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Post by Deleted on Mar 18, 2024 11:26:33 GMT -5
16 weeks Top 10 on Pop Radio
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sheerio
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Post by sheerio on Mar 18, 2024 12:43:32 GMT -5
16 weeks Top 10 on Pop Radio Great chart run nonetheless plus it’s a number 1 pop song! Could not ask for more!
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Az Paynter
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Post by Az Paynter on Mar 19, 2024 6:50:19 GMT -5
Well she's joined the -4000 club now, but that's still a low entry on that particular list.
POP: 1 6 TAYLOR SWIFT Is It Over Now? (TV) 12587 16631 -4044 29.763
-625 Spins -359 Bullet -1.883 Audience
HOT AC: 1 2 TAYLOR SWIFT Is It Over Now? (TV) 4954 5784 -830 16.029
-105 Spins -59 Bullet -0.391 Audience
AC: 14 12 TAYLOR SWIFT Is It Over Now? (TV) 193 160 33 0.679
+8 Spins +6 Bullet +0.084 Audience
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Post by getouttamyway on Mar 19, 2024 7:14:53 GMT -5
16 weeks Top 10 on Pop Radio This was a solid hit regardless of how hard it got dropped once it got dropped. Considering Taylor has had like 5 number ones in the span of like 15 months (likely to go up to 6 by the time it gets to 18 months), it's only understandable that radio would rotate through some of them quite quickly.
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Post by Deleted on Mar 19, 2024 12:38:39 GMT -5
16 weeks Top 10 on Pop Radio This was a solid hit regardless of how hard it got dropped once it got dropped. Considering Taylor has had like 5 number ones in the span of like 15 months (likely to go up to 6 by the time it gets to 18 months), it's only understandable that radio would rotate through some of them quite quickly. Yeah and it doesn't really matter. But unfortunately for Taylor and those who follow her, she has a group of bitter people that will cling to anything negative for years.
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Az Paynter
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Post by Az Paynter on Mar 20, 2024 7:03:13 GMT -5
That 7-day rolling drop shouldn't get too much larger, it was around this time last week that the spin losses really started getting huge.
POP: 1 6 TAYLOR SWIFT Is It Over Now? (TV) 11958 16317 -4359 27.826
-629 Spins -315 Bullet -1.937 Audience
HOT AC: 1 2 TAYLOR SWIFT Is It Over Now? (TV) 4852 5692 -840 15.684
-102 Spins -10 Bullet -0.345 Audience
AC: 14 12 TAYLOR SWIFT Is It Over Now? (TV) 204 167 37 0.717
+11 Spins +4 Bullet +0.038 Audience
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Caviar
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Post by Caviar on Mar 20, 2024 22:31:27 GMT -5
That bullet is horrific.
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Post by KeepDeanWeird on Mar 21, 2024 0:00:32 GMT -5
Even with that nasty bullet, the song is *still* #6(spins)/#8 (audience). For example, 'yes, and' wishes it had that much to give.
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rihannabiggestfan
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Post by rihannabiggestfan on Mar 21, 2024 2:30:43 GMT -5
It's "only" the 9th biggest pop bullet loss ever, but yes pretty horrific (although ME! and the first 3 Reputation singles top it)
Surprising that "yes, and" didn't make it to the "-4000+ bullet" club, but it was extremely close
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Az Paynter
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Post by Az Paynter on Mar 21, 2024 6:33:49 GMT -5
POP: 1 6 TAYLOR SWIFT Is It Over Now? (TV) 11391 15846 -4455 26.271
-567 Spins -96 Bullet -1.555 Audience
HOT AC: 1 3 TAYLOR SWIFT Is It Over Now? (TV) 4767 5556 -789 15.180
-85 Spins +51 Bullet -0.504 Audience
AC: 14 13 TAYLOR SWIFT Is It Over Now? (TV) 214 171 43 0.748
+10 Spins +6 Bullet +0.031 Audience
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Eloqueen™
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Post by Eloqueen™ on Mar 21, 2024 10:44:30 GMT -5
Tbh with how fickle the general population is at this point with music in general and given radio is the easiest metric to manipulate, IDC how fast her singles drop. Drop them like an anchor, please, especially if there is an upcoming single on the horizon! We need no interference! This climbed and peaked much, much higher than I ever thought it would or deserved to so its done its job and then some! lol
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Post by Deleted on Mar 21, 2024 10:53:33 GMT -5
Tbh with how fickle the general population is at this point with music in general and given radio is the easiest metric to manipulate, IDC how fast her singles drop. Drop them like an anchor, please, especially if there is an upcoming single on the horizon! We need no interference! This climbed and peaked much, much higher than I ever thought it would or deserved to so its done its job and then some! lol four months is a long time.
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Az Paynter
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Post by Az Paynter on Mar 22, 2024 6:46:14 GMT -5
We should be at the peak of its 7-day rolling spin loss now.
POP: 1 7 TAYLOR SWIFT Is It Over Now? (TV) 10801 15257 -4456 24.670
-590 Spins -1 Bullet -1.601 Audience
HOT AC: 1 3 TAYLOR SWIFT Is It Over Now? (TV) 4630 5441 -811 14.681
-137 Spins -22 Bullet -0.499 Audience
AC: 14 12 TAYLOR SWIFT Is It Over Now? (TV) 225 173 52 0.784
+11 Spins +9 Bullet +0.036 Audience
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Post by chickythelittlechicken on Mar 22, 2024 15:45:05 GMT -5
Whats the largest drop from #1 ever?
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Az Paynter
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Post by Az Paynter on Mar 23, 2024 6:32:14 GMT -5
And now the tide is coming back in.
POP: 3 7 TAYLOR SWIFT Is It Over Now? (TV) 10422 14437 -4015 23.742
-379 Spins +441 Bullet -0.928 Audience
HOT AC: 2 3 TAYLOR SWIFT Is It Over Now? (TV) 4570 5277 -707 14.410
-60 Spins +104 Bullet -0.271 Audience
AC: 14 13 TAYLOR SWIFT Is It Over Now? (TV) 234 180 54 0.833
+9 Spins +2 Bullet +0.049 Audience
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Hefty Hanna
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Post by Hefty Hanna on Mar 23, 2024 7:40:32 GMT -5
Is the bullet loss over now (Taylor’s version)
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Mark
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Post by Mark on Mar 23, 2024 8:05:57 GMT -5
This could drop to 100 spins next week and it wouldn’t bother me at all. I know TTPD is only a month away but a month break is about as long of a break as Taylor is giving us these days. Let radio be ready for the new album.
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Az Paynter
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Post by Az Paynter on Mar 24, 2024 7:35:32 GMT -5
Probably a good spot to call time now, the tracking week is done and next week will likely be more of the same. At least it'll go screaming into recurrency and make a hole in the top 10 for something else (yay turnover!)
POP: 4 8 TAYLOR SWIFT Is It Over Now? (TV) 9961 13731 -3770 22.524
-461 Spins +245 Bullet -1.218 Audience
HOT AC: 2 3 TAYLOR SWIFT Is It Over Now? (TV) 4514 5108 -594 14.005
-56 Spins +113 Bullet -0.405 Audience
AC: 13 13 TAYLOR SWIFT Is It Over Now? (TV) 243 183 60 0.895
+9 Spins +6 Bullet +0.062 Audience
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85la
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Post by 85la on Mar 24, 2024 8:27:57 GMT -5
Whats the largest drop from #1 ever? Probably Look What You Made Me Do (1-7 per Billboard, not sure about Mediabase). I could see this backfiring somewhat. They should really be aware of the effects of trying to force a single too much that they don't need to (if I were them, I'd be happy with three other CHR #1's in the last year). Let's remember how much she struggled with most of her singles at radio after LWYMMD, which lasted through Lover (initially) and then all the way through Folkmore and the first two TV'S if you count them.
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Eloqueen™
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Post by Eloqueen™ on Mar 24, 2024 10:16:58 GMT -5
Whats the largest drop from #1 ever? Probably Look What You Made Me Do (1-7 per Billboard, not sure about Mediabase). I could see this backfiring somewhat. They should really be aware of the effects of trying to force a single too much that they don't need to (if I were them, I'd be happy with three other CHR #1's in the last year). Let's remember how much she struggled with most of her singles at radio after LWYMMD, which lasted through Lover (initially) and then all the way through Folkmore and the first two TV'S if you count them. Something tells me she's gonna be just fine in this upcoming month. This naturally got within striking distance (top 3) of the #1 spot anyway. Plus her Rep singles didn't struggle due to "LWYMMD" being "forced" to #1 so much as they did for the major shift in sound/image and her actual reputation at the time. When you're as big as Taylor people start looking for reasons for her to fail (which I'm sure she is aware of and ready for) and if she does fail it certainly won't be because pd's pushed a song for a few days to secure a better peak.
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someguy
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Post by someguy on Mar 24, 2024 10:23:41 GMT -5
Probably Look What You Made Me Do (1-7 per Billboard, not sure about Mediabase). I could see this backfiring somewhat. They should really be aware of the effects of trying to force a single too much that they don't need to (if I were them, I'd be happy with three other CHR #1's in the last year). Let's remember how much she struggled with most of her singles at radio after LWYMMD, which lasted through Lover (initially) and then all the way through Folkmore and the first two TV'S if you count them. Something tells me she's gonna be just fine in this upcoming month. This naturally got within striking distance (top 3) of the #1 spot anyway. Plus her Rep singles didn't struggle due to "LWYMMD" being "forced" to #1 so much as they did for the major shift in sound/image and her actual reputation at the time. Definitely. This was big on radio for the longest time ( months in the top 10), and only chart watchers are going to realize how quickly it fell from #1.
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Hefty Hanna
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Post by Hefty Hanna on Mar 25, 2024 0:22:43 GMT -5
Agreed, the public will just view this as another hit in her catalogue they heard on the radio often.
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Post by getouttamyway on Mar 25, 2024 5:24:11 GMT -5
Whats the largest drop from #1 ever? Probably Look What You Made Me Do (1-7 per Billboard, not sure about Mediabase). I could see this backfiring somewhat. They should really be aware of the effects of trying to force a single too much that they don't need to (if I were them, I'd be happy with three other CHR #1's in the last year). Let's remember how much she struggled with most of her singles at radio after LWYMMD, which lasted through Lover (initially) and then all the way through Folkmore and the first two TV'S if you count them. Look What You Made Me Do struggled at radio because it was not a very radio-friendly song that only got so far due to hype, ...Ready For It? suffered because of how closely it followed Look's release, and Delicate was a radio smash. The only true inexplicable underperformer that era was End Game. The Lover era singles suffered because the first two were heinous crimes against good taste. The title track and The Man underperformed because of them following the former two, and not because Look was forcibly pushed to the top. I therefore highly doubt the label manipulation informing Is It Over Now?'s ascent to the top is going to affect the performance of the next Taylor single.
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Post by suburbandreams on Mar 25, 2024 6:26:15 GMT -5
The Lover era singles suffered because the first two were heinous crimes against good taste. The title track and The Man underperformed because of them following the former two, and not because Look was forcibly pushed to the top. I therefore highly doubt the label manipulation informing Is It Over Now?'s ascent to the top is going to affect the performance of the next Taylor single. Especially since radio is going back to play Cruel Summer. Cruel Summer still being active is going to be a bigger threat than radio dropping one Taylor song for another.
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85la
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Post by 85la on Mar 25, 2024 7:30:47 GMT -5
Probably Look What You Made Me Do (1-7 per Billboard, not sure about Mediabase). I could see this backfiring somewhat. They should really be aware of the effects of trying to force a single too much that they don't need to (if I were them, I'd be happy with three other CHR #1's in the last year). Let's remember how much she struggled with most of her singles at radio after LWYMMD, which lasted through Lover (initially) and then all the way through Folkmore and the first two TV'S if you count them. Look What You Made Me Do struggled at radio because it was not a very radio-friendly song that only got so far due to hype, ...Ready For It? suffered because of how closely it followed Look's release, and Delicate was a radio smash. The only true inexplicable underperformer that era was End Game. The Lover era singles suffered because the first two were heinous crimes against good taste. The title track and The Man underperformed because of them following the former two, and not because Look was forcibly pushed to the top. I therefore highly doubt the label manipulation informing Is It Over Now?'s ascent to the top is going to affect the performance of the next Taylor single.
I don't agree with much of your rather skewed reasoning anyway, and yes I'm aware Delicate was a smash #1 (if anyone remembers and followed the charts closely at the time though, that also got a somewhat questionable push to #1), notice how I said the forced pushes of LWYMMD and IION did and could affect things somewhat, not completely, and for many, but not all future singles. Let's also remember, as noted somewhere before I believe, that IION has very low callouts, which many seem to be conveniently ignoring, so on the spectrum of completely organic to completely forced #1 pop singles, this definitely skews more towards the latter.
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Future Captain
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Post by Future Captain on Mar 25, 2024 8:25:06 GMT -5
Look What You Made Me Do struggled at radio because it was not a very radio-friendly song that only got so far due to hype, ...Ready For It? suffered because of how closely it followed Look's release, and Delicate was a radio smash. The only true inexplicable underperformer that era was End Game. The Lover era singles suffered because the first two were heinous crimes against good taste. The title track and The Man underperformed because of them following the former two, and not because Look was forcibly pushed to the top. I therefore highly doubt the label manipulation informing Is It Over Now?'s ascent to the top is going to affect the performance of the next Taylor single.
I don't agree with much of your rather skewed reasoning anyway, and yes I'm aware Delicate was a smash #1 (if anyone remembers and followed the charts closely at the time though, that also got a somewhat questionable push to #1), notice how I said the forced pushes of LWYMMD and IION did and could affect things somewhat, not completely, and for many, but not all future singles. Let's also remember, as noted somewhere before I believe, that IION has very low callouts, which many seem to be conveniently ignoring, so on the spectrum of completely organic to completely forced #1 pop singles, this definitely skews more towards the latter.
where are you getting the very low callouts thing? the only other post in this thread that give any number about callouts put it firmly on the "okay to good" side of things as far as callouts go (i think it peaked at #8)
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Post by fearlessarrow on Mar 25, 2024 10:39:08 GMT -5
IION crashing and the Eras Tours movie becoming available for streaming might have encouraged those spin gains for "Cruel Summer"? SUNDAY PUBLISHED UPDATE (3/24)POP:4 8 TAYLOR SWIFT Is It Over Now? (Taylor's Version) 9977 13731 -3754 22.554 Chart run: 30-19-12-11-10-10-8-6-7-7-6-6-5-5-4-4-3-3- 1-4-8 {Taylor Swift's Top 40/M peaks to date}#1: "Cruel Summer" (x8) #1: "I Knew You Were Trouble." (x6) #1: "Bad Blood" (x6) (Taylor Swift feat. Kendrick Lamar) #1: "Blank Space" (x5) #1: "Style" (x3) #1: "Anti-Hero" (x3) #1: "Shake It Off" (x2) #1: "Wildest Dreams" (x2) #1: "Karma" (x2) #1: "Love Story" (x1) #1: "You Belong With Me" (x1) #1: "Look What You Made Me Do" (x1) #1: "Delicate" (x1) #1: "Is It Over Now? (Taylor's Version) (From the Vault)" (x1) #2: "We Are Never Ever Getting Back Together" #2: "I Don't Wanna Live Forever" (ZAYN & Taylor Swift) #5: "Lavender Haze" #6: "ME!" (Taylor Swift feat. Brendon Urie of Panic! at the Disco) #7: "Teardrops On My Guitar" #7: "Two Is Better Than One" (Boys Like Girls feat. Taylor Swift) #9: "You Need to Calm Down" #10: "22" #10: "End Game" (Taylor Swift feat. Ed Sheeran & Future) #11: "Mine" #11: "...Ready for It?" #12: "Fifteen" #12: "Back to December" #13: "Everything Has Changed" (Taylor Swift feat. Ed Sheeran) #13: "Out of the Woods" #14: "Lover" #15: "Message in a Bottle (Taylor's Version) (From the Vault)" #16: "New Romantics" #16: "willow" #17: "cardigan" #19: "Our Song" #19: "Today Was a Fairytale" #20: "Eyes Open" #20: "The Man" #21: "The Story of Us" #22: "Both of Us" (B.o.B feat. Taylor Swift) #29: "The Joker and the Queen" (Ed Sheeran feat. Taylor Swift) #34: "All of the Girls You Loved Before" *not an official radio single #41: "All Too Well (Taylor's Version)" *not an official radio single #42: "Bejeweled" *not an official radio single #43: "Slut! (Taylor's Version) (From the Vault)" *not an official radio single #44: "I Can See You (Taylor's Version) (From the Vault)" *not an official radio single #45: "Gorgeous" *not an official radio single #46: "I Knew You Were Trouble (Taylor's Version)" *not an official radio single #49: "Christmas Tree Farm" #50: "Renegade" (Big Red Machine feat. Taylor Swift) #50: "We Are Never Ever Getting Back Together (Taylor's Version)" *not an official radio single HOT AC:2 3 TAYLOR SWIFT Is It Over Now? (Taylor's Version) 4517 5108 -591 14.008 Chart run: 33-19-17-13-12-11-11-12-12-11-11-9-7-6-7-4-4-2- 1-2-3 AC:13 13 TAYLOR SWIFT Is It Over Now? (Taylor's Version) 243 183 60 0.895 Chart run: 44-45-46-42-32-33-28-23-20-15- 13-16-17-16-15- 13-13 POP:R R TAYLOR SWIFT Cruel Summer 6637 6073 564 18.836 HOT AC:7 7 TAYLOR SWIFT Cruel Summer 3782 3847 -65 11.878 Chart run: 47-30-23-21-16-10-8-6-3- 1-1-1-2-2- 1-1-1-1-2- 1-1-1-1-1-2- 1-1-1-1-1-1-1-1-1-1-3-3-6-6-7-7 AC:2 2 TAYLOR SWIFT Cruel Summer 2411 2381 30 10.810 Chart run: 48-126-40-26-17-12-9-8-8-8-8-8-8-7-7-4-4-2-2-2-2-3-2-2-4-4-2-2- 1-1-2- 1-1-1-2- 1-2-2-2 AC:5 5 TAYLOR SWIFT Anti-Hero 1853 1869 -16 7.660 Chart run: 15-13-10-9-9-10-10-6-6-5-9-9-6-4-3-2-2-2-2-2-2- 1-1-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-3-3-2-2-2-2-2-3-4-4-3-6-6-5-5-6-3-3-5-5-4-4-5-4-4-4-4-5-5
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85la
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Post by 85la on Mar 25, 2024 16:49:16 GMT -5
I don't agree with much of your rather skewed reasoning anyway, and yes I'm aware Delicate was a smash #1 (if anyone remembers and followed the charts closely at the time though, that also got a somewhat questionable push to #1), notice how I said the forced pushes of LWYMMD and IION did and could affect things somewhat, not completely, and for many, but not all future singles. Let's also remember, as noted somewhere before I believe, that IION has very low callouts, which many seem to be conveniently ignoring, so on the spectrum of completely organic to completely forced #1 pop singles, this definitely skews more towards the latter.
where are you getting the very low callouts thing? the only other post in this thread that give any number about callouts put it firmly on the "okay to good" side of things as far as callouts go (i think it peaked at #8) It was the post below specifically I was referring to. Yes, peaked at #8, but currently #12 (don't know what it averaged most of the time though). The user also didn't provide a source or specify what total #8/#12 is out of, nor provided any qualifiers to these rankings (I myself can't really find data on callout scores these days). Where are you seeing those numbers are "ok to good"? If it says that, I can correct myself in saying they are very low, but still, #8/#12 is definitely not near the top and definitely can't be very good, or among the best.what are the callouts on this? I feel like this is way too radio friendly to be free-falling like LWYMMD. It’s #12 on latest callouts and peaked at #8.
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Post by suburbandreams on Mar 25, 2024 16:59:40 GMT -5
Cruel Summer and Anti Hero being smashes is going to help her next single.
A vault track hitting #1 is amazing. It crashing back to earth means nothing.
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Post by Deleted on Mar 26, 2024 7:17:46 GMT -5
where are you getting the very low callouts thing? the only other post in this thread that give any number about callouts put it firmly on the "okay to good" side of things as far as callouts go (i think it peaked at #8) It was the post below specifically I was referring to. Yes, peaked at #8, but currently #12 (don't know what it averaged most of the time though). The user also didn't provide a source or specify what total #8/#12 is out of, nor provided any qualifiers to these rankings (I myself can't really find data on callout scores these days). Where are you seeing those numbers are "ok to good"? If it says that, I can correct myself in saying they are very low, but still, #8/#12 is definitely not near the top and definitely can't be very good, or among the best. It’s #12 on latest callouts and peaked at #8. drive.google.com/file/d/11v7lxI_V9Rl2HxCAvNX39E-ajarJW4BQ/viewYes, #8 is good. It's just basic stats really
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