mms82
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Post by mms82 on Aug 23, 2022 9:32:21 GMT -5
Recurrent TW LW 2W WOC TITLE PEAK 12 9 - 83 Whiskey Glasses, Morgan Wallen 3 15 20 - 106 Tennessee Whiskey, Chris Stapleton 6 Definitely the modern country classics of the 2010s — crazy their longevity, I bet they'll chart on recurrent for a week here and there for most summers of the early 2020s |
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mms82
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Post by mms82 on Aug 23, 2022 9:33:50 GMT -5
Hot 100 Canada TW LW 2W WOC TITLE PEAK 4 5 - 10 Numb, Marshmello & Khalid 4 Such a great song — is it just getting way better streaming in Canada? This is a crazy divergence between the US and Canada for a song that has neither artist benefiting from Canadian Content laws |
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Au$tin
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Post by Au$tin on Aug 23, 2022 9:39:47 GMT -5
Hot 100 Canada TW LW 2W WOC TITLE PEAK 4 5 - 10 Numb, Marshmello & Khalid 4 Such a great song — is it just getting way better streaming in Canada? This is a crazy divergence between the US and Canada for a song that has neither artist benefiting from Canadian Content laws Yeah it's doing great in Canada. #12 on Spotify, #11 on Apple, #21 on iTunes, #45 on YouTube, #60 on Deezer, #8 on pop airplay. Meanwhile here in the US on the same charts: #121, not charting, #40, not charting, not charting, #14 |
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Ｓｏｕｎｄｃｌ🕤ｃｋ
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Post by Ｓｏｕｎｄｃｌ🕤ｃｋ on Aug 23, 2022 10:50:02 GMT -5
Most weeks at #1 (Canadian Hot 100):
19 Old Town Road
17 As It Was
16 I Gotta Feeling, Shape Of You, Despacito
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Post by Elusive Chanteuse on Aug 23, 2022 12:21:37 GMT -5
The huge increase in streaming for Sweetest Pie (on both Spotify and Apple Music) has me legitimately wondering if it’ll have a chance of earning enough points to reenter the Hot 100. I’m only saying this because it’s sales also increased and the radio audience has remained stable at around 25 million AI… I CALLED IT! Re-enters at #49. So giddy I made a legitimate prediction! |
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85la
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Post by 85la on Aug 23, 2022 12:49:56 GMT -5
Hot 100 Canada TW LW 2W WOC TITLE PEAK 4 5 - 10 Numb, Marshmello & Khalid 4 Such a great song — is it just getting way better streaming in Canada? This is a crazy divergence between the US and Canada for a song that has neither artist benefiting from Canadian Content laws What are these Canadian Content laws? |
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renfield75
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Post by renfield75 on Aug 23, 2022 12:52:59 GMT -5
Such a great song — is it just getting way better streaming in Canada? This is a crazy divergence between the US and Canada for a song that has neither artist benefiting from Canadian Content laws What are these Canadian Content laws? Canadian laws that dictate a certain percentage of broadcasting time must be reserved for Canadian artists/producers/writers, etc. So Canadian artists always have a boost in their home country. Currently, 40% of all Canadian radio content must involve Canadian artists. en.wikipedia.org/wiki/Canadian_content |
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M5AGTS
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Post by M5AGTS on Aug 23, 2022 13:14:02 GMT -5
I'm shocked that sg survived. Next week though will probably be a different story.
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mms82
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Post by mms82 on Aug 23, 2022 14:05:11 GMT -5
What are these Canadian Content laws? Canadian laws that dictate a certain percentage of broadcasting time must be reserved for Canadian artists/producers/writers, etc. So Canadian artists always have a boost in their home country. Currently, 40% of all Canadian radio content must involve Canadian artists. en.wikipedia.org/wiki/Canadian_contentBecause of that, you have some hits that seem super mild / nonexistent in the states that become massive in Canada because its some random homegrown Canadian artist that has a way bigger hit North of the border |
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mms82
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Post by mms82 on Aug 23, 2022 14:08:30 GMT -5
Recent examples are Monster (Shawn Mendes & Justin Bieber) was a number one hit, Body by Loud Luxury was a wayy bigger hit in Canada, even going back Good Time by Carly Rae Jepsen was a number one. You notice the effects more with small hits by Canadian artists that never really go past bubbling under in the US that become Top 40 or even Top 10 hits in Canada
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Post by nathanalbright on Aug 23, 2022 15:36:10 GMT -5
The huge increase in streaming for Sweetest Pie (on both Spotify and Apple Music) has me legitimately wondering if it’ll have a chance of earning enough points to reenter the Hot 100. I’m only saying this because it’s sales also increased and the radio audience has remained stable at around 25 million AI… I CALLED IT! Re-enters at #49. So giddy I made a legitimate prediction! Nice work there. |
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Groovy
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Post by Groovy on Aug 23, 2022 15:48:32 GMT -5
I still think Heat Waves has the YE number 1 sewn up unless it drops out now or in the next week or so but, it would be cool to see it happen since it's rare for a YE topper to start its run after February. I think Old Town Road is are latest debuting YE Number 1 in the in the past decade or so? (I know it came out in 2018 but it didn’t chart til late March 2019). But Heat Waves just has too many points that I think it’d be pretty tough to snag it- wild Heat Waves will be the first Year End number one ever in America to chart on the previous year’s year end It was, and you'd have to go back 10 years to find out the last time it happened before that in 2009 when Boom Boom Pow. Some other notable ones are We Belong Together, Something About the Way You Look Tonight / Candle in the Wind 1997, Gangsta's Paradise and End of the Road. |
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mms82
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Post by mms82 on Aug 23, 2022 15:56:03 GMT -5
I think Old Town Road is are latest debuting YE Number 1 in the in the past decade or so? (I know it came out in 2018 but it didn’t chart til late March 2019). But Heat Waves just has too many points that I think it’d be pretty tough to snag it- wild Heat Waves will be the first Year End number one ever in America to chart on the previous year’s year end It was, and you'd have to go back 10 years to find out the last time it happened before that in 2009 when Boom Boom Pow. Some other notable ones are We Belong Together, Something About the Way You Look Tonight / Candle in the Wind 1997, Gangsta's Paradise and End of the Road. SABTWYLT / CITW 1997 did it with only a few weeks (debuted September 23 and only had 8 chart weeks on the 1997 year) and would’ve been the year end number 4 from its first week alone! |
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joshtheking
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Post by joshtheking on Aug 23, 2022 16:02:24 GMT -5
It was, and you'd have to go back 10 years to find out the last time it happened before that in 2009 when Boom Boom Pow. Some other notable ones are We Belong Together, Something About the Way You Look Tonight / Candle in the Wind 1997, Gangsta's Paradise and End of the Road. SABTWYLT / CITW 1997 did it with only a few weeks (debuted September 23 and only had 8 chart weeks on the 1997 year) and would’ve been the year end number 4 from its first week alone! That is insanity! I doubt we will ever see anything like that again |
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Groovy
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Post by Groovy on Aug 23, 2022 16:22:48 GMT -5
SABTWYLT / CITW 1997 did it with only a few weeks (debuted September 23 and only had 8 chart weeks on the 1997 year) and would’ve been the year end number 4 from its first week alone! That is insanity! I doubt we will ever see anything like that again |
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kierz7
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Post by kierz7 on Aug 23, 2022 16:30:01 GMT -5
Billboard are CONSTANTLY shady towards Minaj and it just gets more and more hilarious with each single release. 💀 💀 💀 However, “Super Freaky Girl” has Dr. Luke’s name in the credits, making Nicki the first non-Kemosabe artist to lift the producer to the top of the Hot 100 since Kesha sued him for sexual assault and civil harassment in 2014. (The case was ultimately dismissed in New York in 2016 and denied on appeal in 2018 — Dr. Luke subsequently countersued for defamation, in a case that is still ongoing, with Kesha pursuing a counterclaim.) Whether or not he was actually involved in the creation of this song, this is Nicki’s third No. 1 hit to be attached to a figure with sexual assault allegations against them — Dr. Luke also has writing and production credits on “Say So,” and 6ix9ine (“TROLLZ”) pleaded guilty to the use of a child in a sexual performance in 2015. Nicki willingly aligning herself with this kind of distasteful company dampens any celebratory feelings about her No. 1 achievements. Andrew Unterberger: Like a 6. It’s meaningful to her and to her fans, for sure, but I think her first two No. 1s coming with “Say So” and “Trollz” — neither of which will be among the first 20 songs anyone associates with Nicki Minaj 10 years from now — shows that judging an artist’s pop legacy through the lens of “Do they have a No. 1 or not?” is always going to be a little silly. It will ultimately mean more for Minaj’s legacy if “Super Freaky Girl” endures as one of the year’s defining hits and one of her own signature pop songs — which it very well may, as early signs are encouraging, but it’s still a little too early to say for sure there. (And the presence of Dr. Luke in the credits does indeed make it a bit harder to root for than it might have been otherwise.) www.billboard.com/music/chart-beat/nicki-minaj-super-freaky-girl-five-burning-questions-1235129795/ |
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Post by nathanalbright on Aug 23, 2022 16:53:29 GMT -5
This hardly seems overly shady to me; it seems like pretty reasonable discussion to me.
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wavey.
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Post by wavey. on Aug 23, 2022 17:14:33 GMT -5
Oh lord.
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Choco
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Post by Choco on Aug 23, 2022 17:49:14 GMT -5
They stated public facts. It wasn't shady.
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think pink.
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Post by think pink. on Aug 23, 2022 18:11:07 GMT -5
They did the same with Beyoncés 7 remixes.
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jasper0102
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Post by jasper0102 on Aug 23, 2022 18:24:58 GMT -5
I'm shocked that sg survived. Next week though will probably be a different story. I don’t think that’s happening. Sweetest Pie and the 3 Rod Wave songs above it are 100% falling past it, and while Bailey Zimmerman and Blackpink can fill in the gaps, Take My Name could get a 21st week, and Bones can have another good week of gains, I don’t see any other song surpassing or debuting above it. And while this is all not counting how much the song loses, if it remains stable next week, it’s probably not going recurrent. |
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mms82
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Post by mms82 on Aug 23, 2022 19:08:28 GMT -5
Billboard’s point about “Trollz / Say So” will not be amongst the first 20 songs people remember from her”
Is apt. Obviously SFG is TBD on its legacy, but what do people think the legacy of Trollz / Say So will be? For the Barbz on Pulse, what do you think of them two years out (and with a well-deserved legitimate solo number one under her belt as well)?
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jasper0102
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Post by jasper0102 on Aug 23, 2022 19:11:19 GMT -5
It was, and you'd have to go back 10 years to find out the last time it happened before that in 2009 when Boom Boom Pow. Some other notable ones are We Belong Together, Something About the Way You Look Tonight / Candle in the Wind 1997, Gangsta's Paradise and End of the Road. SABTWYLT / CITW 1997 did it with only a few weeks (debuted September 23 and only had 8 chart weeks on the 1997 year) and would’ve been the year end number 4 from its first week alone! How many weeks can you subtract for CITW 1997 run in the 1997 tracking year and have it still be 1997’s year-end number one, and how much will that boost it’s position in the 1998 year-end? |
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mms82
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Post by mms82 on Aug 23, 2022 19:13:16 GMT -5
SABTWYLT / CITW 1997 did it with only a few weeks (debuted September 23 and only had 8 chart weeks on the 1997 year) and would’ve been the year end number 4 from its first week alone! How many weeks can you subtract for CITW 1997 run in the 1997 tracking year and have it still be 1997’s year-end number one, and how much will that boost it’s position in the 1998 year-end? I think it clinched number one after five weeks, but no clue on the rest |
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ephelia
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Post by ephelia on Aug 23, 2022 20:10:31 GMT -5
This week marks the 100th straight Hot 100 that Justin Bieber has appeared on, the second time in his career that he's put together a streak of 100+ weeks. {Active streaks of 30+ weeks}161 Lil Baby
146 Dua Lipa
107 Lil Durk
100 Justin Bieber
95 The Kid LAROI
84 Doja Cat
82 Glass Animals
60 Ed Sheeran
56 Jack Harlow
50 Future
49 Elton John
46 Morgan Wallen
43 Latto
41 Kodak Black
39 Imagine Dragons
31 Cole Swindell
Since the last update seven weeks ago, only two artists have lost their streaks of 30+ weeks: JID (36) and Lil Nas X (70). {Updated all-time streaks of 100+ weeks (that I have found)}
431 Drake
326 Lil Wayne
216 Rihanna
207 Nicki Minaj
200 Post Malone
188 Drake
166 Future
161 Chris Brown
161 Lil Baby
159 JAY-Z
154 Halsey
153 Khalid
152 Nelly
150 Justin Bieber
146 Dua Lipa
142 Chris Brown
141 Kenny Chesney
139 Destiny's Child
139 Taylor Swift
139 Katy Perry
137 The Weeknd
136 Kanye West
134 2 Chainz
134 Florida Georgia Line
129 Maroon 5
128 The Weeknd
127 T-Pain
126 Wiz Khalifa
125 DaBaby
125 Nickelback
121 Cardi B
121 Bruno Mars
121 Carrie Underwood
120 Pitbull
120 Dixie Chicks
120 Marshmello (newly found)
118 Rihanna
117 Meghan Trainor
117 Train
115 Rihanna
113 Elton John
112 Ludacris
110 Madonna
109 Linkin Park
109 The Chainsmokers
107 Lady Gaga
107 Imagine Dragons
107 Lil Durk
104 Luke Bryan
103 Imagine Dragons
102 Kelly Clarkson
102 Trey Songz
101 Taylor Swift
101 Britney Spears
100 Justin Bieber |
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Post by Baby Yoda Hot100Fan on Aug 23, 2022 21:00:48 GMT -5
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85la
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Post by 85la on Aug 23, 2022 23:02:10 GMT -5
Canadian laws that dictate a certain percentage of broadcasting time must be reserved for Canadian artists/producers/writers, etc. So Canadian artists always have a boost in their home country. Currently, 40% of all Canadian radio content must involve Canadian artists. en.wikipedia.org/wiki/Canadian_contentBecause of that, you have some hits that seem super mild / nonexistent in the states that become massive in Canada because its some random homegrown Canadian artist that has a way bigger hit North of the border Recent examples are Monster (Shawn Mendes & Justin Bieber) was a number one hit, Body by Loud Luxury was a wayy bigger hit in Canada, even going back Good Time by Carly Rae Jepsen was a number one. You notice the effects more with small hits by Canadian artists that never really go past bubbling under in the US that become Top 40 or even Top 10 hits in Canada That's fascinating to know, and not a bad rule in principle, though 40% seems way too high, I would say 20 to 30% tops. Of course, some of these songs would most probably have been a little bit bigger in Canada anyway due to affinity with their home country and the media industry there supporting them voluntarily. I just have to say that I personally LOVED Body and wish it had been much bigger in the states, it had such an epic feel!! |
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JukeboxJacob
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Post by JukeboxJacob on Aug 23, 2022 23:31:18 GMT -5
The huge increase in streaming for Sweetest Pie (on both Spotify and Apple Music) has me legitimately wondering if it’ll have a chance of earning enough points to reenter the Hot 100. I’m only saying this because it’s sales also increased and the radio audience has remained stable at around 25 million AI… I CALLED IT! Re-enters at #49. So giddy I made a legitimate prediction! Sweetest Pie's sweet revenge? |
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artistry
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Post by artistry on Aug 24, 2022 0:00:24 GMT -5
Super Freaky Girl could only manage debuting at #8 on the Canadian Chart.
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think pink.
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Post by think pink. on Aug 24, 2022 0:55:09 GMT -5
This was always the tea.
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