Soundcl🕤ck
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Post by Soundcl🕤ck on Feb 12, 2022 15:31:39 GMT -5
#40 on Streaming is fine for a single a year after the album release tbh.... It didn't receive a new guest feature remix or anything. It's not great, but it's not bad. And I really do hate even going this far to defend Bieber, but why bring up Abel's 2 year-old single being higher when "Sacrifices" (N/A on Streaming) is also lower than that 2-year-old prior single and the 1 year old "Ghost" despite being like 1 month old with strong radio push currently. Which shows that "Ghost" is doing fine, and there is much worse examples of streaming disconnect for radio singles currently. Lil Nas "That's What I Like" is also contending to dethrone "Ghost" at Pop radio, and that song is even lower on streaming (#48) and is only 5 months old. It's a sixth single and a year after the album release... expecting it to be top 10 or something on streaming (especially with no new radio version) is basically unrealistic. yeah, #40 on streaming isn't bad, but it's bad for a song that's aiming for a #9 position. Nothing against "Ghost", it's a decent song, but it shouldn't be in the top 10 when it's barely in the top 40 on streaming, and in the 20s on digital songs chart. Yeah, Sacrifice's streaming isn't good, but Sacrifice isn't the song that's close to the top 10...
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spiritboy
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Post by spiritboy on Feb 12, 2022 15:40:47 GMT -5
It is what it is whether some people like it or not. Ghost will hopefully be another top 10 hit for Justin which is a win. From what i've heard his tour is selling quite well so he always wins in the end despite haters claiming he's over :kii:
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JukeboxJacob
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Post by JukeboxJacob on Feb 12, 2022 15:43:39 GMT -5
How many weeks in the top 10? What number on the year end? Let’s call a spade for a spade (pun intended). Or maybe a club is more appropriate. Never before in my entire life have I read such a funny, hilarious joke. I'm currently in a struggle for my life against this laughter that has overcome me
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TakeMe
Charting
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Posts: 350
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Post by TakeMe on Feb 12, 2022 15:45:21 GMT -5
It is what it is whether some people like it or not. Ghost will hopefully be another top 10 hit for Justin which is a win. From what i've heard his tour is selling quite well so he always wins in the end despite haters claiming he's over :kii: That being said I wonder what his next album brings... a lot of hit or miss with the last 2.
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JukeboxJacob
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Banned
another day another moment of cringe
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Post by JukeboxJacob on Feb 12, 2022 15:47:19 GMT -5
degen's just a troll at this point, everyone ignore them and don't take the bait Groovy rainygirl I love how immediately after this they both replied to Degen again
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iHype.
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Post by iHype. on Feb 12, 2022 15:49:12 GMT -5
yeah, #40 on streaming isn't bad, but it's bad for a song that's aiming for a #9 position. Nothing against "Ghost", it's a decent song, but it shouldn't be in the top 10 when it's barely in the top 40 on streaming, and in the 20s on digital songs chart. Yeah, Sacrifice's streaming isn't good, but Sacrifice isn't the song that's close to the top 10... Well the current week's #9 song, "Pushin P" was #4 on Streaming and N/A on Radio. Whereas "Ghost" was #5 on Radio and on #40 Streaming. So it seems like that area of the Hot 100 has songs with relatively similar performance across the two components, no? We also already discussed during "Easy On Me"'s reign that the top of the chart is completely dead for the most part and there's a bunch of songs that are only either doing streaming numbers or have high airplay rather than both so naturally we are going to be seeing more instances of songs higher than usual while only charting high on one component. Also for what it is worth HITS has "Ghost" up 11% in audio streaming on their newest chart published, so "Ghost" will probably jump up a fair amount of positions on the new streaming chart as it goes top 10 next week.
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JukeboxJacob
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Post by JukeboxJacob on Feb 12, 2022 15:58:25 GMT -5
people dislike Ed Sheeran b/c he's kinda a sellout. I think it was the endless collabs he did with whatever big names he could get with (2017 - 2019) that brought down his reputation. Also, the way he promotes comes off as overly desperate and thirsty for chart success
All artists want the most success possible, some are just more transparent about it than others, like Ed. People who get annoyed by this are just on a moral high horse tbh, we'd all be tempted to sellout at least a little if we were big artists ourselves.
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rainygirl
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Post by rainygirl on Feb 12, 2022 15:58:47 GMT -5
degen's just a troll at this point, everyone ignore them and don't take the bait Groovy rainygirl I love how immediately after this they both replied to Degen again I asked politely if he would tone in down . I’m not involved nor do I want to be . I keep saying , to me it’s not that deep
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JukeboxJacob
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Banned
another day another moment of cringe
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Post by JukeboxJacob on Feb 12, 2022 16:02:58 GMT -5
It is what it is whether some people like it or not. Ghost will hopefully be another top 10 hit for Justin which is a win. From what i've heard his tour is selling quite well so he always wins in the end despite haters claiming he's over That being said I wonder what his next album brings... a lot of hit or miss with the last 2. probably more average quality stuff produced to specifically mimic the current sonic trends, next to none of it written by Bieber himself, lots of featured artists, a few big hits
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𝕡𝕙𝕖𝕖𝕓𝕤
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Post by 𝕡𝕙𝕖𝕖𝕓𝕤 on Feb 12, 2022 16:10:16 GMT -5
The new Alexander 23 single co-written w Olivia Rodrigo & Dan Nigro, huh! I know A23 produced “good 4 u” but still surprised
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Soundcl🕤ck
Diamond Member
Joined: August 2017
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Post by Soundcl🕤ck on Feb 12, 2022 16:47:20 GMT -5
yeah, #40 on streaming isn't bad, but it's bad for a song that's aiming for a #9 position. Nothing against "Ghost", it's a decent song, but it shouldn't be in the top 10 when it's barely in the top 40 on streaming, and in the 20s on digital songs chart. Yeah, Sacrifice's streaming isn't good, but Sacrifice isn't the song that's close to the top 10... Well the current week's #9 song, "Pushin P" was #4 on Streaming and N/A on Radio. Whereas "Ghost" was #5 on Radio and on #40 Streaming. So it seems like that area of the Hot 100 has songs with relatively similar performance across the two components, no? We also already discussed during "Easy On Me"'s reign that the top of the chart is completely dead for the most part and there's a bunch of songs that are only either doing streaming numbers or have high airplay rather than both so naturally we are going to be seeing more instances of songs higher than usual while only charting high on one component. Also for what it is worth HITS has "Ghost" up 11% in audio streaming on their newest chart published, so "Ghost" will probably jump up a fair amount of positions on the new streaming chart as it goes top 10 next week. to be fair, I think that's quite different. When you reach big radio numbers, you'll be there for a couple of weeks/months, but you never know with streaming, a song can be #1 one week and #30 next week. Pushin P is one of the most consumed songs for a month now, and we all know how radio treats rap songs. with its numbers so far, my opinion is that Ghost should be in the #15-20 area, but if it reaches top 20-25 on streaming and sales, I'd be totally okay with the top 10 position (#8-10).
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spiritboy
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Post by spiritboy on Feb 12, 2022 16:48:31 GMT -5
It is what it is whether some people like it or not. Ghost will hopefully be another top 10 hit for Justin which is a win. From what i've heard his tour is selling quite well so he always wins in the end despite haters claiming he's over :kii: That being said I wonder what his next album brings... a lot of hit or miss with the last 2. For me Justice was a perfect Pop album and i hope he continues this way. Or maybe he'll do an R&B album first, then Pop like Changes-Justice.
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spiritboy
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Post by spiritboy on Feb 12, 2022 16:53:59 GMT -5
people dislike Ed Sheeran b/c he's kinda a sellout. I think it was the endless collabs he did with whatever big names he could get with (2017 - 2019) that brought down his reputation. Also, the way he promotes comes off as overly desperate and thirsty for chart success All artists want the most success possible, some are just more transparent about it than others, like Ed. People who get annoyed by this are just on a moral high horse tbh, we'd all be tempted to sellout at least a little if we were big artists ourselves. He is a Pop artist, of course he wants to be successful. Pop music has a shell life and artists should produce as much hits as they can to sell concert tickets. Clearly people love him and his songs and don't care if he is a sellout or not as they buy tickets to his shows. There is nothing wrong with wanting chart success as well, why did Gaga collaborate with Ariana on Rain On Me? Cause Ari is one of the biggest female artists of streaming age, she knew that the song would be a hit. Why do acts release signed CDs, bundle their merch with their music, discount their product? To achieve the highest peak possible. 90% of the acts do this so Ed is getting so much hate is ridiculous at this point.
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Post by KeepDeanWeird on Feb 12, 2022 17:03:41 GMT -5
Starting with Lover in 2019, I believe Taylor has released 110+ new tracks, including bonus tracks, TV and 3 or 4 outside features. Considering the album purchase listens don't count + streaming success of those cumulative tracks brought a lot of $$$ to TS. Has any other artist come close to both the sheer volume + multiple album sales success Taylor's had during this period?
Radio is a single and continually diminishing metric.
I'd like to know how exactly ATW (Taylor's unvaulted Ten-Minute magnum opus for the ages) isn't considered a major hit.
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otaviohmg
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Post by otaviohmg on Feb 12, 2022 17:55:43 GMT -5
You could say Doja is also a singles artist I think she is an album tracks artist by the fact that she always gets viral with a non-single.
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jenglisbe
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Post by jenglisbe on Feb 12, 2022 19:30:59 GMT -5
Considering 80% of his streams come from outside the USA unlike someone like drake where 80% of his streams come from the USA, #34 doesn’t seem that bad to me a year after the album came out. Of course no one cares that he sold a million in China, something only Taylor swift can come close to. Justice will be top 3 on IFPI. Look at Olivia Rodrigo, Morgan Wallen, The Kid Laroi, Lil Baby etc with their old albums that are ahead of Bieber because people are streaming the songs. I was really making the point that his album isn't high because the songs aren't being streamed; as has been pointed out, some are basically radio hits.
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chanman
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Post by chanman on Feb 12, 2022 20:06:59 GMT -5
people dislike Ed Sheeran b/c he's kinda a sellout. I think it was the endless collabs he did with whatever big names he could get with (2017 - 2019) that brought down his reputation. Also, the way he promotes comes off as overly desperate and thirsty for chart successAll artists want the most success possible, some are just more transparent about it than others, like Ed. People who get annoyed by this are just on a moral high horse tbh, we'd all be tempted to sellout at least a little if we were big artists ourselves. I dont understand this sellout point you're making. Many artistes reach a point in their career in determining that collaborations are wise moves for many reasons. It keeps interest imo as many are willing to push different boundaries regardless of the songs becoming a hit or not. It in no way signifies that their career is ending or reputation is going down. Ed came back super big with "Bad Habits", then "Shivers" and now goes for a collab again - so what!! As long as his future material is good, he can bounce back. Like it or not, another hated artists is Maroon 5 (you would say sellout too because they've switched genres and hooked up with hip-hop) but I think they've made interesting and bold moves in their career which have worked to their advantage which I like. Of course, no artiste can ride the success wave forever, at some point all artistes will either flop or cease making music. Overly desperate and thirsty for chart success? --You really think so!!! Then how is Ed supposed to behave? And who doesn't want chart success? I moreso think he was trying hard for a new sound and style. He ventured into new music directions and was hoping for this era to be big and successful,,,what's wrong with that? Now, the chart stats would show that overall this project was not his biggest one -- but to this date he nor his company have thrown out the towel yet on the album which means this project still has a few more months to continue and that in itself is a success. It could have been halted after "Shivers" but as they say "there's money is to be made".
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degen
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Post by degen on Feb 12, 2022 20:22:42 GMT -5
Starting with Lover in 2019, I believe Taylor has released 110+ new tracks, including bonus tracks, TV and 3 or 4 outside features. Considering the album purchase listens don't count + streaming success of those cumulative tracks brought a lot of $$$ to TS. Has any other artist come close to both the sheer volume + multiple album sales success Taylor's had during this period? Radio is a single and continually diminishing metric. I'd like to know how exactly ATW (Taylor's unvaulted Ten-Minute magnum opus for the ages) isn't considered a major hit. Where is it now? I mean it seemed Like ATW was relevant for a couple weeks back in November/December, and then during the holidays it just collapsed below the Christmas clutter and never returned. Where is it charting now? I would call it a moderate hit, just like “Willow.” Maybe the reason why she has no longevity anymore is because the general public is tired of her. As you said, she has released a sheer volume of music for her rapid fanbase. But this strategy doesn’t work well for the masses.
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JukeboxJacob
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Post by JukeboxJacob on Feb 12, 2022 20:38:31 GMT -5
Spiritboy and Chanman - did you guys miss the 2nd half of my post? 💀
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chanman
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Post by chanman on Feb 12, 2022 20:45:23 GMT -5
^Nope....but your first half sounded peculiar to me
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Post by Rose "Payola" Nylund on Feb 12, 2022 20:50:59 GMT -5
“Willow” was #55 on the year end chart and it had the entire Billboard chart year to its advantage. I mean really, is this what you are defending now? We weren’t talking about moderate hits anyway. We are talking about legit hits. So what, are there only 50 songs deemed to be hits that come out each year?
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Joe1240
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Post by Joe1240 on Feb 12, 2022 20:51:31 GMT -5
There is nothing to be surprised about at all about Ed and Taylor’s collaboration. Taylor’s most recent collaborations in recent years haven’t done much at all. Her last feature to go top 20 was Highway Don’t Care back in 2013. Of course the Hip Hop Collaborations are going to do better anyway since that genre is most popular at the moment. I think you meant to say everything Taylor has released since 2019 hasn’t done much at all, right? I mean sure you get your 1 weak #1 debut and then it’s over from there. She hasn’t had a legit hit since…”Me!?” And ironically that wasn’t a #1. Not exactly.I made a post about Taylor's recent collaborations not doing that well otherwise the remainder of Taylor's songs have done way better than expected. All Too Well Taylor's Version 10 minute version still charting into February is a success at the moment as it is Willow which surpassed expectations and lasted into March of last year and did quite well for a song of it's type.
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gikem
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Post by gikem on Feb 12, 2022 21:36:58 GMT -5
The Diplo/Miguel and Dove Cameron songs seem to be slowly climbing up the US AM charts, with the former breaking the top 100 for the first time and the latter very close to that threshold. I’d keep an eye out for both of these in the coming days.
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iHype.
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Post by iHype. on Feb 12, 2022 22:07:57 GMT -5
Becky G & Karol G passed Lil Baby & Nicki on Apple Music.
Could be coming for the weeks top debut at this point
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Post by goldentakes on Feb 12, 2022 23:15:58 GMT -5
Considering 80% of his streams come from outside the USA unlike someone like drake where 80% of his streams come from the USA, #34 doesn’t seem that bad to me a year after the album came out. Of course no one cares that he sold a million in China, something only Taylor swift can come close to. Justice will be top 3 on IFPI. Look at Olivia Rodrigo, Morgan Wallen, The Kid Laroi, Lil Baby etc with their old albums that are ahead of Bieber because people are streaming the songs. I was really making the point that his album isn't high because the songs aren't being streamed; as has been pointed out, some are basically radio hits. Dude you just named literally the 3 biggest albums of this decade so far and Laroi's album, who's streams are being boosted by a song that largely benefited from a JB collab. No it's not as big as those albums, but lets not act like being #32 about a year after release isn't solid. I mean it's currently above albums like Donda, Silk Sonic, Future Nostalgia and Evermore.
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jenglisbe
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Post by jenglisbe on Feb 13, 2022 6:37:23 GMT -5
Look at Olivia Rodrigo, Morgan Wallen, The Kid Laroi, Lil Baby etc with their old albums that are ahead of Bieber because people are streaming the songs. I was really making the point that his album isn't high because the songs aren't being streamed; as has been pointed out, some are basically radio hits. Dude you just named literally the 3 biggest albums of this decade so far and Laroi's album, who's streams are being boosted by a song that largely benefited from a JB collab. No it's not as big as those albums, but lets not act like being #32 about a year after release isn't solid. I mean it's currently above albums like Donda, Silk Sonic, Future Nostalgia and Evermore. And with four top 10s - which is as many or more than those huge albums you released - Bieber's album should have been one of the biggest of the decade. Nothing you said refutes that some of his top 10s are airplay driven.
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Post by goldentakes on Feb 13, 2022 8:32:09 GMT -5
Dude you just named literally the 3 biggest albums of this decade so far and Laroi's album, who's streams are being boosted by a song that largely benefited from a JB collab. No it's not as big as those albums, but lets not act like being #32 about a year after release isn't solid. I mean it's currently above albums like Donda, Silk Sonic, Future Nostalgia and Evermore. And with four top 10s - which is as many or more than those huge albums you released - Bieber's album should have been one of the biggest of the decade. Nothing you said refutes that some of his top 10s are airplay driven. I'm not saying he doesn't have songs that get large boosts from airplay numbers, but that's pretty much every major Popstar today. And before you say you're just stating a fact, you're clearly trying to spin it into a negative light, otherwise why bring it up? People mention airplay like it shouldn't even count as a metric. I agree that it's weighting within the BB formula is probably too high, but either way it's a major part of music consumption. If you think only streaming should count, just look at the streaming chart lol. If callouts are low and a song keeps rising on radio, that's when I start to raise an eyebrow. Anyways.. Bruno, Abel, Sheeran, Adele, Dua Lipa, Bieber, etc. all benefit from having big pushes and a good track record, so it makes sense that it's easier for the radio to warm up to their singles. I just don't understand why we have to keep having this same discussion about the "legitimacy" of hits that have a large radio component (we did this with EOM just a couple weeks ago).
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jenglisbe
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Post by jenglisbe on Feb 13, 2022 8:45:43 GMT -5
I wish when Billboard switched to allow airplay-only songs to chart they wouldn't have included songs that had already peaked. Seeing "Torn" with a #42 peak is just odd.
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Choco
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Post by Choco on Feb 13, 2022 9:41:05 GMT -5
What is that new music direction Ed Sheeran ventured into? Because every song sounds like a remake of an older hit.
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dremolus - solarpunk
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𝙁𝙧𝙤𝙢 𝙋𝙖𝙡𝙚𝙨𝙩𝙞𝙣𝙚 𝙩𝙤 𝙩𝙝𝙚 𝙋𝙝𝙞𝙡𝙞𝙥𝙥𝙞𝙣𝙚𝙨, 𝙎𝙩𝙤𝙥 𝙩𝙝𝙚 𝙐.𝙎. 𝙒𝙖𝙧 𝙈𝙖𝙘
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Post by dremolus - solarpunk on Feb 13, 2022 10:28:01 GMT -5
US Spotify - 02/12/22
1(=) Carolina Gaitán - La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz, Encanto Cast - We Don't Talk About Bruno 1,367,867 (+34,938) 2(+2) Gunna, Future - pushin P 1,044,619 (-14,134) 3(=) Glass Animals - Heat Waves 1,025,453 (-57,541) 4(+1) Kodak Black - Super Gremlin 962,127 (-55,728) 5(+3) Jessica Darrow - Surface Pressure 853,380 (+8,692) 6(+1) The Kid LAROI - STAY 835,891 (-27,576) 7(-5) Fivio Foreign, Kanye West, Alicia Keys - City of Gods 815,119 (-311,536) 8(+1) Lil Nas X - INDUSTRY BABY 809,619 (-12,949) 9(+8) Becky G, KAROL G - MAMIII 678,178 (+38,973) 10(+1) GAYLE - abcdefu 676,015 (-39,587)
Others: 11(-5) Ed Sheeran - The Joker And The Queen 652,921 (-343,364) 12(+1) Imagine Dragons - Enemy 651,663 (-30,722) 13(+8) Stephanie Beatriz, Olga Merediz, Encanto Cast - The Family Madrigal 639,327 (+26,557) 14(+2) Doja Cat - Need to Know 637,783 (-21,891) 15(-3) Lil Nas X - THATS WHAT I WANT 637,497 (-50,691) 16(+3) Elton John, Dua Lipa - Cold Heart (PNAU Remix) 619,305 (-7,170) 17(-7) Nicki Minaj, Lil Baby - Bussin 606,549 (-156,778) 18(=) Drake - Knife Talk 602,411 (-28,814) 19(-4) The Walters - I Love You So 593,796 (-68,315) 20(-6) Juice WRLD - Cigarettes 569,960 (-98,064) 22(-2) Adele - Easy On Me 556,354 (-58,516) 23(+3) Dove Cameron - Boyfriend 551,794 (-1,479) 24(+7) Diane Guerrero, Stephanie Beatriz - What Else Can I Do? 541,846 (+18,141) 25(-3) Frank Ocean - Lost 534,756 (-47,652) 26(-3) Ed Sheeran - Shivers 534,308 (-43,549) 27(+1) Doja Cat - Woman 527,680 (-15,232) 28(+1) Justin Bieber - Ghost 504,206 (-34,694) 30(=) SZA - I Hate U 490,944 (-35,874) 31(-4) Steve Lacy - Dark Red 485,343 (-62,417) 32(+1) Future - Worst Day 481,678 (-32,667) 34(+6) NEIKED - Better Days 460,464 (-17,365) 35(-10) Nicki Minaj, Lil Baby - Do We Have A Problem? 453,692 (-113,486) 36(+7) Lil Durk - Broadway Girls 442,869 (-15,334) 39(+14) Stephanie Beatriz - Waiting on a Miracle 429,178 (+7,084) 40(-3) Tate McRae - she's all i wanna be 426,309 (-61,657) 41(-6) Lauren Spencer-Smith - Fingers Crossed 423,449 (-75,567) 42(+3) The Rare Occasions - Notion 412,648 (-39,474) 43(+5) THE ANXIETY, WILLOW, Tyler Cole - Meet Me At Our Spot 410,703 (-28,322) 44(+2) Arctic Monkeys - 505 405,446 (-46,671) 45(-4) King Von, 21 Savage - Don't Play That 404,927 (-72,666) 47(=) Vundabar - Alien Blues 397,572 (-47,995) 48(+1) Gunna - P power 397,428 (-40,878) 49(+2) Charlie Puth - Light Switch 396,656 (-37,545) 50(+14) Sebastian Yatra - Dos Oruguitas 394,859 (+1,276) 51(+6) Post Malone - One Right Now 394,251 (-19,099) 54(+12) Dua Lipa - Levitating 387,113 (-3,554) 55(-3) Playboi Carti - Sky 386,999 (-39,747) 57(+15) Doja Cat - Get Into It (Yuh) 381,991 (+5,553) 58(+2) Bruno Mars, Anderson .Paak, Silk Sonic - Smokin Out The Window 380,806 (-22,562) 59(-9) Em Beihold - Numb Little Bug 380,509 (-54,898) 61(+8) Latto - Big Energy 374,769 (-9,197) 62(=) Yeat - Monëy so big 373,401 (-25,097) 63(-27) $NOT, A$AP Rocky - Doja 372,330 (-122,597) 65(-4) Jaymes Young - Infinity 366,642 (-34,688) 72(+6) Muni Long - Hrs and Hrs 350,635 (-12,100) 73(-31) Doja Cat - Celebrity Skin 350,285 (-108,652) 76(-9) Tyler the Creator - NEW MAGIC WAND 338,618 (-49,882) 77(-18) The Neighbourhood - Softcore 337,246 (-66,512) 80(=) Surf Curse - Freaks 330,537 (-25,218) 83(+12) Nardo Wick - Who Want Smoke?? 324,110 (-7,664) 84(-10) Labrinth, Zendaya - All For Us 319,408 (-52,657) 86(+1) The Weeknd - Sacrifice 317,050 (-22,069) 87(+16) BoyWithUke - Toxic 315,767 (-5,365) 88(-44) Jung Kook - Stay Alive 315,610 (-138,089) 89(+35) Stephanie Beatriz, Olga Merediz, John Leguizamo, Adassa, Maluma, Encanto Cast - All of You 312,866 (+17,907) 96(-12) Beach House - Space Song 304,477 (-43,514) 98(-4) Adele - Oh My God 300,889 (-31,014) 99(+9) Rod Wave - By Your Side 300,216 (-14,101)
102(+11) Nardo Wick - Me or Sum 296,955 (-10,024) 104(-18) Yung Lean - Ginseng Strip 2002 295,940 (-49,174) 105(-12) Ruth B. - Dandelions 295,705 (-36,690) 106(+11) CKay - love nwantiti (ah ah ah) 294,713 (-6,059) 107(-2) Gucci Mane - Rumors 293,830 (-25,030) 109(-8) Taylor Swift - All Too Well (10 Minute Version) 287,682 (-36,072) 111(-29) Machine Gun Kelly - emo girl 285,579 (-65,849) 112(+10) Rauw Alejandro, Chencho Corleone - Desesperados 285,030 (-10,586) 120(-1) Jordan Davis, Luke Bryan - Buy Dirt 276,994 (-20,371) 122(+26) ACRAZE, Cherish - Do It To It 276,712 (+3,036) 131(-1) Labrinth - Mount Everest 265,987 (-20,446) 133(-62) Pusha T - Diet Coke 264,129 (-112,813) 135(+9) Morgan Wallen - Sand in My Boots 262,279 (-12,797) 141(re-entry) Carlos Vives - Colombia, Mi Encanto 256,216 144(-17) Labrinth - Formula 254,917 (-33,133) 148(+9) Tiësto, Ava Max - The Motto 252,263 (-16,741) 149(-29) YG - Scared Money 252,044 (-45,007) 150(+3) The Weeknd - Save Your Tears Remix 251,685 (-18,355) 161(-3) Baby Keem - trademark usa 244,630 (-22,653) 162(+5) The Weeknd - Save Your Tears 244,384 (-17,589) 171(-9) Tame Impala - Eventually 239,768 (-25,359) 177(-6) Vacations - Young 235,876 (-24,873) 178(-6) Joy Again - Looking Out For You 235,802 (-24,367) 179(+14) The Chainsmokers - High 235,571 (-13,461) 180(-4) The Game, Kanye West - Eazy 235,193 (-22,166) 182(-18) Kodak Black - Love & War 234,423 (-27,969) 186(-12) Giveon - For Tonight 231,540 (-27,250) 192(DEBUT) Jnr Choi, Sam Tompkins - To the Moon 230,106 195(-10) Emmy Meli - I AM WOMAN 229,127 (-23,282) 197(re-entry) ERNEST - Flower Shops 227,345
Total Streams of Save Your Tears: 496,069
I believe this is the first time both Becky G and KAROL G have had a song in the Top 10 of US Spotify (both women have had Top 10 Global hits).
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