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Post by superdroid73 on Aug 14, 2017 21:07:31 GMT -5
Remember when I said that bodak yellow could be the song to dethrone despacito a month ago and everyone called me crazy? Well... and you still are. Who said it's dethroned or will dethrone Despacito already? I'm not surprised it's in the top 10 considering it's a streaming monster, but it's getting top 5 at most. I don't see it challenging Despacito for #1 at all. This will not be another Panda/Black Beatles/Bad and Boujee-type situation. |
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jenglisbe
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Post by jenglisbe on Aug 14, 2017 21:09:59 GMT -5
I think a lot of people forget that One Sweet Day got the benefit of the slow chart over the holiday season when nothing really shakes up. 16 weeks is 16 weeks without a doubt, but I'd argue that summer weeks are more impressive due to over-exposure. It was first released during the holiday season, though, so that isn't where it was helped to 16 weeks. People also don't think about the fact that at that time, not all radio formats counted toward the Hot 100 like they did today. It's at least possible "One Sweet Day" could have held on longer if its R&B airplay was included, no? |
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Post by Glove Slap on Aug 14, 2017 21:23:21 GMT -5
One Sweet Day fell to #5 on the Hot 100, and descended 4-8 on the sales chart that week. On airplay, it fell 2-3, but even if additional formats were counted, it likely wouldn't have made up for the sales deficit.
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weaver
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Post by weaver on Aug 14, 2017 21:47:40 GMT -5
It could be a combination of a couple factors. Songs already available that are released as singles months after their parent album is released aren't auto-hits the way they used to be because of sales and streaming. Radio may still jump on board these songs and push them to respectable peaks but when streaming and sales don't support them in the same way they did first singles, there's only so far they can go. It's almost as if having an album works against earning additional hit singles from said album. I think with Adele, everyone bought the album early, because it wasn't streaming. So she got low numbers for both streaming and sales for all the singles after Hello, with fairly strong AirPlay. Didn't the album sell 10 million copies like really quickly? |
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Post by kcdawg13 on Aug 14, 2017 21:51:06 GMT -5
It could be a combination of a couple factors. Songs already available that are released as singles months after their parent album is released aren't auto-hits the way they used to be because of sales and streaming. Radio may still jump on board these songs and push them to respectable peaks but when streaming and sales don't support them in the same way they did first singles, there's only so far they can go. It's almost as if having an album works against earning additional hit singles from said album. I think with Adele, everyone bought the album early, because it wasn't streaming. So she got low numbers for both streaming and sales for all the singles after Hello, with fairly strong AirPlay. Didn't the album sell 10 million copies like really quickly? It sold 20 million worldwide in 2015, which is unreal because it was released in late November. |
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jenglisbe
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Post by jenglisbe on Aug 14, 2017 22:03:16 GMT -5
One Sweet Day fell to #5 on the Hot 100, and descended 4-8 on the sales chart that week. On airplay, it fell 2-3, but even if additional formats were counted, it likely wouldn't have made up for the sales deficit. Who knows? That was my point. The poster was saying its release time helped it, and I was pointing out there are a lot of things that go into a song's chart run. At the end of the day, its run was its run. Under 00s chart rules the song also would have debuted sooner than it did since it was already #2 in airplay when it was released commercially. Out of that it would have had more top 10 weeks and more weeks overall and thus would rank higher on the all-time charts. |
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Enigma.
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Post by Enigma. on Aug 15, 2017 1:31:09 GMT -5
So no Drake this week?
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Post by jtd Thee Stallion on Aug 15, 2017 2:28:29 GMT -5
we'll find out in hopefully about two hours EDIT: IT'S OVER! The streak has ended! |
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Dylan :)
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Post by Dylan :) on Aug 15, 2017 4:19:03 GMT -5
It seems like people are just throwing out s**t about a bunch of random artists releasing singles now. Can we provide direct source links for all these claims please? Alright, I stand corrected about Miley and Justin. One simple word though for why Justin might tank: Overexposure I thought that would affect Cold Water after Company's weak performance but.. :/ Also, I don't like Slow Hands but I would like to see it go top ten as it will be the first solo Irish artist to go top 10 since Hozier :) |
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jarhys
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Post by jarhys on Aug 15, 2017 5:47:40 GMT -5
No Drake this week!
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felipe
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Post by felipe on Aug 15, 2017 6:49:46 GMT -5
It could be a combination of a couple factors. Songs already available that are released as singles months after their parent album is released aren't auto-hits the way they used to be because of sales and streaming. Radio may still jump on board these songs and push them to respectable peaks but when streaming and sales don't support them in the same way they did first singles, there's only so far they can go. It's almost as if having an album works against earning additional hit singles from said album. Yeah, songs like Castle on the Hill and, to a lesser degree, Versace on the Floor got a lot of attention before they were actually released as US singles. By the time they were promoted to radio they had already sold a lot and gotten a lot of streams. I don't think the Chainsmokers, for example, would have gotten the same amount of hits if all of them were released on a single album at the time Roses or DLMD became hits. There are other cases like When We Were Young and Unconditionally where I could argue that they just picked the wrong single. Both of those albums had better, more radio-friendly choices (and that's probably a fact considering the following singles became #1 hits on Pop and top 10s on the Hot 100). You could say stuff like those two, or Rihanna's You Da One, or even Bruno's Gorilla, would have actually done worse had they not been following huge hits. I don't recall heavydirtysoul getting much of a push, not even an adds date for radio, so I wouldn't put it in the same category as the others. Love on the Brain was getting attention since the album's release and many had already purchased or streamed the song, and yet it managed to peak inside the top 10 when it was actually released as a single (maybe it could've peaked higher had it been the follow-up to Work, we'll never know) But it shows that big acts can still get a third or fourth single to be a hit, even months after the album's been out. |
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Post by lovaticstan on Aug 15, 2017 7:08:59 GMT -5
Question:
how the hell is Sorry Not Sorry still #30 (assuming those final predictions were correct)? She has been in the top 20 of the US iTunes ever since its release (was outside for maybe one day), it has been inside the top 30 of pop radio for weeks, this week it was #21 on top 40 radio and been inside the top 30 there for weeks also, currently sitting steadily at #20, still rising, and has been in the top 15 of the US Spotify since it's release (discluding the first couple of days). Also it has a nice amount of US views from Youtube.
She is in the top 20 of the charts of almost all mainstream streaming/airplay/sales charts, yet SNS is still #30.
This makes zero sense to me. Can someone explain to me what other factors are affecting this?
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jarhys
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Post by jarhys on Aug 15, 2017 7:25:25 GMT -5
Question: how the hell is Sorry Not Sorry still #30 (assuming those final predictions were correct)? She has been in the top 20 of the US iTunes ever since its release (was outside for maybe one day), it has been inside the top 30 of pop radio for weeks, this week it was #21 on top 40 radio and been inside the top 30 there for weeks also, currently sitting steadily at #20, still rising, and has been in the top 15 of the US Spotify since it's release (discluding the first couple of days). Also it has a nice amount of US views from Youtube. She is in the top 20 of the charts of almost all mainstream streaming/airplay/sales charts, yet SNS is still #30. This makes zero sense to me. Can someone explain to me what other factors are affecting this? Because few songs have a huge lead in one of the metrics, while Sorry Not Sorry might have all three not as big. |
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jenglisbe
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Post by jenglisbe on Aug 15, 2017 7:51:09 GMT -5
Question: how the hell is Sorry Not Sorry still #30 (assuming those final predictions were correct)? She has been in the top 20 of the US iTunes ever since its release (was outside for maybe one day), it has been inside the top 30 of pop radio for weeks, this week it was #21 on top 40 radio and been inside the top 30 there for weeks also, currently sitting steadily at #20, still rising, and has been in the top 15 of the US Spotify since it's release (discluding the first couple of days). Also it has a nice amount of US views from Youtube. She is in the top 20 of the charts of almost all mainstream streaming/airplay/sales charts, yet SNS is still #30. This makes zero sense to me. Can someone explain to me what other factors are affecting this? You aren't looking at the broad picture. "SNS" might be top 30 at pop radio, but it isn't even top 60 in overall radio. There are more formats than just Top 40. Airplay is what is really holding it back on the Hot 100. Along the same lines, Spotify isn't the only streaming service. Just because "SNS" is top 15 there doesn't mean it's top 15 in overall streaming. Last chart, for instance, it was #21 in overall streaming. |
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Post by areyoureadytojump on Aug 15, 2017 8:08:52 GMT -5
8/26 Billboard Hot 100
TW LW 2W WOC Title Artist Imprint | label
1 1 1 30 Despacito - Luis Fonsi & Daddy Yankee Featuring Justin Bieber - Universal Music Latino/Raymond Braun/SchoolBoy/Def Jam | UMLE/Republic
2 2 2 8 Wild Thoughts - DJ Khaled Featuring Rihanna & Bryson Tiller - Westbury Road/We The Best | Epic
3 3 6 18 Unforgettable - French Montana Featuring Swae Lee - Ear Drumner/Coke Boys/Bad Boy | Interscope/Epic
4 5 5 27 Believer - Imagine Dragons - KIDinaKORNER | Interscope
5 7 9 16 Attention - Charlie Puth - OTTO | Atlantic
6 8 8 16 There's Nothing Holdin' Me Back - Shawn Mendes - Island | Republic
7 4 3 30 That's What I Like - Bruno Mars - Atlantic
8 14 28 6 Bodak Yellow (Money Moves) - Cardi B - The KSR Group | Atlantic
9 9 7 31 Shape Of You - Ed Sheeran - Atlantic
10 6 4 15 I'm The One - DJ Khaled Featuring Justin Bieber, Quavo, Chance The Rapper & Lil Wayne - We The Best/We The Best | Def Jam/Epic
11 10 10 28 Body Like A Back Road - Sam Hunt - MCA Nashville/MCA Nashville | Capitol
12 18 21 5 Bank Account - 21 Savage - Slaughter Gang | Epic
13 12 13 36 Redbone - Childish Gambino - mcDJ | Glassnote
14 11 11 33 Congratulations - Post Malone Featuring Quavo - Republic
15 16 16 12 Strip That Down - Liam Payne Featuring Quavo - Hampton | Republic
16 13 12 19 Humble. - Kendrick Lamar - Top Dawg/Aftermath | Interscope
17 15 18 15 Slow Hands - Niall Horan - Neon Haze | Capitol
18 20 17 20 XO TOUR Llif3 - Lil Uzi Vert - Generation Now | Atlantic
19 17 15 25 Something Just Like This - The Chainsmokers & Coldplay - Disruptor | Columbia
20 19 14 24 Stay - Zedd & Alessia Cara - Def Jam/Interscope
21 21 23 8 Feels - Calvin Harris Featuring Pharrell Williams, Katy Perry & Big Sean - Fly Eye | Columbia
22 26 32 6 Rake It Up - Yo Gotti Featuring Nicki Minaj - Cocaine Muzik | Epic
23 28 30 6 Mi Gente - J Balvin & Willy William - Scorpio/Scorpio | UMLE/Republic
24 32 38 5 Praying - Kesha - Kemosabe | RCA
25 23 20 25 Mask Off - Future - A-1/Freebandz | Epic
26 22 19 18 Now Or Never - Halsey - Astralwerks | Capitol
27 25 24 42 Say You Won't Let Go - James Arthur - Columbia
28 30 26 5 Sorry Not Sorry - Demi Lovato - Safehouse/Island/Hollywood | Republic
29 27 27 31 Location - Khalid - Right Hand | RCA
30 34 55 8 Feel It Still - Portugal. The Man - Atlantic
31 24 22 26 It Ain't Me - Kygo x Selena Gomez - Ultra/Ultra | RCA/Interscope
32 31 64 17 Loyalty. - Kendrick Lamar Featuring Rihanna - Top Dawg/Aftermath | Interscope
33 29 25 31 Castle On The Hill - Ed Sheeran - Atlantic
34 35 33 15 Magnolia - Playboi Carti - AWGE | Interscope
35 37 46 9 Love Galore - SZA Featuring Travis Scott - Top Dawg | RCA
36 36 36 18 Everyday We Lit - YFN Lucci Featuring PnB Rock - Think It's A Game | Warner Bros.
37 33 31 20 Slippery - Migos Featuring Gucci Mane - Quality Control | 300
38 42 49 10 Small Town Boy - Dustin Lynch - Broken Bow
39 40 43 19 Drowning - A Boogie Wit da Hoodie Featuring Kodak Black - Highbridge The Label | Atlantic
40 48 63 9 What Ifs - Kane Brown Featuring Lauren Alaina - Zone 4 | RCA Nashville
41 43 44 27 In Case You Didn't Know - Brett Young - BMLG
42 51 68 13 No Promises - Cheat Codes Featuring Demi Lovato - 300
43 46 53 9 Versace On The Floor - Bruno Mars - Atlantic
44 39 35 29 Issues - Julia Michaels - Republic
45 44 29 9 2U - David Guetta Featuring Justin Bieber - What A Music/Parlophone/SchoolBoy/Raymond Braun | Atlantic/Def Jam
46 53 62 9 It's A Vibe - 2 Chainz Featuring Ty Dolla $ign, Trey Songz & Jhene Aiko - The Real University | Def Jam
47 41 41 5 Fetish - Selena Gomez Featuring Gucci Mane - Interscope
48 50 60 14 Drinkin' Problem - Midland - Big Machine
49 64 82 4 Young Dumb & Broke - Khalid - Right Hand | RCA
50 52 57 15 1-800-273-8255 - Logic Featuring Alessia Cara & Khalid - Visionary | Def Jam
51 59 66 11 No Such Thing As A Broken Heart - Old Dominion - RCA Nashville
52 47 58 9 Do I Make You Wanna - Billy Currington - Mercury Nashville
53 54 69 15 Thunder - Imagine Dragons - KIDinaKORNER | Interscope
54 63 73 6 Heartache On The Dance Floor - Jon Pardi - Capitol Nashville
55 61 65 11 Butterfly Effect - Travis Scott - Grand Hustle | Epic
56 56 67 16 Flatliner - Cole Swindell - Warner Bros. Nashville | WMN
57 62 51 5 Whatever You Need - Meek Mill Featuring Chris Brown & Ty Dolla $ign - Maybach/Atlantic | RRP
58 66 74 7 Crew - GoldLink Featuring Brent Faiyaz & Shy Glizzy - Squaaash Club | RCA
59 60 59 17 DNA. - Kendrick Lamar - Top Dawg/Aftermath | Interscope
60 65 72 12 Most Girls - Hailee Steinfeld - Republic
61 58 56 13 Felices Los 4 - Maluma - Sony Music Latin
62 74 40 3 Back To You - Louis Tomlinson Featuring Bebe Rexha & Digital Farm Animals - 78/SYCO | Epic
63 45 48 19 Craving You - Thomas Rhett Featuring Maren Morris - Valory
64 69 76 10 Somebody Else Will - Justin Moore - Valory
65 73 100 14 Reminder - The Weeknd - XO | Republic
66 57 52 16 My Girl - Dylan Scott - Curb
67 75 β 9 do re mi - blackbear - Beartrap/Alamo | Interscope
68 71 71 9 Escapate Conmigo - Wisin Featuring Ozuna - WK | Sony Music Latin
69 70 70 18 You Look Good - Lady Antebellum - Capitol Nashville
70 New 1 The Race - Tay-K - Tay-K
71 76 85 5 Glorious - Macklemore Featuring Skylar Grey - Bendo/Bendo | ADA/Warner Bros.
72 72 75 17 Love. - Kendrick Lamar Featuring Zacari - Top Dawg/Aftermath | Interscope
73 55 42 14 Malibu - Miley Cyrus - RCA
74 67 54 13 Bad Liar - Selena Gomez - Interscope
75 89 β 2 The Weekend - SZA - Top Dawg | RCA
76 New 1 Patty Cake - Kodak Black - Dollaz N Dealz | Atlantic
77 88 β 2 Honest - The Chainsmokers - Disruptor | Columbia
78 79 84 19 First Day Out - Tee Grizzley - 300
79 78 78 15 Privacy - Chris Brown - RCA
80 85 β 2 When It Rains It Pours - Luke Combs - River House | Columbia Nashville
81 New 1 OMG - Camila Cabello Featuring Quavo - SYCO | Epic
82 New 1 What About Us - P!nk - RCA
83 90 β 2 New Rules - Dua Lipa - Warner Bros.
84 New 1 Perplexing Pegasus - Rae Sremmurd - Ear Drumner | Interscope
85 84 61 3 What's My Name - China Anne McClain - Walt Disney
86 68 β 2 Unforgettable - Thomas Rhett - Valory
87 38 β 2 You Da Baddest - Future Featuring Nicki Minaj - A-1/Freebandz | Epic
88 93 β 2 Wish I Knew You - The Revivalists - Washington Square/Wind-up | Concord
89 87 β 2 They Don't Know - Jason Aldean - Macon | Broken Bow
90 80 90 9 Down - Fifth Harmony Featuring Gucci Mane - SYCO | Epic
91 86 93 8 It Ain't My Fault - Brothers Osborne - EMI Nashville
92 98 β 2 All The Pretty Girls - Kenny Chesney - Blue Chair | Columbia Nashville
93 83 88 10 4am - 2 Chainz Featuring Travis Scott - The Real University | Def Jam
94 New 1 B.E.D. - Jacquees - Cash Money | Republic
95 New 1 Chillin' Like A Villain - Sofia Carson, Cameron Boyce, Booboo Stewart & Mitchell Hope - Walt Disney
96 77 81 3 It's Goin' Down - Descendants 2 Cast - Walt Disney
97 99 β 2 For Her - Chris Lane - Big Loud
98 94 β 2 Every Little Thing - Carly Pearce - Big Machine
99 New 1 Havana - Camila Cabello Featuring Young Thug - SYCO | Epic
100 92 94 14 El Amante - Nicky Jam - La Industria | Sony Music Latin
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Post by superdroid73 on Aug 15, 2017 9:28:20 GMT -5
Finally, there's no Drake on the charts! Woo hoo!
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Post by Baby Yoda Hot100Fan on Aug 15, 2017 10:26:37 GMT -5
Question: how the hell is Sorry Not Sorry still #30 (assuming those final predictions were correct)? She has been in the top 20 of the US iTunes ever since its release (was outside for maybe one day), it has been inside the top 30 of pop radio for weeks, this week it was #21 on top 40 radio and been inside the top 30 there for weeks also, currently sitting steadily at #20, still rising, and has been in the top 15 of the US Spotify since it's release (discluding the first couple of days). Also it has a nice amount of US views from Youtube. She is in the top 20 of the charts of almost all mainstream streaming/airplay/sales charts, yet SNS is still #30. This makes zero sense to me. Can someone explain to me what other factors are affecting this? Because few songs have a huge lead in one of the metrics, while Sorry Not Sorry might have all three not as big. Let's see. SNS actually rose 30-28 in the Hot 100. In terms of components, it rose 18-17 in Digital Song Sales and 22-21 in Streaming Songs but didn't chart in the Radio Songs top 50. It did rise 25-23 in Pop Songs, but the top 40 radio format is only a part of overall radio formats for most songs. In the case of SNS, it actually accounts for most of its overall radio audience. Last week, in Spotify it was #11 and in Pandora #18. kworb hasn't updated its weekly YouTube US rankings, but SNS is currently #76 so that means its probably top 50 at best assuming most views are from the US. The three Hot 100 component charts that I mentioned in the beginning are the ones that matter in the end. Basically, radio airplay is the song's weakness at this point. That said, I think it could finally make the chart in a week or two. |
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Post by Rose "Payola" Nylund on Aug 15, 2017 12:35:33 GMT -5
There are kids in grade 3 right now experiencing a Drake-less Hot 100 for the first time in their lives lol
That's funny to think about because kids wouldn't care
gravey: Hey Jason, today is the first day in your whole life that Drake doesn't have a song in the hot 100.
Jason: what?
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Gary
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Post by Gary on Aug 15, 2017 12:46:59 GMT -5
There are kids in grade 3 right now experiencing a Drake-less Hot 100 for the first time in their lives lol That's funny to think about because kids wouldn't care gravey: Hey Jason, today is the first day in your whole life that Drake doesn't have a song in the hot 100. Jason: what? Never met a grade 3 kid who is up on todays mainstream rap music. Because of the language, likely heavily controlled at a parent level. That demographic is more Disney oriented and Nick and Kidz Bop Assume an 8 year old is a huge Drake fan. How likely is it they have internet access to see charts like the Hot 100 or even care about what it is? |
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Au$tin
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Post by Au$tin on Aug 15, 2017 13:09:44 GMT -5
It's interesting how having a hit no longer ensures major artists can get another big hit behind it. We've seen Adele ("When We Were Young"), Ed Sheeran ("Castle on the Hill"), Katy Perry ("Unconditionally"), and Fifth Harmony ("All in my Head") struggle with second singles in recent years despite their lead singles being big hits. Other artists from Justin Bieber ("Company") to twenty one pilots ("heavydirtysoul") and now Bruno Mars ("Versace on the Floor") have had major drop-offs with a single following multiple hits. Adele doesn't belong here because she got single #3 to be a very impressively sized hit.Β I like how you mention that but not the much more obvious example of Katy Perry. Dark Horse followed Unconditionally. |
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inverse
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Post by inverse on Aug 15, 2017 13:42:42 GMT -5
^ Dark Horse already had a ton of hype before it was a single, it actually began its chart run before Unconditionally. Also it was actually released as a single when Unconditionally was on the charts for like 4 weeks. So that's kinda just like she abandoned Unconditionally for Dark Horse. Whereas Adele Send My Love wasn't released as a single until When We Were Young was off the charts entirely so that's a more appropriate example IMO
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badrobot
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Post by badrobot on Aug 15, 2017 14:57:54 GMT -5
I was curious to see how out of touch I am with pop music, and counted the tracks on the Hot 100:
I have not heard 64 of the songs --
44 songs I've not only never heard, but have no idea who the lead artist even is
20 songs I know who the artist is, but have never heard the song
Of the remaining 36 songs I have heard, I like about 20.
Fortunately I'm in touch enough to at least know 9 of the top 10 (no idea what Bodak Yellow sounds like or who Cardi B is, or even what genre -- presuming hip-hop tho?).
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Post by Rose "Payola" Nylund on Aug 15, 2017 16:56:49 GMT -5
There are kids in grade 3 right now experiencing a Drake-less Hot 100 for the first time in their lives lol That's funny to think about because kids wouldn't care gravey: Hey Jason, today is the first day in your whole life that Drake doesn't have a song in the hot 100. Jason: what? Never met a grade 3 kid who is up on todays mainstream rap music. Because of the language, likely heavily controlled at a parent level. That demographic is more Disney oriented and Nick and Kidz Bop Assume an 8 year old is a huge Drake fan. How likely is it they have internet access to see charts like the Hot 100 or even care about what it is? what? |
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Gary
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Post by Gary on Aug 15, 2017 17:13:03 GMT -5
Never met a grade 3 kid who is up on todays mainstream rap music. Because of the language, likely heavily controlled at a parent level. That demographic is more Disney oriented and Nick and Kidz Bop Assume an 8 year old is a huge Drake fan. How likely is it they have internet access to see charts like the Hot 100 or even care about what it is? what? What's confusing about that? Would an 8-year old 3rd grader even know who Drake was? Maybe, maybe not. Musical tastes of kids at that age are influenced by what they watch on TV and what their parents permit. Oftentimes that is in natural Drake-less environments in the first place (Disney/Nick/etc.) I get what I think you are trying to say. 8 years is a long time, some people were not alive in 2009 last time there was a Drake-less Hot 100. True. Also true, the 8 year old would not notice |
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Post by Rose "Payola" Nylund on Aug 15, 2017 17:21:32 GMT -5
What's confusing about that? Would an 8-year old 3rd grader even know who Drake was? Maybe, maybe not. Musical tastes of kids at that age are influenced by what they watch on TV and what their parents permit. Oftentimes that is in natural Drake-less environments in the first place (Disney/Nick/etc.) I get what I think you are trying to say. 8 years is a long time, some people were not alive in 2009 last time there was a Drake-less Hot 100. True. Also true, the 8 year old would not notice lol, yeah I was saying an 8 year old wouldn't even notice or care. I even provided an example of gravey telling an 8 year old about this chart stat and that 8 year old not knowing what he was talking about.  |
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felipe
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Post by felipe on Aug 15, 2017 17:43:39 GMT -5
Is this seriously the first Drake-less Hot 100 in 8 years?
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Gary
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Post by Gary on Aug 15, 2017 17:52:00 GMT -5
Is this seriously the first Drake-less Hot 100 in 8 years? Yes. Since May 2009 |
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Post by Deleted on Aug 15, 2017 18:47:52 GMT -5
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Post by superdroid73 on Aug 15, 2017 22:02:50 GMT -5
I was curious to see how out of touch I am with pop music, and counted the tracks on the Hot 100: I have not heard 64 of the songs -- 44 songs I've not only never heard, but have no idea who the lead artist even is 20 songs I know who the artist is, but have never heard the song Of the remaining 36 songs I have heard, I like about 20. Fortunately I'm in touch enough to at least know 9 of the top 10 (no idea what Bodak Yellow sounds like or who Cardi B is, or even what genre -- presuming hip-hop tho?). you either don't stream music much and/or don't listen to hip hop or country. And yes, you certainly VERY out of touch. I know a lot of kids that listen to many of these songs. |
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badrobot
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Post by badrobot on Aug 15, 2017 23:46:37 GMT -5
I was curious to see how out of touch I am with pop music, and counted the tracks on the Hot 100: I have not heard 64 of the songs -- 44 songs I've not only never heard, but have no idea who the lead artist even is 20 songs I know who the artist is, but have never heard the song Of the remaining 36 songs I have heard, I like about 20. Fortunately I'm in touch enough to at least know 9 of the top 10 (no idea what Bodak Yellow sounds like or who Cardi B is, or even what genre -- presuming hip-hop tho?). you either don't stream music much and/or don't listen to hip hop or country. And yes, you certainly VERY out of touch. I know a lot of kids that listen to many of these songs. Ha - that's fine with me, I don't mind. I don't listen to country at all and I like some hip-hop but only if it's got strong melodies. Anyway, my tastes include a lot of stuff that never charts. |
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