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Post by Baby Yoda Hot100Fan on Jul 14, 2020 15:50:07 GMT -5
Your Eyes Tell by BTS is #1 in iTunes.
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Post by kcdawg13 on Jul 14, 2020 15:54:55 GMT -5
TROLLZ is already in the 80's in it's fourth week, and it's gonna be absolutely wrecked by Juice WRLD next week.
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renfield75
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Post by renfield75 on Jul 14, 2020 16:49:30 GMT -5
If I recall in like 1983, on the Top Artists Year-End the highest solo woman was #15. There would also be like 2 or 3 #1's per year with a solo female artist, and that was when the chart had 20+ #1's per year. Lots of times the only female in the top 10 at one point would be a Fleetwood Mac type situation, where they were in a band with male artists also. A lot also depends on the type of music in fashion. A few years before 1983 women were killing it. In 1979, the height of the (female/gay male-driven) disco era women like Donna Summer, Gloria Gaynor, Amii Stewart, Anita Ward, Sister Sledge, etc were dominating the charts. The backlash to that in the very early 80s led to male rock and soft-pop acts being on top. The turbo pop era ten years ago saw women like Katy Perry, Gaga, Kesha, Kelly Clarkson, and Rihanna on top with Adele slaying all challengers on the album chart. The backlash to that era was the male dominated rap era we're still currently in. Men tend to do better overall but certain eras give women the advantage, and they will be on top again some day. |
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higilo
Charting
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Post by higilo on Jul 14, 2020 17:18:48 GMT -5
Maybe women will have the advantage in the already-starting move towards more uptempo pop songs
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iHype.
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Post by iHype. on Jul 14, 2020 17:36:51 GMT -5
If I recall in like 1983, on the Top Artists Year-End the highest solo woman was #15. There would also be like 2 or 3 #1's per year with a solo female artist, and that was when the chart had 20+ #1's per year. Lots of times the only female in the top 10 at one point would be a Fleetwood Mac type situation, where they were in a band with male artists also. A lot also depends on the type of music in fashion. A few years before 1983 women were killing it. In 1979, the height of the (female/gay male-driven) disco era women like Donna Summer, Gloria Gaynor, Amii Stewart, Anita Ward, Sister Sledge, etc were dominating the charts. The backlash to that in the very early 80s led to male rock and soft-pop acts being on top. The turbo pop era ten years ago saw women like Katy Perry, Gaga, Kesha, Kelly Clarkson, and Rihanna on top with Adele slaying all challengers on the album chart. The backlash to that era was the male dominated rap era we're still currently in. Men tend to do better overall but certain eras give women the advantage, and they will be on top again some day. The past few years seem more extreme because the early 2010s was probably the most dominant era for women in music ever. The 2011 Hot 100 for example... there was only 5 weeks that entire year where the #1 song did not have a female vocalist on it. en.wikipedia.org/wiki/List_of_Billboard_Hot_100_number-one_singles_of_2011Also Adele & Taylor Swift were the biggest album sellers, Katy Perry & Rihanna were the biggest hitmakers, and Gaga was the most talked about artist in culture at one point. Women ruled every diameter of music the early 2010s, so for them to be pushed back to the back with modest presence felt very extreme. There's already been like 6 women to hit #1 this year, so it's not a bad drought, but ofcourse the days of them reigning the Hot 100 for 10 weeks with a single song are somewhat over so it seems worse in that aspect. Also when these album bombs (ala Pop Smoke/Juice Wrld currently) occur it makes their positioning on streaming look pretty bad. A lot of it I also believe has to do with the fact A-list women are just releasing less often compared to A-list men which makes it worse. Adele, Beyonce, and Rihanna haven't released studio albums in 4+ years. Cardi has taken a break and it'll be a 3 year anniversary of her debut album by the time her sophomore is out, Nicki has released 1 album the past 5 years. Ariana was pretty much the only one releasing as much as men which explains her streaming power compared to other women. |
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jdanton2
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Post by jdanton2 on Jul 14, 2020 18:47:23 GMT -5
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tuna
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Post by tuna on Jul 14, 2020 20:18:45 GMT -5
new Beabadoobee song, "Care"
could get some decent momentum, since she's built up a lot of goodwill from Death Bed. At the very least it'll hit the rock charts
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Post by daysintheeast on Jul 14, 2020 20:35:17 GMT -5
any chance for juice to get a #1?
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higilo
Charting
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Post by higilo on Jul 14, 2020 20:38:51 GMT -5
any chance for juice to get a #1? Unlikely, but there is an outside chance for Come & Go. Most predictors are putting that at #2. |
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lazer
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Post by lazer on Jul 14, 2020 20:52:37 GMT -5
I don't think Come & Go can be #1 but I hope it sticks around.
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failstoner
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Post by failstoner on Jul 14, 2020 21:49:58 GMT -5
any chance for juice to get a #1? no chance imo ROCKSTAR is one of the strongest 2020 songs |
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dremolus - solarpunk
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ππ§π€π’ πππ‘ππ¨π©ππ£π π©π€ π©ππ ππππ‘ππ₯π₯ππ£ππ¨, ππ©π€π₯ π©ππ π.π. πππ§ πππ
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Post by dremolus - solarpunk on Jul 15, 2020 2:53:31 GMT -5
Supalonely not even cracking the Top 40 yet feels a lot like Lalala from last year: a song that didn't even crack the Top 40 - or in this case barely cracked the Top 40 - felt more bigger and popular than many of the hits that were above it at the time.
Like this is different than a songs like The Less I Know The Better or Run Away with Me or Wicked Games (The Weeknd song) slowly becoming more fondly remembered and influential over many years, Supalonely feels bigger than the popular songs right now.
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kimberly
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Post by kimberly on Jul 15, 2020 3:17:23 GMT -5
Supalonely not even cracking the Top 40 yet feels a lot like Lalala from last year: a song that didn't even crack the Top 40 felt more bigger and popular than many of the hits that were above it at the time. Like this is different than a songs like The Less I Know The Better or Run Away with Me or Wicked Games (The Weeknd song) slowly becoming more fondly remembered and influential over many years, Supalonely feels bigger than the popular songs right now. I'm surprised at the tepid airplay it received. At both of the two main Bay Area pop radio stations, "Supalonely" was #2 last week stuck behind "Savage Remix" at both, as opposed to its #13 peak so far on the national chart. It's beginning to descend here, down to #4 and #5 this week. It's definitely served some good longevity, but it really deserved a higher peak on the Hot 100 imo. |
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Normi
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Post by Normi on Jul 15, 2020 3:22:06 GMT -5
Huh? Supalonely peaked at #39 already, her new song is out in a couple hours Btw
I'm kinda mad songs like Raye's Natalie Dont get no attention uuh
Come & Go is easily my favorite off of Juice's album, glad it's the best performing song
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π‘πππππ€
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Post by π‘πππππ€ on Jul 15, 2020 3:33:34 GMT -5
Supalonely not even cracking the Top 40 yet feels a lot like Lalala from last year: a song that didn't even crack the Top 40 felt more bigger and popular than many of the hits that were above it at the time. Like this is different than a songs like The Less I Know The Better or Run Away with Me or Wicked Games (The Weeknd song) slowly becoming more fondly remembered and influential over many years, Supalonely feels bigger than the popular songs right now. I'm surprised at the tepid airplay it received. At both of the two main Bay Area pop radio stations, "Supalonely" was #2 last week stuck behind "Savage Remix" at both, as opposed to its #13 peak so far on the national chart. It's beginning to descend here, down to #4 and #5 this week. It's definitely served some good longevity, but it really deserved a higher peak on the Hot 100 imo. Where do you see those airplay numbers? Also, totally makes sense that βSupalonelyβ is getting so much airplay in the Bay Area. I hear it the time. |
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kimberly
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Post by kimberly on Jul 15, 2020 3:44:55 GMT -5
I'm surprised at the tepid airplay it received. At both of the two main Bay Area pop radio stations, "Supalonely" was #2 last week stuck behind "Savage Remix" at both, as opposed to its #13 peak so far on the national chart. It's beginning to descend here, down to #4 and #5 this week. It's definitely served some good longevity, but it really deserved a higher peak on the Hot 100 imo. Where do you see those airplay numbers? Also, totally makes sense that βSupalonelyβ is getting so much airplay in the Bay Area. I hear it the time. numbers are from MediaBase via AllAccess! |
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thelegends
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Post by thelegends on Jul 15, 2020 3:49:11 GMT -5
A lot also depends on the type of music in fashion. A few years before 1983 women were killing it. In 1979, the height of the (female/gay male-driven) disco era women like Donna Summer, Gloria Gaynor, Amii Stewart, Anita Ward, Sister Sledge, etc were dominating the charts. The backlash to that in the very early 80s led to male rock and soft-pop acts being on top. The turbo pop era ten years ago saw women like Katy Perry, Gaga, Kesha, Kelly Clarkson, and Rihanna on top with Adele slaying all challengers on the album chart. The backlash to that era was the male dominated rap era we're still currently in. Men tend to do better overall but certain eras give women the advantage, and they will be on top again some day. The past few years seem more extreme because the early 2010s was probably the most dominant era for women in music ever.Β The 2011 Hot 100 for example... there was only 5 weeks that entire year where the #1 song did not have a female vocalist on it. en.wikipedia.org/wiki/List_of_Billboard_Hot_100_number-one_singles_of_2011Also Adele & Taylor Swift were the biggest album sellers, Katy Perry & Rihanna were the biggest hitmakers, and Gaga was the most talked about artist in culture at one point. Women ruled every diameter of music the early 2010s, so for them to be pushed back to the back with modest presence felt very extreme.Β There's already been like 6 women to hit #1 this year, so it's not a bad drought, but ofcourse the days of them reigning the Hot 100 for 10 weeks with a single song are somewhat over so it seems worse in that aspect. Also when these album bombs (ala Pop Smoke/Juice Wrld currently) occur it makes their positioning on streaming look pretty bad. A lot of it I also believe has to do with the fact A-list women are just releasing less often compared to A-list men which makes it worse. Adele, Beyonce, and Rihanna haven't released studio albums in 4+ years. Cardi has taken a break and it'll be a 3 year anniversary of her debut album by the time her sophomore is out, Nicki has released 1 album the past 5 years. Ariana was pretty much the only one releasing as much as men which explains her streaming power compared to other women.Β 1- Taylor Swift released 2 albums in the last 2.5 - 3 years. 2- The Weeknd didnβt release After Hours until 3.5 years after Starboy (not counting My Dear Melancholy EP) 3- Justin Bieber didnβt release Changes until 4 years after Purpose 4- The more recent female A-Listers (say Billie Eilish) have released music more frequently (Billie in 1.5 years or a bit less) 5- Camila Cabello released in 2 albums in 2 years |
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shayonce
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Post by shayonce on Jul 15, 2020 5:08:56 GMT -5
Apple Music USA Top 100 - 7/14 Tuesday -
1.(=) Juice WRLD & Marshmello - Come & Go
2.(=) Juice WRLD - Conversations
3.(=) Juice WRLD & Marshmello - Hate the Other Side (feat. Polo G & The Kid LAROI)
4.(+1) Pop Smoke - For the Night (feat. Lil Baby & DaBaby)
5.(-1) Juice WRLD - Blood On My Jeans
6.(+1) Juice WRLD - Wishing Well
7.(-1) Juice WRLD & Halsey - Life's a Mess
8.(=) Juice WRLD - Titanic
9.(=) Juice WRLD - Bad Energy
10.(+2) DaBaby - ROCKSTAR (feat. Roddy Ricch)
11.(-1) Pop Smoke - The Woo (feat. 50 Cent & Roddy Ricch)
12.(+1) Lil Baby & 42 Dugg - We Paid
13.(-2) Juice WRLD - Righteous
14.(=) Juice WRLD - Stay High
15.(=) Juice WRLD & Trippie Redd - Tell Me U Luv Me
16.(+2) Pop Smoke - Got It On Me
17. Rod Wave - Rags2Riches (feat. ATR Son Son)
18.(-2) Juice WRLD - Fighting Demons
19.(-2) Juice WRLD - Up Up and Away
20.(=) Juice WRLD - Screw Juice
21.(-2) Juice WRLD - I Want It
23.(-1) Juice WRLD - Can't Die
25.(=) Juice WRLD - Man of the Year
34.(-3) Juice WRLD - Get Through It (Interlude)
42.(-4) Juice WRLD - Anxiety (Intro)
61.(-9) Juice WRLD - Juice WRLD Speaks from Heaven (Outro)
63.(-10) Juice WRLD - The Man, The Myth, The Legend (Interlude)
46.(-7) Summer Walker - Let It Go
47.(-7) Summer Walker & PARTYNEXTDOOR - My Affection
66.(-10) Summer Walker & NO1-NOAH - SWV
70.(-7) Summer Walker & NO1-NOAH - White Tee
82.(-10) Summer Walker - Deeper
58.(-7) Kid Cudi & Eminem - The Adventures of Moon Man & Slim Shady
93.(-9) Rod Wave - Through The Wire
out StaySolidRocky & Lil Uzi Vert - Party Girl (Remix)
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iamsorare
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Post by iamsorare on Jul 15, 2020 5:43:21 GMT -5
TROLLZ is already in the 80's in it's fourth week, and it's gonna be absolutely wrecked by Juice WRLD next week. well it spent 1 month on hot 100 at least  |
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Enigma.
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Post by Enigma. on Jul 15, 2020 7:14:22 GMT -5
Wishing Well is #1 on Spotify... I think it's the 3rd song from the album that has hit the #1 on the daily chart already lol. Juice WRLD has top 2 there still, What's Poppin and Rockstar are #3 and #4.
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Post by thegreatdivine on Jul 15, 2020 7:25:29 GMT -5
17 songs in the top 25 of Apple Music after 6 days is impressive.
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shaz196
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Post by shaz196 on Jul 15, 2020 7:26:44 GMT -5
This has to be one of the hardest weeks to predict, Wishing Well just surged on AM and is #4 now.
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korbel16
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Post by korbel16 on Jul 15, 2020 7:29:35 GMT -5
Supalonely not even cracking the Top 40 yet feels a lot like Lalala from last year: a song that didn't even crack the Top 40 - or in this case barely cracked the Top 40 - felt more bigger and popular than many of the hits that were above it at the time. Like this is different than a songs like The Less I Know The Better or Run Away with Me or Wicked Games (The Weeknd song) slowly becoming more fondly remembered and influential over many years, Supalonely feels bigger than the popular songs right now. like juicy peaking at #41 π’ |
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GP
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Post by GP on Jul 15, 2020 7:39:53 GMT -5
Well damn... 3 simultaenous top10s methinks
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Abbaschand
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Post by Abbaschand on Jul 15, 2020 7:40:44 GMT -5
Big news from Simon.
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shaz196
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Post by shaz196 on Jul 15, 2020 7:45:32 GMT -5
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korbel16
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Post by korbel16 on Jul 15, 2020 7:49:10 GMT -5
Thatβs the only reason why i followed him ππ oh well *unfollows*
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dremolus - solarpunk
Diamond Member
ππ§π€π’ πππ‘ππ¨π©ππ£π π©π€ π©ππ ππππ‘ππ₯π₯ππ£ππ¨, ππ©π€π₯ π©ππ π.π. πππ§ πππ
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Post by dremolus - solarpunk on Jul 15, 2020 7:50:25 GMT -5
Spotify - 07/14/20
1(+1) Juice WRLD - Wishing Well 1,972,304 (+49,360)
2(-1) Juice WRLD - Come & Go 1,955,321 (-114,780)
3(+3) DaBaby - ROCKSTAR 1,442,837 (+20,652)
4(=) Juice WRLD - Life's a Mess 1,387,264 (-134,858)
5(-2) Juice WRLD - Conversations 1,373,847 (-227,456)
6(-1) Juice WRLD - Hate the Other Side 1,281,893 (-160,287)
7(=) Juice WRLD - Righteous 1,226,073 (-93,859)
8(=) Juice WRLD - Blood on My Jeans 1,130,045 (-53,995)
9(+5) Jack Harlow - WHATS POPPIN Remix 1,019,019 (+22,719)
10(-1) Juice WRLD - Titanic 1,010,677 (-125,621)
Legends Never Die:
11(-1) Bad Energy 977,390 (-123,339)
12(-1) Stay High 955,465 (-93,622)
13(-1) Up Up And Away 920,951 (-96,227)
15(-2) Fighting Demons 893,374 (-109,014)
16(-1) Tell Me U Luv Me 892,856 (-99,707)
18(-1) Man of the Year 884,324 (-30,568)
20(-4) Screw Juice 810,904 (-148,274)
23(-2) Can't Die 785,725 (-90,689)
25(-6) I Want It 782,766 (-103,405)
55(-11) Anxiety - Intro 473,329 (-34,997)
60(-12) The Man, The Myth, The Legend - Interlude 432,674 (-59,350)
70(-17) Juice WRLD Speaks from Heaven - Outro 412,285 (-63,599)
Others:
14(+4) Lil Mosey - Blueberry Faygo 912,358 (+3,380)
17(+3) Harry Styles - Watermelon Sugar 889,743 (+12,432)
19(+3) The Weeknd - Blinding Lights 853,172 (+10,714)
21(+3) StaySolidRocky - Party Girl 792,993 (+14,962)
22(+3) Rod Wave - Rags2Riches 789,117 (+40,016)
24(-1) Pop Smoke - For the Night 782,867 (-15,584)
26(+2) Pop Smoke - The Woo 742,080 (+34,280)
27(-1) Lil Baby - We Paid 720,252 (-5,984)
28(-1) Jawsh 365 - Savage Love 715,530 (+6,982)
30(=) SAINt JHN - Roses (Imanbek Remix) 640,828 (+14,273)
32(+2) Don Toliver - After Party 581,313 (+10,575)
36(-3) Lil Baby - The Bigger Picture 565,525 (-26,005)
37(=) Jack Harlow - WHATS POPPIN 563,348 (+11,005)
38(-2) Megan Thee Stallion - Savage Remix 562,674 (+9,908)
42(-10) Kid Cudi - The Adventures of Moon Man & Slim Shady 550,598 (-57,428)
43(-3) Lady Gaga - Rain on Me 546,975 (+7,599)
44(-3) powfu - death bed 540,768 (+4,175)
45(-3) The Kid LAROI - GO! 536,140 (+10,665)
48(-3) Justin Bieber - Intentions 514,960 (+13,758)
51(+3) Polo G - Flex 498,534 (+37,210)
52(-1) Chris Brown - Go Crazy 496,394 (+16,616)
61(-1) Lewis Capaldi - Before You Go 432,013 (+11,275)
62(-1) Ariana Grande - Stuck with U 430,182 (+9,926)
63(+3) Polo G - 21 429,897 (+26,817)
67(-3) Dua Lipa - Break My Heart 418,522 (+6,107)
68(+1) iann diorr - Prospect 417,231 (+19,158)
73(=) Marshmello - Be Kind 406,779 (+16,913)
75(-1) Curtis Waters - Stunnin' 401,257 (+14,652)
76(-4) BENEE - Supalonely 400,550 (+7,740)
78(-11) Wallows - Are You Bored Yet? 393,683 (-4,782)
82(=) Surf Mesa - ily 379,849 (+16,494)
85(-4) Doja Cat - Say So 369,954 (+5,609)
86(-3) Topic - Breaking Me 366,188 (+8,440)
89(-13) StaySolidRocky - Party Girl Remix 345,727 (-31,821)
90(-28) YG - SWAG 341,440 (-77,947)
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kierz7
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Post by kierz7 on Jul 15, 2020 7:55:10 GMT -5
The way βTOTCβ put βSimonβ out of business. πβ οΈπ
No, but seriously...
On another forum, he informed us that he was trolled on a weekly basis about how his predictions have become βless and less accurateβ and that their are other Twitter predictors who are far better thus his presence isnβt needed anymore.
Stan-Twitter is the PITS! π₯΄
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GP
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Post by GP on Jul 15, 2020 8:02:58 GMT -5
Well yeah, Sim's predictions in recent times have started to become more and more different from the actual formula and such.
Still, it bums me out that this started as an hobby of his and stan twitter became so "reliant" on him that it started to come to extremes...still, it's true that there were already more accurate predictors such as fhas, Talk of The Charts, etc...
Wishing him the best tho.
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