Deleted
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Post by Deleted on Nov 21, 2013 8:09:26 GMT -5
can you give me the final prediction for the year end chart?
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Daniel Collins
4x Platinum Member
With every broken bone, I swear I lived
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Post by Daniel Collins on Nov 21, 2013 8:23:27 GMT -5
can you give me the final prediction for the year end chart? 1 Thrift Shop 1,292,988 2 Blurred Lines 1,254,659 3 Harlem Shake 1,060,689 4 Radioactive 1,044,939 5 Can't Hold Us 862,300 6 Just Give Me A Reason 810,944 7 Locked Out of Heaven 807,600 8 Mirrors 806,329 9 When I Was Your Man 802,909 10 Ho Hey 771,662 11 Roar 763,956 12 Cruise 746,556 13 Get Lucky 723,011 14 I Knew You Were Trouble 696,083 15 Stay 694,967 16 Royals 694,094 17 We Can't Stop 614,039 18 Wrecking Ball 604,511 19 Suit & Tie 572,008 20 Wake Me Up 570,758 21 Scream & Shout 551,550 22 Holy Grail 548,456 23 Diamonds 512,265 24 Cups 493,002 25 Don't You Worry Child 461,516 26 Safe & Sound 432,171 27 I Love It 432,077 28 Started Form The Bottom 428,572 29 Treasure 428,261 30 Clarity 427,920 31 Hold On Were Going home 425,078 32 Beauty And A Beat 421,098 33 Come & Get It 418,183 34 The Way 413,400 35 One More Night 410,300 36 Sail 401,500 37 Applause 392,856 38 Home 389,300 39 Feel This Moment 364,020 40 Summertime Sadness 349,094 41 Daylight 344,566 42 Love Me (lil) 335,944 43 Die Young 335,169 44 Fuckin' Problems 327,783 45 Girl on Fire 321,300 46 Same Love 320,730 47 Some Nights 317,550 48 Gangnam Style 317,400 49 MSKWYDITD 316,600 50 Sweet Nothing 315,420 51 Try 307,300 52 It's Time 307,000 53 I Cry 306,800 54 Heart Attack 296,378 55 Power Trip 294,320 56 Love Somebody 293,600 57 Demons 274,072 58 I Will Wait 272,000 59 Wagon Wheel 266,750 60 I Need Your Love 256,650 61 Counting Stars 256,467 62 Bad 246,670 63 Boys Round Here 245,450 64 Gone,Gone,Gone 242,645 65 Berzerk 229,833 66 Little Talks 223,900 67 Let Me Love You 217,500 68 The Other Side 216,950 69 Catch My Breath 214,800 70 The Fox 212,666 71 The A Team 204,400 72 Crash My Party 202,900 73 Swimming Pools 199,100 74 That's My Kind Of Night 193,800 75 Best Song Ever 191,936 76 Pour It Up 186,650 77 22 185,850 78 I Want Crazy 185,450 79 Adorn 181,500 80 Carry On 180,840 81 #Beautiful 177,830 82 Highway Don't Care 173,750 83 It Goes Like This 173,410 84 Hall of Fame 172,200 85 Body Party 166,400 86 Sure Be Cool If You Did 163,450 87 Let her Go 162,930 88 Wanted 161,800 89 Still Into You 161,720 90 UOENO 160,850 91 Don't Stop The Party 159,600 92 Troublemaker 159,260 93 Brave 155,970 94 I'm Different 152,290 95 Mamas Broken Heart 151,830 96 Crooked Smile 150,050 97 Runnin' Outta Moonlight 149,430 98 Clique 149,300 99 Next To Me 149,050 100 Love More 148,350
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Post by surreallife on Nov 21, 2013 10:30:45 GMT -5
I think "Royals" could sneak into the 11-15 range based on its' high on demand streaming totals (on-demand streams are double the weight of passive streaming), and I would not be surprised if "Sail" manages to make the top 25, but the top10 looks pretty accurate.
I have been trying to work out the HOT100 formula based on the September 7th, 14th and November 30th charts (BB was more detailed than usual in providing data for the top 2 songs for those weeks), but with no luck. I am pretty sure the airplay and sales weightings were changed as well as the weights for streaming, when YouTube views were added. A few weeks ago BB revealed that a Justin Bieber song had derived 91% of its' points from sales and 9% from streaming (YouTube views of video). The song had sold 127,000 downloads and had 507,000 streams. Using that data the sales weighting is 40 times the passive streaming weighting (it used to be 25x).
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Post by josh on Nov 22, 2013 23:56:40 GMT -5
Here's the prediction with my formula. Adding in extra points for "Harlem Shake" and "Blurred Lines" being so massive when they were #1 puts "Blurred Lines" at #1 and "Harlem Shake" at #11. (It was 3.5 the points of "Thrift Shop" for 2 weeks, 2x for 2 weeks, and only ~1.25x for 1 week.) Note that "Thrift Shop" was already quite a big #1, so "Harlem Shake" could sneak into the top 10 and not surprise me. I do want to say that my formula seems to give too much weight to extra weeks, so songs that charted a long time in the lower regions of the chart get boosted too high. (I've compared to old Hot 100 year-end charts) I'm just too lazy to have tried messing with the formula yet. ETA: Also note that the points are not Hot 100 points at all. They're just the random formula I came up with. I just put them there so you could see how close songs were to each other. Rank | Song | Artist | WOC | Peak | Points | 1 | Thrift Shop | Macklemore & Ryan Lewis feat. Wanz | 43 | 1 | 780733.9417 | 2 | Blurred Lines | Robin Thicke feat. T.I. and Pharrell | 31 | 1 | 731073.2094 | 3 | Radioactive | Imagine Dragons | 53 | 3 | 706623.85 | 4 | Can't Hold Us | Macklemore & Ryan Lewis feat. Ray Dalton | 39 | 1 | 606137.7051 | 5 | Locked Out of Heaven | Bruno Mars | 30 | 1 | 583428.7463 | 6 | Mirrors | Justin Timberlake | 40 | 2 | 542717.4883 | 7 | Just Give Me a Reason | Pink feat. Nate Ruess | 36 | 1 | 541423.0214 | 8 | When I Was Your Man | Bruno Mars | 35 | 1 | 523779.645 | 9 | Get Lucky | Daft Punk feat. Pharrell Williams | 29 | 2 | 516222.8452 | 10 | Ho Hey | The Lumineers | 39 | 3 | 512399.6396 | 11 | Cruise | Florida Georgia Line feat. Nelly | 41 | 4 | 488388.6605 | 12 | Stay | Rihanna feat. Mikky Ekko | 32 | 3 | 477142.4144 | 13 | I Knew You Were Trouble. | Taylor Swift | 32 | 2 | 458222.2079 | 14 | We Can't Stop | Miley Cyrus | 24 | 2 | 449249.8425 | 15 | Roar | Katy Perry | 15 | 1 | 438015.6862 | 16 | Royals | Lorde | 20 | 1 | 422688.6864 | 17 | Holy Grail | Jay-Z feat. Justin Timberlake | 19 | 4 | 391859.9152 | 18 | Diamonds | Rihanna | 19 | 1 | 383384.6607 | 19 | Suit & Tie | Justin Timberlake feat. Jay-Z | 26 | 3 | 377650.8905 | 20 | Scream & Shout | will.i.am feat. Britney Spears | 24 | 3 | 373089.8129 | 21 | Wake Me Up | Avicii | 21 | 4 | 362862.3241 | 22 | Wrecking Ball | Miley Cyrus | 13 | 1 | 324413.7084 | 23 | Harlem Shake | Baauer | 20 | 1 | 319145.4223 | 24 | Cups (When I'm Gone) | Anna Kendrick | 44 | 6 | 292260.1923 | 25 | Treasure | Bruno Mars | 23 | 5 | 286601.6594 | 26 | Don't You Worry Child | Swedish House Mafia feat. John Martin | 25 | 6 | 286583.9887 | 27 | One More Night | Maroon 5 | 21 | 2 | 275771.7518 | 28 | Started from the Bottom | Drake | 22 | 6 | 272587.8953 | 29 | Hold On, We're Going Home | Drake feat. Majid Jordan | 15 | 4 | 271600.3388 | 30 | Safe and Sound | Capital Cities | 29 | 8 | 269550.8123 | 31 | I Love It | Icona Pop feat. Charli XCX | 29 | 7 | 268834.13 | 32 | Beauty and a Beat | Justin Bieber feat. Nicki Minaj | 19 | 5 | 266778.2289 | 33 | Applause | Lady Gaga | 14 | 4 | 265195.0439 | 34 | Come & Get It | Selena Gomez | 22 | 6 | 264059.3551 | 35 | Clarity | Zedd feat. Foxes | 33 | 8 | 254318.1256 | 36 | The Way | Ariana Grande feat. Mac Miller | 26 | 9 | 244449.3492 | 37 | Die Young | Ke$ha | 15 | 2 | 243499.8115 | 38 | Home | Phillip Phillips | 20 | 6 | 243224.5087 | 39 | Feel This Moment | Pitbull feat. Christina Aguilera | 24 | 8 | 226085.5902 | 40 | Summertime Sadness | Lana Del Rey and Cedric Gervais | 19 | 6 | 215065.0104 | 41 | Daylight | Maroon 5 | 25 | 7 | 202423.3635 | 42 | I Cry | Flo Rida | 14 | 6 | 199052.8937 | 43 | Love Me | Lil Wayne feat. Drake and Future | 22 | 9 | 197520.0468 | 44 | Same Love | Macklemore & Ryan Lewis feat. Mary Dalton | 30 | 11 | 195665.7755 | 45 | Some Nights | fun. | 18 | 5 | 195230.8886 | 46 | Girl On Fire | Alicia Keys feat. Nicki Minaj | 20 | 11 | 194637.9685 | 47 | f**kin' Problems | A$AP Rocky feat. Drake, 2 Chainz, and Kendrick Lamar | 25 | 8 | 182606.007 | 48 | Heart Attack | Demi Lovato | 20 | 10 | 182061.5929 | 49 | Gangnam Style | Psy | 21 | 5 | 177930.7996 | 50 | Try | P!nk | 21 | 9 | 176504.4936 | 51 | Sail | AWOLNATION | 43 | 17 | 174872.9179 | 52 | My Songs Know What You Did In the Dark (Light Em Up) | Fall Out Boy | 26 | 13 | 171352.3777 | 53 | Sweet Nothing | Calvin Harris feat. Florence Welch | 26 | 10 | 170861.2032 | 54 | Love Somebody | Maroon 5 | 21 | 10 | 166207.7865 | 55 | It's Time | Imagine Dragons | 24 | 15 | 155679.8632 | 56 | Demons | Imagine Dragons | 30 | 7 | 150528.7517 | 57 | Berzerk | Eminem | 12 | 3 | 148954.1555 | 58 | Power Trip | J. Cole feat. Miguel | 29 | 19 | 141516.7547 | 59 | Counting Stars | OneRepublic | 22 | 6 | 139274.9601 | 60 | The Fox | Ylvis | 11 | 6 | 134211.1845 | 61 | Wagon Wheel | Darius Rucker | 26 | 15 | 133476.3178 | 62 | Boys 'Round Here | Blake Shelton feat. Pistol Annies and Friends | 21 | 12 | 131353.901 | 63 | Let Me Love You (Until You Learn to Love Yourself) | Ne-Yo | 13 | 6 | 128335.1243 | 64 | I Need Your Love | Calvin Harris feat. Ellie Goulding | 25 | 16 | 126569.3708 | 65 | I Will Wait | Mumford and Sons | 25 | 12 | 126440.662 | 66 | Best Song Ever | One Direction | 17 | 2 | 111253.7738 | 67 | That's My Kind of Night | Luke Bryan | 14 | 15 | 108019.7217 | 68 | Gone, Gone, Gone | Phillip Phillips | 30 | 24 | 104396.9212 | 69 | The Other Side | Jason Derulo | 21 | 18 | 104137.7933 | 70 | Bad | Wale feat. Tiara Thomas or Rihanna | 26 | 21 | 103176.7025 | 71 | The A Team | Ed Sheeran | 15 | 16 | 103087.4711 | 72 | #Beautiful | Mariah Carey feat. Miguel | 16 | 15 | 99093.24788 | 73 | Swimming Pools (Drank) | Kendrick Lamar | 16 | 17 | 96439.68381 | 74 | Catch My Breath | Kelly Clarkson | 21 | 19 | 95392.08049 | 75 | Little Talks | Of Monsters and Men | 22 | 20 | 93843.20382 | 76 | 23 | Mike Will Made It feat. Miley Cyrus, Wiz Khalifa, and Juicy J | 9 | 11 | 90269.28992 | 77 | Pour It Up | Rihanna | 20 | 19 | 88582.20754 | 78 | Crash My Party | Luke Bryan | 21 | 18 | 87004.46128 | 79 | Let Her Go | Passenger | 16 | 11 | 85193.28872 | 80 | I Want Crazy | Hunter Hayes | 20 | 19 | 83031.5696 | 81 | Carry On | fun. | 20 | 20 | 82547.8635 | 82 | 22 | Taylor Swift | 19 | 20 | 82274.45662 | 83 | Adorn | Miguel | 18 | 17 | 81073.27664 | 84 | The Monster | Eminem feat. Rihanna | 3 | 2 | 78363.52441 | 85 | Highway Don't Care | Tim McGraw feat. Taylor Swift and Keith Urban | 20 | 22 | 77169.73245 | 86 | We Are Never Ever Getting Back Together | Taylor Swift | 10 | 9 | 76710.37791 | 87 | Gentleman | Psy | 15 | 5 | 75818.88886 | 88 | It Goes Like This | Thomas Rhett | 22 | 25 | 74692.4829 | 89 | Too Close | Alex Clare | 11 | 11 | 74636.63202 | 90 | #thatPOWER | will.i.am feat. Justin Bieber | 16 | 17 | 73466.73705 | 91 | Clique | Kanye West, Jay-Z, and Big Sean | 12 | 15 | 71621.7451 | 92 | Don't Stop the Party | Pitbull feat. TJR | 16 | 17 | 70844.97657 | 93 | Still Into You | Paramore | 19 | 24 | 69745.20787 | 94 | U.O.E.N.O. | Rock feat. Future and Rick Ross | 20 | 20 | 69597.58864 | 95 | Sure Be Cool If You Did | Blake Shelton | 20 | 24 | 69110.35239 | 96 | Body Party | Ciara | 20 | 22 | 69046.64793 | 97 | Hall of Fame | The Script feat. will.i.am | 18 | 25 | 67668.83539 | 98 | Brave | Sara Bareilles | 23 | 27 | 67271.85704 | 99 | Mama's Broken Heart | Miranda Lambert | 20 | 20 | 66705.96865 | 100 | Troublemaker | Olly Murs feat. Flo Rida | 20 | 25 | 66632.16725 |
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Deleted
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Post by Deleted on Nov 29, 2013 2:58:12 GMT -5
Here is my prediction I did some research to come up with this list also I am new to the site so hello I hope my list is somewhat close to the real chart
Top 50 songs of the year prediction
1. Thrift shop 2. Blurred lines 3. Radioactive 4. Just give me a reason 5. Can't hold us 6. Harlem shake 7. Mirrors 8. Cruise 9. Locked out of heaven 10. Get lucky 11. When I was your man 12. Roar 13. I knew you were trouble 14 We can't stop 15. Ho hey 16. Stay 17. Royals 18. Wrecking ball 19. Scream and shout 20. Suit and tie 21. Holy grail 22. Wake me up 23. Diamonds 24. Cups 25. Safe and sound 26. Don't you worry child 27. Sail 28. Started from the bottom 29. Clarity 30. I love it 31. Come and get it 32. Treasure 33. One more night 34. The way 35. Hold on we're going home 36. Beauty and a beat 37. Feel this moment 38. Summertime sadness 39. Applause 40. Home 41. Die young 42. Daylight 43. Love me 44. Same love 45. Girl on fire 46. Some nights 47. Gangnam style 48. Love somebody 49. Heart attack 50. Sweet nothing
I was too lazy to put 100 I will get some criticism and that's ok Things I think I will get criticized on 1. Harlem shake at #6 2. Sail at #27 3. The top 10 in general 4. No formula 5. Not putting all top 100 songs 6. leaving certain songs out 7. Putting songs too high/too low 8. Everything else
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Daniel Collins
4x Platinum Member
With every broken bone, I swear I lived
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Post by Daniel Collins on Dec 2, 2013 1:08:57 GMT -5
I think "Royals" could sneak into the 11-15 range based on its' high on demand streaming totals (on-demand streams are double the weight of passive streaming), and I would not be surprised if "Sail" manages to make the top 25, but the top10 looks pretty accurate. I have been trying to work out the HOT100 formula based on the September 7th, 14th and November 30th charts (BB was more detailed than usual in providing data for the top 2 songs for those weeks), but with no luck. I am pretty sure the airplay and sales weightings were changed as well as the weights for streaming, when YouTube views were added. A few weeks ago BB revealed that a Justin Bieber song had derived 91% of its' points from sales and 9% from streaming (YouTube views of video). The song had sold 127,000 downloads and had 507,000 streams. Using that data the sales weighting is 40 times the passive streaming weighting (it used to be 25x). They gave more info in this article: www.billboard.com/articles/columns/chart-beat/5740625/ask-billboard-how-does-the-hot-100-workWith Miley Cyrus at No. 1 on the Billboard Hot 100 with "Wrecking Ball," a song with some of the greatest buzz for a video in quite a while, it seems like a good time for a refresher on how the Hot 100 is tabulated, doesn't it? As we wrote in January when YouTube data was added to the Hot 100's equation: "Generally speaking, our Hot 100 formula targets a ratio of sales (35-45%), airplay (30-40%) and streaming (20-30%)." Of course, that's an overall target for 100 songs each week. That mark can change week-to-week. This week, though, the Hot 100 breaks down in line with the formula's intent: sales, 39%; airplay, 34%; and, streaming, 27%. And, week-to-week, some songs show largely along those percentages, while others skew noticeably toward any of the chart's three metrics. Let's look at a few, starting with "Wrecking Ball." This week, points for the Hot 100's leader stem 50% from streaming, 43% from sales and just 7% from radio airplay. No surprise: the song drew a whopping 14.3 million U.S. streams in the chart's tracking week, according to Nielsen BDS. (The No. 2-streamed song, Katy Perry's "Roar," garnered 7.3 million.) "Ball" ranks at No. 3 on Digital Songs with 301,000 downloads sold, according to Nielsen SoundScan. Conversely, as airplay for "Ball" is just beginning, its low Hot 100 points percentage reflects its No. 31 spot on Radio Songs (via 38 million all-format audience impressions, according to BDS). Last week, which reflected the first week of streaming following the song's video premiere, the Hot 100 ratio for "Ball" was even more streaming-driven: 64%, streaming; 34%, sales; 2%, airplay. The cut's monster 36.5 million U.S. streams in the chart's tracking period produced the high percentage. Perry's new digital single "Dark Horse," featuring Juicy J, meanwhile, has been released as a teaser track from her album "Prism," due Oct. 22. It's not being promoted to radio and has no official videoclip. Thus, as it debuts on the Hot 100 at No. 17, an almost monopolizing 99% of its points are from sales; it sold 194,000 downloads in its opening week, good for a No. 4 start on the Digital Songs chart. The more established "Roar" (No. 2 on the Hot 100), which has been promoted to radio for close to two months and has been accepted at mainstream and adult top 40 and adult contemporary, lines up much closer to the Hot 100's average ratio: 43%, sales; 31%, airplay; 26%, streaming. It's No. 1 on Radio Songs (159 million) and No. 2 on Digital Songs (301,000) and Streaming Songs (7.3 million). Another hit, like Cyrus', due mostly to streaming, and even more so? Ylvis' novelty track "The Fox," which makes tracks running 25-13 as the Hot 100's top Streaming Gainer this week. With it at No. 3 on Streaming Songs (7.1 million), 75% of its Hot 100 points are from streams. Almost the rest of its sum is from sales; it debuts at No. 22 on Digital Songs with 60,000 in its first week. The song sports almost no airplay, although that could change now that Warner Bros. has begun promoting it to pop radio. And, a song driven largely by airplay? Maroon 5's "Love Somebody," at No. 26 after peaking at No. 10, shows 67% of its points thanks to radio, with 19% from sales and 13% from streaming. As a fourth single from an album that's been available for a year, it's logical that sales and streaming lag behind the song's activity at radio, with the band a consistent presence at pop and adult formats long after the buzz of an album release. It ranks at No. 11 on Radio Songs and No. 59 on Digital Songs (while ranking just inside the 100 most streamed songs of the week) ... For the second week of 'Wrecking Ball' atop: 14.3M = 50% 301,000 = 43% 38M = 7% 40 streams = 1 sale = 750 airplay seems to work for the other examples but I'm still confused with how the On-Demand streams affect the charts ,is it added to the Streaming Songs chart ? Streaming = On-Demand + Youtube ?
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Post by surreallife on Dec 2, 2013 12:22:28 GMT -5
Streaming is made up of on-demand and passive streams. So the 14.3M streams in the above example include on-demand streams. On-demand streams have double the weighting of passive streams. Billboard has not been forthcoming on how it treats YouTube views, but my guess it is considered passive streaming. The best weeks to try and figure out the HOT 100 formula are those weeks in which BB breaksdown both the on-demand and passive streaming #s for the top 2 songs. September 7th and 14th are good candidates. Unfortunately since BB may have also tweaked the sales and airplay weightings when YouTube views were introduced, it is still very difficult to come up with the correct formula.
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Daniel Collins
4x Platinum Member
With every broken bone, I swear I lived
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Post by Daniel Collins on Dec 2, 2013 12:59:17 GMT -5
^Are the breakdown of On-Demand and passive streams still important if BB is giving the totals already?
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Post by surreallife on Dec 2, 2013 15:46:28 GMT -5
^Are the breakdown of On-Demand and passive streams still important if BB is giving the totals already? Yes because on-demand counts 2x more than passive streaming. Each song is unique in terms of on-demand vs. passive streaming. For example, "Royals" split was about 30-40% on-demand vs. passive which helped keep it at #1 for 9 weeks. Miley Cyrus's songs have a tendency to be much more heavily weighted towards YouTube streaming, same with OneDirection. And then there are the YouTube viral smashes such as "Harlem Shake" and "The Fox". Only a small % of their total streams came from on-demand subscription services.
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Deleted
Joined: January 1970
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Post by Deleted on Dec 13, 2013 1:00:48 GMT -5
The chart comes out in a few hours Lets see how close your prediction was
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Daniel Collins
4x Platinum Member
With every broken bone, I swear I lived
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Post by Daniel Collins on Dec 13, 2013 9:57:54 GMT -5
My Prediction- Title - Actual Position 1 Thrift Shop ✔ 2 Blurred Lines ✔ 3 Harlem Shake (4) 4 Radioactive (3) 5 Can't Hold Us ✔ 6 Just Give Me A Reason (7) 7 Locked Out of Heaven (11) 8 Mirrors (6) 9 When I Was Your Man (8) 10 Ho Hey (12) 11 Roar (10) 12 Cruise (9) 13 Get Lucky (14) 14 I Knew You Were Trouble (16) 15 Stay (13) 16 Royals (15) 17 We Can't Stop ✔ 18 Wrecking Ball ✔ 19 Suit & Tie (20) 20 Wake Me Up (19) 21 Scream & Shout (23) 22 Holy Grail (22) 23 Diamonds (27) 24 Cups (21) 25 Don't You Worry Child (26) 26 Safe & Sound (29) 27 I Love It (28) 28 Started Form The Bottom (32) 29 Treasure (30) 30 Clarity (24) 31 Hold On Were Going Home (34) 32 Beauty And A Beat (42) 33 Come & Get It ✔ 34 The Way (31) 35 One More Night (38) 36 Sail (25) 37 Applause ✔ 38 Home (46) 39 Feel This Moment (36) 40 Summertime Sadness (45) 41 Daylight (35) 42 Love Me (39) 43 Die Young (57) 44 f**kin' Problems (41) 45 Girl on Fire (49) 46 Same Love (43) 47 Some Nights (58) 48 Gangnam Style (55) 49 MSKWYDITD (40) 50 Sweet Nothing (44) 51 Try (53) 52 It's Time (47) 53 I Cry (64) 54 Heart Attack (50) 55 Power Trip (48) 56 Love Somebody (51) 57 Demons (62) 58 I Will Wait (52) 59 Wagon Wheel (54) 60 I Need Your Love (56) 61 Counting Stars (63) 62 Bad (59) 63 Boys Round Here (60) 64 Gone,Gone,Gone (61) 65 Berzerk (67) 66 Little Talks (65) 67 Let Me Love You (86) 68 The Other Side (66) 69 Catch My Breath (68) 70 The Fox (73) 71 The A Team (75) 72 Crash My Party (69) 73 Swimming Pools (79) 74 That's My Kind Of Night (78) 75 Best Song Ever (74) 76 Pour It Up (70) 77 22 (71) 78 I Want Crazy (72) 79 Adorn (84) 80 Carry On (76) 81 #Beautiful ✔ 82 Highway Don't Care (77) 83 It Goes Like This (90) 84 Hall of Fame (85) 85 Body Party (83) 86 Sure Be Cool If You Did (80) 87 Let her Go (97) 88 Wanted (92) 89 Still Into You (100) 90 UOENO (87) 91 Don't Stop The Party (none) 92 Troublemaker (82) 93 Brave (96) 94 I'm Different (99) 95 Mamas Broken Heart (89) 96 Crooked Smile (none) 97 Runnin' Outta Moonlight (98) 98 Clique (none) 99 Next To Me (88) 100 Love More (none)
I got the top 5 songs right (just switched #3 and #4) , 6 to 12 is also the same songs (just mixed up) same for 13-16. 17-20 as well with only 19 & 20 switching.
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Post by surreallife on Dec 13, 2013 15:42:05 GMT -5
Well I did manage to get the top 5 songs right, and I placed 3 other songs in the top 10, just not in the right order. Totally missed "Mirrors" and I did not think that "Roar" would squeeze into the top 10. I thought it would be around 12 or 13. The year-end top 100 confirms my suspicions, that the overall point totals increased with the introduction of YouTube views on March 2nd. How else to explain "Locked Out Of Heaven" placing at #11?
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Post by josh on Dec 13, 2013 16:36:41 GMT -5
LOOH being so low is really bad. I thought they gave old weeks multipliers so the points would be about the same?
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Post by surreallife on Dec 14, 2013 11:23:28 GMT -5
LOOH being so low is really bad. I thought they gave old weeks multipliers so the points would be about the same? Basically BB was consistent with other year's in which they changed the formula during the chart year (2005, 2007, 2012). The year-end placement is based on the actual points a song had per week. In 2007 "Stronger" by Kanye West placed at #27 despite finishing #7 in digital sales. It had the misfortune of being popular after the weighting of digital downloads was changed from 5:1 to 10:1 in August 2007. If BB had not changed the formula until the start of the 2008 chart year in December 2007, "Stronger" would have placed much higher in the year-end rankings.
BB changed the HOT100 formula once again on December 7th, 2013, but at least that is at the start of the 2014 chart year, so every song should be on an equal footing (unless they change the formula once again).
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Post by josh on Dec 14, 2013 11:29:23 GMT -5
That's so stupid. Not representative at all. Glad this most recent change was at the beginning of the year.
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Kris
2x Platinum Member
Joined: June 2013
Posts: 2,222
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Post by Kris on Dec 14, 2013 11:32:55 GMT -5
LOOH being low makes perfect sense to me since it spent weeks on the chart before the 2013 chart year.
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Post by josh on Dec 14, 2013 11:36:29 GMT -5
LOOH being low makes perfect sense to me since it spent weeks on the chart before the 2013 chart year. 2012 chart year: 6 weeks 34 33 15 7 7 6 2013 chart year: 30 weeks 4 4 2 1 1 1 1 1 1 2 2 2 2 7 9 9 10 13 14 19 19 24 30 32 31 31 37 44 46 49 Definitely deserved higher.
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