mako
Platinum Member
formerly known as "the one letter"
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Post by mako on Apr 9, 2019 10:03:12 GMT -5
25 0 New 1 Rap ***I'M RACIST***s , Nipsey Hussle 25 lmao |
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owenlovesmusic
4x Platinum Member
Always 100
Joined: December 2017
Posts: 4,998 
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Post by owenlovesmusic on Apr 9, 2019 10:04:50 GMT -5
^ does it automatically correct to i’m racist or what
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Deleted
Joined: January 1970
Posts: 0
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Post by Deleted on Apr 9, 2019 10:18:23 GMT -5
Yes it does. I think there are other examples like shit.
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ddlz
2x Platinum Member
Joined: June 2011
Posts: 2,166
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Post by ddlz on Apr 9, 2019 10:21:40 GMT -5
And this is with two other singles in Top 5  |
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Post by Baby Yoda Hot100Fan on Apr 9, 2019 11:21:21 GMT -5
4/9/2019 by Xander Zellner
ilish charts 14 songs on the Hot 100 as she debuts at No. 1 on the Billboard 200.
As Billie Eilish celebrates her first No. 1 album on the Billboard 200 (dated April 13), as When We All Fall Asleep, Where Do We Go? launches with 313,000 equivalent album units, according to Nielsen Music, the alt-pop singer-songwriter tallies her first top 10 song on the Billboard Hot 100 and breaks the record for the most simultaneously charted Hot 100 titles among women, with 14.
Of the album's 13 songs, 12 make the Hot 100 (the set's final track, "Goodbye," falls just shy), and are joined by additional tracks "Lovely," with Khalid, and "Ocean Eyes."
Encompassing the Hot 100's 60-year history, Eilish passes Cardi B, who charted 13 songs on the April 21, 2018-dated chart, concurrent with the No. 1 arrival of her debut LP Invasion of Privacy on the Billboard 200. Ariana Grande and Beyoncé both logged 12 simultaneous Hot 100 entries, coinciding with the Billboard 200-topping debuts of Thank U, Next and Lemonade on Feb. 23 this year and May 14, 2016, respectively. Rounding out the category's top five, Taylor Swift tallied 11 titles at once when Speak Now opened atop the Billboard 200 in 2010.
Drake holds the record for most simultaneous Hot 100 entries among all acts, 27, on July 14, 2018, when Scorpion started at No. 1 on the Billboard 200.
Leading the way, Eilish's "Bad Guy" bounds onto the Hot 100 at No. 7, marking her first top 10 on the chart. She places five songs in the 40; before this week, she scored one top 40 hit, "Bury a Friend," which reached a No. 14 high in February.
Here's a look at all 14 of Eilish's songs on the April 13-dated Hot 100:
Hot 100 Rank, Title
No. 7, "Bad Guy" (debut)
No. 25, "Bury a Friend"
No. 29, "When the Party's Over" (re-entry, new peak)
No. 31, "Wish You Were Gay"
No. 35, "Xanny" (debut)
No. 41, "You Should See Me in a Crown" (re-entry, new peak)
No. 43, "My Strange Addiction" (debut)
No. 46, "All the Good Girls Go to Hell" (debut)
No. 53, "I Love You" (debut)
No. 62, "Ilomilo" (debut)
No. 63, "Listen Before I Go" (debut)
No. 79, "8" (debut)
No. 85, "Lovely," with Khalid (peaked at No. 64)
No. 94, "Ocean Eyes" (re-entry; new peak)
With eight debuts on this week's Hot 100, Eilish has charted 24 songs in 2019, the most of any act. Grande ranks second with 15, followed by Juice WRLD, with 10.
As previously reported, When We All Fall Asleep, Where Do We Go? debuts with the second-largest week of 2019 for an album in terms of equivalent album units, after Grande's Thank U, Next. Plus, Eilish, 17, becomes the youngest woman with a No. 1 album since Demi Lovato, who, at 16, reigned with Here We Go Again in 2009.
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Post by Naos on Apr 9, 2019 12:55:53 GMT -5
Billie almost kicked out "Tequila" and "Zeze" to recurrency. Also, pushed "Baby Shark" out of the Top 40.
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eidde
Gold Member
Joined: August 2018
Posts: 987
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Post by eidde on Apr 9, 2019 14:42:14 GMT -5
And this is with two other singles in Top 5 Hopefully it spends a full year in the top 40. Impressive, with only a #3 peak. |
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renfield75
Platinum Member
Joined: February 2009
Posts: 1,643
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Post by renfield75 on Apr 9, 2019 15:15:39 GMT -5
1. There are many who thing "OTR" has country elements, which means...something. I mean, "country" songs as of late have hip-hop elements as it is. 2. "Some stations are providing independent airplay for the song." From that article above, so it's not just the syndicated show. 1. A few city boys and hip-hop fans calling a song country does not a country song make. I don't know why y'all can't comprehend that basic concept. Remember when a bunch of pop fans called "Perfect Illusion" a rock song? Yeah, I don't trust a small group of people to classify song genres correctly. There are way more country music insiders and superfans that don't believe OTR is country and that should count for... something more. 2. "Meant to Be" was a #1 country airplay hit. It's still a pop song that I don't believe should ever have been on the country chart. So that point isn't going to change my mind. There was a similar issue a few years ago when Mumford & Sons' "I Will Wait" made the Country airplay chart but Billboard withheld it from Hot Country Songs. A few stations giving it spins for a few weeks apparently didn't justify the song being number one on Hot Country Songs for 40+ weeks. |
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korbel16
Platinum Member
Joined: September 2017
Posts: 1,908
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Post by korbel16 on Apr 9, 2019 15:18:25 GMT -5
And this is with two other singles in Top 5 52 weeks locked |
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Post by Naos on Apr 9, 2019 15:39:43 GMT -5
Interestingly, "!!!!!!" by Billie Eilish actually debuts at #79 in Canada.
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Post by Baby Yoda Hot100Fan on Apr 9, 2019 15:40:43 GMT -5
4/9/2019 by Gary Trust
The song starts at No. 53.
As Lil Nas X's "Old Town Road" roars from No. 15 to No. 1 on the Billboard Hot 100 (dated April 13), the genre-bending song also debuts on Billboard's Country Airplay chart, at No. 53.
The track, released on Sony Music's Columbia Records, enters Country Airplay with 1 million in audience, via 140 plays on 35 reporters to the chart (whose panel totals 148 stations), in the week ending April 7, according to Nielsen Music. The song had drawn five plays the week before, translating to 37,000 in audience; it, thus, logs a 2,655% gain in audience week-over-week.
Almost all plays for "Road" in the latest tracking week occurred during morning drive, thanks to syndicated plays on The Bobby Bones Show, although one station, iHeartMedia-owned WMAD Madison, Wis., played it 14 times, in various dayparts (between 6 a.m. and midnight); no other reporter gave it more than five plays in that span.
Also notably, 78 plays of the song on Country Airplay reporters occurred Friday-Sunday (April 5-7), after the arrival of its remix with Billy Ray Cyrus, released Friday, besting the 62 plays the song drew Monday-Thursday (April 1-4).
"If it's country enough for Billy Ray Cyrus, it's country enough for me," muses WMAD program director Katie Kruz, who notes that the station is playing the Cyrus remix. "The rest of the [country panel] might not be playing it, but they have it stuck in their heads as they read this.
"It's fun. It's 2019," Kruz says. "Listener response over the weekend has been positive, for the most part. We posted it on our socials and, just like anything, there are some naysayers, but most people are loving the song and telling us that they cannot get it out of their heads."
As the song enters Country Airplay, Sony Music Nashville CEO Randy Goodman tells Billboard that his team has started testing the song in some country radio markets. "It would be negligent not to look at it," he says.
n addition to the song's Country Airplay arrival, "Road" rises 36-23 (up 139% in plays) as the Greatest Gainer on the Rhythmic Songs airplay chart, which measures plays on 56 rhythmic stations, and 38-30 (up 135%) on the Pop Songs airplay chart, which is based on a panel of 167 mainstream top 40 stations.
"People are finding the song everywhere else, in all genres," Kruz says. "I'd rather they find it on my radio station."
The song's profile first swelled thanks in part to TikTok videos and other viral memes, while subsequent attention has centered on its removal after a week on Billboard's Hot Country Songs chart (dated March 16). (Hot Country Songs, based on airplay, streaming and sales, requires Billboard to designate songs for inclusion based on genre fit; Country Airplay, however, as well as Rhythmic Songs and Pop Songs, purely reflects plays on reporting stations.)
--Additional reporting by Jim Asker
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jebsib
Platinum Member
Joined: September 2004
Posts: 1,927
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Post by jebsib on Apr 9, 2019 15:44:54 GMT -5
Genre screw ups are nothing new!
Billboard charted REO Speedwagon's "Can't Fight This Feeling" on Hot R&B / Hip-Hop Songs back in 1985.
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Kanenrá:ke
Moderator
ethereal eternal nonexistent
she left her briquettes out in typical heaux fashion.
Joined: January 2009
Posts: 12,420
Staff
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Post by Kanenrá:ke on Apr 9, 2019 18:13:02 GMT -5
1. A few city boys and hip-hop fans calling a song country does not a country song make. I don't know why y'all can't comprehend that basic concept. Remember when a bunch of pop fans called "Perfect Illusion" a rock song? Yeah, I don't trust a small group of people to classify song genres correctly. There are way more country music insiders and superfans that don't believe OTR is country and that should count for... something more. 2. "Meant to Be" was a #1 country airplay hit. It's still a pop song that I don't believe should ever have been on the country chart. So that point isn't going to change my mind. There was a similar issue a few years ago when Mumford & Sons' "I Will Wait" made the Country airplay chart but Billboard withheld it from Hot Country Songs. A few stations giving it spins for a few weeks apparently didn't justify the song being number one on Hot Country Songs for 40+ weeks. Yeah that one was messy as well. Look it's not a country song, it's a rap song that has like a pinch of country elements. Turn the tables and send a country song with like 1% rap influence to that format and those fans would be just as against it. Now Radio and Billboard certainly don't decide what makes a song a certain genre, there's well defined parameters for each genre. If the country radio stations want to play it to appeal to the audience that likes the song by all means they should go for it and once it's not just Bobby Bones and iHeart (whom he works for) spinning it then it should be on the Hot Country Songs. Country is probably the genre who's fans still get most of their influence from radio, this shows in the fact that the country genre has long lagged behind all others in streaming and digital sales. That is the reason I think the song needs to be accepted by radio and thus the listeners before it's allowed onto the country chart. If the radio audience doesn't mind it then let it through. |
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Post by Naos on Apr 9, 2019 23:05:42 GMT -5
Bubbling Under This Week Last Week Two Weeks Ago Weeks Title, Artist Peak 1 0 New 1 #1 1 wks West Coast , G-Eazy & Blueface 1 2 3 5 5 Love Ain't , Eli Young Band 2 3 1 6 3 Big Ole Freak , Megan Thee Stallion 1 4 0 New 1 Goodbye , Billie Eilish 4 5 0 New 1 Hussle & Motivate , Nipsey Hussle 5 6 0 New 1 Victory Lap , Nipsey Hussle Featuring Stacy Barthe 6 7 5 15 5 Shotta Flow , NLE Choppa 5 8 12 20 19 bellyache , Billie Eilish 3 9 0 New 1 Grindin All My Life , Nipsey Hussle 9 10 11 – 2 Hey Look Ma, I Made It , Panic! At The Disco 10 11 0 New 1 Every Little Honky Tonk Bar , George Strait 11 12 14 17 3 Die Young , Roddy Ricch 12 13 13 22 3 Ex , Kiana Lede 13 14 8 19 4 Love Someone , Brett Eldredge 8 15 0 New 1 Blue Laces 2 , Nipsey Hussle 15 16 6 13 3 Caught Up In The Country , Rodney Atkins Featuring The Fisk Jubilee Singers 6 17 4 4 5 Baila Baila Baila , Ozuna 4 18 18 – 2 Low Key , Ally Brooke Featuring Tyga 18 19 0 New 1 Goin Baby , DaBaby 19 20 0 New 1 Knockin' Boots , Luke Bryan 20 21 7 12 13 Every Season , Roddy Ricch 7 22 19 14 12 Nunca Es Suficiente , Los Angeles Azules Featuring Natalia LaFourcade 9 23 23 25 3 HP , Maluma 23 24 0 New 1 Lost In The Middle Of Nowhere , Kane Brown & Becky G 24 25 0 New 1 Rap ***I'M RACIST***s , Nipsey Hussle 25 Something weird about this... "That Old Truck" by Thomas Rhett, "Love You Too Late" by Cole Swindell, and "Closer to You" by Carly Pearce are all higher tha "Lost In The Middle Of Nowhere" on Country Songs, but all did not make the Bubbling Under? |
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rimetm
2x Platinum Member
Just a Good Ol' Chart Shmuck
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Post by rimetm on Apr 10, 2019 0:04:38 GMT -5
Bubbling Under This Week Last Week Two Weeks Ago Weeks Title, Artist Peak 1 0 New 1 #1 1 wks West Coast , G-Eazy & Blueface 1 2 3 5 5 Love Ain't , Eli Young Band 2 3 1 6 3 Big Ole Freak , Megan Thee Stallion 1 4 0 New 1 Goodbye , Billie Eilish 4 5 0 New 1 Hussle & Motivate , Nipsey Hussle 5 6 0 New 1 Victory Lap , Nipsey Hussle Featuring Stacy Barthe 6 7 5 15 5 Shotta Flow , NLE Choppa 5 8 12 20 19 bellyache , Billie Eilish 3 9 0 New 1 Grindin All My Life , Nipsey Hussle 9 10 11 – 2 Hey Look Ma, I Made It , Panic! At The Disco 10 11 0 New 1 Every Little Honky Tonk Bar , George Strait 11 12 14 17 3 Die Young , Roddy Ricch 12 13 13 22 3 Ex , Kiana Lede 13 14 8 19 4 Love Someone , Brett Eldredge 8 15 0 New 1 Blue Laces 2 , Nipsey Hussle 15 16 6 13 3 Caught Up In The Country , Rodney Atkins Featuring The Fisk Jubilee Singers 6 17 4 4 5 Baila Baila Baila , Ozuna 4 18 18 – 2 Low Key , Ally Brooke Featuring Tyga 18 19 0 New 1 Goin Baby , DaBaby 19 20 0 New 1 Knockin' Boots , Luke Bryan 20 21 7 12 13 Every Season , Roddy Ricch 7 22 19 14 12 Nunca Es Suficiente , Los Angeles Azules Featuring Natalia LaFourcade 9 23 23 25 3 HP , Maluma 23 24 0 New 1 Lost In The Middle Of Nowhere , Kane Brown & Becky G 24 25 0 New 1 Rap ***I'M RACIST***s , Nipsey Hussle 25 Something weird about this... "That Old Truck" by Thomas Rhett, "Love You Too Late" by Cole Swindell, and "Closer to You" by Carly Pearce are all higher tha "Lost In The Middle Of Nowhere" on Country Songs, but all did not make the Bubbling Under? I noted this on the popheads Discord and I believe I have the answer. You know how the song released with an English and Spanish version? Well, apparently, they seem to be counting only the English version’s points to Hot Country and only the Spanish version’s points to Hot Latin (where on BU it’s only behind HP but on Latin there’s Aullando and Te Robaré between then). Really interesting situation! |
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Deleted
Joined: January 1970
Posts: 0
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Post by Deleted on Apr 10, 2019 0:24:05 GMT -5
“Old Town Road” enters Billboard Country Airplay at #53. I would assume making it the first Billboard Hot 100 #1 to chart on the country airplay chart in a long time. We Are Never Ever Getting Back Together? |
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Deleted
Joined: January 1970
Posts: 0
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Post by Deleted on Apr 10, 2019 0:34:10 GMT -5
I just don't understand why they let Meant To Be chart and not Old Town Road. It doesn't make any sense. Billboard is so inconsistent, it's embarrassing. Meant To Be went number one on country airplay |
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kimberly
Diamond Member
act i RENAISSANCE
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Posts: 11,930
My Charts
Pronouns: they/them
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Post by kimberly on Apr 10, 2019 0:35:55 GMT -5
“Old Town Road” enters Billboard Country Airplay at #53. I would assume making it the first Billboard Hot 100 #1 to chart on the country airplay chart in a long time. We Are Never Ever Getting Back Together? Shake It Off actually charted #58 its first week too smh |
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Deleted
Joined: January 1970
Posts: 0
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Post by Deleted on Apr 12, 2019 18:27:43 GMT -5
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85la
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Joined: July 2007
Posts: 3,916
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Post by 85la on Apr 13, 2019 0:04:39 GMT -5
So are we saying that genre should be completely dictated by what whatever gets played the most at each radio format? I think in certain cases radio can be far more arbitrary than Billboard, for they play whatever the labels push to them and whatever the extremely small number of decision makers at the highly centralized, corporate ownership system wants, driven heavily by economic pressures and whatever will retain the largest number of ever dwindling listenership, which in turn will drive the most ad revenue. For example, Beyonce's Daddy Lessons, even though it is probably more country than any other genre, did not and would have never gotten played at country radio, first of all because it wasn't pushed there by her label, but would have probably received at least some backlash from listeners, advertisers, etc., even if it did. It seems to me that Billboard would base their decisions mostly on the qualities of the music itself, though they might not be completely independent from outside pressures.
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