Billboard Hot 100: 10/22/2022

[jenglisbe]

Oct 9, 2022 10:35:15 GMT -5 Ling-Ling said:

Oct 9, 2022 5:43:17 GMT -5 jenglisbe said:

It's doing fine in streaming, but I'm surprised it hasn't truly taken off. It's apparently killing it on TikTok, so I am a bit confused by it not being top 5 on Apple and Spotify.

It's viral on TikTok, promising starts at four formats (with the possibility for more), top 10 on iTunes, Top 10 on AM, almost top 10 on Spotify. Also making moves globally. And the album is still sitting pretty in the top 10 over two months later (thanks to her streaming that's just "fine").

For a 40+ year old artist that debuted in the 90's, she's doing fantastic. Even more so when you consider the lackluster promo. Her peers would kill for streaming numbers and stats like these. I'm confused as to why we're trying to put Beyoncé in the same lane as artists who blew up in the digital/streaming eras. If Britney, Usher, Alicia, Christina, Justin, Pink, etc. were pulling numbers like these, nobody would question how good they were. We'd all be amazed, but somehow it reads as just fine for Beyoncé?

I get that she's a big name and the expectations/standards are there, but we also have to approach this with some perspective. She's doing good by any measure. But she's doing especially good for an artist that came up in the era she did.

I agree she's doing great for a 40 year-old woman and never said otherwise. I was specific with my wording (as always) in talking about the numbers as compared to social media (including TikTok) discussion/praise/hype. I see more about Beyonce than nearly anyone else in current music.

[jenglisbe]

Oct 9, 2022 10:42:28 GMT -5 shayonce said:

Oct 9, 2022 6:59:37 GMT -5 jenglisbe said:

Other songs that have taken off on TikTok have blown up on streaming quickly, so it's not all that far reaching of me. "Cuff It" seems to be growing into a hit, so it's not a criticism, just an observation. More so the conversation around the album and singles don't seem to be fully reflected in the streaming so I've been a bit confused all era.

most tiktok viral song don't crack top 10. let alone top 50. and AM? much difficult.
going top 5 right away is.. extremely rare case. like.. which song did that in US.

My bad as I thought it was common. If not, then I stand corrected. But didn't "Unholy" get some hype because of TikTok, which is why it was able to debut high? Didn't Fleetwood Mac's "Dreams" become a hit off of TikTok? How long did that take? Didn't TikTok also help "First Class" and "About Damn Time" early on?

[jenglisbe]

Oct 9, 2022 11:29:12 GMT -5 kalmanta said:

What are other musicians that come close to her longevity? Madonna comes to mind, but even her charting power wasn’t as prominent in the US after the millennium compared to where Bey is right now. MJ of course, 70s 80s and the 90s. Who else?

As always it depends how you define things and what nuances you account for (i.e. are you talking Beyonce as a solo artist or are you including DC), but I will throw Aretha Franklin out there just to remind people of her great career. She had her first top 40 in 1961 and her first top 10 in 1967. She then had a #1 hit in 1987, a full 26 years after her debut and a full 20 years after her first top 10. She had a few more top 40s after that #1 too (including a top 30 song in 1998, nearly 40 years after her first top 40).

Stevie Wonder had a #1 hit in 1963 with "Fingertips." He was still getting top 10s somewhat regularly in the 1980s, including his last top 10 ("Go Home") in 1986 (so, 25 years after his debut).

[degen]

I think “Break My Soul” was just an alright lead single. “Cuff It” is obviously poised to do better, even if it doesn’t hit #1. What I find interesting is how another smash is emerging months after the album hype died down. Also keep in mind this has been a bizarre rollout with Beyonces team reacting pretty slowly to everything, so even with all that in mind I think the era is performing pretty well.

[Gary]

Elton John Your Song - 1971 --- Hold Me Closer 2022
Paul McCartney I Want To Hold Your Hand 1964 -- FourFiveSeconds 2015

[shayonce]

Oct 9, 2022 14:04:31 GMT -5 jenglisbe said:

Oct 9, 2022 10:42:28 GMT -5 shayonce said:

most tiktok viral song don't crack top 10. let alone top 50. and AM? much difficult.
going top 5 right away is.. extremely rare case. like.. which song did that in US.

My bad as I thought it was common. If not, then I stand corrected. But didn't "Unholy" get some hype because of TikTok, which is why it was able to debut high? Didn't Fleetwood Mac's "Dreams" become a hit off of TikTok? How long did that take? Didn't TikTok also help "First Class" and "About Damn Time" early on?

you can't compare highly promoted new single with post album track with almost zero promo. (cuff it just got released as single this week after became viral)
First Class was #1 out of gate. it wasn't driven by tiktok.

for Dreams weekly US Spotify : 199 - 199 - 192 - 29 - 11 - 6 - 9 - 17 - 34

[jenglisbe]

Oct 9, 2022 15:49:30 GMT -5 shayonce said:

Oct 9, 2022 14:04:31 GMT -5 jenglisbe said:

My bad as I thought it was common. If not, then I stand corrected. But didn't "Unholy" get some hype because of TikTok, which is why it was able to debut high? Didn't Fleetwood Mac's "Dreams" become a hit off of TikTok? How long did that take? Didn't TikTok also help "First Class" and "About Damn Time" early on?

you can't compare highly promoted new single with post album track with almost zero promo. (cuff it just got released as single this week after became viral)
First Class was #1 out of gate. it wasn't driven by tiktok.

for Dreams weekly US Spotify : 199 - 199 - 192 - 29 - 11 - 6 - 9 - 17 - 34

Didn't "First Class" get a snippet released on TikTok that helped build hype for its release?

Anyway "Cuff It" began receiving unsolicited airplay from the jump, including making the top 50 at a format or two. I remember it "Taking off" at several formats and was on Today's Top Hits at one point. That wedding video that used "Cuff It" did crazy good numbers on TikTok nearly a month ago (mid-September).

[wavey.]

You're right Jengy, I remember a snippet of "First Class" going viral, then it was released not too far off of the clip circulating.

[Groovy]

Oct 9, 2022 16:05:23 GMT -5 jenglisbe said:

Oct 9, 2022 15:49:30 GMT -5 shayonce said:

you can't compare highly promoted new single with post album track with almost zero promo. (cuff it just got released as single this week after became viral)
First Class was #1 out of gate. it wasn't driven by tiktok.

for Dreams weekly US Spotify : 199 - 199 - 192 - 29 - 11 - 6 - 9 - 17 - 34

Didn't "First Class" get a snippet released on TikTok that helped build hype for its release?

Anyway "Cuff It" began receiving unsolicited airplay from the jump, including making the top 50 at a format or two. I remember it "Taking off" at several formats and was on Today's Top Hits at one point. That wedding video that used "Cuff It" did crazy good numbers on TikTok nearly a month ago (mid-September).

He released a snippet about a week before he actually released FC. 

[rideordie]

Oct 9, 2022 13:58:07 GMT -5 jenglisbe said:

Oct 9, 2022 10:35:15 GMT -5 Ling-Ling said:

It's viral on TikTok, promising starts at four formats (with the possibility for more), top 10 on iTunes, Top 10 on AM, almost top 10 on Spotify. Also making moves globally. And the album is still sitting pretty in the top 10 over two months later (thanks to her streaming that's just "fine").

For a 40+ year old artist that debuted in the 90's, she's doing fantastic. Even more so when you consider the lackluster promo. Her peers would kill for streaming numbers and stats like these. I'm confused as to why we're trying to put Beyoncé in the same lane as artists who blew up in the digital/streaming eras. If Britney, Usher, Alicia, Christina, Justin, Pink, etc. were pulling numbers like these, nobody would question how good they were. We'd all be amazed, but somehow it reads as just fine for Beyoncé?

I get that she's a big name and the expectations/standards are there, but we also have to approach this with some perspective. She's doing good by any measure. But she's doing especially good for an artist that came up in the era she did.

I agree she's doing great for a 40 year-old woman and never said otherwise. I was specific with my wording (as always) in talking about the numbers as compared to social media (including TikTok) discussion/praise/hype. I see more about Beyonce than nearly anyone else in current music.

She’s not doing fine for a 40 year old. She’s doing great for an artist overall. Renaissance might even be one of the best selling female
albums of the year based on its trajectory.
Now for Cuff it, it’s a post album single. You can’t really compare it to first class or unholy that was anticipated before they were even release.
About damn time wasn’t doing as well compared to cuff it either. It was doing great on Spotify yes but the Apple Music numbers were just fine. Cuff it is taking off on all formats.

[jenglisbe]

Oct 9, 2022 17:29:26 GMT -5 rideordie said:

Oct 9, 2022 13:58:07 GMT -5 jenglisbe said:

I agree she's doing great for a 40 year-old woman and never said otherwise. I was specific with my wording (as always) in talking about the numbers as compared to social media (including TikTok) discussion/praise/hype. I see more about Beyonce than nearly anyone else in current music.

She’s not doing fine for a 40 year old.

I am so tired of being misquoted/misrepresented on here.

[iHype.]

Beyonce mastered having a media presence/legacy that is bigger than her actual sales and chart dominance similar to MJ.

Yes, MJ has Thriller which is legitimately a record breaking album but when you also realize Dangerous/History/Invincible were not necessarily landmark albums in numbers and sold on par with plenty of artists far below him in status at the time it’s a similar case.

To be fair though there’s plenty of legendary artists — literally the MAJORITY that also do not have the chart stats that you think would match how they are viewed in public status so it is weird Beyonce gets singled out for that constantly.

Led Zeppelin, Bob Marley, 2Pac, Aretha Franklin, Nirvana, AC/DC, U2, Jimi Hendrix, Coldplay, etc didn’t have chart presence similar to what their legacy might make one expect and nobody feels the need to bring that up. It only matters so much in the end. Her longevity also speaks for itself, majority of artists with bigger chart presence than her at some point do not possess her longevity.

[jenglisbe]

Oct 9, 2022 18:46:07 GMT -5 iHype. said:

Beyonce mastered having a media presence/legacy that is bigger than her actual sales and chart dominance similar to MJ.

Yes, MJ has Thriller which is legitimately a record breaking album but when you also realize Dangerous/History/Invincible were not necessarily landmark albums in numbers and sold on par with plenty of artists far below him in status at the time it’s a similar case.

Bad is 11x platinum, which is big in any era. Off the Wall is 9x platinum, also big in any era. Dangerous is 8x platinum, also big in any era. While others may have been selling sell that much with a single album at some point in there, that is selling high on a consistent basis. But yes, Thriller beats them all (and all other albums period).

Led Zeppelin, Bob Marley, 2Pac, Aretha Franklin, Nirvana, AC/DC, U2, Jimi Hendrix, Coldplay, etc didn’t have chart presence similar to what their legacy might make one expect and nobody feels the need to bring that up. It only matters so much in the end. Her longevity also speaks for itself, majority of artists with bigger chart presence than her at some point do not possess her longevity.

I am not sure why you include Led Z here. Their fourth album is 24x platinum. They have 5 Diamond albums.

As for those others, since they aren't current artists why would anyone feel the need to talk about them now? We don't know what kind of media and social media presence they had (or would have if current). Coldplay is the only one who has been out at the same time as Beyonce, and they don't get near the media and social media coverage of Beyonce so why would people talk about them?

[Baby Yoda Hot100Fan]

kworb's Billboard Radio Songs Estimates « 2022 » / « 10 » / « 09 »

1(=) Harry Styles - As It Was 89.38(-0.18)
2(=) Nicky Youre & Dazy - Sunroof 87.01(-1.37)
3(=) Post Malone - I Like You (A Happier Song) [feat. Doja Cat] 81.33(-0.82) -
4(=) Lizzo - About Damn Time 74.45(-0.30)
5(=) Harry Styles - Late Night Talking 68.44(-1.36)
6(=) Doja Cat - Vegas (From the Original Motion Picture Soundtrack ELVIS) 67.74(+0.42)
7(=) Steve Lacy - Bad Habit 60.80(+0.56) -
8(=) OneRepublic - I Ain't Worried 59.33(+0.05)
9(=) Sia - Unstoppable 59.30(+1.24)
10(=) The Kid Laroi & Justin Bieber - Stay 48.36(+0.10)

16(+1) Elton John & Britney Spears - Hold Me Closer 43.28(+1.19)

31(+6) Jax - Victoria's Secret 29.67(+0.95)

33(+6) Harry Styles - Music For a Sushi Restaurant 29.23(+0.81)

48(+4) David Guetta & Bebe Rexha - I'm Good (Blue) 25.00(+1.20)

55(+2) Stephen Sanchez - Until I Found You 22.50(+1.18)

68(+8) Sam Smith & Kim Petras - Unholy 17.67(+1.48)

-(-) Bad Bunny & Chencho Corleone - Me Porto Bonito 11.31(+1.15) +

-(-) Kane Brown & Katelyn Brown - Thank God 10.00(+0.77)

-(-) Maluma - Junio 8.81(+1.34)

-(-) Beyoncé - CUFF IT 7.83(+2.28) +

[dremolus - solarpunk]

Oct 9, 2022 21:53:03 GMT -5 Baby Yoda Hot100Fan said:

kworb's Billboard Radio Songs Estimates « 2022 » / « 10 » / « 09 »

1(=) Harry Styles - As It Was 89.38(-0.18)

2(=) Nicky Youre & Dazy - Sunroof 87.01(-1.37)
5(=) Harry Styles - Late Night Talking 68.44(-1.36)

[iHype.]

Oct 9, 2022 20:26:30 GMT -5 jenglisbe said:

Oct 9, 2022 18:46:07 GMT -5 iHype. said:

Beyonce mastered having a media presence/legacy that is bigger than her actual sales and chart dominance similar to MJ.

Yes, MJ has Thriller which is legitimately a record breaking album but when you also realize Dangerous/History/Invincible were not necessarily landmark albums in numbers and sold on par with plenty of artists far below him in status at the time it’s a similar case.

Bad is 11x platinum, which is big in any era. Off the Wall is 9x platinum, also big in any era. Dangerous is 8x platinum, also big in any era. While others may have been selling sell that much with a single album at some point in there, that is selling high on a consistent basis. But yes, Thriller beats them all (and all other albums period).

Led Zeppelin, Bob Marley, 2Pac, Aretha Franklin, Nirvana, AC/DC, U2, Jimi Hendrix, Coldplay, etc didn’t have chart presence similar to what their legacy might make one expect and nobody feels the need to bring that up. It only matters so much in the end. Her longevity also speaks for itself, majority of artists with bigger chart presence than her at some point do not possess her longevity.

I am not sure why you include Led Z here. Their fourth album is 24x platinum. They have 5 Diamond albums.

As for those others, since they aren't current artists why would anyone feel the need to talk about them now? We don't know what kind of media and social media presence they had (or would have if current). Coldplay is the only one who has been out at the same time as Beyonce, and they don't get near the media and social media coverage of Beyonce so why would people talk about them?

Bad had the largest singles push for an album in history and was only 8x Platinum when said and done (didn’t reach Diamond until he died causing a massive surge in his catalog). Big? Yes. But on par with his media status and phenomena that would make one believe he was *miles* ahead of Madonna, Bobby, Whitney, Janet, Paula, George, and other superstars at the time? No. They also had similar selling albums during 1987-1989.

Thriller was the only time he ever sold far and away above everyone else like his media status always entailed.

It’s the same as Beyonce having albums that sold pretty good but yet also similar to Rihanna, Drake, Katy, Bruno, P!nk, Timberlake, etc albums at the time despite having a much bigger media presence and phenomena behind her name.

Led Zeppelin has had a total of 3 top 20 Hot 100 hits, so yes, they would be another example of an act that in some form had much less chart success than their legacy would indicate.

The general public would obviously know more of their songs and be gasped to find out they less success than acts such as Paula Abdul, Milli Vanilli, and Ashanti on Hot 100.

[Enigma.]

Cuff It might be another example where airplay peak and streaming peak don't match - like Woman by Doja Cat which spent ages on chart but never reached very high.

[king_billboard_100]

Are we goin to see No role modelz (J cole)
Back on the hot 100?

[Enigma.]

Why would we see that?

[king_billboard_100]

Oct 10, 2022 8:25:31 GMT -5 Enigma. said:

Why would we see that?

Cause he’s #23 on spotify and #56 on applemusic

[jenglisbe]

Oct 10, 2022 0:25:09 GMT -5 iHype. said:

Led Zeppelin has had a total of 3 top 20 Hot 100 hits, so yes, they would be another example of an act that in some form had much less chart success than their legacy would indicate.

Oh now we're switching to the Hot 100? Anyway Led Z didn't even release commercial singles a lot of the time so their songs weren't eligible to chart. That disqualifies them from comparison. Also, maybe you were, but I wasn't alive when Led Z were releasing music so I can't say what their "hype" and status was at the time.

[jasper0102]

How did I just now realize Sweater Weather is at 11 on the recurrent charts and will likely get higher once last week's chart comes out? I can see it re-entering once Taylor and Lil Baby's album bombs fade back if it doesn't re-enter this week.

[iHype.]

Oct 10, 2022 8:39:26 GMT -5 jenglisbe said:

Oct 10, 2022 0:25:09 GMT -5 iHype. said:

Led Zeppelin has had a total of 3 top 20 Hot 100 hits, so yes, they would be another example of an act that in some form had much less chart success than their legacy would indicate.

Oh now we're switching to the Hot 100? Anyway Led Z didn't even release commercial singles a lot of the time so their songs weren't eligible to chart. That disqualifies them from comparison. Also, maybe you were, but I wasn't alive when Led Z were releasing music so I can't say what their "hype" and status was at the time.

Nobody is “switching to Hot 100” when the post you quoted verbatim said “didn’t have chart presence” that aligns with their legacy and status.

[enwhy]

Oct 10, 2022 8:41:25 GMT -5 jasper0102 said:

How did I just now realize Sweater Weather is at 11 on the recurrent charts and will likely get higher once last week's chart comes out? I can see it re-entering once Taylor and Lil Baby's album bombs fade back if it doesn't re-enter this week.

Sweater Weather probably needs around 9M streams to re-enter. Per HDD, it was at 7.3M last week. Probably won't happen this year, but you never know. I'm rooting for it!

EDIT: Just saw that at least one predictor has it re-entering with ~9M streams on the 10/15 chart. If HDD is really undercounting its streams (I'm not super familiar with their numbers), then I definitely think it has a good shot in the coming weeks.

[enwhy]

Naturally the site for the TikTok chart stopped updating as soon as I started trying to post it here! No problem, I'm going to start using tokchart.com/ instead. It provides a little less detail, and I believe the comparisons are versus yesterday, rather than 7 days ago. The ranking here appears to be based on total TikToks created in the past 24hrs, which is a pretty good measure of virality. It should still give us some solid direction as to what's blowing up on TikTok.

Weekly TikTok Update, October 10 (past 24hrs)

Rank		Song	Artist	Vids	US Sptfy
4	(⯆1)	CUFF IT	BEYONCE	46k	14	(⯅8)
5	(=)	UNHOLY	SAM SMITH & KIM PETRAS	40k	1	(=)
7	(NE)	FORGET	XXKATUSJINSUX	33k	-
8	(NE)	PUNTO 40	RAUW ALEJANDRO & BABY RASTA	31k	-
9	(NE)	COOL KIDS (SPED UP)	ECHOSMITH	31k	-
10	(⯅2)	ADDRESS IT	LPB POODY	28k	-
14	(⯆4)	BIZCOCHITO	ROSALÍA	25k	-
16	(NE)	DUMB DUMB (SPED UP)	MAZIE	19k	-
22	(⯆1)	SUNROOF	NICKY YOURE & DAZY	15k	32	(⯅1)
35	(⯆5)	CALM DOWN	REMA & SELENA GOMEZ	10k	105	(⯅12)
40	(NE)	TOMORROW 2	GLORILLA & CARDI B	8k	53	(⯅13)
42	(⯅2)	UNDER THE INFLUENCE	CHRIS BROWN	8k	25	(⯅1)
72	(⯅5)	LOVE IS GONE (ACOUSTIC)	SLANDER & DYLAN MATTHEW	5k	-

*TikTok Rank +/- and Vids are both past 24 hrs. Spotify +/- is based on 7-day change.

[Baby Yoda Hot100Fan]

kworb's Billboard Radio Songs Estimates « 2022 » / « 10 » / « 10 »

1(=) Harry Styles - As It Was 89.10(-0.28) -
2(=) Nicky Youre & Dazy - Sunroof 85.55(-1.45)
3(=) Post Malone - I Like You (A Happier Song) [feat. Doja Cat] 82.11(+0.78) +
4(=) Lizzo - About Damn Time 74.15(-0.31)
5(+1) Doja Cat - Vegas (From the Original Motion Picture Soundtrack ELVIS) 68.19(+0.45)
6(-1) Harry Styles - Late Night Talking 67.74(-0.70)
7(=) Steve Lacy - Bad Habit 60.96(+0.17) +
8(+1) Sia - Unstoppable 60.39(+1.09)
9(-1) OneRepublic - I Ain't Worried 59.30(-0.03)
10(=) The Kid Laroi & Justin Bieber - Stay 48.54(+0.18)

15(+1) Elton John & Britney Spears - Hold Me Closer 44.25(+0.97)

32(+1) Harry Styles - Music For A Sushi Restaurant 29.99(+0.76)

38(+4) Lil Nas X - STAR WALKIN' (League of Legends Worlds Anthem) 27.43(+0.90)

44(+4) David Guetta & Bebe Rexha - I'm Good (Blue) 26.06(+1.06)

54(+1) Stephen Sanchez - Until I Found You 23.51(+1.01)

63(+5) Sam Smith & Kim Petras - Unholy 19.36(+1.70)

-(-) Kane Brown & Katelyn Brown - Thank God 10.88(+0.88)

-(-) Maluma - Junio 10.07(+1.25)

-(-) Beyoncé - CUFF IT 9.28(+1.45)

-(-) Central Cee - Doja 3.44(+1.07) +

-(-) Bad Bunny - Party f/Rauw Alejandro 2.27 +0.91 +

-(-) Sie7e - Lay Back f/PJ Sin Suela 1.45(+1.32) +

[dremolus - solarpunk]

US Spotify - 10/09/22

1(=) Sam Smith, Kim Petras - Unholy 1,355,979 (-204,915)
2(=) Steve Lacy - Bad Habit 1,353,001 (-105,800)
3(=) Bad Bunny - Tití Me Preguntó 866,217 (-143,920)
4(+2) d4vd - Romantic Homicide 832,294 (-35,143)
5(-1) Harry Styles - As It Was 820,873 (-120,477)
6(-1) Bad Bunny, Chencho Corleone - Me Porto Bonito 787,617 (-139,128)
7(=) Zach Bryan - Something in the Orange 748,848 (-71,777)
8(=) Nicki Minaj - Super Freaky Girl 692,242 (-115,407)
9(+1) OneRepublic - I Ain't Worried 642,450 (-100,739)
10(-1) David Guetta, Bebe Rexha - I'm Good (Blue) 632,437 (-122,459)

Others:
11(-1) Drake, 21 Savage - Jimmy Cooks 604,357 (-97,831)
12(+3) The Neighbourhood - Sweater Weather 577,467 (-29,318)
13(=) Post Malone, Doja Cat - I Like You (A Happier Song) 568,007 (-96,962)
14(-2) Beyoncé - CUFF IT 566,150 (-103,542)
15(+1) The Weeknd - Die For You 552,715 (-40,550)
16(-2) Morgan Wallen - You Proof 550,616 (-83,996)
17(+3) Steve Lacy - Dark Red 543,109 (-17,729)
18(-1) Omar Apollo - Evergreen 537,159 (-43,613)
19(=) Future, Drake, Tems - WAIT FOR U 505,788 (-63,583)
20(+1) JVKE - golden hour 504,448 (-39,383)
21(+3) Joji - Glimpse of Us 503,072 (-30,813)
22(-4) Bad Bunny - Efecto 491,016 (-85,571)
23(+2) J. Cole - No Role Modelz 473,242 (-46,112)
24(-2) Harry Styles - Late Night Talking 472,593 (-71,108)
25(+2) Chris Brown - Under the Influence 456,264 (-476,40)
27(-4) Doja Cat - Vegas 451,131 (-86,122)
28(+3) Steve Lacy - Static 448,164 (-22,319)
29(+3) Kanye West - Bound 2 439,730 (-29,351)
30(+8) Arctic Monkeys - 505 432,305 (-6,493)
31(+4) Stephen Sanchez - Until I Found You 429,994 (-19,774)
32(-3) Nicky Youre, dazy - Sunroof 416,336 (-66,836)
33(-5) Lizzo - About Damn Time 412,704 (-77,676)
34(-4) Bad Bunny - Moscow Mule 408,217 (-71,950)
35(-2) Luke Combs - The Kind of Love We Make 401,006 (-63,816)
36(-2) Lil Nas X - STAR WALKIN' 395,648 (-62,383)
37(-1) Morgan Wallen - Wasted On You 394,135 (-50,286)
38(+2) Bailey Zimmerman - Rock and A Hard Place 381,609 (-46,074)
40(-1) Yung Gravy - Betty (Get Money) 367,074 (-61,317)
41(=) Bad Bunny - Neverita 360,238 (-58,642)
42(=) Armani White - BILLIE EILISH. 358,623 (-54,849)
45(+2) Kanye West - Heartless 352,312 (-33,393)
46(-3) Cole Swindell - She Had Me At Heads Carolina 345,851 (-62,520)
48(+9) Childish Gambino - Me and Your Mama 329,323 (-19,754)
49(+10) Ghost - Mary On A Cross 328,043 (-19,941)
50(-2) Manuel Turizo - La Bachata 326,627 (-54,901)
51(+16) Cigarettes After Sex - Apocalypse 326,187 (-366)
53(-3) GloRilla, Cardi B - Tomorrow 2 320,272 (-51,431)
55(+6) Kanye West, Dwele - Flashing Lights 319,506 (-25,188)
57(-6) Bizarap, Quevedo - Quevedo: Bzrp Music Sessions, Vol. 52 314,806 (-56,114)
59(+3) Yeat - Talk 307,053 (-34,531)
60(-5) Grupo Frontera - No Se Va 306,341 (-46,129)
61(+31) Beach Weather - Sex, Drugs, Etc. 303,178 (+5,951)
62(+10) Baby Keem - HONEST 303,171 (-15,627)
63(-3) Nardo Wick - Dah Dah DahDah 301,987 (-43,597)
65(+11) Hotel Ugly - Shut up My Moms Calling 300,062 (-9,905)
66(-3) BLACKPINK - Shut Down 299,241 (-41,874)
69(-1) Kendrick Lamar, Jay Rock - Money Trees 297,405 (-41,874)
71(-18) Charlie Puth, Jung Kook - Left and Right 294,713 (-67,780)
73(+9) The Weeknd, Lana Del Rey - Stargirl Interlude 294,388 (-9,032)
75(=) Tory Lanez - The Color Violet 290,057 (-21,117)
76(-10) Lil Baby - Freestyle 287,862 (-39,815)
79(+10) The Weeknd, Gesaffelstein - I Was Never There 284,977 (-12,751)
83(+8) AJR - World's Smallest Violin 276,861 (-20,688)
84(-13) ROSALÍA - DESPECHÁ 271,180 (-47,867)
88(-18) Elton John, Britney Spears - Hold Me Closer 264,779 (-57,614)
91(+36) Arctic Monkeys - I Wanna Be Yours 262,891 (-3,107)
95(+33) Joji - SLOW DANCING IN THE DARK 260,479 (-4,171)
96(+6) J. Cole - Wet Dreamz 260,237 (-21,136)
97(-3) Tyler Hubbard - 5 Foot 9 259,158 (-34,901)
99(+8) Noah Kahan - Stick Season 257,428 (-19,436)

101(-17) Lizzo - 2 Be Loved (Am I Ready) 255,826 (-46,234)
105(-19) Rema, Selena Gomez - Calm Down 253,332 (-48,042)
106(-9) Rosa Linn - SNAP 253,321 (-32,034)
110(-12) KAROL G, Maldy - GATÚBELA 249,563 (-35,511)
114(+9) Montell Fish - Hotel 247,168 (-20,352)
115(+17) Mr.Kitty - After Dark 246,045 (-12,214)
116(+15) Rosa Walton, Hallie Coggins - I Really Want to Stay At Your House 246,013 (-16,872)
119(-11) Megan Moroney - Tennessee Orange 244,825 (-31,695)
121(+19) Frank Ocean - Pink + White 244,054 (-7,960)
125(=) Tyler Childers - Feather Indians 240,407 (-26,103)
130(+42) Coldplay - Sparks 237,682 (+4,923)
132(+1) Tyler Childers - All Your'n 236,304 (-21,856)
137(+13) Frank Ocean - Novacane 231,709 (-14,781)
139(-13) DJ Khaled, Drake, Lil Baby - STAYING ALIVE 229,120 (-37,252)
140(+28) Tom Odell - Another Love 228,988 (-4,827)
151(+44) TV Girl - Lovers Rock 224,451 (-426)
159(re-entry) Billie Eilish - TV 219,538
160(-7) Bailey Zimmerman - Fall in Love 219,530 (-23,305)
161(+18) Kanye West - I Wonder 219,172 (-11,091)
164(+22) Brent Faiyaz - ALL MINE 215,698 (-12,188)
170(re-entry) Brent Faiyaz - Clouded 211,594
177(re-entry) Harry Styles - Matilda 209,966
181(-18) Ivan Cornejo - J. 208,433 (-27,022)
184(-11) Ivan Cornejo, Eslabon Armado - La Curiosidad 207,764 (-24,336)
186(+12) Zach Bryan - Heading South 206,086 (-15,540)
193(re-entry) Tyler the Creator - ARE WE STILL FRIENDS? 203,830
199(re-entry) $uicideboy$ - Antarctica 200,014

[thegreatdivine]

[jenglisbe]

130(+42) Coldplay - Sparks 237,682 (+4,923)

My favorite Coldplay song. I didn't know it was charting to begin with, and now it's one of the few songs that gained plays yesterday. What is leading to this?

[jdanton2]

Oct 10, 2022 12:06:26 GMT -5 dremolus - solarpunk said:

US Spotify - 10/09/22

1(=) Sam Smith, Kim Petras - Unholy 1,355,979 (-204,915)
2(=) Steve Lacy - Bad Habit 1,353,001 (-105,800)

the gap is closing . hope Bad Habit can reach #1 again.