab declares “tear down this wall” (get it?) to open up the LED screen to reveal the Green Room that's located behind it. He uses electric guitar to do so. I found it amusing. In other notable news, Italy joins the “big four” (now called the “big five”). They also win the jury vote, while Azerbaijan tops the public vote. As mentioned previously, the voting is so erratic this year. Literally 20/25 countries received at least one “douze points”, which is a record. And it's only time in the 12-point era where the winning entrant attained less than 50% maximum points. So yeah, 2011 had no “obvious” winner. Indeed, during the vote reveal, it initially looked to be a tight race between Sweden and Azerbaijan. But even after 27 countries had been called, only 6 points separated the top 4, with Ukraine and Bosnia sneaking up. Italy wasn't even in contention yet. But then Azerbaijan pulled a decisive lead in the final stretch, while Italy stole second place at the last minute thanks to Latvia. The most extra correspondent this year would have to be the Slovenian guy. While the beating heart sound effect during the 8-10-12 distributions induces anxiety lol. It's played before each live performance too. I noticed a couple stylistic themes with the 2011 entries. The first is breezy optimism, oftentimes with a retro throwback feel. The other is dance-pop bangers, AKA the dominant sound of pop music at that time. And finally, the running order of this Grand Final could be improved lol. The first half in particular. The Entries: Finland: Paradise Oskar - Da Da Dam Good opener Bosnia & Herzegovina: Dino Merlin - Love in Rewind Denmark: A Friend in London - New Tomorrow Too early in the running order for this Lithuania: Evelina Sašenko - C'est ma vie Hungary: Kati Wolf - What About My Dreams? Better than the semi-final performance Ireland: Jedward - Lipstick Sweden: Eric Saade - Popular Estonia: Getter Jaani - Rockefeller Street Four dance-pop bangers in a row... Greece: Loukas Giorkas feat. Stereo Mike - Watch My Dance Russia: Alexey Vorobyov - Get You This time, the back of their shirts light up to spell out the letters “A-L-E-X”. Ugh. France: Amaury Vassili - Sognu From #1 in the betting odds to #15 on the scoreboard. This year France chose pure classical opera, which was ambitious. “Sognu” contains a rich, expansive orchestra, while Amaury provides professional vibrato. He also wears a uniform on stage. The lyrics describe a melodramatic heartbreak, where he can't stop dreaming of his ex, ending with the line “If you die, I also die”. It's also sung in Corsican to sound closer to Italian. Ultimately, I think this entry takes itself too seriously, but I like how the orchestra sounds like a movie score. It paints the image of a ship being battered by stormy seas. The song begins with ominous, grinding strings, which signify the approaching storm. The orchestra swells as the first verse builds. At the midpoint, the tension relaxes and the instrumental descends like crashing waves on the boat. The remainder of the song returns to the tense and anticipatory vibe of the start. Then the finale involves a huge note from Amaury and sparklers on stage. Sure, it's a high effort entry, both in composition and in vocals, but a song like this NEEDS a compelling journey to hook me in. Instead, “Sognu” is mostly anticipation without a worthwhile pay-off. The ending doesn't work for me. As for the staging, it includes a clouds on screen and a misty floor. Italy: Raphael Gualazzi - Madness of Love “I know for certain I won't bother you with nostalgia”... right. So this came out of nowhere to nab 2nd place, although jury winners are often unpredictable. Italy marked their big comeback by sending a jazz song that is straight out of the 1920s. And yeah, “Madness Of Love” replicates the sound of that era accurately. It gets lost in that time period, and it's more casual than France. But there's something indulgent about the unrestrained piano and trumpet solos, even if these instrumental interludes are unique. The spontaneity of jazz is what I don't like about it. The instrumental is also placid at times, and when it's not, it's blasting horns. The chorus is salvageable though. The growing melody and the strings sound romantic and the melody pulls me in... but then the climax is an annoying voice crack. The lyrics (which rotate between English and Italian) describe a former couple that would function better together than apart. Raphael claims that his ex, who's in denial, will be their true selves if/when they reunite. His tone seems facetious though? The staging, meanwhile, involves Raphael playing on a grand piano with the keys shown on screen. Switzerland: Anna Rossinelli - In Love for a While United Kingdom: Blue - I Can 2011 starts a 3-year trend of the UK recruiting a famous nostalgia artist for Eurovision. Boyband Blue amassed 4 number one hits in their homeland during the mid-2000s, and had further success on the European continent. They broke up in 2005, but reunited in 2011, so this entry had comeback hype behind it. The staging certainly capitalizes on this celebrity factor, with the four vertical screens showing various clips of the band members. As for the song, “I Can” is 2011 dance-pop in a nutshell. There's a motorized beat, heavy percussion, and an enveloping chorus that features skidding synths. The production is overpowering, but the composition seems half-baked and basic. The chorus feels incomplete despite the catchy hook. Still, the “g-g-g-get back up again” hook is alright. The halting and the light dimming in first chorus is a nice touch. And Blue looks happy to be there – they serve enthusiastic choreo and supply the necessary ad libs. The blue-coloured suits are a little obvious though. Lyrically, the song is a confident reassurance that this pair will get back together. And the band sounds resilient and determined in their vocal. Results-wise, “I Can” finished in 11th (and 5th in the televote!), which is the UK's best placement of the decade. Moldova: Zdob și Zdub - So Lucky Germany: Lena - Taken by a Stranger I prefer this to “Satellite”, but it was unlikely that Lena would win twice, especially since “Stranger” subverts what a “typical” Eurovision entry sounds like. The arrangement is slinky, mysterious and seductive – it evokes curiosity. The bass string plucking signals a tugging motion, while the clinking sound sets the mood of being in a night lounge or a hotel lobby. The dark aesthetic on stage complements this. The backing track is full of various subtle sounds. There's even a tiger growl inserted lol. The lyrics, meanwhile, describe an anonymous sex encounter, and seemingly allude to a BDSM kink? The protagonist meets a woman who sets the terms and dishes mean remarks. She's quite frank about it, but he's enticed by this danger. The song later ends on a dramatic shatter effect. Otherwise, the backing dancers wear skin-tight silver body suits (symbolizing condoms?), while exhibiting some quirky choreography. And Lena breathes star power in her performance. “Stranger” is a low-key entry done right. The way the “risky business” line jumps out is a highlight too. Side note: co-host Stefan Raab co-produced this. Romania: Hotel FM - Change Austria: Nadine Beiler - The Secret Is Love Azerbaijan: Ell & Nikki - Running Scared (winner review below) Slovenia: Maja Keuc - No One Iceland: Sjonni's Friends - Coming Home Spain: Lucía Pérez - Que me quiten lo bailao It's a shame that “Que me” finished in the bottom 3, because the song and performance are so bright and carefree. It breathes summer vibes. Plus the “whoa-ah-ah-oh” hook is infectious and the melody is full of life. There's so much uplifting energy radiating from Lucía and the backing artists on stage. From the air guitar at the start, to the vigorous arm waves during the main hook, to the sparklers. It's an animated choreo routine too. Lyrically, the song is about focusing on positive vibes. Lucía isn't being naive, she knows that bad times may come ahead, but she wants to live in the present moment and not overthink it. The tone is stress-less joy. Lucía sounds excited, elated and smitten. On the musicality side, “Que me” encompasses Galician folk elements. The instrumentation channels the ancient Celtic roots of the region, namely the fiddles. Elsewhere, there's an effective stop/start/stutter tactic to transition into the chorus. The camera rapidly zooms out during this as well. And the key change gives the song an extra boost. This entry isn't a “wow” moment or anything, but it does its job. Ukraine: Mika Newton - Angel Why was there a delayed start? Serbia: Nina - Čaroban Georgia: Eldrine - One More Day The Winner:So Azerbaijan wins on their fourth attempt. Incidentally “Running Scared” is the first, and so far only, champion from the Caucasus region. The country certainly impressed with their 2009 and 2010 entries, but did anyone expect them to win with this? Although to be fair, “Running Scared” basically won by default due to severe vote splitting and the nearest challengers having lopsided jury/televote splits (plus an ideal running order slot). Indeed, “Running Scared” has the lowest winning percentage of the 12-point era. It received points from just 30/42 countries, and only 3 of which awarded them “douze points” (Malta, Russia, and Turkey). Moreover, the fact that it's surrounded by three legendary winners (“Fairytale”, “Satellite”, and “Euphoria”) doesn't help its status. These factors definitely help explain why this won. Because, aside from the “oh-oh.... OH-oh” hook and the raining fire effect, I don't see what makes “Running Scared” a stand-out entry? It's one of the blandest winners in the contest's history imo. The chorus melody is flat and goes nowhere. The backing track is mundane. And the vocal performance is lifeless. The end result is that the emotional core not resonating strongly enough. The song certainly aims to express a specific mood though. “Running Scared” is about being afraid of your own feelings, and Ell & Nikki's vocals show this vulnerability. The verses project a sense of longing with a graceful touch. While the chorus, with its spurting synths, creates an atmosphere of anxiously running away. It's that feeling of blocking out your surroundings. But the execution of these concepts is just so weak. Otherwise, the bridge has a nice escalation but it ends too quickly. And the “oh-oh.... OH-oh” hook really is the backbone of this song. As for the staging, the duo exhibits chemistry and their body language is emotionally open. The white clothing makes sense. And the raining fire curtain is a moment that I remember. Side note: I don't want to criticize a winner's reprisal when the artists are understandably flustered but... this one was rough. The switch-up to “we adore you” was cute though. Verdict: Bottom of the OKAY tier. Not winner-worthy. My Ranking:Grand Final: 01. Slovenia: Maja Keuc - No One 02. Germany: Lena - Taken by a Stranger 03. Estonia: Getter Jaani - Rockefeller Street 04. Ukraine: Mika Newton - Angel 05. Georgia: Eldrine - One More Day 06. Bosnia & Herzegovina: Dino Merlin - Love in Rewind 07. Sweden: Eric Saade - Popular 08. Hungary: Kati Wolf - What About My Dreams? 09. Spain: Lucía Pérez - Que me quiten lo bailao 10. Serbia: Nina - Čaroban 11. Greece: Loukas Giorkas feat. Stereo Mike - Watch My Dance 12. United Kingdom: Blue - I Can 13. Iceland: Sjonni's Friends - Coming Home 14. Switzerland: Anna Rossinelli - In Love for a While 15. Ireland: Jedward - Lipstick 16. Finland: Paradise Oskar - Da Da Dam 17. Denmark: A Friend in London - New Tomorrow 18. France: Amaury Vassili - Sognu 19. Lithuania: Evelina Sašenko - C'est ma vie 20. Moldova: Zdob și Zdub - So Lucky 21. Azerbaijan: Ell & Nikki - Running Scared 22. Russia: Alexej Vorobjov - Get You 23. Italy: Raphael Gualazzi - Madness of Love 24. Romania: Hotel FM - Change 25. Austria: Nadine Beiler - The Secret Is Love Full Ranking: 01. Slovenia: Maja Keuc - No One 02. Bulgaria: Poli Genova - Na inat 03. Germany: Lena - Taken by a Stranger 04. Estonia: Getter Jaani - Rockefeller Street 05. Ukraine: Mika Newton - Angel 06. Georgia: Eldrine - One More Day 07. Bosnia & Herzegovina: Dino Merlin - Love in Rewind 08. Sweden: Eric Saade - Popular 09. Hungary: Kati Wolf - What About My Dreams? 10. Norway: Stella Mwangi - Haba Haba 11. Spain: Lucía Pérez - Que me quiten lo bailao 12. Serbia: Nina - Čaroban 13. Greece: Loukas Giorkas feat. Stereo Mike - Watch My Dance 14. Latvia: Musiqq - Angel in Disguise 15. United Kingdom: Blue - I Can 16. Iceland: Sjonni's Friends - Coming Home 17. Poland: Magdalena Tul - Jestem 18. Switzerland: Anna Rossinelli - In Love for a While 19. Ireland: Jedward - Lipstick 20. Finland: Paradise Oskar - Da Da Dam 21. Denmark: A Friend in London - New Tomorrow 22. Cyprus: Christos Mylordos - San aggelos s'agapisa 23. France: Amaury Vassili - Sognu 24. Belarus: Anastasia Vinnikova - I Love Belarus 25. Lithuania: Evelina Sašenko - C'est ma vie 26. Croatia: Daria - Celebrate 27. San Marino: Senhit - Stand By 28. Moldova: Zdob și Zdub - So Lucky 29. Azerbaijan: Ell & Nikki - Running Scared 30. Israel: Dana International - Ding Dong 31. F.Y.R. Macedonia: Vlatko Ilievski - Rusinka 32. Russia: Alexej Vorobjov - Get You 33. Malta: Glen Vella - One Life 34. Italy: Raphael Gualazzi - Madness of Love 35. Armenia: Emmy - Boom Boom 36. Romania: Hotel FM - Change 37. Albania: Aurela Gaçe - Feel the Passion 38. Austria: Nadine Beiler - The Secret Is Love 39. Netherlands: 3JS - Never Alone 40. Slovakia: TWiiNS - I'm Still Alive 41. Turkey: Yüksek Sadakat - Live It Up 42. Belgium: Witloof Bay - With Love Baby 43. Portugal: Homens da Luta - A luta é alegria Leo ✔ Soundcl🕤ck born fearlessarrow kimberly Mylo13 💜 Future Captain mrmike855 yuh yuh
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