dremolus - solarpunk
Diamond Member
𝙁𝙧𝙤𝙢 𝙋𝙖𝙡𝙚𝙨𝙩𝙞𝙣𝙚 𝙩𝙤 𝙩𝙝𝙚 𝙋𝙝𝙞𝙡𝙞𝙥𝙥𝙞𝙣𝙚𝙨, 𝙎𝙩𝙤𝙥 𝙩𝙝𝙚 𝙐.𝙎. 𝙒𝙖𝙧 𝙈𝙖𝙘
Joined: August 2019
Posts: 13,325
My Reviews
Pronouns: (he/him/they)
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Post by dremolus - solarpunk on Feb 13, 2024 12:37:06 GMT -5
US Spotify - 02/12/24
1(=) Kanye West, Ty Dolla $ign - CARNIVAL 2,639,356 (+323,195) (+13%)
2(DEBUT) Beyoncé - TEXAS HOLD EM 2,369,210
3(-1) Kanye West, Ty Dolla $ign - FUK SUMN 1,528,807 (-39,848)
4(+3) Benson Boone - Beautiful Things 1,478,465 (+94,598)
5(=) Noah Kahan - Stick Season 1,472,728 (-33,983)
6(=) Kanye West, Ty Dolla $ign - BURN 1,438,637 (+5,210) *NEW PEAK*
7(-4) Kanye West, Ty Dolla $ign - BACK TO ME 1,418,034 (-144,497)
8(+15) Usher, Ludacris, Lil Jon - Yeah! 1,239,324 (+28,4230) (+30%) *NEW PEAK*
9(-5) Kanye West, Ty Dolla $ign - STARS 1,205,115 (-312,638) (-21%)
10(+4) 21 Savage - redrum 1,185,694 (+45,453)
Kanye West and Ty Dolla $ign - VULTURES 1 [16/16]
12(-4) TALKING 1,125,404 (-251,702) (-18%)
14(-3) DO IT 1,065,591 (-117,008) (-10%)
15(-6) PAID 1,049,976 (-221,741) (-17%)
21(-11) KEYS TO MY LIFE 963,034 (-289,472) (-23%)
23(-6) VULTURES 941,489 (-86,197)
24(-8) PAPERWORK 919,694 (-122,974)
26(-5) BEG FORGIVENESS 890,011 (-77,452)
28(-10) HOOD RAT 841,169 (-184,690)
35(-8) PROBLEMATIC 772,048 (-61,882)
37(-8) GOOD (DON'T DIE) 726,745 (-87,894)
46(-10) KING 624,893 (-82,131)
Total Third Day Streams: 18,150,003 (-9%)
Noah Kahan - Stick Season (Forever) [7/30]
25(-3) Forever 904,665 (-51,643)
109(-17) Dial Drunk Remix 431,197 (-2,642)
137(-3) All My Love 391,353 (+20,271)
181(+8) You're Gonna Go Far 348,298 (+24,122)
187(-43) Dial Drunk 345,206 (-14,642)
185(-33) Northern Attitude 346,156 (-7,408)
Total Fourth Day Streams: 4,239,603 (-8%)
Other:
11(+1) Zach Bryan, Kacey Musgraves - I Remember Everything 1,148,205 (-11,529)
13(=) Jack Harlow - Lovin On Me 1,073,985 (-71,887)
16(+3) Flo Milli - Never Lose Me 1,041,799 (+32,389)
17(DEBUT) Beyoncé - 16 CARRIAGES 1,026,887
18(+6) Mitski - My Love Mine All Mine 1,014,922 (+122,206) (+14%)
19(=) Xavi - La Diabla 994,126 (-23,694)
20(+45) Usher, Alicia Keys - My Boo 963,483 (+430,897) (+81%) *NEW PEAK*
22(-7) Taylor Swift - Cruel Summer 953,471 (-90,317)
27(+4) Rich Amiri - ONE CALL 852,218 (+57,785)
29(-3) Tate McRae - greedy 840,212 (-2,396)
30(-2) SZA - Snooze 821,193 (-1,321)
31(-1) Teddy Swims - Lose Control 797,458 (-8,207)
33(-8) Lil Tecca - 500lbs 784,111 (-61,274)
36(-3) Xavi - La Victima 727,648 (+4,364)
38(+1) Travis Scott, Playboi Carti - FE!N 710,981 (+64,602) (+10%)
39(-2) Usher, Pitbull - DJ Got Us Fallin' in Love 706,601 (+21,818)
40(+43) Usher - Hey Daddy (Daddy's Home) 699,326 (+239,113) (+52%) *NEW PEAK*
42(+79) Usher, Jeezy - Love in This Club 636,576 (+289,843) (+74%) *NEW PEAK*
43(-5) JID, 21 Savage, Baby Tate - Surround Sound 664,419 (+5,131)
45(-10) Drake, Sexyy Red, SZA - Rich Baby Daddy 660,883 (-50,205)
46(-6) Olivia Rodrigo - vampire 629,079 (-13,184)
49(-1) Drake, Yeat - IDGAF 577,211 (+35,424)
50(+16) Frank Ocean - Pink + White 613,179 (+83,994) (+16%)
51(-5) 4batz - act ii: date @ 8 607,358 (+9,005)
52(=) The Weeknd, JENNIE, Lily-Rose Depp - One of the Girls 602,671 (+36,449)
53(-9) Kali Uchis, Peso Pluma - Igual Que Un Ángel 602,478 (-2,857)
54(+3) Ice Spice - Think U The Shit (Fart) 594,840 (+38,357)
55(-8) Sabrina Carpenter - Feather 590,172 (+5,940)
56(-11) Doja Cat - Agora Hills 585,668 (-16,620)
58(-4) YG Marley - Praise Jah in the Moonlight 573,179 (+9,003)
59(-7) Billie Eilish - What Was I Made For? 572,768 (+10,053)
62(-19) Luke Combs - Fast Car 560,179 (-49,688)
63(+5) Don Toliver - Bandit 559,777 (+38,952
64(-14) Megan Thee Stallion - HISS 559,398 (-16,542)
66(+8) TV Girl - Lovers Rock 549,900 (+50,451) (+10%)
67(+4) Good Neighbors - Home 547,655 (+31,431)
68(-7) Drake, J. Cole - First Person Shooter 546,392 (-5,271)
71(-22) The Weeknd, Playboi Carti, Madonna - Popular 533,107 (-43,680)
74(-10) Ariana Grande - yes, and? 527,605 (-14,780)
75(-5) Zach Bryan - Heading South 515,618 (-4,705)
76(DEBUT) Usher - Confessions Part II 514,088
77(+100) Usher - U Got It Bad 508,580 (+175,218) (+53%) *NEW PEAK*
78(-15) Taylor Swift - Is It Over Now? 504,166 (-38,967)
79(+9) TV Girl - Not Allowed 500,052 (+65,070) (+15%)
80(-5) Calle 24, Chino Pacas, Fuerza Regida - Que Onda 499,881 (+620)
81(-8) Tate McRae - exes 499,649 (-1,565)
82(+16) Andrew Underberg, Sam Haft, Keith David, Blake Roman - Loser, Baby 492,105 (+65,550) (+15%)
84(+8) Blake Roman, Sam Haft, Andrew Underberg - Poison 489,327 (+58,909) (+14%)
88(+85) Jae Millz - OMG (Young Money Remix) 475,039 (+138,518) (+41%) *NEW PEAK*
89(-17) Miley Cyrus - Flowers 474,755 (-40,672)
91(DEBUT) Usher - Burn 471,144
93(-12) Fuerza Regida, Marshmello - HARLEY QUINN 461,751 (-7,623)
94(=) 21 Savage, Travis Scott, Metro Boomin - née-nah 456,888 (+26,790)
95(+4) Ritchy Mitch & The Coal Miners - Evergreen 454,985 (+31,356)
98(+26) Arctic Monkeys - I Wanna Be Yours 440,996 (+50,954) (+13%)
99(+27) Travis Scott - MY EYES 437,843 (+50,963) (+13%)
100(-2) Michael Marcagi - Scared to Start 436,018 (+12,230)
102(DEBUT) Usher - Caught Up 434,859
110(-24) Tyla - Water 423,203 (-21,646)
112(-12) Kenya Grace - Strangers 421,357 (-1,728)
114(+25) Andrew Underberg, Sam Haft, Christian Borle, Amir Talai, Joel Perez - Stayed Gone 419,654 (+54,357) (+15%)
115(+23) Andrew Underberg, Sam Haft, Jeremy Jordan, Amir Talai, Erika Henningsen, Kimiko Glenn - Hell's Greatest Dad 419,654 (+55,131) (+15%)
117(-7) Morgan Wallen - Spin You Around (Morgan's Version) 417,477 (+6,413)
118(-41) Sophie Ellis-Bextor - Murder on the Dancefloor 417,160 (-59,429)
119(-13) BigXthaPlug - Mmhmm 416,117 (+673)
122(-40) Nicki Minaj - FTCU 413,084 (-48,561)
124(-62) Toby Keith - Should've Been A Cowboy 409,225 (-138,231) (-25%)
127(-16) Peso Pluma, Anitta - BELLAKEO 404,678 (-6,117)
129(-44) Taylor Swift - Don't Blame Me 399,739 (-45,315)
134(-14) Bad Bunny, Feid - PERRO NEGRO 393,465 (-5,017)
135(+37) PARTYNEXTDOOR - Break from Toronto 358,880 (+53,026) (+16%)
136(-11) Usher - You Make Me Wanna... 392,279 (+4,143)
141(+6) TV Girl - Cigarettes out the Window 388,319 (+31,240)
142(-19) Natasha Bedingfield - Unwritten 387,029 (-4,525)
144(-11) Jessie Murph, Jelly Roll - Wild Ones 381,601 (+8,226)
148(-7) The Red Clay Strays - Wondering Why 377,136 (+13,965)
156(-5) Dylan Gossett - Coal 368,465 (+14,499)
159(-16) Xavi, Los Dareyes De La Sierra - Poco A Poco 367,319 (+5,607)
160(-42) Key Glock - Let's Go 366,016 (-33,317)
161(+10) Kacey Musgraves - Deeper Well 365,230 (+25,717)
164(-34) Zach Bryan - Oklahoma Smokeshow 361,803(-13,205)
167(-30) Victoria Monét - On My Mama 360,918 (-5,563)
172(DEBUT) Travis Scott, Swae Lee, Chief Keef - Nightcrawler 357,245
173(+26) Lana Del Rey, Father John Misty - Let the Light In 356,603 (+39,292) (+12%)
175(-11) Muni Long - Made For Me 354,224 (+8,559)
177(re-entry) Hozier - Work Song 352,601
186(+12) Brent Faiyaz - Best Time 345,565 (+28,124)
189(DEBUT) Usher, 21 Savage, Summer Walker - Good Good 344,274
190(DEBUT) Justin Bieber - Somebody to Love 344,100
197(-15) Warren Zeiders - Pretty Little Poison 336,899 (+8,547)
198(-52) Dua Lipa - Houdini 335,808 (-22,339)
199(-50) Madison Beer - Make You Mine 335,621 (-19,046)
Total Streams for Dial Drunk: 776,403 (would be #34 with combined streams)
Biggest Gains (50K+): Gold Digger, Break from Toronto, Hell's Greatest Dad, Dark Red, Stayed Gone, MY EYES, I Wanna Be Yours, OMG (Young Money Remix), Stargirl Interlude, Poison, Loser Baby, Not Allowed, U Got It Bad, Flashing Lights, Lovers Rock, Pink + White, Heartless, Love in This Club, Hey Daddy (Daddy's Home), FE!N, Father Stretch My Hands Pt. 1, ONE CALL, My Boo, My Love Mine All Mine, Yeah!, Beautiful Things, CARNIVAL
US TOP 20 WITHOUT VULTURES 1
#1. TEXAS HOLD EM
#2. Beautiful Things
#3. Stick Season
#4. Yeah! *NEW PEAK*
#5. redrum
#6. I Remember Everything
#7. Lovin On Me
#8. 16 CARRIAGES
#9. Never Lose Me
#10. My Love Mine All Mine
#11. La Diabla
#12. My Boo *NEW PEAK*
#13. Forever
#14. Cruel Summer
#15. ONE CALL
#16. Greedy
#17. Snooze
#18. Father Stretch My Hands Pt. 1 *NEW PEAK*
#19. Lose Control
#20. 500lbs
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Post by Baby Yoda Hot100Fan on Feb 14, 2024 11:09:14 GMT -5
2/13/2024 By Melinda Newman
"It's different to hear Beyoncé on a country radio station," says one programmer. "We're going to play it more and see if it the audience likes it."
During Sunday night’s Super Bowl, Beyoncé dropped two new country-flavored songs, the galloping “Texas Hold ‘Em,” and the more reflective “16 Carriages.” But country radio stations have been initially slow to add the Houston-born superstar.
In the two songs’ first 24-plus hours of release (from Sunday night through the end of Monday), eight reporters to Billboard’s Country Airplay chart played “Texas Hold ‘Em,” and only one, KBAY San Francisco, played it more than once (two spins), for a total of nine early plays at the format, according to Mediabase. No stations on the country chart’s panel, which includes nearly 150 stations, played “16 Carriages” in that span. Overall, “Texas Hold ‘Em” received over 200 all-format plays, largely on pop radio, in that stretch, while “16 Carriages” drew just a handful of plays. Neither song registered enough plays through Monday to appear on Billboard’s building 60-position Country Airplay chart.
The situation at country radio may change, however. On Tuesday afternoon (Feb. 13), Columbia officially serviced “Texas Hold ‘Em” to country radio, whereas it had previously been sent to other formats, according to a source. Country radio has traditionally been reluctant to play songs that aren’t serviced to them or then actively promoted by the label. The two songs are part of Renaissance Act II coming from Beyoncé on March 29. Beyoncé has flirted with country music before, releasing “Daddy Lessons” on 2016’s Lemonade and playing the track with the Dixie Chicks (now The Chicks) on that year’s CMA Awards. That song was not actively worked to country radio, according to a Billboard story at the time, and did not chart at country radio, though it did reach No. 41 on the Hot 100.
Bo Matthews, programming director of Alpha Media’s KBAY, which played “Texas Hold ‘Em” twice on Monday and continues to play it, says listener reaction has been “split.” He says, “I think it’s different to hear Beyoncé on a country radio station. We’re going to play it more and see if it the audience likes it and let them allow to be the decider as to whether or not it continues to be on the playlist.”
KBAY began playing “Texas Hold ‘Em” before Sony Music serviced to country radio, so Matthews grabbed the edit (which bleeps out the word “b—-”) from one of KBAY’s sister stations playing it, had KBAY’s midday host add it and asked listeners to weigh in. “It’s one of the biggest celebrities in the world doing a country song and I think that’s exciting for the format,” he says.
On Tuesday, the Austin American-Stateman ran a news story based on a social media post claiming country station KYKC in Ada, Oklahoma, flat-out rejected a request to play “Texas Hold ‘Em.” The story included a screenshot of a post from X (formerly Twitter) user @jussatto, who said he had requested the station play the song and received the following response, “Hi, we do not play Beyonce on KYKC as we are a country music station.” Another fan posted another response from the KYKC, saying it will “happily play the song when it gets high enough on the chart.”
These claims immediately sparked a broader online debate over whether country stations would play the song. On Tuesday afternoon, the station, which is not a Mediabase reporter, posted on Facebook that there were “lots of calls coming in” for the song and posted a log showing “Texas Hold ‘Em” played at 2:28 p.m. CT, sandwiched between Zach Bryan’s “Tishomingo” and Carrie Underwood’s “Wasted.”
A source at the station, who spoke on the condition of anonymity, told Billboard that the initial email response posted on X was from the station’s general manager, who did not know that Beyoncé had released two new country songs. KYKC’s sister Top 40 station had already played the song, and while the country station tends not to add songs until they are in the top 30 on Mediabase, “based on the number of calls we got in, we realized we needed to add it to the country station,” the source says. The song is now in the station’s system and it will continue to play it.
CMT immediately added “Texas Hold ‘Em” to its branded streaming stations and anticipates playing a video once one is released. A number of streaming services, including Spotify and Apple Music have also added it to their playlists. The song is currently on Spotify’s Hot Country playlist and it is No. 1 on iTunes’ Top 100 Songs chart, with “16 Carriages” at No. 2. Neither song appears on iTunes Top 100 Country Song chart, which is dominated by songs from Toby Keith’s catalog, following his death Feb. 5.
“Hot Country has always been a destination on Spotify to highlight the vast trends and influences that the country genre continues to showcase,” says Sulinna Ong, Spotify global head of editorial.” It was a natural decision to place Beyoncè’s ‘Texas Hold ‘Em’ at No. 1. She’s a champion of her art, and has showcased herself to authentically mold her sound throughout her layered career. ‘Texas Hold ‘Em’ is no exception, and the fact that the song debuted on Spotify with over 4.5 million streams is a testament to that. It’s still early in the release cycle, but it’s clear that listeners are engaging with the song on platform.”
Beyoncé is just one of several pop artists planning to release country projects, including Post Malone and Lana Del Rey. Ed Sheeran told Billboard that he’d like to make a country album and a country project recorded by Brian Wilson in the ‘70s, is finally coming out next year, according to Rolling Stone.
Audacy and iHeartRadio country executives did not respond to request for comment. Beyoncé’s representative declined to any answer questions about the releases and the plan at radio.
Assistance on this story provided by Gary Trust.
UPDATE: This article was updated at 10:18 p.m. EST on Feb. 13 to include Sulinna Ong’s quote.
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