Billboard Hot 100: 7/1/2017

[areyoureadytojump]

ATRL:

atrl.net/forums/topic/125-us-airplay-discussion/?page=111

Top 10

1 BRUNO MARS - That's What I Like: 212.944 (- 0.217)
2 ED SHEERAN - Shape Of You: 178.057 (- 0.715)
3 THE CHAINSMOKERS & COLDPLAY - Something Just Like This: 163.767 (- 1.662)
4 ZEDD & ALESSIA CARA - Stay: 151.709 (- 0.038)
5 JAMES ARTHUR - Say You Won't Let Go: 148.244 (- 0.019)
6 KYGO X SELENA GOMEZ - It Ain't Me: 137.893 (- 0.431)
7 DJ KHALED - I'm The One f/Bieber/Quavo…: 130.898 (+ 1.638)
8 LUIS FONSI & DADDY YANKEE - Despacito f/Justin Bieber: 120.766 (+ 2.425)
9 JULIA MICHAELS - Issues: 96.461 (- 0.070)
10 KENDRICK LAMAR - HUMBLE.: 94.300 (- 0.238)

FILA

11 ED SHEERAN - Castle On The Hill: 88.933 (+ 0.085)
12 SAM HUNT - Body Like A Back Road: 87.670 (+ 0.471)
13 IMAGINE DRAGONS - Believer: 78.758 (+ 1.676)
14 CHILDISH GAMBINO - Redbone: 72.946 (+ 0.115)
15 FUTURE - Mask Off: 71.653 (- 0.227)
16 ALESSIA CARA - Scars To Your Beautiful: 68.979 (+ 0.143)
17 SHAWN MENDES - There's Nothing Holdin' Me...: 68.021 (+ 1.371)
18 HALSEY - Now Or Never: 65.449 (+ 2.086) ▲
19 DARIUS RUCKER - If I Told You: 63.324 (- 1.378) ▼
20 BRETT YOUNG - In Case You Didn't Know: 60.866 (- 1.152)

OUTRAS

HARRY STYLES - Sign Of The Times: 58.778 (- 0.033)
DAN + SHAY - How Not To: 58.403 (+ 0.079)
FLORIDA GEORGIA LINE - God, Your Mama, And Me: 57.871 (+ 0.084)
BLAKE SHELTON - Every Time I Hear That Song: 55.180 (+ 0.639)
THOMAS RHETT - Craving You f/Maren Morris: 49.595 (+ 0.685)
MILEY CYRUS - Malibu: 37.758 (+ 0.359)
CHARLIE PUTH - Attention: 37.016 (+ 0.417)
SELENA GOMEZ - Bad Liar: 36.996 (- 0.196)
NIALL HORAN - Slow Hands: 36.030 (+ 1.056)
DAVID GUETTA - 2U f/Justin Bieber: 29.666 (+ 3.654)
LADY GAGA - The Cure: 29.393 (+ 0.162)
CAMILA CABELLO - Crying In The Club: 23.346 (- 0.071)
LIAM PAYNE - Strip That Down f/Quavo: 19.601 (+ 0.397)
BRUNO MARS - Versace On The Floor: 11.036 (+ 1.081)
FIFTH HARMONY - Down f/Gucci Mane: 9.564 (+ 0.449)
KATY PERRY - Swish Swish f/Nicki Minaj: 7.990 (- 0.118)
DJ KHALED F/DRAKE - To The Max: 7.162 (- 4.390)
ARCADE FIRE - Everything Now: 3.845 (+ 0.115)
KYGO - First Time f/Ellie Goulding: 2.387 (+ 0.113)
MAJOR LAZER - Know No Better f/T. Scott...: 2.203 (+ 0.164)
THE WEEKND - Secrets: 0.000 (=)

[Deleted]

Did the way they measure airplay change over the years this decade?
Because according to this thread:
pulsemusic.proboards.com/thread/104788/billboard-hot-100-26-11?page=2
In 2011 I saw some weeks where the no.1 airplay song had like 110m AI where in 2016 or 2017 it's almost impossible to reach no.1 without hitting, like, 140m. What changed?

[Rose "Payola" Nylund]

I'd say the frequency in which the bigger hits are played is why the AI required for number one is higher.

[.It'sGriffin]

When will TWIL fall off #1...?

[areyoureadytojump]

^July. Maybe August?

[Deleted]

Why the mediabase update has Despacito at 8 if it is already 6 on radio songs?

[ry4n]

Jun 13, 2017 14:49:28 GMT -5 @pete said:

Why the mediabase update has Despacito at 8 if it is already 6 on radio songs?

Mediabase doesn't include Latin stations while Billboard does, or something like that.

[rimetm]

It's either that or that they're not combining the two versions of the track due to the slightly different credit scheme (Luis feat. Daddy v.s. Luis & Daddy)

[85la]

Jun 13, 2017 9:02:31 GMT -5 @holden said:

Did the way they measure airplay change over the years this decade?
Because according to this thread:
pulsemusic.proboards.com/thread/104788/billboard-hot-100-26-11?page=2
In 2011 I saw some weeks where the no.1 airplay song had like 110m AI where in 2016 or 2017 it's almost impossible to reach no.1 without hitting, like, 140m. What changed?

See my reply in last week's thread.

[Deleted]

Shape Of you and That's What I Like just won't die, like cmon

[jayhawk1117]

Jun 13, 2017 20:50:33 GMT -5 awesomecharts said:

Shape Of you and That's What I Like just won't die, like cmon

With that kind of airplay, Ed may be making a run for longest reign in the top ten.

[Future Captain]

Jun 13, 2017 20:58:53 GMT -5 jayhawk1117 said:

Jun 13, 2017 20:50:33 GMT -5 awesomecharts said:

Shape Of you and That's What I Like just won't die, like cmon

With that kind of airplay, Ed may be making a run for longest reign in the top ten.

The current record for longest stay in airplay top 10 is Natalie Imbruglia's Torn with 32 weeks I think. doubt it will stay as long as that but who knows. i think ed is only around 10 weeks away from tying that and still at number 2.

[areyoureadytojump]

From ATRL:

atrl.net/forums/topic/125-us-airplay-discussion/?page=112

TOP 10

1 BRUNO MARS - That's What I Like: 210.886 (- 2.058)
2 ED SHEERAN - Shape Of You: 177.011 (- 1.046)
3 THE CHAINSMOKERS & COLDPLAY - Something Just Like This: 162.810 (- 0.957)
4 ZEDD & ALESSIA CARA - Stay: 151.722 (+ 0.013)
5 JAMES ARTHUR - Say You Will not Let Go: 148.688 (+ 0.444)
6 KYGO X SELENA GOMEZ - It Is not Me: 136.716 (- 1.177)
7 DJ KHALED - I'm The One f / Bieber / Quavo ...: 132.441 (+ 1.543)
8 LUIS FONSI & DADDY YANKEE - Despacito f / Justin Bieber: 123.641 (+ 2.875)
9 JULIA MICHAELS - Issues: 96.576 (+ 0.115)
10 KENDRICK LAMAR - HUMBLE .: 94.532 (+ 0.232)

ROW

11 ED SHEERAN - Castle On The Hill: 89.495 (+ 0.562)
12 SAM HUNT - Body Like A Back Road: 87.698 (+ 0.028)
13 IMAGINE DRAGONS - Believer: 80.718 (+ 1.960)
14 CHILDISH GAMBINO - Redbone: 73,808 (+ 0.862)
15 FUTURE - Mask Off: 71.021 (- 0.632)
16 SHAWN MENDES - There's Nothing Holdin 'Me ...: 69,547 (+ 1.526) ▲
17 ALESSIA CARA - Scars To Your Beautiful: 69.073 (+ 0.094) ▼
18 HALSEY - Now Or Never: 67.301 (+ 1.852)
19 DARIUS RUCKER - If I Told You: 61,089 (- 2,235)
20 BRETT YOUNG - In Case You Did not Know: 59,874 (- 0.992)

OTHERS

DAN + SHAY - How Not To: 59.212 (+ 0.809)
HARRY STYLES - Sign Of The Times: 58,345
FLORIDA GEORGIA LINE - God, Your Mama, And Me: 58.330 (+ 0.459)
BLAKE SHELTON - Every Time I Hear That Song: 56.020 (+ 0.840)
THOMAS RHETT - Craving You f / Maren Morris: 49.856 (+ 0.261)
MILEY CYRUS - Malibu: 38.174 (+ 0.416)
CHARLIE PUTH - Attention: 37.437 (+ 0.421)
SELENA GOMEZ - Bad Liar: 37.039 (+ 0.043)
NIALL HORAN - Slow Hands: 36.897 (+ 0.867)
DAVID GUETTA - 2U f / Justin Bieber: 34.215 (+ 4.549)
LADY GAGA - The Cure: 29.682 (+ 0.289)
CAMILA CABELLO - Crying In The Club: 23.380 (+ 0.034)
LIAM PAYNE - Strip That Down f / Quavo: 20.040 (+ 0.439)
BRUNO MARS - Versace On The Floor: 12.388 (+ 1.352)
FIFTH HARMONY - Down f / Gucci Mane: 10.075 (+ 0.511)
KATY PERRY - Swish Swish f / Nicki Minaj: 7.976 (- 0.014)
DJ KHALED F / DRAKE - To The Max: 6.912 (- 0.250)
ARCADE FIRE - Everything Now: 4.083 (+ 0.238)
KYGO - First Time f / Ellie Goulding: 2.384 (- 0.003)
MAJOR LAZER - Know No Better f / T. Scott ...: 2.297 (+ 0.094)
THE WEEKND - Secrets: 0.000 (=)

[jayhawk1117]

Jun 14, 2017 3:01:28 GMT -5 Future Captain said:

Jun 13, 2017 20:58:53 GMT -5 jayhawk1117 said:

With that kind of airplay, Ed may be making a run for longest reign in the top ten.

The current record for longest stay in airplay top 10 is Natalie Imbruglia's Torn with 32 weeks I think. doubt it will stay as long as that but who knows. i think ed is only around 10 weeks away from tying that and still at number 2.

I meant hot 100

[bigbertha]

THE WEEKND - Secrets: 0.000 (=)

[/quote]


:/

[Future Captain]

Jun 14, 2017 15:06:10 GMT -5 jayhawk1117 said:

Jun 14, 2017 3:01:28 GMT -5 Future Captain said:

The current record for longest stay in airplay top 10 is Natalie Imbruglia's Torn with 32 weeks I think. doubt it will stay as long as that but who knows. i think ed is only around 10 weeks away from tying that and still at number 2.

I meant hot 100

well, it's pretty much the same, no? 32 weeks as target and Ed is still number with 4 with 10 weeks to go, and looking at the top 10 contenders right now, I think SOY have 6 more weeks in top 10 minimum.

[Baby Yoda Hot100Fan]

A very telling article, especially in the Hot 100:

Where Are the Female Pop Stars at the Top of the Charts?

6/14/2017 by Andrew Unterberger

Thirty-one weeks. That's how long the Billboard 200 went without a female artist capturing No. 1. It seems almost impossible, but after Lady Gaga's Joanne bowed at No. 1 on the chart dated Nov. 12, it took until this week (the chart dated June 24) for another solo woman to be credited at the chart's apex, as Halsey took the top spot with sophomore LP hopeless fountain kingdom.

Over that time, more than a dozen male solo artists and groups have occupied pole position -- acts including The Weeknd, Drake, Chris Stapleton, Bon Jovi, Harry Styles and The Chainsmokers -- while the only women to appear on a No. 1 album have been Kirstin Maldonado (of the otherwise all-male group Pentatonix) and the female artists (including Halsey herself) scattered across the track lists of the Hamilton Mixtape and the Fifty Shades Darker soundtrack.

The problem is not just endemic to the album side of the Billboard charts either. Over on the Billboard Hot 100, it's been all dudes at the top for the entirety of 2017 too: A 32-weeks-and-counting streak that dates back to the chart dated Nov. 19 when -- you guessed it -- Halsey was featured on The Chainsmokers' 12-week chart-topper "Closer." And to find a Hot 100 No. 1 with only female artists credited, you have to go all the way back to the beginning of 2016, when Adele's "Hello" enjoyed the last of its ten-week run on top, on the chart dated Jan. 16 of that year.

What's going on here? The easiest, if hardly most satisfying, explanation is that a lot of the biggest female stars happen to be between album cycles: Beyoncé, Rihanna, Taylor Swift, Adele and a number of the other most chart-omnipresent women in pop have all finally exhausted the rollouts from their previous LPs, and the Billboard listings are really feeling their absence in the meantime. One such reliable chart-topper, Katy Perry, finally released fourth album Witness on Friday, and she's forecasted to top the Billboard 200 next week, making it two in a row for female artists. (If it happens, it’ll be the first time women have gone back-to-back at No. 1 since April 9, 2016, when Gwen Stefani’s This Is What the Truth Feels Like succeeded Rihanna’s Anti.)

Even Perry's presence is fading somewhat, though. Witness is forecasted to launch with perhaps 190,000 equivalent album units earned in the week ending June 15, with perhaps 170,000 of that sum coming from traditional album sales. To compare, Perry’s last album, Prism, launched at No. 1 in November 2013 with 286,000 copies sold in its first week, according to Nielsen Music. Meanwhile, her Hot 100 dominance, once among the surest bets in pop, has been conspicuously off for the Witness advance tracks: Lead single "Chained to the Rhythm" debuted at No. 4 but never bettered that initial ranking and quickly slipped out of the top tier, while follow-ups "Bon Appetit" and "Swish Swish" have yet to even crack the top 40. Perry and Halsey releasing their albums in the same month would seem to represent a sort of welcoming aboard among generations of female pop stars, with the 10-year veteran Perry extending an arm to the 22-year-old Halsey to join the club.

But Halsey's not yet a pop powerhouse either. Though it debuted at No. 1, hopeless fountain kingdom's first-week numbers of 106,000 units are actually down from her last album, 2015's No. 2-debuting Badlands -- which moved 115,000 in its opening frame, well before "Closer" made her a household name -- suggesting that she's maintained her always-loyal fanbase but not necessarily expanded it, even with increased mainstream exposure. Meanwhile, lead single "Now or Never" is climbing on the Hot 100 but has yet to crack the top 20 two months after its release -- it's a hit, and her first top 40-charter as a lead artist, but not nearly on "Closer" levels yet, still a ways from establishing her as a true leading lady on pop radio.

We might currently be in something of a dead zone between pop eras, where the old ruling class is starting to recede, but a new one isn't quite ready to replace it. Of those reliable pop perennials previously mentioned, it's conspicuous that all of them have been around since before the return of the decade -- there's yet to be a female act to debut in the 2010s to reach their bulletproof level.

Meghan Trainor seemed she might be on her way after releasing her blockbuster 2015 Title debut, which bested the Billboard 200 and scored three Hot 100 top 10s, including the eight-week chart-topper "All About That Bass." But 2016 sophomore LP Thank You saw diminished returns, peaking at No. 3 and spawning just one top 10 hit, the No. 3-peaking "No." Wild-card pop veteran Sia -- who debuted well before the '10s but only saw her first real U.S. chart success this decade -- has scored No. 1 hits on both charts but remains unpredictable, conquering the Hot 100 with This Is Acting's "Cheap Thrills" but then failing to chart on it at all with the same album's most recent single, "Move Your Body." Alessia Cara may get there soon enough, having scored three top 10 hits since debuting in 2015, but she's still at least an album away from true stardom.

Ariana Grande likely comes the closest, though it took her three singles to score a top five Hot 100 hit off 2016's Dangerous Woman album -- which was also denied the No. 1 spot on the Billboard 200, held off by Drake's Views. She's certainly an A-lister, and after she admirably stepped up to the plate with the One Love Manchester concert upon finding herself at the center of one of the most horrific tragedies any major artist has ever been involved with, her approval rating is currently as universally high as any pop star on the planet's. But just how well that newfound admiration will translate into Billboard-quantifiable metrics like album sales and radio airplay is likely an album cycle away at this point. (She does rebound 4-1 on the Social 50 and 56-8 on the Billboard Artist 100 charts in the wake of the concert.)

Beyond those artists, it's mostly a lot of false starts and unsatisfied promise. Critically acclaimed and fan-adored pop singer-songwriters like Carly Rae Jepsen, Tinashe and Charli XCX all blipped on the national radar with major breakout hits but have been largely (and arguably unfairly) ignored by radio since. Deserved country phenoms Kelsea Ballerini and Maren Morris made significant commercial headway within their base genre but have yet to follow Taylor Swift's path to major crossover success. Groups have not been any more successful than solo artists either: Fifth Harmony may have primed for superstardom, enjoying one of 2016's biggest hits with "Work From Home," but it's unclear how the group will fare since splitting with its most visible member Camila Cabello; comeback single "Down" debuted at No. 42 this week on the Hot 100 (chart dated June 24), just five spots higher than Cabello debuted with her own totally solo debut "Crying in the Club" two weeks earlier.

It's worth asking, though, if the lack of women currently occupying the charts' top tier is due to the artists themselves or changing norms within the charts and top 40 in general. With the increased emphasis on streaming within the industry, pop's center has gravitated toward the music that tends to fare best on those services -- generally favoring hip-hop and EDM, two genres traditionally dominated by male artists. Looking at the current Spotify United States Top 50 chart (as of June 14 publishing), the top 10 is entirely hip-hop and dance -- with the arguable exceptions of Childish Gambino's soul-funk throwback "Redbone" and the genre-crossing Latin smash "Despacito" -- and entirely male. The highest-charting woman on the ranking is Cara, who tellingly appears at both No. 13 and 14 as a featured artist on a hip-hop song (Logic's "1-800-273-8255") and a dance song (Zedd's "Stay").

This upcoming chart week will make for another interesting test case for female pop artists, as Lorde will release her highly anticipated sophomore LP Melodrama. The New Zealand singer-songwriter, who has a Hot 100 No. 1 hit to her credit, has been one of the most prominent fixtures of festival season, and scored one of the year's most buzzed-about singles in "Green Light," could be ticketed for the mainstream's top tier -- but her alt-leaning, not necessarily streaming-friendly sound could also see her relegated to pop's second class. Will she make it three weeks in a row for women on the Billboard 200, with an impressive first week that proves pop reinforcements are on the way? Or will she underwhelm and prove just how serious pop's problem with establishing a next generation of female pop stars really is?

[Enigma.]

They were sort of going to the point but never reached it: WHY is the streaming audience preferring male artists? It must be also something that actually listeners find men more relatable (usually young men listen to male artists). Why all the pop and country artists doing well on Spotify are men?

They should've dug a bit deeper about that, it's basically science

[chartfreak]

I was going to post this even before the article above, but I just feel like the Hot 100 is quite boring right now and it may be because the girls are missing.

Singing "Where my Girls at?"

[imbondz]

I hate when the charts are a chick fest.

[Rose "Payola" Nylund]

Jun 15, 2017 8:35:27 GMT -5 imbondz said:

I hate when the charts are a chick fest.

What about when it's a sausage party?

[Zach]

Jun 15, 2017 8:49:18 GMT -5 Rose "Payola" Nylund said:

Jun 15, 2017 8:35:27 GMT -5 imbondz said:

I hate when the charts are a chick fest.

What about when it's a sausage party?

I hate both.

[areyoureadytojump]

Thnaks to J-boy at ATRL

atrl.net/forums/topic/125-us-airplay-discussion/?page=112

TOP 10

1 BRUNO MARS - That's What I Like: 207.904 (- 2,982)
2 ED SHEERAN - Shape Of You: 175.323 (- 1.688)
3 THE CHAINSMOKERS & COLDPLAY - Something Just Like This: 160.005 (- 2.805)
4 ZEDD & ALESSIA CARA - Stay: 152.374 (+ 0.652)
5 JAMES ARTHUR - Say You Will not Let Go: 148.183 (- 0.505)
6 KYGO X SELENA GOMEZ - It Ain't Me: 136.476 (- 0.240)
7 DJ KHALED - I'm The One f / Bieber / Quavo ...: 134.125 (+ 1.684)
8 LUIS FONSI & DADDY YANKEE - Despacito f / Justin Bieber: 126,561 (+ 2.920)
9 JULIA MICHAELS - Issues: 96.756 (+ 0.180)
10 KENDRICK LAMAR - HUMBLE .: 94.003 (- 0.529)


11 ED SHEERAN - Castle On The Hill: 90.064 (+ 0.569)
12 SAM HUNT - Body Like A Back Road: 87.988 (+ 0.290)
13 IMAGINE DRAGONS - Believer: 87.945 (+ 2.227)
14 CHILDISH GAMBINO - Redbone: 75,489 (+ 1.681)
15 FUTURE - Mask Off: 70,832 (- 0.189)
16 SHAWN MENDES - There's Nothing Holdin 'Me ...: 70.184 (+ 0.637)
17 HALSEY - Now Or Never: 69.635 (+ 2.334) ▲
18 ALESSIA CARA - Scars To Your Beautiful: 69.386 (+ 0.313) ▼
19 DAN + SHAY - How Not To: 60.106 (+ 0.894) ▼
20 BRETT YOUNG - In Case You Did not Know: 59,385 (- 0.489)

OTHERS

DARIUS RUCKER - If I Told You: 59.096 (- 1.993)
FLORIDA GEORGIA LINE - God, Your Mama, And Me: 58.473 (+ 0.143)
BLAKE SHELTON - Every Time I Hear That Song: 56.370 (+ 0.350)
THOMAS RHETT - Craving You f / Maren Morris: 50,591 (+ 0.735)
DAVID GUETTA - 2U f / Justin Bieber: 39.545 (+ 5.330)
MILEY CYRUS - Malibu: 38.495 (+ 0.321)
CHARLIE PUTH - Attention: 38.126 (+ 0.689)
NIALL HORAN - Slow Hands: 37.845 (+ 0.948)
SELENA GOMEZ - Bad Liar: 37,343 (+ 0.304)
LADY GAGA - The Cure: 29.593 (- 0.089)
CAMILA CABELLO - Crying In The Club: 23.091 (- 0.289)
LIAM PAYNE - Strip That Down f / Quavo: 20.688 (+ 0.648)
BRUNO MARS - Versace On The Floor: 13.731 (+ 1.343)
FIFTH HARMONY - Down f / Gucci Mane: 10,512 (+ 0.437)
KATY PERRY - Swish Swish f / Nicki Minaj: 8.036 (+ 0.060)
DJ KHALED F / DRAKE - To The Max: 6,859 (- 0.053)
ARCADE FIRE - Everything Now: 4.132 (+ 0.049)
KYGO - First Time f / Ellie Goulding: 2.463 (+ 0.079)
MAJOR LAZER - Know No Better f / T. Scott ...: 2.326 (+ 0.029)
KILLERS - The Man: 1.120

[fhas]

Unforgettable is growing faster on radio and streaming. It deserves at least a Top 5 peak on the Hot 100. Second best song of the year, in my opinion.
After today's radio update, there's no way TWIL remains at #2, but probably is going to spent more weeks in the top three than SOY (16).

[areyoureadytojump]

Early predictions:

1 Despacito 754 (=)
2 I'm The One 459 (+1)
3 That's What I Like 443 (-1)
4 Shape Of You 350 (=)
5 Humble 345 (=)
6 Mask Off 296 (=)
7 Something Just Like This 279 (+1)
8 Congratulations 259 (+2)
9 XO Tour Lif3 255 (-2)
10 Stay 252 (-1)
11 Body Like A Back Road 246 (+3)
12 2U 231 (debut)
13 Say You Won't Let Go 228 (-2)
14 Believer 222 (-1)
15 Issues 221 (-3)
16 It Ain't Me 210 (-1)
17 Redbone 206 (-1)
18 Unforgettable 191 (-1)
19 There's Nothing Holdin Me Back 173 (-1)
20 Now Or Never 160 (+1)

The one posted above was a joke. I deleted it.

[scrohr424]

I noticed how scant the Spotify US charts are of female acts. I counted ten songs with such yesterday. Kinda telling if you ask me.

And I'm totally fine with TWIL being #1 here as long as it wants to. B) At least Versace on the Floor is building!

[braveheart]

Selena Gomez' Bad Liar will get a new peak on the HOT 100 (current peak #27) next week, currently top 10 on sales and a just release music video will push streaming and she is top 50 on radio

[Deleted]

Jun 15, 2017 9:33:35 GMT -5 fhas said:

Unforgettable is growing faster on radio and streaming. It deserves at least a Top 5 peak on the Hot 100. Second best song of the year, in my opinion.
After today's radio update, there's no way TWIL remains at #2, but probably is going to spent more weeks in the top three than SOY (16).

What's the best song of the year, in your opinion? 

[fhas]

Jun 15, 2017 12:51:04 GMT -5 @holden said:

Jun 15, 2017 9:33:35 GMT -5 fhas said:

Unforgettable is growing faster on radio and streaming. It deserves at least a Top 5 peak on the Hot 100. Second best song of the year, in my opinion.
After today's radio update, there's no way TWIL remains at #2, but probably is going to spent more weeks in the top three than SOY (16).

What's the best song of the year, in your opinion? 

HUMBLE.

[fhas]

(Sorry if it's off-topic)

DJ Khaled's new song "Wild Thoughts" (ft. Rihanna and Bryson Tiller) samples Santana's 10-week #1 "Maria Maria". With all the hype, radio deal and MV being released tomorrow a Top 5 debut seems likely. We don't have a new Top 5 song since May 20th (ITO's debut at #1).