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Post by arturo52311 on Sept 1, 2024 19:41:25 GMT -5
Just giving examples of #1's that were "anthems" to stans but the GP doesn't care for. "GP doesn't care for" is the name of Lady Gaga career. Rain on Me was carried by ariana grande to get a 200 point debut. nobody cared for it if not for grande. drake had 10th album track that debuted higher than that, which shows you how little attention there is for gaga's last proper project, despite again, having a collab from the biggest female star of that time. everything else from chromatica probably didnt even chart. id love you to prove me wrong on that lol. and then of course, there is the Chromatica album itself, which debuted with a 65k SEA. to give you a proper perspective, some albums do 65K SEAs at their 50th week. so its fair to say, literally no one outside of gaga's fan base gave a damn about her lol. meanwhile, again: cardigan is on an album that is the 5th or 6th biggest this decade, ATW10Min made history as the longest song to go #1 & had the second biggest debut that year, Fortnight holds the record for the most streamed song globally in 1 week, and already has earned 600M streams. Gaga on the other hand, made history at the first artist to bundle jockstraps on her album to sell to her fans. and ironically, when you break down her numbers and see that she sold 200k physicals but debuted fewer SEAs than morgan wallen's 50th week, you literally stumbled upon another example of "anthems to stans but the GP doesn't care for." Lmao. hope you can have a little bit of self awareness from this point on. Not this essay and complete meltdown over some healthy discussion about the staying power of previous #1 singles. It's not that serious. But if you want to argue numbers let's do it. Chromatica is a #1 album that ended up selling over 1.4 million units in the U.S due to having over 1.2 billion On-Demand streams in the country. So what if it debuted with 65k SEA lol? At the time of release it was literally the biggest non Hip-Hop/Urban streaming week of the year. Also no one cares if ATW is long. Die With A Smile will blow past Fortnite's total by year end despite being 4 months newer. Cardigan is a great song from a great album. Might be shocking to learn that Taylor is my #2. I don't want to derail this thread any further, so I guess I'll go back to enjoying Gaga's latest single as many others are considering it's sitting pretty at #1 on Global Spotify. |
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Post by theycallmedualian on Sept 1, 2024 20:22:46 GMT -5
"GP doesn't care for" is the name of Lady Gaga career. Rain on Me was carried by ariana grande to get a 200 point debut. nobody cared for it if not for grande. drake had 10th album track that debuted higher than that, which shows you how little attention there is for gaga's last proper project, despite again, having a collab from the biggest female star of that time. everything else from chromatica probably didnt even chart. id love you to prove me wrong on that lol. and then of course, there is the Chromatica album itself, which debuted with a 65k SEA. to give you a proper perspective, some albums do 65K SEAs at their 50th week. so its fair to say, literally no one outside of gaga's fan base gave a damn about her lol. meanwhile, again: cardigan is on an album that is the 5th or 6th biggest this decade, ATW10Min made history as the longest song to go #1 & had the second biggest debut that year, Fortnight holds the record for the most streamed song globally in 1 week, and already has earned 600M streams. Gaga on the other hand, made history at the first artist to bundle jockstraps on her album to sell to her fans. and ironically, when you break down her numbers and see that she sold 200k physicals but debuted fewer SEAs than morgan wallen's 50th week, you literally stumbled upon another example of "anthems to stans but the GP doesn't care for." Lmao. hope you can have a little bit of self awareness from this point on. Chromatica is a #1 album that ended up selling over 1.4 million units in the U.S due to having over 1.2 billion On-Demand streams in the country. So what if it debuted with 65k SEA lol? At the time of release it was literally the biggest non Hip-Hop/Urban streaming week of the year. Also no one cares if ATW is long. Die With A Smile will blow past Fortnite's total by year end despite being 4 months newer. Cardigan is a great song from a great album. Might be shocking to learn that Taylor is my #2. I don't want to derail this thread any further, so I guess I'll go back to enjoying Gaga's latest single as many others are considering it's sitting pretty at #1 on Global Spotify. 1) make a comment that is just wrong and illogical 2) have the exact extend of that illogicalness broken down and pointed out. 3) shocked by how other people can have that much to say about the flaws and incorrectness of your comment, lol. ya' know. had your comment been logical i wouldnt even have that much to write about. good for both you and me. thats literally flop album territory though, you know that right? that 1.4M units landed Chromatica number 50th on the Year-End list, evidently the GP literally didnt care about the whole era at all. it was just streamed by the same group of gaga fans that gave her the 65k SEA first week. Yea no. read again. ATW opened up with the second biggest debut of the year, despite being 10 mins long. so please, i hope by now you could understand the crux of my argument: all the taylor songs you listed and falsely tried to equate as "rain on me' level flops, is obviously incorrect and disingenuous. |
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Post by Rose "Payola" Nylund on Sept 1, 2024 21:45:43 GMT -5
lol it's funny how bothered you are
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mst3k
Charting
Peese shut mouf.
This space for rent
Joined: September 2003
Posts: 438
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Post by mst3k on Sept 1, 2024 22:14:33 GMT -5
Billboard Top 10 Flashback: September 7, 201929 NE Cruel Summer - Taylor Swift September 9, 202305 04 Cruel Summer - Taylor Swift Love it |
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shakemaki
Gold Member
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Posts: 761
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Post by shakemaki on Sept 1, 2024 22:34:05 GMT -5
Is ABS gonna take the year end? Two years in a row for a country song would be wild. At least it won’t be IHSH and Morgan twice though.
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👑 Eloquent ™
Diamond Member
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Post by 👑 Eloquent ™ on Sept 1, 2024 22:56:18 GMT -5
It's really pathetic these days how there seems to be a large group of people who have no concept of what a "hit" actually is beyond a multi-week #1 with billions of streams and insane longevity. We do realize the term "hit" encapsulates a much broader range of performance than that, right? Back in the 90s and 2000s people could easily understand going top 20 on the Hot 100 meant you had a hit single (so long as it didn't only chart a singular week or something). Nowadays if an artist doesn't hit the top 5 they "flopped". God forbid they peak "only" within the top 10 of their core radio format and don't go #1. People don't know what a genuine flop is anymore than they know what a hit is because they constantly conflate the two. And people are always referencing this ever-elusive, immeasurable "general public" as a means to discredit a song's performance, as if someone from general population's (which I guess means someone who doesn't follow music in any capacity??) purchase or stream is worth anymore than any "fan" or "stan's" purchase or stream. They all count the same. If you're selling 5 million albums to fans or the "general public" it doesn't matter: you're still successful and 5x platinum. You still get paid the same. You still reach the same number of people with that album. Both "Rain On Me" and "Fortnight", for example, were hits. Just because they didn't have the best longevity or performance of their respective artist's career doesn't mean they flopped. All their peaks were solid and they accomplished what they needed to do. Not every successful single has to be a "Cruel Summer" or "Bad Romance" and that's ok. I'm convinced anyone who claims a song didn't resonate with "the general public" despite being a #1 with a respectable performance just didn't like the song and are looking for ways to discredit it, because if I asked them to prove it through facts they absolutely couldn't in most circumstances where I've seen it used.
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neel
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Posts: 570
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Post by neel on Sept 1, 2024 23:04:07 GMT -5
Is ABS gonna take the year end? Two years in a row for a country song would be wild. At least it won’t be IHSH and Morgan twice though. It has no chance, Lose Control is already locked to be the number song of 2024. |
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avamaxstan
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Post by avamaxstan on Sept 2, 2024 1:44:29 GMT -5
Is ABS gonna take the year end? Two years in a row for a country song would be wild. At least it won’t be IHSH and Morgan twice though. It has no chance, Lose Control is already locked to be the number song of 2024. Another faceless year-end #1 with no real cultural impact… |
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Choco
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My Charts
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Post by Choco on Sept 2, 2024 10:28:57 GMT -5
I don't even get why Lady Gaga having collabs is usually used against her. Get Katy or Camila on a collab with Bruno or Ariana and it would still tank. Sometimes keeping yourself in the good graces of audiences even without dropping hits every three months still pays off, instead of mindlessly chasing hits and following cheap trends that kill the goodwill you had.
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kiddo1994
Charting
Joined: March 2019
Posts: 130
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Post by kiddo1994 on Sept 2, 2024 10:37:27 GMT -5
I don't even get why Lady Gaga having collabs is usually used against her. Get Katy or Camila on a collab with Bruno or Ariana and it would still tank. Sometimes keeping yourself in the good graces of audiences even without dropping hits every three months still pays off, instead of mindlessly chasing hits and following cheap trends that kill the goodwill you had. Because they can't stand the fact that she's still somehow winning |
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Enigma.
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Post by Enigma. on Sept 2, 2024 10:56:11 GMT -5
Also, DWAS has already charted higher than Bruno's previous (high profile) singles Skate and Smokin' Out the Window.
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Post by Rose "Payola" Nylund on Sept 2, 2024 10:59:20 GMT -5
hope you can have a little bit of self awareness from this point on. Lol, the richness |
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Post by theycallmedualian on Sept 2, 2024 12:38:42 GMT -5
lol it's funny how bothered you are since you gave me multiple responses like 12 hours apart about on the same comment, I can see that you were thinking about me all night long. Well Sorry daddy ain’t gonna give these crappy “comments” any responses, so if you want my attention in the future, you’ll have to do better. |
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Post by Rose "Payola" Nylund on Sept 2, 2024 13:44:04 GMT -5
lol it's funny how bothered you are since you gave me multiple responses like 12 hours apart about on the same comment, I can see that you were thinking about me all night long. Well Sorry daddy ain’t gonna give these crappy “comments” any responses, so if you want my attention in the future, you’ll have to do better. You were even in my dreams begging for validation 😭 |
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spiritboy
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Post by spiritboy on Sept 2, 2024 13:54:26 GMT -5
I think definition of a hit song is more than its chart position. There are many songs that have stood the test of time and are still listened 30-40 years later even if they didn't smash the charts.
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Post by Rose "Payola" Nylund on Sept 2, 2024 14:12:25 GMT -5
I think definition of a hit song is more than its chart position. There are many songs that have stood the test of time and are still listened 30-40 years later even if they didn't smash the charts. I think a “hit” is more of a current/present day thing. Hits don’t always endure or have a legacy, and sometimes songs that weren’t hits develop a legacy over time. I just don’t think there’s a label for songs that last for years after so we just lump them all into the “hit” moniker. Plenty of songs that are hits are flash in the pans ones. Beyond that, I agree with what you’re saying. The success, popularity, and legacy of a song goes way beyond its chart position and chart performance. Too often people reduce a song’s status to chart numbers that often don’t have the full context or tell the whole story. |
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Post by stormlover74 on Sept 2, 2024 14:42:19 GMT -5
Speaking of hits. I heard Unholy the other day. A song that was big for a couple months but seemingly just disappeared
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kiddo1994
Charting
Joined: March 2019
Posts: 130
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Post by kiddo1994 on Sept 2, 2024 22:15:31 GMT -5
Speaking of hits. I heard Unholy the other day. A song that was big for a couple months but seemingly just disappeared It's still fairly remembered I think, at least globally speaking.. it's pulling 630k Spotify Daily, Sam's 4th most streamed daily after TGAG, INTOO and SWM but those are Sam's Holy Trinity While we also have say ARUTW, peaked at no.41 and still pulling 900k-1M Daily Streams |
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Post by After Minutes on Sept 3, 2024 4:16:19 GMT -5
People will be arguing that Tyler, The Creator or Frank Ocean don't have any hits nowadays despite having multiple songs above 1B streams and charting in the US Spotify top 50 with singles released 5+ years ago lol same with J Cole who's chart success and peaks never matched his actual performance
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avamaxstan
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Post by avamaxstan on Sept 3, 2024 10:14:25 GMT -5
People will be arguing that Tyler, The Creator or Frank Ocean don't have any hits nowadays despite having multiple songs above 1B streams and charting in the US Spotify top 50 with singles released 5+ years ago lol same with J Cole who's chart success and peaks never matched his actual performance Until recently there were still delusionals calling Billie a one-hit-wonder despite having like 10 songs over 1 billion and Lovely being the 15th most streamed song of all time  |
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Post by sheardbeard on Sept 3, 2024 12:06:28 GMT -5
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Post by Baby Yoda Hot100Fan on Sept 3, 2024 12:20:03 GMT -5
9/3/2024 By Gary Trust
Shaboozey’s “A Bar Song (Tipsy)” tallies an eighth nonconsecutive week at No. 1 on the Billboard Hot 100, furthering 2024’s longest command. The single became the singer-songwriter’s first leader on the survey in July.
“A Bar Song (Tipsy)” likewise lengthens the longest command this year on the multimetric Hot Country Songs chart, hoisting a 12th week at No. 1.
At No. 2 on the Hot 100, Sabrina Carpenter soars in with “Taste.” She follows with “Please Please Please,” up 9-3 after it became her first No. 1 in June, and “Espresso,” which jumps 7-4 after reaching No. 3. All three songs are from her new album, Short n’ Sweet, which blasts in at No. 1 on the Billboard 200.
Carpenter meets The Beatles: Notably, as Carpenter’s three songs mark her first three top five Hot 100 hits, she becomes only the second act – and first soloist – ever to chart her first three top five hits in the region simultaneously. She joins only The Beatles, who first tripled up on the chart dated March 7, 1964, with “I Want To Hold Your Hand,” “She Loves You” and “Please Please Me” at Nos. 1, 2 and 4, respectively. (The classics took the top three the following two weeks; “Twist and Shout” joined them the following frame to give the group the top fab four ranks; and, the week after that, The Beatles monopolized the entire top five as “Can’t Buy Me Love” leaped 27-1.) The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 7, 2024) will update on Billboard.com tomorrow, Sept. 4 (a day later than usual due to the Labor Day holiday Sept. 2). For all chart news, you can follow billboard and billboardcharts on both X, formerly known as Twitter, and Instagram. Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
‘Tipsy’ No. 1 in Airplay, Sales
“A Bar Song (Tipsy),” on American Dogwood/EMPIRE (with country radio promotion by Magnolia Music), totaled 82 million radio airplay audience impressions (down 7%), 31.7 million official streams (down 3%) and 11,000 sold (down 12%) in the United States Aug. 23-29.
The track rebounds from No. 2 for a 12th week at No. 1 on the Digital Song Sales chart; notches a fifth week at No. 1 on Radio Songs; and dips 2-5 on Streaming Songs, following five frames at the summit.
Most Weeks at No. 1 on Hot 100 in 2024
“A Bar Song (Tipsy)” extends the longest Hot 100 domination this year. Here’s a look at the songs that have led for multiple weeks since January:
8 weeks, “A Bar Song (Tipsy),” Shaboozey, beginning July 13
6 weeks, “I Had Some Help,” Post Malone feat. Morgan Wallen, beginning May 25
*5 weeks, “Lovin On Me,” Jack Harlow (*6 total weeks at No. 1, beginning Dec. 2, 2023)
3 weeks, “Like That,” Future, Metro Boomin & Kendrick Lamar, beginning April 6
2 weeks, “Not Like Us,” Kendrick Lamar, beginning May 18
2 weeks, “Fortnight,” Taylor Swift feat. Post Malone, beginning May 4|
2 weeks, “Texas Hold ‘Em,” Beyoncé, beginning March 2
Carpenter Sweetens Nos. 2, 3 & 4
Sabrina Carpenter bounds onto the Hot 100 at No. 2 with “Taste,” which starts with 42.5 million streams, 4.6 million in radio audience and 6,000 sold. It premieres at No. 1 on Streaming Songs, becoming her second leader, after “Please Please Please” reigned for two weeks in June.
“Please Please Please” surges 9-3 on the Hot 100 (32.3 million streams, up 64%; 44.9 million airplay audience impressions, up 7%), after it became Carpenter’s first No. 1 in June, and “Espresso” rebounds 7-4 (29.6 million streams, up 54%; 60.7 million in airplay audience) after hitting No. 3.
All three songs are from Carpenter’s new album, Short n’ Sweet, which launches at No. 1 on the Billboard 200.
As the tracks mark Carpenter’s first three top five Hot 100 hits, she becomes only the second act – and first soloist – ever to chart her first three top five hits in the region simultaneously. She joins the vaunted company of The Beatles, who achieved the feat over five weeks in 1964.
Here’s a recap of Carpenter’s historic week and each week in which The Beatles charted their first three or more top five Hot 100 hits in the top five simultaneously. (Both politely made their marks with songs with “Please Please” in their titles.)
Sabrina Carpenter
Sept. 7, 2024: No. 2, “Taste” / No. 3, “Please Please Please” / No. 4, “Espresso”
The Beatles
March 7, 1964: No. 1, “I Want To Hold Your Hand” / No. 2, “She Loves You” / No. 4, “Please Please Me”
March 14, 1964: No. 1, “I Want To Hold Your Hand” / No. 2, “She Loves You” / No. 3, “Please Please Me”
March 21, 1964: No. 1, “She Loves You” / No. 2, “I Want To Hold Your Hand” / No. 3, “Please Please Me”
March 28, 1964: No. 1, “She Loves You” / No. 2, “I Want To Hold Your Hand” / No. 3, “Twist and Shout” / No. 4, “Please Please Me”
April 4, 1964: No. 1, “Can’t Buy Me Love” / No. 2, “Twist and Shout” / No. 3, “She Loves You” / No. 4, “I Want To Hold Your Hand” / No. 5, “Please Please Me”
Carpenter previously moved into The Beatles’ rarified chart air when “Please Please Please” debuted at No. 2 and “Espresso” first reached No. 3 on the June 22-dated Hot 100. She likewise became the first solo artist and second act overall, after the group 60 years earlier, to place two initial top-three hits with no other billed artists in the region simultaneously.
“That one sounds fake to me,” Carpenter said of the second stat on NBC’s The Tonight Show Starring Jimmy Fallon on Aug. 22. “I’m just so grateful that you guys are listening.”
Rest of the Top 10: ‘I Had Some Help’ & More
Post Malone’s “I Had Some Help,” featuring Morgan Wallen, falls 2-5 on the Hot 100 following six weeks at No. 1 beginning upon its debut in May.
Lady Gaga and Bruno Mars’ “Die With a Smile” ranks at No. 6 on the Hot 100 a week after it debuted at No. 3 (though up 13% to 30.8 million streams and 28% to 16.7 million in radio audience).
Billie Eilish’s “Birds of a Feather” descends to No. 7 from its No. 5 Hot 100 best. It tops the multimetric Hot Rock & Alternative Songs and Hot Alternative Songs charts for a fourth week each.
Chappell Roan’s “Good Luck, Babe!” slips to No. 8 from its No. 6 Hot 100 high and Kendrick Lamar’s “Not Like Us” tumbles 4-9, following two weeks on top, as it leads the multimetric Hot Rap Songs chart for a 16th week and Hot R&B/Hip-Hop Songs for a 14th week.
Rounding out the Hot 100’s top 10, Teddy Swims’ “Lose Control,” which ruled the Hot 100 for a week in March, holds at No. 10. It also ties for the ninth-most weeks logged in the top 10 over the chart’s history:
57 weeks, “Blinding Lights,” The Weeknd, 2020-21
44, “Stay,” The Kid LAROI & Justin Bieber, 2021-22
41, “Last Night,” Morgan Wallen, 2023-24
41, “Levitating,” Dua Lipa, 2021
39, “Circles,” Post Malone, 2019-20
38, “As It Was,” Harry Styles, 2022-23
37, “Heat Waves,” Glass Animals, 2021-22
34, “Cruel Summer,” Taylor Swift, 2023-24
33, “Lose Control,” Teddy Swims, 2024
33, “Sunflower (Spider-Man: Into the Spider-Verse),” Post Malone & Swae Lee, 2018-19
33, “Girls Like You,” Maroon 5 feat. Cardi B, 2018-19
33, “Shape of You,” Ed Sheeran, 2017
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Post by Baby Yoda Hot100Fan on Sept 3, 2024 14:46:38 GMT -5
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ObhiDonna
Charting
Joined: December 2023
Posts: 317
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Post by ObhiDonna on Sept 4, 2024 6:30:46 GMT -5
lol it's funny how bothered you are since you gave me multiple responses like 12 hours apart about on the same comment, I can see that you were thinking about me all night long. Well Sorry daddy ain’t gonna give these crappy “comments” any responses, so if you want my attention in the future, you’ll have to do better. Creepy twinks and their affliction for calling everyone daddy - never go out of Style |
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Post by Baby Yoda Hot100Fan on Sept 4, 2024 10:10:08 GMT -5
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dremolus - solarpunk
Diamond Member
𝙁𝙧𝙤𝙢 𝙋𝙖𝙡𝙚𝙨𝙩𝙞𝙣𝙚 𝙩𝙤 𝙩𝙝𝙚 𝙋𝙝𝙞𝙡𝙞𝙥𝙥𝙞𝙣𝙚𝙨, 𝙎𝙩𝙤𝙥 𝙩𝙝𝙚 𝙐.𝙎. 𝙒𝙖𝙧 𝙈𝙖𝙘
Joined: August 2019
Posts: 13,321
My Reviews
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Post by dremolus - solarpunk on Sept 4, 2024 10:22:18 GMT -5
BUBBLING UNDER
#1. Chase Matthew - Love You Again (+2)
#2. Lil Yachty and Veeze - Sorry Not Sorry (+2)
#3. Chris Young - Young Love & Saturday Nights (-1)
#4. Clairo - Juna (+2)
#5. Addison Rae - Diet Pepsi (DEBUT)
#6. The Marías - No One Noticed (+7)
#7. BossMan DLow - Shake Dat Ass (Twerk Song) (+4)
#8. Tyler Braden - Devil I Know (-3)
#9. Travis Scott feat. Young Thug and Rich Homie Quan - Mamacita (DEBUT)
#10. Zach Top - I Never Lie (+14)
#11. Peso Pluma and Tito Double P - LOS CUADROS (+3)
#12. Travis Scott feat. Young Thug - Skyfall (DEBUT)
#13. Alex Warren - Carry You Home (+4)
#14. Warren Zeiders - Relapse (-2)
#15. Luh Tyler - 2 Slippery (DEBUT)
#16. PARTYNEXTDOOR - N o C h i l l (-8)
#17. Madison Beer - Make You Mine (-8)
#18. Elevation Worship feat. Brandon Lake, Chris Brown, and Chandler Moore - Praise (-11)
#19. Riley Green - Worst Way (-9)
#20. Dylan Scott - What He'll Never Have (-5)
#21. Travis Scott - Days Before Rodeo: The Prayer (DEBUT)
#22. Justin Moore - This is My Dirt (-4)
#23. Brandon Lake - That's Who I Praise (=)
#24. The Kid LAROI - BABY I'M BACK (DEBUT)
#25. Forrest Frank - Good Day (-3)
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dremolus - solarpunk
Diamond Member
𝙁𝙧𝙤𝙢 𝙋𝙖𝙡𝙚𝙨𝙩𝙞𝙣𝙚 𝙩𝙤 𝙩𝙝𝙚 𝙋𝙝𝙞𝙡𝙞𝙥𝙥𝙞𝙣𝙚𝙨, 𝙎𝙩𝙤𝙥 𝙩𝙝𝙚 𝙐.𝙎. 𝙒𝙖𝙧 𝙈𝙖𝙘
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My Reviews
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Post by dremolus - solarpunk on Sept 4, 2024 10:55:14 GMT -5
Notable Gains:
#61. Thomas Rhett - Beautiful As You (+23) *NEW PEAK*
#64. mgk and Jelly Roll - Lonely Road (+10)
#67. Lainey Wilson - Hang Tight Honey (+10)
#75. Gracie Abrams - I Love You, I'm Sorry (+15)
#80. Gigi Perez - Sailor Song (+18) *NEW PEAK*
Notable Losses:
#25. Post Malone feat. Blake Shelton - Pour Me A Drink (-12)
#36. Post Malone feat. Luke Combs - Guy For That (-19)
#44. Charli XCX feat. Billie Eilish - Guess (-11)
#53. Chappell Roan - Red Wine Supernova (-10)
#55. Post Malone feat. Jelly Roll - Losers (-30)
#63. Drake, Young Thug, and 21 Savage - It's Up (-17)
#72. Post Malone feat. Tim McGraw - Wrong Ones (-49)
#89. Post Malone feat. Chris Stapleton - California Sober (-55)
#90. Tinashe - Nasty (-16)
#91. Post Malone feat. Lainey Wilson - Nosedive (-41)
#92. Post Malone - What Don't Belong to Me (-52)
Re-entries:
#94. Megan Moroney - Am I Okay?
#96. 21 Savage and Summer Walker - prove it
#99. Gracie Abrams - Close to You
#100. The Kid LAROI - GIRLS
Notable Dropouts:
I Remember Everything (52 weeks)
we can't be friends (wait for your love) (24 weeks)
Bulletproof (20 weeks)
Biggest Gain in Streaming: Please Please Please
Biggest Gain in Sales: I Had Some Help
Biggest Gain in Airplay: Good Luck Babe
Gained in Points:
#3. Sabrina Carpenter - Please Please Please (+6)
#4. Sabrina Carpenter - Espresso (+3)
#6. Lady Gaga and Bruno Mars - Die With A Smile (-3)
#7. Billie Eilish - BIRDS OF A FEATHER (-2)
#8. Chappell Roan - Good Luck, Babe! (-2)
#16. Luke Combs - Ain't No Love in Oklahoma (-1)
#18. Zach Bryan - Pink Skies (-1)
#19. Chappell Roan - HOT TO GO! (=)
#20. Marshmello and Kane Brown - Miles On It (=)
#24. Dasha - Austin (-2)
#30. Jordan Adetunji - KEHLANI (-2)
#31. Jelly Roll - I Am Not Okay (=)
#42. KAROL G - Si Antes Te Hubiera Conocido (-4)
#45. Benson Boone - Slow It Down (-4)
#47. GloRilla - TGIF (-3)
#48. Teddy Swims - The Door (=)
#49. Myles Smith - Stargazing (-4)
#50. Billie Eilish - WILDFLOWER (+7)
#51. Koe Wetzel and Jessie Murph - High Road (=)
#52. Cody Johnson - Dirt Cheap (+1)
#57. Ella Langley feat. Riley Green - you look like you love me (+4)
#58. Moneybagg Yo feat. Morgan Wallen - WHISKEY WHISKEY (+1)
#59. Gunna - one of wun (+5)
#65. FloyyMenor and Cris Mj - Gata Only (+4)
#68. The Kid LAROI - NIGHTS LIKE THIS (-1)
#69. Real Boston Richey - Help Me (+3)
#70. Dustin Lynch feat. Jelly Roll - Chevrolet (+1)
#71. Central Cee and Lil Baby - BAND4BAND (-1)
#74. Peso Pluma and Tito Double P - LA PATRULLA (+6) *NEW PEAK*
#78. Tucker Wetmore - Wind Up Missin' You (+3)
#81. Chris Stapleton - Think I'm in Love With You (+4)
#82. Luis R Conriquez and Neton Vega - Si No Quieres No (+4)
#83. Luke Bryan - Love You, Miss You, Mean It (+4) *NEW PEAK*
#85. Billie Eilish - CHIHIRO (+8)
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Groovy
6x Platinum Member
Joined: October 2017
Posts: 6,718
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Post by Groovy on Sept 4, 2024 13:10:30 GMT -5
I Remember Everything lasted a whole year without airplay, fascinating stuff.
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fridayteenage
5x Platinum Member
Shake it Off
Joined: April 2008
Posts: 5,493
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Post by fridayteenage on Sept 4, 2024 13:20:57 GMT -5
since you gave me multiple responses like 12 hours apart about on the same comment, I can see that you were thinking about me all night long. Well Sorry daddy ain’t gonna give these crappy “comments” any responses, so if you want my attention in the future, you’ll have to do better. Creepy twinks and their affliction for calling everyone daddy - never go out of Style Same with mother |
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Post by Baby Yoda Hot100Fan on Sept 4, 2024 16:37:57 GMT -5
The Global 200 and Global 200 excl US reached 4 years (208 weeks) of being published this week. The songs that have charted every single week with their first week and current position are as well as honorary mentions charting more than 200 weeks in each chart:
Global 200:
Blinding Lights 7-87 Someone You Loved 32-96 Sunflower 59-98 Perfect 61-118 Believer 82-132
Honorary Mentions: Shape of You currently at #168 with 207 weeks charted, Sweater Weather, currently at #43 with 205 weeks and Levitating at #200 with 201 weeks.
Global 200 excl US:
Blinding Lights 7-66 Someone You Loved 33-78 Perfect 59-97 Believer 75-111 Shape of You 63-121
Honorary Mentions: Lovely, currently at #172 with 207 weeks charted, Levitating at #198 with 203 weeks and Sweater Weather, at #43 with 202 weeks.
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