Madonna: 'The Celebration Tour' Era

[SHOOTER]

1. Everybody (You Can Dance Remix Edit) +#
2. Into the Groove (You Can Dance Remix Edit) +#
3. Like a Prayer (Remix/Edit)
4. Express Yourself (Remix/Edit)
5. Vogue (Single Version) +
6. Deeper and Deeper (David’s Radio Edit) +#
7. Secret (Junior’s Luscious Single Mix)
8. Frozen (Extended Club Mix Edit)
9. Music (Deep Dish Dot Com Radio Edit)
10. Hollywood (Calderone & Quayle Edit) +#
11. Hung Up (SDP Extended Vocal Edit)
12. Give It 2 Me (Eddie Amador Club 5 Edit) °+
13. Girl Gone Wild (Avicii’s UMF Mix)
14. Living For Love (Offer Nissim Promo Mix) *+
15. Medellín (Offer Nissim Madame X In The Sphinx Mix) – Madonna and Maluma
16. I Don’t Search I Find (Honey Dijon Radio Mix)





1. Holiday (7 Version) +
2. Like A Virgin (7 Version)
3. Material Girl (7 Version)
4. Into The Groove (You Can Dance Remix Edit) +#
5. Open Your Heart (Video Version) +
6. Physical Attraction (You Can Dance Remix Edit) +#
7. Everybody (You Can Dance Remix Edit) +#
8. Like A Prayer (Remix/Edit)
9. Express Yourself (Remix/Edit)
10. Keep It Together (Alternate Single Remix) *+
11. Vogue (Single Version) +
12. Justify My Love (Orbit Edit)
13. Erotica (Underground Club Mix)
14. Deeper And Deeper (David’s Radio Edit) +#
15. Fever (Radio Edit) +
16. Secret (Junior’s Luscious Single Mix)
17. Bedtime Story (Junior’s Single Mix)
18. Don’t Cry For Me Argentina (Miami Mix Edit)
19. Frozen (Extended Club Mix Edit)
20. Ray Of Light (Sasha Ultra Violet Mix Edit) +#
21. Nothing Really Matters (Club 69 Radio Mix) +
22. Beautiful Stranger (Calderone Radio Mix)
23. American Pie (Richard ‘Humpty’ Vission Radio Mix)
24. Music (Deep Dish Dot Com Radio Edit)
25. Don’t Tell Me (Thunderpuss Video Remix) +#
26. What It Feels Like For A Girl (Above And Beyond Club Radio Edit)
27. Impressive Instant (Peter Rauhofer’s Universal Radio Mixshow Mix) +#
28. Die Another Day (Deepsky Radio Edit) +#
29. American Life (Felix Da Housecat’s Devin Dazzle Edit) *+
30. Hollywood (Calderone & Quayle Edit) +#
31. Me Against The Music (Peter Rauhofer Radio Mix) + – Britney Spears feat. Madonna
32. Nothing Fails (Tracy Young’s Underground Radio Edit) *+
33. Love Profusion (Ralphi Rosario House Vocal Edit) +#
34. Hung Up (SDP Extended Vocal Edit)
35. Sorry (PSB Maxi Mix Edit) +#
36. Get Together (Jacques Lu Cont Vocal Edit) +
37. Jump (Axwell Remix Edit)
38. 4 Minutes (Bob Sinclar Space Funk Edit) + – feat. Justin Timberlake & Timbaland
39. Give It 2 Me (Eddie Amador Club 5 Edit) +#
40. Celebration (Benny Benassi Remix Edit)
41. Give Me All Your Luvin’ (Party Rock Remix) – feat. LMFAO & Nicki Minaj
42. Girl Gone Wild (Avicii’s UMF Mix)
43. Turn Up The Radio (Offer Nissim Remix Edit) *+#
44. Living For Love (Offer Nissim Promo Mix) *+
45. Ghosttown (Dirty Pop Intro Remix)
46. Bitch I’m Madonna (Sander Kleinenberg Video Edit) +# – feat. Nicki Minaj
47. Medellín (Offer Nissim Madame X In The Sphinx Mix) – Madonna and Maluma
48. I Rise (Tracy Young’s Pride Intro Radio Remix)
49. Crave (Tracy Young Dangerous Remix) – feat. Swae Lee
50. I Don’t Search I Find (Honey Dijon Radio Mix)

* previously unreleased
+ available digitally for the first time
# available commercially for the first time

MADONNA ANNOUNCES ‘FINALLY ENOUGH LOVE: 50 NUMBER ONES’

Madonna made history once again when she topped the Dance Club Songs chart for the 50th time, making her the first and only recording artist to have 50 #1 hits on any single Billboard chart.

To celebrate this historic milestone, Madonna curated two new collections: FINALLY ENOUGH LOVE: 50 NUMBER ONES, a new 50-track collection that includes her favorite remixes of those chart-topping dance hits that have filled clubs worldwide for four decades, and an abridged 16-track version, simply titled FINALLY ENOUGH LOVE.

These new collections will mark the first album releases to be part of the newly announced partnership between Madonna and Warner Music Group, which will feature an extensive series of catalog releases across her groundbreaking career.

50 NUMBER ONES spans Madonna’s entire dance club chart reign with dozens of remixes by the world’s top producers. In addition to fan favorites, the collection also includes a selection of rare remix recordings, with more than 20 being officially released for the first time or making their commercial/digital debut. The collection will be available digitally on August 19, along with a 3-CD ($29.98) version. A limited edition, 6-LP version on red and black vinyl ($149.98) will also be available, exclusively at Madonna’s official store and Rhino.com. Pre-order now.

The 16-track version, FINALLY ENOUGH LOVE, will be available for streaming on June 24, with 1-CD ($14.98) and 180-gram 2-LP ($34.98) versions coming on August 19.

As a first listen to these collections, the You Can Dance Remix Edit of Into The Groove is available today digitally for the first time. Listen Now.

Boasting more than 220 minutes of remixes, FINALLY ENOUGH LOVE: 50 NUMBER ONES flows in mostly chronological order, showcasing the many musical reinventions that made Madonna an international icon, from 1983’s “Holiday” to 2019’s “I Don’t Search I Find,” with remixes by some of the biggest and most influential DJs of all time including Shep Pettibone, William Orbit, Honey Dijon, and Avicii.

On several songs, Madonna is joined by other incredible artists, including Britney Spears (“Me Against The Music”); Justin Timberlake and Timbaland (“4 Minutes”); and Nicki Minaj (“Bitch I’m Madonna.”) Each remix was newly remastered for the collection by Mike Dean, who produced Madonna’s two most-recent studio albums, Rebel Heart (2015) and Madame X (2019).

Both of these new collections also highlight You Can Dance, Madonna’s first ever remix collection. Celebrating 35 years this year, You Can Dance has sold more than five million copies worldwide and is still the second best-selling remix album of all time. The collection also pays homage to “Everybody,” Madonna’s first single, celebrating its 40th Anniversary on October 6. Madonna redesigned the album’s chronology by picking three edits from You Can Dance, including “Into The Groove”, “Everybody” and “Physical Attraction,” which reflects the underground club vibes that inspired her first recordings as a Sire artist.

Along with those rarities, these albums also introduce versions that are seeing their first ever official release, including the “Alternate Single Remix” of “Keep It Together,” the “Offer Nissim Promo Mix” of “Living For Love,” and more.

In advance of the debut of FINALLY ENOUGH LOVE in June, one of the 50 chart toppers – “Causing A Commotion” – was spotlighted early as an exclusive release for this year’s Record Store Day on April 23. Three remixes of the track appeared on the limited edition, five-track, red vinyl 12” EP Who’s That Girl Super Club Mix.

Expect more surprises to be revealed later this year around the celebration of Madonna’s 40 years in music.

---

1. Medellín with Maluma
(Madonna Ciccone; Mirwais Ahmadzai; Maluma Londonno; Barrera)

2. Dark Ballet
(Madonna Ciccone; Mirwais Ahmadzai)

3. God Control
(Madonna Ciccone; Mirwais Ahmadzai)

4. Future feat. Quavo
(Madonna Ciccone; Thomas Pentz; Brittany Talia Hazzard; Quavious Keyate Marshall)

5. Batuka
(Madonna Ciccone; Banda; Mirwais Ahmadzai)

6. Killers Who Are Praying
(Madonna Ciccone; Mirwais Ahmadzai)

7. Crave feat. Swae Lee
(Madonna Ciccone; Khalif Malik Ibn Shaman Brown; Brittany Talia Hazzard)

8. Crazy
(Jason Evigan; Madonna Ciccone; Brittany Talia Hazzard)

9. Come Alive
(Jeff Bhasker; Madonna Ciccone; Brittany Talia Hazzard)

10. Extreme Occident [Deluxe Version]
(Madonna Ciccone; Mirwais Ahmadzai)

11. Faz Gostoso feat. Anitta
(Carmo; Nuno; Oliviera; Seabra; Vieira; Rodrigues; Madonna Ciccone)

12. Bitch I'm Loca feat. Maluma
(Madonna Ciccone; L. D'Elia; Maluma Londonno; Barrera; JAMES; Rodriguez; Stiven Rojas)

13. I Don't Search I Find
(Madonna Ciccone; Mirwais Ahmadzai)

14. Looking for Mercy [Deluxe Version]
(Madonna Ciccone; Brittany Talia Hazzard)

15. I Rise
(Jason Evigan; Madonna Ciccone; Brittany Talia Hazzard)

Deluxe 2-Disc Edition
16. Funana
(Madonna Ciccone; Mirwais Ahmadzai)

17. Back That Up to the Beat
(Madonna Ciccone; Brittany Talia Hazzard; Pharrell Williams)

18. Ciao Bella
(Madonna Ciccone; Mirwais Ahmadzai)

Madame X, Madonna's 14th studio album, was released on June 14, 2019. The album became her ninth to debut at #1 on the Billboard 200; it opened with 95k SPS (90k sales). It also cracked the top-10 in 28 other countries, certified Silver in the UK and Gold in Italy. The subsequent Madame X tour launched in September 2019 and spanned 75 shows across America and Europe, ending in March 2020 with a box office total of $51.4 million.


(#1 Dance Club Songs; #18 Hot Latin Songs; certified Gold in Italy)


(#1 Dance Club Songs; #11 Adult Contemporary; #34 Adult Top 40)


(#1 Dance Club Songs; Grammy winner for Best Remixed Recording)


(#1 Dance Club Songs)

“I’m traveling the world right now and listening to lots of different music. I’m getting inspired by people and I’m just soaking things up right now. I feel like I’ve pushed the whole big-production arena tour to the max and done it the best that I could for such a long time. It’s time for me to take a different approach and really get back down to the beauty and simplicity of music and lyrics and intimacy.

“I moved to Lisbon, and I’ve been listening to a lot of music here, like fado, which is the music of Portugal. There’s such a cultural mix of people and music here. You could go out every night and hear different kinds of music. There’s a great jazz scene here. So right now I’m listening to a lot of local artists I’ve never heard of before, and that’s been really inspiring.” - Madonna, EW interview

[★Disco★]

Word on the street is that Cardi B wants to do song with Madonna.

[Glove Slap]

Jan 20, 2018 3:56:33 GMT -5 ★Disco★ said:

Word on the street

Stop.

[🇯🇲 lucy88 🇯🇲]

👌👌👌👌

[bat1990]

OMG YASSS!!!!! I love Billboard as a producer!!!!! He hasn't done as many songs as other, but I've always enjoyed his work! Maybe she's working mostly with him instead of the massive hodge podge of people on RH.

EDIT - List of songs produced & co-produced by Billboard:

Britney - Hold It Against Me, Till The World Ends, Inside Out, (Drop Dead) Beautiful
Robyn - Call Your Girlfriend, Stars 4-ever, Get Myself Together
Kesha - Out Alive, Animal (Remix), Take It Off (Remix)
Ellie Goulding - Hangin' On
B.o.B. - Out of my Mind
MIKA - Lola
Shakira - Dare (La La La)
Madonna - Ghosttown
Ariana - Thinking 'Bout You

[SHOOTER]

I love almost everything on that list and GT was a RH highlight for me so I’m pleased that he and Madonna have teamed up again. More records in that vein would be fine with me.

[jumpb4uthink]

Something’s brewing

http://instagr.am/p/BeJ0Wk0lpWi

[HolidayGuy]

Well, she didn't say she wasn't making such a record, just that people should stop making assumptions based on what's in a photo.

Yes, "Ghosttown" was a highlight of RH" so I wouldn't mind some Billboard involvement. They just need to keep a very tight lid on any music before an official release. Not that RH was going to be some huge success, butthe leaks and the sloppy/nonsensical release of those first six songs on iTunes (esp. LFL) let the air out of the release tires somewhat.

[jumpb4uthink]

http://instagr.am/p/BeNeku-h0EF

http://instagr.am/p/BeNaX3qhleH

[divasummer]

Is that her new song that was posted above?
I kind of like it.

[HolidayGuy]

^It won't play for me, but based on the lyrics, I'm guessing no, as those are from 2008's "Beat Goes On." :-)

[Oprah]

Jan 21, 2018 8:40:33 GMT -5 jumpb4uthink said:

http://instagr.am/p/BeNaX3qhleH

This is who greets gays at the gates of heaven.

[Juanca]

Jan 21, 2018 12:07:01 GMT -5 HolidayGuy said:

^It won't play for me, but based on the lyrics, I'm guessing no, as those are from 2008's "Beat Goes On." :-)

Indeed it’s a remix version of BGO

[Deleted]

I'm hoping that whatever she does next
It's more in the lane of Ghosttown-esque songs versus this monstrosity below
In my dreams, I'd love Madonna to take on 80s pop sounds again or the dance trends she set with COTD

[jumpb4uthink]

With all do respect I don’t think BIM is a is a monstrosity at all. Certainly it’s no where near the eloquence of Ghosttown or any other beautiful ballad on Rebel Heart. BIM single and video were meant to be a fun tongue in cheek message to the naysayers that say she is too old for such a bombastic high energy Diplo at the helm song. Madonna knew exactly what the reaction would be, good or bad, and that’s why it’s the most viewed video of hers.

[★Disco★]

Jan 21, 2018 8:47:33 GMT -5 divasummer said:

Is that her new song that was posted above?
I kind of like it.

It was an interlude during the Sticky & Sweet Tour called "Get Stupid" based on some vocal samples from "Beat Goes On", "Give It 2 Me" and "4 Minutes."

She posted the video on her YouTube channel a few hours ago.

[Dreams]

I have no issue with a fun, tongue-in-cheek attitude at all. Who says that older artists have to exclusively do "mature"-sounding music? In that sense, I applaud Madge. Just f**king write a decent lyric and music to go with it though. BIM is garbage, noise, a dud. That's my issue with it, and I'd trash it no matter who sang it; the song itself is just straight up s**t.

We go hard or we go home
We gon do this all night long
We get freaky if you want
Na na na na

..........

🤮🤮🤮

Ideally, I'd be here for Madge serving up some vintage sounding, post-disco 80s uptempos, but knowing how she operates I'm thinking she'll probably write more BIM-esqe stuff.

[jenglisbe]

Jan 21, 2018 16:20:24 GMT -5 jumpb4uthink said:

Madonna knew exactly what the reaction would be, good or bad, and that’s why it’s the most viewed video of hers.

It's her most viewed because Nicki is on it.

[Glove Slap]

Not so much Nicki being on the song, but her + the people they drafted in to cameo in the video.

I want her to do away with those high pitch vocals she's been doing for a decade now. She tried to do the "girly" vocals like in her early days, but her voice has changed. It's a shame too because using the Evita lessons in her pop work was a very smart move, and then she tossed it.

[chartfreak]

Jan 21, 2018 21:55:19 GMT -5 jenglisbe said:

Jan 21, 2018 16:20:24 GMT -5 jumpb4uthink said:

Madonna knew exactly what the reaction would be, good or bad, and that’s why it’s the most viewed video of hers.

It's her most viewed because Nicki is on it.

Nicki was in another video in 2012 and that didn't mean much.

[jenglisbe]

Jan 21, 2018 23:29:38 GMT -5 Glove Slap said:

I want her to do away with those high pitch vocals she's been doing for a decade now. She tried to do the "girly" vocals like in her early days, but her voice has changed. It's a shame too because using the Evita lessons in her pop work was a very smart move, and then she tossed it.

This 100 times over. She's had good songs on her last few albums that I can't listen to simply because the vocals are terrible.

[jumpb4uthink]

10 albums turning 20 in 2018, from 'The Miseducation of Lauryn Hill' to Outkast's 'Aquemini' and 'Ray of Light' by Madonna

www.independent.co.uk/arts-entertainment/music/features/albums-turning-20-in-2018-lauryn-hill-miseducation-outkast-jay-z-madonna-destinys-child-album-a8172866.html

MADONNA - Ray of Light

Madonna’s seventh studio album was released after the birth of her first child. Some feared this would, somehow, impact the music in a negative way. Of course not. Ray of Light became the best-selling studio album of Madonna’s career, proving once again her mastery over instinctive, brilliant pop music.
Newfound maternal instincts along with her delving into Kaballah and yoga gave the album a wholesome, earthy feel; even the tracks about love and sex were less about the drama of her celebrity relationships and more about lessons learned.

[SPRΞΞ]

Great post from a Mtribe member....had to share:

How will her next record sound?
I'm not sure though i do think it wont be a million miles away from some of the sounds and styles she visited on Rebel Heart.
There'll be more guitar for sure. I think sonicaly she may pick up on what Justin Timberlake is attempting to do with his album. R&B fused with Country. (Though I haven't heard it all yet. The melding of what is socially and rather irksomely viewed as Black Music & White Music. There will no doubt be a Latin feel to it via the Portugal connection and the worldwide domination of the Reggaeton sound with lots of the big current hits drawing from that fusion of Latin and Reggae.
It wouldn't surprise me if sonically we are served another mixtape smorgasbord playlist type album like Rebel Heart. I can't see dance/disco/pop/electronic music making an appearance though. No traditional 70's 80's or 90's influences.
I also think there's a chance she'll go punk on us. Rock music has been in recession for a number of years now and while modern RnB / HipHip has, in the main, reached parody levels of apathy in certain quarters (Beyonce / Kendrick and a few other activists / social commentators aside).


What has happened since Rebel Heart politically?
Black Lives Matter:
She is an ally and a defender of this movement but Beyonce has already taken up that mantle and if Madonna tries to become the mouthpiece for it she risks cries of "White woman speaking on behalf of" which in todays sociopolitical climate would not be a good look and something she could come under scrutiny and fire for, even though she has four black kids. It feels like it's not her battle to lead but she'll continue to be a strong supporter voice and activist.

Fake News:
I still think this is an absolutely incredible marketing tool and would be a great and interesting angle for the album and promo to take. It's marketing gold. Propaganda and social persuaders are some of the biggest tools and manipulators in the social media age. She should really exploit this for what it is and call time on it by subverting it and using it against itself. It's hard to explain my angle but it could be explosive, grab headlines and also have cultural significance. Possibly even a social media watershed moment.

I think the overarching theme will be WOMAN.
Looking at her Clinton support towards the end of Rebel Heart. Her Billboard woman of the year speech, the Weinstein scandal, the prolific equal pay marches happening either side of the globe and her own eldest daughter coming of age as a woman the central focus of this year is WOMEN.

She is has always been a beacon of hope and a loud voice for women. She's often been attacked by women too. Her Billboard speech about the women who have supported her was very emotional and tapped into something very real that felt genuine and right at the very core of Madonna. I think having a step mother so young probably made Madonna feel a certain way towards other women. Like she was being judged conditionally, whether that was the case or not. I know she has a good relationship with her Step Mother now but the unconditional love of a mothers gaze helps inform the relationships you create with other women. I certainly know this to be true of fathers and sons.
So I think we'll be revisiting the theme of her own mother now she's substantially outlived her and how that must feel.

If she gets this right it could be an absolutely breathtaking and inspiring album that hits the cultural, political, social zeitgeists right on the nose and gives it that Madonna twist. I do however feel that the only way she'll fend off any naysayers would to step away from the ageism thing and deliberately trying to rub peoples nose in the fact that she's old and can behave how she wants. Bitch I'm Madonna etc. She tackled that subject brilliantly and I applaud her for it but it's time to move the dialogue on to a slightly more nuanced way. I'd hate for the real issues to be misconstrued as self serving or self indulgent, even if that's not how it was intended it's often how it's viewed. As well read Madonna fans we know better but so she'd probably do well to curate a different approach so the message isn't diluted or misread. There's a statement moment to be had here, sometimes you don't need to say something new, you just need to say what you know and what you are known for at exactly the right moment when all ears are poised and listening. A moment of quiet in a sea of noise can be the most effective and affective thing. This could and should be that moment. Something about the current climate feels like she's maybe the perfect and natural candidate to stand up and be the figurehead for this. Almost what her whole lifes work has been building up to.

Her recent posting of the Get Stupid video and the image of her and Cher together last year makes me feel like this is the angle she's going to take.
I have to say that the music has to be less Kumbya in sound but not too far away in sentiment at points. An appeal to God to those in need. Is it time for Like A Prayer 2.0??? Who knows? It could certainly be interesting to read reviews that say "so an so song is her Like A Prayer for the modern era, less sexual desire, no one standing alone, but found, redeemed and enlightened"

Like a Prayer the song itself always had one line that intrigued me. "I hear your voice...It's like an Angel sighing". It's the only part in the song that alludes to the fact that Madonna is being judged.

SIGH:
emit a long, deep audible breath expressing sadness, relief, tiredness, or similar.

I don't think anyone has ever picked up on this before. Certainly not in any of the think pieces I've ever read about the song. This is such an interesting angle. Maybe it shows that Madonna feels judged by God at her choices / the way she is living. It's possibly the most revealing line in her discography and how she views herself through the eyes of her creator. Not good enough, a sinner, etc. That is indeed if "god" is fact "god" or a manifestation of her Mother looking down on her from above. It's certainly another angle to look at it from. Specifically as the entire Like A Prayer album is "dedicated to my mother who taught me how to pray". The song is so indicative of Madonna at that point in her life. About to go into her 30's and rebel. Thirty years later has she exorcised those demands or is the angel still sighing at her...or is it now sighing with her? I think a re-evaluation of the themes of this song in her life at 60 years old could be the most fascinating approach to her signature and best loved song. A song that has defined her in many ways.
Which ever way her beautiful artistry falls we don't know. All I know is I'm still 100% here for her and know there is merit, discussion, meaning and double meaning in most everything she delivers musically. Even the most innocent bopps say something behind the eyes when you juxtapose them with whats happening in her life at the time.

If the whole album turns out to be her patting her puss to beats and Beiberisms i'll be getting my damn life anyway so it's all good.

[jumpb4uthink]

^ That’s a very telling and insightful post from the member. Thanks for sharing. The pieces of the new era will come together in time and I do believe M’s team will keep us guessing and hopefully no leaks this time around.

[SHOOTER]

I can just imagine a whole Madonna Fake News album campaign. That would be epic if executed properly.

[SPRΞΞ]

I'm sure the album will be out before she turns 60, no? Would make sense to squeeze another album/era into your 50's.

[Revelry]

I don't think there's much difference between 59/60. Old is old. I do think she has another great album in her though. She just needs to stop trying to be relevant/young and embrace this stage of her life. I also agree with what others have said about her 'girly' voice. I think it makes her sound witchy. I love her natural tone/register and I feel like its definitely been under-utilized in most of her singles barring Miles Away and Ghosttown in the last 10 years.


Edited to clarify that I was referring to her singles, not her albums.

[SPRΞΞ]

Joan of Arc and Ghosttown showcase it perfectly. And Messiah.

[jumpb4uthink]

And Devil Pray, Wash All Over Me, Heartbreak City, the track Rebel Heart and others. She showcases her strong vibrato vocals throughout.

[chartfreak]

I want Papa Don't Preach vocals back!