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Post by Skibidi Bop Bop on Feb 25, 2024 15:39:19 GMT -5
Spotify numbers look really good compared to early 2022! That was an abysmally empty era for the charts in general. 3 months free trial. |
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Choco
Diamond Member
james dean daydream
Joined: February 2009
Posts: 27,977 
My Charts
Pronouns: he/him
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Post by Choco on Feb 26, 2024 0:01:54 GMT -5
US Spotify - Saturday 161 (-109) Selena Gomez - Love On (354,637 streams) whatt? this is so... Whoa. |
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avamaxstan
Platinum Member
Joined: January 2019
Posts: 1,360
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Post by avamaxstan on Feb 26, 2024 1:13:14 GMT -5
Apple Music is tanking rapidly. In 2020-2021, Spotify would routinely make up 50% of the total US on-demand audio for most pop songs — now it's closer to 60-65%. For example, folklore was about 55% Spotify but Midnights was about 65%. I wouldn't be surprised to see TTPD be 70%... The most surprising is rap though. Redrum and Carnival are over 60% which would be unheard of back in 2020. They'd have been around 45% or less... I'm glad for this development. Spotify openly shares numbers and has an incentive to keep sharing them given its total dominance, with no competition there's no threat of looking like a weak platform. It's easier to reference what the most streamed songs are if you just look at one platform, and its charts and fans' ability to share the numbers help feed its increasing relevance. Everyone shares Spotify numbers and it's the most talked about platform for chart performance nowadays, only second to Billboard (globally it's #1 though). The mindshare and brand value from that is huge and the part of the reason why AM is losing relevance. that does not count the free Spotify users which is about 60%. Spotify for me is much easier to navigate plus being able to access every song's streaming numbers. I switched last year to AM for the noticeably better audio quality. But it loses to Spotify on almost every other measure. And the playlists and algorithm are DREADFUL and basically useless. |
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Deleted
Joined: January 1970
Posts: 0
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Post by Deleted on Feb 26, 2024 4:01:58 GMT -5
Just found out Djo is the guy from Stranger Things. Makes the song 10x more interesting tbh
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Post by Baby Yoda Hot100Fan on Feb 26, 2024 12:47:45 GMT -5
kworb's Billboard Radio Songs Estimates « 2024 » / « 02 » / « 26 »
1(=) Jack Harlow - Lovin On Me 87.61(-0.03)
2(=) Doja Cat - Agora Hills 74.77(+0.20)
3(+1) Tate McRae - greedy 63.41(-0.35)
4(-1) Tyla - Water 63.36(-0.41)
5(=) Taylor Swift - Is It Over Now? (Taylor's Version) [From The Vault] 56.16(+0.50)
6(=) Taylor Swift - Cruel Summer 54.18(-0.65)
7(=) Dua Lipa - Houdini 50.29(+0.44)
8(=) SZA - Snooze 49.38(-0.13)
9(+1) Teddy Swims - Lose Control 48.11(+0.47)
10(-1) Luke Combs - Fast Car 47.78(-0.41)
42(+9) Beyoncé - TEXAS HOLD 'EM 22.84(+1.75) +
55(+6) Benson Boone - Beautiful Things 19.13(+1.35)
67(+7) Sam Hunt - Outskirts 16.28(+1.02)
76(+9) Bailey Zimmerman - Where It Ends 13.13(+0.80)
-(-) LINKIN PARK - Friendly Fire 5.64(+0.96)
-(-) Selena Gomez - Love On 4.85(+0.91)
-(-) Sleepy Hallow - A N X I E T Y 2.11(+1.07) +
-(-) Baby Rasta Y Gringo - Aroma 1.50(+0.76) +
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Ｓｏｕｎｄｃｌ🕤ｃｋ
Diamond Member
Joined: August 2017
Posts: 11,063
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Post by Ｓｏｕｎｄｃｌ🕤ｃｋ on Feb 26, 2024 19:08:55 GMT -5
off topic, but... this is IFPI's top 10 global songs in 2023 (units converted by behzad) 1.Flowers 21.6M 2.Calm Down 15.12M 3.Kill Bill 14.72M 4.Die For You 14.24M 5.As It Was 11.68M 6.La Bebe 11.6M 7.Cruel Summer 11.12M 8.Last Night 10.96M 9.Anti-Hero 10.48M 10.Seven 9.92M thought it'd be interesting to see where Hot 100 YE #1s placed on IFPI's global lists: 2023 Last Night (#8) 2022 Heat Waves (#2) 2021 Levitating (#3) 2020 Blinding Lights (#1) 2019 Old Town Road (#2) 2018 God's Plan (#2) 2017 Shape Of You (#1) 2016 Love Yourself (#2) 2015 Uptown Funk (#2) 2014 Happy (#1) 2013 Thrift Shop (#2) 2012 Somebody That I Used To Know (#2) 2011 Rolling In The Deep (#6) 2010 Tik Tok (#1) 2009 Boom Boom Pow (#2) 2008 Low (#3) 2007 Irreplaceable (#10) |
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dremolus - solarpunk
Diamond Member
𝙁𝙧𝙤𝙢 𝙋𝙖𝙡𝙚𝙨𝙩𝙞𝙣𝙚 𝙩𝙤 𝙩𝙝𝙚 𝙋𝙝𝙞𝙡𝙞𝙥𝙥𝙞𝙣𝙚𝙨, 𝙎𝙩𝙤𝙥 𝙩𝙝𝙚 𝙐.𝙎. 𝙒𝙖𝙧 𝙈𝙖𝙘
Joined: August 2019
Posts: 13,322
My Reviews
Pronouns: (he/him/they)
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Post by dremolus - solarpunk on Feb 27, 2024 0:43:03 GMT -5
US Spotify - 02/25/24
1(=) Kanye West, Ty Dolla $ign - CARNIVAL 2,225,738 (-174,411)
2(=) Beyoncé - TEXAS HOLD EM 1,724,842 (-355,083)
3(=) Benson Boone - Beautiful Things 1,354,226 (-149,491)
4(=) Noah Kahan - Stick Season 1,351,298 (-145,466)
5(+1) SZA - Saturn 1,190,090 (-54,016)
6(-1) 21 Savage - redrum 1,182,517 (-109,467)
7(=) Zach Bryan, Kacey Musgraves - I Remember Everything 1,180,332 (-48,360)
8(=) Jack Harlow - Lovin On Me 1,041,762 (-124,164)
9(+1) Xavi - La Diabla 980,890 (-105,240)
10(-1) Taylor Swift - Cruel Summer 979,163 (-111,414)
Other:
11(=) Teddy Swims - Lose Control 962,889 (-116,999)
12(+1) Djo - End of Beginning 944,036 (-1,191)
13(-1) Flo Milli - Never Lose Me 919,074 (-51,575)
14(+2) Bryson Tiller - Whatever She Wants 868,453 (-16,481) *NEW PEAK*
15(=) Yeat - Breathe 827,740 (-66,102)
16(+4) Mitski - My Love Mine All Mine 824,697 (-12,704)
17(+1) Lil Tecca - 500lbs 803,947 (-64,551)
18(-4) Tate McRae - greedy 796,886 (-103,155)
20(+1) Rich Amiri - ONE CALL 789,161 (-39,013)
22(-3) SZA - Snooze 772,488 (-68,584)
23(=) YG Marley - Praise Jah in the Moonlight 766,679 (-48,310)
24(=) Drake, Sexyy Red, SZA - Rich Baby Daddy 703,876 (-70,223)
26(=) Kanye West and Ty Dolla $ign - BURN 666,073 (-72,749)
28(-3) Xavi - La Victima 657,663 (-93,199)
29(-1) Travis Scott, Playboi Carti - FE!N 656,533 (-54,652)
31(-1) Sabrina Carpenter - Feather 627,827 (-62,341)
33(+1) The Weeknd, JENNIE, Lily-Rose Depp - One of the Girls 620,408 (-26,622)
34(-3) JID, 21 Savage, Baby Tate - Surround Sound 604,017 (-83,419)
36(=) Good Neighbors - Home 583,065 (-59,690)
37(+1) Zach Bryan - Heading South 580,251 (-29,363)
39(+3) Doja Cat - Agora Hills 557,411 (-45,896)
40(=) Drake, Yeat - IDGAF 555,350 (-51,825)
41(=) Luke Combs - Fast Car 552,333 (-52,733)
42(+7) 4batz - act ii: date @ 8 548,368 (-11,075)
43(+1) Don Toliver - Bandit 547,165 (-42,216)
45(+1) The Weeknd, Playboi Carti, Madonna - Popular 536,588 (-44,155)
49(-4) Drake, J. Cole - First Person Shooter 517,143 (-63,814)
50(=) Frank Ocean - Pink + White 503,903 (-43,840)
52(-5) Kanye West and Ty Dolla $ign - FUK SUMN 499,980 (-71,537)
53(=) Taylor Swift - Is It Over Now? 495,492 (-41,920)
54(+3) Tate McRae - exes 479,158 (-44,932)
55(+11) Ritchy Mitch & The Coal Miners - Evergreen 478,546 (-22,566)
57(-1) Kali Uchis, Peso Pluma - Igual Que Un Ángel 477,618 (-50,017)
58(+2) Billie Eilish - What Was I Made For? 475,622 (-34,775)
60(+19) TV Girl - Lovers Rock 470,862 (+3,885)
61(-2) Ice Spice - Think U The Shit (Fart) 470,717 (-41,066)
62(-7) Michael Marcagi - Scared to Start 470,640 (-58,820)
63(-5) Muni Long - Made For Me 460,988 (-52,819)
64(-13) Dua Lipa - Training Season 459,753 (-87,329) (-16%)
69(-5) Tyla - Water 446,649 (-56,605)
73(=) Jessie Murph, Jelly Roll - Wild Ones 439,400 (-39,916)
74(+30) TV Girl - Not Allowed 438,854 (+16,388)
78(-16) BigXthaPlug - Mmhmm 433,58 (-75,466)
79(+21) Noah Kahan - Northern Attitude 432,054 (+2,154)
80(-8) Ariana Grande - yes, and? 430,498 (-51,148)
85(-3) Bad Bunny, Feid - PERRO NEGRO 418,955 (-45,903)
88(-7) Usher, Ludacris, Lil Jon - Yeah! 414,125 (-52,436)
90(=) Dylan Gossett - Coal 412,020 (-37,128)
93(-8) Nicki Minaj - FTCU 407,497 (-52,537)
95(+7) Zach Bryan - Oklahoma Smokeshow 406,555 (-16,686)
99(-8) Natasha Bedingfield - Unwritten 401,722 (-41,309)
103(-6) 21 Savage, Travis Scott, Metro Boomin - née-nah 395,493 (-40,607)
104(-5) Sophie Ellis-Bextor - Murder On the Dancefloor 390,717 (-40,895)
108(+8) Morgan Wallen, Eric Church - Man Made A Bar 385,407 (-26,799)
109(+19) Noah Kahan - Forever 384,772 (-13,620)
112(-18) Miley Cyrus - Flowers 381,065 (-56,749)
113(+16) Blake Roman, Sam Haft, Andrew Underberg - Poison 380,085 (-17,748)
114(-5) Dua Lipa - Houdini 379,312 (-39,159)
115(+4) Kanye West and Ty Dolla $ign - BACK TO ME 379,258 (-28,548)
119(+4) Brent Faiyaz - Best Time 374,749 (-28,955)
120(-8) LE SSERAFIM - EASY 373,999 (-40,319) (-10%)
122(+20) Arctic Monkeys - I Wanna Be Yours 369,114 (-6,704)
124(+9) Travis Scott - MY EYES 366,104 (-26,219)
125(-20) Taylor Swift - Don't Blame Me 365,098 (-56,121)
133(-6) The Red Clay Strays - Wondering Why 359,263 (-39,333)
135(=) Peso Pluma, Anitta - BELLAKEO 356,109 (-31,629)
136(+1) Bob Marley & The Wailers - Could You Be Loved 355,993 (-24,607) *NEW PEAK*
137(-16) Xavi, Los Dareyes De La Sierra - Poco A Poco 353,984 (-51,918)
138(+6) Andrew Underberg, Sam Haft, Keith David, Blake Roman - Loser, Baby 352,148 (-19,880)
140(-29) KAROL G, Tiësto - CONTIGO 350,698 (-64,297) (-15%)
141(-2) Key Glock - Let's Go 348,261 (-30,038)
159(-12) Morgan Wallen - Spin You Around (Morgan's Version) 330,026 (-38,675)
162(+9) PARTYNEXTDOOR - Break from Toronto 329,291(-18,029)
165(+28) Noah Kahan - All My Love 328,168 (-4,801)
166(+11) Lil Yachty - A Cold Sunday 328,069 (-14,478)
173(-3) HARDY - TRUCK BED 323,059 (-24,494)
175(-10) Luke Combs - Where the Wild Things Are 321,403 (-30,786)
177(-10) Cody Johnson - The Painter 318,800 (-32,321)
181(+17) Travis Scott, Swae Lee, Chief Keef - Nightcrawler 315,399 (-15,406)
185(+1) Drake - You Broke My Heart 310,931 (-24,915)
196(re-entry) Andrew Underberg, Sam Haft, Jeremy Jordan, Amir Talai, Erika Henningsen, Kimiko Glenn - Hell's Greatest Dad 307,628
200(-48) Feid, ATL Jacob - LUNA 305,705 (-563,57)
HISS has departed the charts for the first time.
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85la
3x Platinum Member
Joined: July 2007
Posts: 3,916
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Post by 85la on Feb 27, 2024 8:40:10 GMT -5
off topic, but... this is IFPI's top 10 global songs in 2023 (units converted by behzad) 1.Flowers 21.6M 2.Calm Down 15.12M 3.Kill Bill 14.72M 4.Die For You 14.24M 5.As It Was 11.68M 6.La Bebe 11.6M 7.Cruel Summer 11.12M 8.Last Night 10.96M 9.Anti-Hero 10.48M 10.Seven 9.92M thought it'd be interesting to see where Hot 100 YE #1s placed on IFPI's global lists: 2023 Last Night (#8) 2022 Heat Waves (#2) 2021 Levitating (#3) 2020 Blinding Lights (#1) 2019 Old Town Road (#2) 2018 God's Plan (#2) 2017 Shape Of You (#1) 2016 Love Yourself (#2) 2015 Uptown Funk (#2) 2014 Happy (#1) 2013 Thrift Shop (#2) 2012 Somebody That I Used To Know (#2) 2011 Rolling In The Deep (#6) 2010 Tik Tok (#1) 2009 Boom Boom Pow (#2) 2008 Low (#3) 2007 Irreplaceable (#10) A little surprising that Rolling In The Deep was that low for 2011, given that it seemed like such a huge international hit, and was #1 on the Media Traffic/United World Chart for that year: www.mediatraffic.de/tracks-2011.htm |
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Deleted
Joined: January 1970
Posts: 0
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Post by Deleted on Feb 27, 2024 8:46:17 GMT -5
off topic, but... this is IFPI's top 10 global songs in 2023 (units converted by behzad) 1.Flowers 21.6M 2.Calm Down 15.12M 3.Kill Bill 14.72M 4.Die For You 14.24M 5.As It Was 11.68M 6.La Bebe 11.6M 7.Cruel Summer 11.12M 8.Last Night 10.96M 9.Anti-Hero 10.48M 10.Seven 9.92M thought it'd be interesting to see where Hot 100 YE #1s placed on IFPI's global lists: 2023 Last Night (#8) 2022 Heat Waves (#2) 2021 Levitating (#3) 2020 Blinding Lights (#1) 2019 Old Town Road (#2) 2018 God's Plan (#2) 2017 Shape Of You (#1) 2016 Love Yourself (#2) 2015 Uptown Funk (#2) 2014 Happy (#1) 2013 Thrift Shop (#2) 2012 Somebody That I Used To Know (#2) 2011 Rolling In The Deep (#6) 2010 Tik Tok (#1) 2009 Boom Boom Pow (#2) 2008 Low (#3) 2007 Irreplaceable (#10) A little surprising that Rolling In The Deep was that low for 2011, given that it seemed like such a huge international hit, and was #1 on the Media Traffic/United World Chart for that year: www.mediatraffic.de/tracks-2011.htmMediatraffic back in 2011 only really considered European and USA/Canada charts for their rankings |
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Post by Baby Yoda Hot100Fan on Feb 27, 2024 11:16:39 GMT -5
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Ｓｏｕｎｄｃｌ🕤ｃｋ
Diamond Member
Joined: August 2017
Posts: 11,063
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Post by Ｓｏｕｎｄｃｌ🕤ｃｋ on Feb 27, 2024 12:17:26 GMT -5
A little surprising that Rolling In The Deep was that low for 2011, given that it seemed like such a huge international hit, and was #1 on the Media Traffic/United World Chart for that year: www.mediatraffic.de/tracks-2011.htmI was surprised too, but I guess the key of the song is longevity. It's best selling digital song of all time with 21M and I think it has over 50M units (sps) WW. |
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dremolus - solarpunk
Diamond Member
𝙁𝙧𝙤𝙢 𝙋𝙖𝙡𝙚𝙨𝙩𝙞𝙣𝙚 𝙩𝙤 𝙩𝙝𝙚 𝙋𝙝𝙞𝙡𝙞𝙥𝙥𝙞𝙣𝙚𝙨, 𝙎𝙩𝙤𝙥 𝙩𝙝𝙚 𝙐.𝙎. 𝙒𝙖𝙧 𝙈𝙖𝙘
Joined: August 2019
Posts: 13,322
My Reviews
Pronouns: (he/him/they)
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Post by dremolus - solarpunk on Feb 27, 2024 12:55:22 GMT -5
US Spotify - 02/26/24
1(=) Kanye West, Ty Dolla $ign - CARNIVAL 2,943,964 (+718,226) (+32%)
2(=) Beyoncé - TEXAS HOLD EM 1,692,886 (-31,956)
3(=) Benson Boone - Beautiful Things 1,559,017 (+204,791) (+15%)
4(=) Noah Kahan - Stick Season 1,517,364 (+166,066) (+12%)
5(=) SZA - Saturn 1,448,866(+258,776) (+22%)
6(=) 21 Savage - redrum 1,385,604 (+203,087) (+17%)
7(=) Zach Bryan, Kacey Musgraves - I Remember Everything 1,276,246 (+95,914)
8(+4) Djo - End of Beginning 1,234,149 (+290,113) (+31%)
9(+5) Bryson Tiller - Whatever She Wants 1,067,587 (+199,134) (+23%) *NEW PEAK*
10(+1) Teddy Swims - Lose Control 1,054,231 (+91,342)
Other:
11(-3) Jack Harlow - Lovin On Me 1,046,488 (+4,726)
12(+1) Flo Milli - Never Lose Me 1,030,252 (+111,178) (+12%)
13(-4) Xavi - La Diabla 1,030,119 (+49,229)
14(+1) Yeat - Breathe 989,434 (+161,694) (+20%)
15(-5) Taylor Swift - Cruel Summer 949,472 (-29,691)
16(=) Mitski - My Love Mine All Mine 948,373 (+123,676) (+15%)
17(+3) Rich Amiri - ONE CALL 902,651 (+113,490) (+14%)
18(-1) Lil Tecca - 500lbs 896,382 (+92,435) (+11%)
19(-1) Tate McRae - greedy 865,708 (+68,822)
21(+2) YG Marley - Praise Jah in the Moonlight 852,776 (+86,097) (+11%)
22(=) SZA - Snooze 844,403 (+71,915)
24(+2) Kanye West and Ty Dolla $ign - BURN 801,039 (+134,966) (+20%)
26(+3) Travis Scott, Playboi Carti - FE!N 737,789 (+81,256) (+12%)
27(-3) Drake, Sexyy Red, SZA - Rich Baby Daddy 735,285 (+31,409)
29(+2) Sabrina Carpenter - Feather 718,014 (+90,187) (+14%)
30(+3) The Weeknd, JENNIE, Lily-Rose Depp - One of the Girls 712,578 (+92,170) (+15%)
32(+4) Good Neighbors - Home 694,328 (+111,263) (+19%)
33(-5) Xavi - La Victima 691,335 (+33,672)
35(-1) JID, 21 Savage, Baby Tate - Surround Sound 665,608 (+61,591) (+10%)
38(+5) Don Toliver - Bandit 633,499 (+86,334) (+16%)
39(-2) Zach Bryan - Heading South 632,171 (+51,920)
40(=) Drake, Yeat - IDGAF 630,266 (+74,916) (+13%)
43(+7) Frank Ocean - Pink + White 610,619 (+106,716) (+21%)
44(+8) Kanye West and Ty Dolla $ign - FUK SUMN 601,232 (+101,252) (+20%)
45(-6) Doja Cat - Agora Hills 600,680 (+43,269)
46(-4) 4batz - act ii: date @ 8 599,940 (+51,572)
47(+2) Drake, J. Cole - First Person Shooter 577,495 (+60,352) (+12%)
48(+12) TV Girl - Lovers Rock 576,946 (+106,084) (+23%)
50(+5) Ritchy Mitch & The Coal Miners - Evergreen 574,055 (+95,509) (+20%)
51(-6) The Weeknd, Playboi Carti, Madonna - Popular 567,871 (+31,283)
54(+4) Billie Eilish - What Was I Made For? 548,254 (+72,632) (+15%)
56(+6) Michael Marcagi - Scared to Start 533,516 (+62,876) (+13%)
60(-3) Kali Uchis, Peso Pluma - Igual Que Un Ángel 526,241 (+48,623) (+10%)
62(-8) Tate McRae - exes 521,148 (+41,990)
63(=) Muni Long - Made For Me 511,167 (+50,179) (+11%)
64(-11) Taylor Swift - Is It Over Now? 504,621 (+9,129)
66(+8) TV Girl - Not Allowed 501,775 (+62,921) (+14%)
68(+10) BigXthaPlug - Mmhmm 489,039 (+55,455) (+13%)
69(-5) Dua Lipa - Training Season 486,816 (+27,063)
74(+5) Noah Kahan - Northern Attitude 475,698 (+43,644) (+10%)
79(-6) Jessie Murph, Jelly Roll - Wild Ones 465,371 (+25,971)
80(+10) Dylan Gossett - Coal 462,456 (+50,436) (+12%)
84(+25) Noah Kahan - Forever 459,948 (+75,176) (+20%)
87(+16) 21 Savage, Travis Scott, Metro Boomin - née-nah 459,209 (+63,716) (+16%)
88(-27) Ice Spice - Think U The Shit (Fart) 455,658 (-15,059)
89(-20) Tyla - Water 450,158 (+3,509)
90(-5) Bad Bunny, Feid - PERRO NEGRO 448,562 (+29,607)
91(-11) Ariana Grande - yes, and? 447,952 (+17,454)
92(+32) Travis Scott - MY EYES 446,252 (+80,148) (+22%)
93(+6) Natasha Bedingfield - Unwritten 445,717 (+43,995) (+11%)
99(+20) Brent Faiyaz - Best Time 437,342 (+62,593) (+17%)
101(+14) Kanye West and Ty Dolla $ign - BACK TO ME 435,697 (+56,439) (+15%)
102(+11) Blake Roman, Sam Haft, Andrew Underberg - Poison 435,240 (+55,155) (+15%)
105(+17) Arctic Monkeys - I Wanna Be Yours 433,336 (+64,222) (+17%)
106(+14) LE SSERAFIM - EASY 433,073 (+59,074) (+16%)
113(-5) Morgan Wallen, Eric Church - Man Made A Bar 425,416 (+40,009) (+10%)
114(+52) Lil Yachty - A Cold Sunday 425,161 (+97,092) (+30%)
116(-21) Zach Bryan - Oklahoma Smokeshow 423,513 (+16,958)
119(+43) PARTYNEXTDOOR - Break from Toronto 410,867 (+81,576) (+25%)
120(+13) The Red Clay Strays - Wondering Why 410,527 (+51,264) (+14%)
121(+60) Travis Scott, Swae Lee, Chief Keef - Nightcrawler 410,387 (+94,988) (+30%) *NEW PEAK*
124(-31) Nicki Minaj - FTCU 408,233 (+736)
132(+6) Andrew Underberg, Sam Haft, Keith David, Blake Roman - Loser, Baby 399,499 (+47,351) (+13%)
135(-47) Usher, Ludacris, Lil Jon - Yeah! 396,071 (-18,054)
144(-9) Peso Pluma, Anitta - BELLAKEO 388,030 (+31,921)
146(-31) Dua Lipa - Houdini 387,340 (+8,028)
150(-46) Sophie Ellis-Bextor - Murder On the Dancefloor 386,356 (-4,361)
156(-15) Key Glock - Let's Go 383,032 (+34,771) (+10%)
158(-18) KAROL G, Tiësto - CONTIGO 378,221 (+27,523)
160(+25) Drake - You Broke My Heart 376,783 (+65,852) (+21%)
162(-25) Xavi, Los Dareyes De La Sierra - Poco A Poco 375,586 (+21,602)
164(+1) Noah Kahan - All My Love 373,706 (+45,538) (+14%)
169(-44) Taylor Swift - Don't Blame Me 369,138 (+4,040)
170(-34) Bob Marley & The Wailers - Could You Be Loved 367,802 (+11,809)
176(re-entry) Steve Lacy - Some 362,232
178(-19) Morgan Wallen - Spin You Around (Morgan's Version) 358,899 (+28,873)
180(-5) Luke Combs - Where the Wild Things Are 356,570 (+35,167) (+11%)
190(-13) Cody Johnson - The Painter 346,967 (+28,167)
191(-18) HARDY - TRUCK BED 344,786 (+21,727)
192(+8) Feid, ATL Jacob - LUNA 344,503 (+38,798) (+13%)
193(re-entry) Warren Zeiders - Pretty Little Poison 344,091
194(re-entry) Lana Del Rey, Father John Misty - Let the Light In 342,809
196(=) Andrew Underberg, Sam Haft, Jeremy Jordan, Amir Talai, Erika Henningsen, Kimiko Glenn - Hell's Greatest Dad 342,595 (+34,967) (+11%)
198(re-entry) Hozier - Work Song 340,256
Biggest Gains (50K+): all-american bitch, Passionfruit, 505, Everlong, You Broke My Heart, Power Trip, I Love You So, Wet Dreamz, Heart to Heart, Cigarettes out the Window, Novacane, Jealous, Burn Burn Burn, The Night We Met, The Less I Know The Better, Pain, Too Many Nights, Work Out, LOVE., Apocalypse, Trance, Nightcrawler, Wondering Why, Break from Toronto, Jimmy Cooks, Linger, Dark Red, The Color Violet, EASY, I Wanna Be Yours, Poison, BACK TO ME, Best Time, Runaway, bad idea right?, Die For You, MY EYES, née-nah, Riptide, Forever, Daylight, Coal, Good Days, Sweater Weather, All the Stars, Mmhmm, Kill Bill, Not Allowed, Made for Me, Shut up My Moms Calling, Scared to Start, Romantic Homicide, What Was I Made For?, See You Again, Stargirl Interlude, Popular, Evergreen, Lovers Rock, First Person Shooter, act ii: date @ 8, FUK SUMN, Pink + White, Heartless, No Role Modelz, IDGAF, Heading South, Bandit, Thinkin Bout You, Surround Sound, I KNOW ?, Home, One of the Girls, Feather, vampire, FE!N, Father Stretch My Hands Pt. 1, BURN, Snooze, Praise Jah in the Moonlight, Something in the Orange, greedy, 500lbs, ONE CALL, My Love Mine All Mine, Breathe, Never Lose Me, Lose Control, Whatever She Wants, End of Beginning, I Remember Everything, redrum, Saturn, Stick Season, Beautiful Things, CARNIVAL
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Choco
Diamond Member
james dean daydream
Joined: February 2009
Posts: 27,977
My Charts
Pronouns: he/him
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Post by Choco on Feb 27, 2024 13:07:06 GMT -5
Rolling in the Deep burned some demand during late 2010 and it's chart run on most countries went well into 2012. Longevity is why it's so high on all time charts. It has certainly had better legs than the entire top 5 that surpassed it that particular year:
#1 Just the Way You Are
#2 Grenade
#3 Party Rock Anthem
#4 On the Floor
#5 Born This Way
Born this Way isn't even a top three recurrent for Gaga, On The Floor and Party Rock Anthem are very much products of that time and Bruno has had so many bigger hits since those two that I feel like the probably aren't even near his top recurrents as well. Rolling in the Deep is very much a huge deal still along with Hello and Someone Like You.
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Post by king_billboard_100 on Feb 27, 2024 13:31:58 GMT -5
Just found out Djo is the guy from Stranger Things. Makes the song 10x more interesting tbh I really like it, hope it can entrr the top 10 soon |
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dovahduck
Platinum Member
Kavinsky finally dropped! :)
Joined: April 2018
Posts: 1,870
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Post by dovahduck on Feb 27, 2024 14:08:34 GMT -5
That Spotify lead that "Carnival" has is insane. I wonder if it go number one soon.
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Post by Baby Yoda Hot100Fan on Feb 27, 2024 15:18:45 GMT -5
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Post by theycallmedualian on Feb 27, 2024 17:59:39 GMT -5
not possible cus no radio |
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Groovy
6x Platinum Member
Joined: October 2017
Posts: 6,718
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Post by Groovy on Feb 27, 2024 18:21:01 GMT -5
The TikTok era is coming to an end?
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imbondz
2x Platinum Member
Joined: January 2006
Posts: 2,609
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Post by imbondz on Feb 27, 2024 20:07:22 GMT -5
Anyone know the labels reasoning? Greed? Stupidity?
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Post by kcdawg13 on Feb 27, 2024 21:38:21 GMT -5
I'm impressed by just how popular Carnival is, it sounds like a migraine to me. Just a clattering of obnoxious sounds.
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Post by Baby Yoda Hot100Fan on Feb 27, 2024 23:18:19 GMT -5
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kindofbiased
Platinum Member
Rough surf on the coast
Joined: May 2017
Posts: 1,759 
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Post by kindofbiased on Feb 27, 2024 23:42:01 GMT -5
the most confusing thing about Carnival being so huge is that it's JUST Carnival. nothing else on that album is doing remotely as well, only 3 other tracks are on the Spotify charts and 0 other tracks are on the Apple Music charts. it's really strange
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fridayteenage
5x Platinum Member
Shake it Off
Joined: April 2008
Posts: 5,493
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Post by fridayteenage on Feb 27, 2024 23:42:05 GMT -5
I'm impressed by just how popular Carnival is, it sounds like a migraine to me. Just a clattering of obnoxious sounds. obnoxious sounds + aggressive misogyny = straight men elixir we need this to not be his first #1 since ET (also terrible, but not esp offensive) |
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Post by KeepDeanWeird on Feb 27, 2024 23:59:09 GMT -5
Anyone know the labels reasoning? Greed? Stupidity? Artists and songwriters aren't being paid fair royalties. TikTok pays a fraction compared to other platforms. If it's greed, it's definitely TikTok. The bigger deal that hasn't been covered much is that it include Universal Music Publishing, which means a huge number of songs that are on non-UMG labels must also be muted/removed. I'm glad UMG is standing up to them. It's shocking when you compare social media + streaming royalties to what artists/songwriters got back in the physical media days. For every *viral* song that benefits from TikTok, there's thousands more that are being used almost for free. |
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Post by Baby Yoda Hot100Fan on Feb 28, 2024 1:29:10 GMT -5
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Post by theycallmedualian on Feb 28, 2024 2:18:36 GMT -5
Anyone know the labels reasoning? Greed? Stupidity? Artists and songwriters aren't being paid fair royalties. TikTok pays a fraction compared to other platforms. If it's greed, it's definitely TikTok. The bigger deal that hasn't been covered much is that it include Universal Music Publishing, which means a huge number of songs that are on non-UMG labels must also be muted/removed. I'm glad UMG is standing up to them. It's shocking when you compare social media + streaming royalties to what artists/songwriters got back in the physical media days. For every *viral* song that benefits from TikTok, there's thousands more that are being used almost for free. Now we just need Sony, Warner and interscope to follow suit as well |
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dovahduck
Platinum Member
Kavinsky finally dropped! :)
Joined: April 2018
Posts: 1,870
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Post by dovahduck on Feb 28, 2024 2:29:04 GMT -5
Anyone know the labels reasoning? Greed? Stupidity? Is UMG stupid? *Insert shocked Joker from Batman: Arkham Asylum GIF here* |
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Deleted
Joined: January 1970
Posts: 0
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Post by Deleted on Feb 28, 2024 3:31:56 GMT -5
The TikTok era is coming to an end? Lol no and I'm sure TikTok will negotiate eventually |
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Post by Baby Yoda Hot100Fan on Feb 28, 2024 3:32:30 GMT -5
kworb's Billboard Radio Songs Estimates 2024 » / « 02 » / « 27 »
1(=) Jack Harlow - Lovin On Me 87.52(-0.10)
2(=) Doja Cat - Agora Hills 74.45(-0.32)
3(=) Tate McRae - greedy 63.07(-0.34)
4(=) Tyla - Water 62.70(-0.66)
5(=) Taylor Swift - Is It Over Now? (Taylor's Version) [From The Vault] 56.34(+0.18)
6(=) Taylor Swift - Cruel Summer 53.33(-0.85)
7(=) Dua Lipa - Houdini 50.49(+0.19)
8(+1) Teddy Swims - Lose Control 49.26(+1.15)
9(-1) SZA - Snooze 48.95(-0.44)
10(=) Luke Combs - Fast Car 47.65(-0.13)
37(+5) Beyoncé - TEXAS HOLD 'EM 25.26(+2.42) 52(+3) Benson Boone - Beautiful Things 19.99(+0.86) -(-) LINKIN PARK - Friendly Fire 6.50(+0.86) -(-) Selena Gomez - Love On 5.82(+0.96)
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Post by Baby Yoda Hot100Fan on Feb 28, 2024 3:54:33 GMT -5
2/27/2024 By Elias Leight
"Artists impacted by this are just being more creative on TikTok about how they're getting music out," says one digital marketer.
O On Feb. 15, a snippet of Post Malone singing along to a forthcoming collaboration with Luke Combs surfaced on TikTok. Post Malone is signed to Mercury/Republic Records, Universal Music Group labels, and UMG’s catalog has been unavailable on TikTok since the start of February. This means that preexisting videos made with his hits now play without sound, and users can’t make new clips with his recordings. The video of Post Malone lip-syncing to the track was originally posted on Instagram Reels, but it migrated to TikTok anyway — most clips do — and the audio remained unmuted, skirting the UMG ban because the song has not been officially released.
“We can still use the platform to tease new music because until the master hits TikTok, nothing will happen” to it, says Tim Gerst, CEO of Nashville-based digital marketing agency Thinkswell. “We’re not really going to change our strategy much.”
Artists silenced by the UMG-TikTok impasse have used this and other workarounds during the first month that they’ve been walled off from what is arguably their most effective marketing tool. Indeed, digital marketers say they haven’t noticed an exodus from the platform after the negotiations between the two companies fell apart.
“Artists impacted by this are just being more creative on TikTok about how they’re getting music out,” Shopkeeper Management digital marketing manager Laura Spinelli says. “People are doing acoustic versions of songs; they’re changing up the tempo [so that songs don’t trigger TikTok’s sonic fingerprinting system]; they’re talking around it.
“It’s not, ‘TikTok’s gone, so I’m going to go on [YouTube] Shorts,’ ” Spinelli continues. “It’s, ‘The masters are gone from TikTok; how can I still get my music out?’ ”
While there are plenty of digital platforms that artists can use to market their music, the reality is none have been able to consistently replicate TikTok’s impact over the past four years. “There’s really no other comparable digital marketing strategy or platform for exposure of new music,” says Tyler Blatchley, co-founder of Black 17, The Orchard’s top label on TikTok. “Trends are tied to songs on TikTok in a unique way. On Reels and Shorts, the audience cares less about the song, more about the video content.”
“TikTok is No. 1 for music discovery,” adds Johnny Cloherty, co-founder of digital marketing company Songfluencer. “These other platforms don’t lead to consumption the same way TikTok does.”
It’s also not clear that Reels and Shorts are even trying to challenge TikTok in the way they once did. When the two platforms were launched in 2020, they both seemed positioned to compete for TikTok’s market share — the app had recently been banned in India, and President Donald Trump was threatening to do the same in the United States.
In the years since, however, “both of these products, which came out as TikTok competitors, have evolved,” says another digital marketer who has worked with artists and brands. “They’re different from what they were, and the focus of the companies behind them have shifted.”
The digital marketer points to a recent blog post in which YouTube CEO Neal Mohan announced that “YouTube’s next frontier is the living room,” suggesting the platform was increasingly interested in competing with a company like Netflix rather than other purveyors of short-form video. “It might not be what you’d expect,” Mohan wrote, “but people like watching Shorts on their TVs.”
Reels and its parent company, Meta, have also made significant changes over the last 12 months. In 2023, the company shut down the bonus system it had put in place to financially incentivize creator activity. (That program seemed like another attempt to compete with TikTok, which had announced its own $200 million creator fund in 2020.) A couple of months later, Meta launched another platform, Threads. Just as Reels once seemed aimed at capitalizing on the misfortunes of TikTok, the timing of Threads’ arrival seemed an attempt to capitalize on the troubles of Elon Musk’s X; Meta’s new platform also appeared to signal a shift in company priorities.
Even so, most artists have been, at a minimum, cross-posting TikTok clips to Shorts and Reels for several years, eager to find exposure wherever they can get it.
Shorts has helped artists grow their subscriber numbers on YouTube, and subscribers can be monetized in other ways. Harrison Golding, who oversees digital marketing for EMPIRE, has seen it function as “a discovery tool in countries where YouTube is their primary streaming platform,” like India.
Reels is still an engine for increasing followers as well. “If you want to grow on Instagram right now, Reels is the way to do that,” Spinelli says. In addition, manager Tommy Kiljoy says Reels helped drive listeners to his client ThxSoMch’s latest release, “Hide Your Kids,” as well as Sawyer Hill’s “Look at the Time,” which recently topped Spotify’s Viral 50 chart in the United States.
But “we see more trends on TikTok,” says Hemish Gholkar, a digital marketer who works with all of the major labels. “We hardly see trends to a record on Reels or Shorts.”
While UMG’s catalog remains officially unavailable on TikTok, it has always been the case that any user can upload audio to the platform. Many viral trends start thanks to unofficial bootlegs, and “some artists are just putting up songs as original sounds,” according to Nima Nasseri, a former vp of A&R strategy for Universal Music Group.
Artists “are speeding up their songs a little bit, doing different edits,” and posting them on TikTok, Kiljoy notes. “I’ve seen people lean into [the absence of the music] more than anything and get a rise out of it.” (UMG artists’ music may also be still available if they collaborated with an act on another label: TikTokers can find Drake rapping on Travis Scott’s “Meltdown,” for example.)
In addition, artists have devised ways to keep seeding their music without the official recording. Singer d4vd, whose breakout hits got traction on TikTok and led to a record deal with UMG’s Darkroom/Interscope Records, recently posted a video labeled “d4vd songs that sound better live,” which shows him performing “Leave Her,” his latest release.
Gerst has had success promoting his clients’ older music in cases when it was recorded outside of the UMG system. “We’re going back and pushing a bunch of the back-catalog content,” Gerst says. A video his team posted soundtracked by “I’m Gonna Miss Her,” Brad Paisley’s goofy tribute to fishing, amassed over 30 million views across TikTok and Reels. The song was originally released through Sony in 2001, but a throwback that’s earning millions of views still keeps Paisley top of mind for fans as he moves towards a new album.
Even UMG artists who have expressed disappointment that their music isn’t available on TikTok keep posting anyway. “Two massive companies deciding what goes on with people’s art; it’s a bit f—ing daft,” artist Yungblud said in a TikTok video after the negotiations crumbled. “Everything can be taken away at the touch of a button.”
Still, he continues to post every few days, uploading a mix of onstage and backstage videos, an acoustic performance of “When We Die (Can We Still Get High?)” and interview footage. The same goes for Muni Long, who posted an interview to TikTok in which she called her music’s absence from the platform “a bummer,” and another clip of a group of fans screaming along to her single “Made For Me” at a basketball game.
The stand-off between UMG and TikTok is about to enter a new phase where any songs that have contributions from Universal Music Publishing Group songwriters disappear from the platform, meaning artists and marketers will have to adjust once again. “We’re not going to abandon TikTok,” Gerst says. “We’re just going to find new ways to do it.”
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