sagi
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Post by sagi on Aug 9, 2015 11:37:06 GMT -5
CFMF is going to win this week it looks like but does anyone understand why urban and urban AC are not playing this song? This wouldn't be close if he had those formats working too. Urban has cheerleader in the top 50 for gosh sakes so it isn't about whether or not this is R&B. (which it most certainly is imo)
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allow that
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Post by allow that on Aug 9, 2015 12:31:57 GMT -5
My Hot 100 Prediction: 1. Can't Feel My Face 2. Cheerleader 3. Drag Me Down 4. Watch Me 5. Lean On 6. Bad Blood 7. Fight Song 8. See You Again 9. Trap Queen 10. The Hills or Good For You I think this will come pretty close, but I'd bet on "My Way" or "Back to Back" ahead of either of the #10 predictions here. |
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HolidayGuy
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Post by HolidayGuy on Aug 9, 2015 13:24:57 GMT -5
Speaking of Olivia Newton-John's "Magic," there's a new recording, featuring Olivia and daughter Chloe, titled "You Have to Believe." It's for the 35th anniversary of Xanadu. Dave Aude is the producer.
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felipe
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Post by felipe on Aug 9, 2015 13:41:50 GMT -5
Wait...did we just go from saying "only young girls downloaded 'Drag Me Down' so it shouldn't be so high on the Hot 100" to "only old people buy music legally so sales shouldn't count as much"?  The whole "X component should be weighted less" argument comes up every so often, but I'm honestly surprised to see it directed at sales. Streaming comes under fire when videos help a song rocket up the chart, but people believe the song itself had little/nothing to do with that video's popularity. Airplay comes under fire because it's the one over which consumers have the least direct control - you can choose to change the station, but you can't choose what song you hear next (occasional caller requests aside, and even then they won't play just anything you want.) Not to mention most official Top Songs charts around the world don't incorporate airplay at all. Well, judging from the figures we get, it's safe to say that sales is by far the component that represents the least amount of people, as it refers to thousands of people while the other two are used by millions. And yet, it plays almost as big a part on the Hot 100 as the other two. |
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Deleted
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Post by Deleted on Aug 9, 2015 13:44:47 GMT -5
CFMF is going to win this week it looks like but does anyone understand why urban and urban AC are not playing this song? This wouldn't be close if he had those formats working too. Urban has cheerleader in the top 50 for gosh sakes so it isn't about whether or not this is R&B. (which it most certainly is imo) Even though Billboard declared it r&b for purposes of the composite r&b/hip-hop chart, CFMF is a Max Martin production. His name alone probably stamps "pop" all over the song to some, and it seems the label agrees, since they sent The Hills out to urban isntead. I may be wrong, but I don't think Republic ever sent CFMF to urban for adds. I personally don't consider CFMF r&b at all in today's musical landscape, but that's just me. Either way the song would never fit the UAC format. Most most 'current' r&b music doesn't. Cheerleader has a reggae-light feel, so I could see a few urban stations picking it up because of that, but I wouldn't expect it to get much further than it has. |
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crystalphnx
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Post by crystalphnx on Aug 9, 2015 14:01:49 GMT -5
Well, judging from the figures we get, it's safe to say that sales is by far the component that represents the least amount of people, as it refers to thousands of people while the other two are used by millions. And yet, it plays almost as big a part on the Hot 100 as the other two. Unlike airplay or streaming, though, sales can only count once per person (I don't think iTunes allows duplicate purchases), so of course those numbers won't be as high. Someone could buy multiple physical copies (if they exist), but I believe SoundScan has a way of weeding out any significant bulk purchases. Some would argue that each sale should count much more than a stream or radio audience impression because that consumer is putting down $1.29 (or whatever sale price) as a sign of interest, investment in that song. Or maybe that person just has more money to throw around? Maybe a little of both? Personally, I'm glad the Hot 100 isn't sales-only, since not everyone can pay for music, and others simply choose not to - but their listening habits need to be tracked too. Keep in mind, Billboard does what it does for the industry's sake first, so although the Hot 100 isn't a strictly revenue-based chart, it makes sense to give significant weight to the songs that people are actually paying for. |
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Post by Rose "Payola" Nylund on Aug 9, 2015 14:01:51 GMT -5
Well, I certainly don't have that number, and I'm not sure who'd have it, but I do believe that most Americans listen to more than a couple of songs during a seven day period. It depends on what you call "regularly". A lot of people listen to music while driving to work. A lot of people listen to music while watching The Voice. Or watching a viral video someone from work sent them. A lot of people listen to music while eating at McDonald's. I believe that's how most Americans (and not just teenagers) usually listen to music. And yet, Drag me Down will be considered one of the 3 most popular songs of the week because a group of young girls (who represent a very small portion of US total population) bought the song during its first week. This has certainly happened many times before, and I know that's how the Hot 100 formula works, but I still find it a little odd. When you think about population numbers and sales, there's a lot to take into account. You have age ranges, so basically cutting out most people under 10 and over, let's say 60. Then you consider that most people who buy music are probably in their 20s or 30s, depending on what format they buy. Then you consider frequency. People who buy CDs maybe buy 10 a year. People who buy digital albums, maybe a bit more. Singles, maybe a few a month? These are complete guesses though. So, if your sample size based on age is 60% of the total population, then you're looking at people who even consume music. Most people hear it passively to some degree but how many listen actively? How many actually go out of their way to listen? How many would seek out specific songs and artists? How many would care? And how many out money into paying for music? So when you're looking at charts, you're combining every single demographic regardless of age, location or interest. You could have people who only buy video games and never buy music decide they want to get the latest AC/DC album just because and it could be the only music they buy for years. I think that's partly why Adele sold so much for so long because her music and popularity went beyond your 'average' music buying fan. You had people who hadn't purchased a cd in ten years buying 21 because it was all you heard about from the music world if you aren't up to date on the latest music trends. And whether you want to believe it or not, most people aren't. I bet if I were to play Can't Feel My Face, say who it's by and show a photo of The Weeknd to a bunch of random people across different demographics, most wouldn't know anything about him or the song. We take for granted how familiar we are with the latest hits but it takes months for a big hit like that to really penetrate and make a lasting impression. |
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imbondz
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Post by imbondz on Aug 9, 2015 14:21:29 GMT -5
Well, I certainly don't have that number, and I'm not sure who'd have it, but I do believe that most Americans listen to more than a couple of songs during a seven day period. It depends on what you call "regularly". A lot of people listen to music while driving to work. A lot of people listen to music while watching The Voice. Or watching a viral video someone from work sent them. A lot of people listen to music while eating at McDonald's. I believe that's how most Americans (and not just teenagers) usually listen to music. And yet, Drag me Down will be considered one of the 3 most popular songs of the week because a group of young girls (who represent a very small portion of US total population) bought the song during its first week. This has certainly happened many times before, and I know that's how the Hot 100 formula works, but I still find it a little odd. When you think about population numbers and sales, there's a lot to take into account. You have age ranges, so basically cutting out most people under 10 and over, let's say 60. Then you consider that most people who buy music are probably in their 20s or 30s, depending on what format they buy. Then you consider frequency. People who buy CDs maybe buy 10 a year. People who buy digital albums, maybe a bit more. Singles, maybe a few a month? These are complete guesses though. So, if your sample size based on age is 60% of the total population, then you're looking at people who even consume music. Most people hear it passively to some degree but how many listen actively? How many actually go out of their way to listen? How many would seek out specific songs and artists? How many would care? And how many out money into paying for music? So when you're looking at charts, you're combining every single demographic regardless of age, location or interest. You could have people who only buy video games and never buy music decide they want to get the latest AC/DC album just because and it could be the only music they buy for years. I think that's partly why Adele sold so much for so long because her music and popularity went beyond your 'average' music buying fan. You had people who hadn't purchased a cd in ten years buying 21 because it was all you heard about from the music world if you aren't up to date on the latest music trends. And whether you want to believe it or not, most people aren't. I bet if I were to play Can't Feel My Face, say who it's by and show a photo of The Weeknd to a bunch of random people across different demographics, most wouldn't know anything about him or the song. We take for granted how familiar we are with the latest hits but it takes months for a big hit like that to really penetrate and make a lasting impression. Great post. Agreed. |
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sagi
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Post by sagi on Aug 9, 2015 14:23:11 GMT -5
CFMF is going to win this week it looks like but does anyone understand why urban and urban AC are not playing this song? This wouldn't be close if he had those formats working too. Urban has cheerleader in the top 50 for gosh sakes so it isn't about whether or not this is R&B. (which it most certainly is imo) Even though Billboard declared it r&b for purposes of the composite r&b/hip-hop chart, CFMF is a Max Martin production. His name alone probably stamps "pop" all over the song to some, and it seems the label agrees, since they sent The Hills out to urban isntead. I may be wrong, but I don't think Republic ever sent CFMF to urban for adds. I personally don't consider CFMF r&b at all in today's musical landscape, but that's just me. Either way the song would never fit the UAC format. Most most 'current' r&b music doesn't. Cheerleader has a reggae-light feel, so I could see a few urban stations picking it up because of that, but I wouldn't expect it to get much further than it has. I might agree with you if Uptown Funk wasn't going to be one of the top 3 UAC records of the year. And recall last year Urban took Dark Horse into the top 5. I just don't see the harm in sending it. Urban radio works multiple songs by the same artist all the time. |
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velaxti
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Post by velaxti on Aug 9, 2015 15:14:40 GMT -5
Can't Feel My Face IS getting played on urban radio. It's getting like 400 spins a week atm. Obviously, it's not THAT much, but it's not true to say it's not getting played, 400 spins a week is quite significant. It actually did get top 50 on urban recently (that's how I know it must be getting around 400 spins a week), but dropped out. I'm sure it'll re-enter soon.
I think it would be getting more airplay had The Hills not been released around the same time, and as somebody else said, it hasn't actually been sent for adds, so this is all un-solicited airplay. With an adds date and if The Hills didn't exist it would probably be doing quite well on urban radio atm. These disco/funk-ish songs can do well on urban, like Blurred Lines, Uptown Funk, Take Back The Night, Get Lucky, Happy.
And some songs just take off quite late on that format, for example Somebody by Natalie La Rose did quite well on urban, but got airplay later than on pop and rhythmic.
It's Max Martin, but if I remember correctly 20+ urban stations added Love Me Harder by Ariana Grande which was also Max Martin I believe.
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Deleted
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Post by Deleted on Aug 9, 2015 15:26:59 GMT -5
Even though Billboard declared it r&b for purposes of the composite r&b/hip-hop chart, CFMF is a Max Martin production. His name alone probably stamps "pop" all over the song to some, and it seems the label agrees, since they sent The Hills out to urban isntead. I may be wrong, but I don't think Republic ever sent CFMF to urban for adds. I personally don't consider CFMF r&b at all in today's musical landscape, but that's just me. Either way the song would never fit the UAC format. Most most 'current' r&b music doesn't. Cheerleader has a reggae-light feel, so I could see a few urban stations picking it up because of that, but I wouldn't expect it to get much further than it has. I might agree with you if Uptown Funk wasn't going to be one of the top 3 UAC records of the year. And recall last year Urban took Dark Horse into the top 5. I just don't see the harm in sending it. Urban radio works multiple songs by the same artist all the time. Urban =/= UAC - I can't tell from your post if you're keeping that distinction in mind but you have to break it up and consider the song in two different scenarios. Uptown Funk is just one of those songs with an elusive universal appeal. It borrows from 80s r&b sounds that the UAC audience would remember and still love, and the lyrics are pretty safe. But it has that Trinidad James interpolation and a ton of swagger which pulls in the younger urban crowd. CFMF, on the other hand, is very modern, has various pop elements to its production in spite of the MJ feel it is going for, and the lyrics have a not so subtle undercurrent of 'the reason i can't feel my face is because I'm high right now.' UAC played Earned It, so there is that, but otherwise The Weeknd has never released anything that would go over well with the older fanbase that listens to UAC. CFMF is no different; when the playlist right now is this, I just don't see where CFMF would fit in with that. Always remember that UAC is nothing more than the r&b counterpart to AC. They're both more or less the old folks' home of radio. Urban is a different story though; although the song doesn't really feel that urban to me, I can agree that it wouldn't throw me off to see the label take a chance and send it there. It isn't like Usher going from Climax to Scream - CFMF is still very much in line with what people expect from the Weeknd, a party song with lowkey drugged-out trance vibes  his fanbase wouldn't be turned off by it or feel like he's trying to do two completely different styles. I just wonder if urban fans would be into the production. Dark Horse was done by Dr. Luke (also a well-known pop producer) but it had a very distinct 'trap' beat that urban fans would respond well to. CFMF has so many poppy bells and whistles, it almost feels like a remix of a Weeknd song instead of the original version. |
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Deleted
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Post by Deleted on Aug 9, 2015 15:41:28 GMT -5
Can't Feel My Face IS getting played on urban radio. It's getting like 400 spins a week atm. Obviously, it's not THAT much, but it's not true to say it's not getting played, 400 spins a week is quite significant. It actually did get top 50 on urban recently (that's how I know it must be getting around 400 spins a week), but dropped out. I'm sure it'll re-enter soon. I think it would be getting more airplay had The Hills not been released around the same time, and as somebody else said, it hasn't actually been sent for adds, so this is all un-solicited airplay. With an adds date and if The Hills didn't exist it would probably be doing quite well on urban radio atm. These disco/funk-ish songs can do well on urban, like Blurred Lines, Uptown Funk, Take Back The Night, Get Lucky, Happy. And some songs just take off quite late on that format, for example Somebody by Natalie La Rose did quite well on urban, but got airplay later than on pop and rhythmic. It's Max Martin, but if I remember correctly 20+ urban stations added Love Me Harder by Ariana Grande which was also Max Martin I believe. I think Natalie might even still be charting there, albeit at the lower end now that it has descended. Urban was really late to the table with her for some reason, but I would probably also chalk that up to the label sending it out to them later than to the other two formats. You know, she, Weeknd, and Ariana are all Republic artists. Maybe it's just a Republic quirk to sent stuff to urban after it's gone everywhere else? I've also noticed a small but budding trend with urban-influenced pop songs getting love on urban radio. Like the above songs, as well as Dark Horse and Royals. It's a very fine line and likely the cause of some grumbles from r&b purists who think pop music is taking over r&b radio. I'm not sure where the line between 'urban influenced' and 'urban song' should be drawn, partly because my own music tastes are all over the place and partly because it seems like that blurring of the line only runs in one direction still (i.e. pop-based acts crossing over into urban territory, but urban artists [esp. r&b] still being mostly shunned from pop) |
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sagi
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Post by sagi on Aug 9, 2015 15:42:30 GMT -5
I might agree with you if Uptown Funk wasn't going to be one of the top 3 UAC records of the year. And recall last year Urban took Dark Horse into the top 5. I just don't see the harm in sending it. Urban radio works multiple songs by the same artist all the time. Urban =/= UAC - I can't tell from your post if you're keeping that distinction in mind but you have to break it up and consider the song in two different scenarios. Uptown Funk is just one of those songs with an elusive universal appeal. It borrows from 80s r&b sounds that the UAC audience would remember and still love, and the lyrics are pretty safe. But it has that Trinidad James interpolation and a ton of swagger which pulls in the younger urban crowd. CFMF, on the other hand, is very modern, has various pop elements to its production in spite of the MJ feel it is going for, and the lyrics have a not so subtle undercurrent of 'the reason i can't feel my face is because I'm high right now.' UAC played Earned It, so there is that, but otherwise The Weeknd has never released anything that would go over well with the older fanbase that listens to UAC. CFMF is no different; when the playlist right now is this, I just don't see where CFMF would fit in with that. Always remember that UAC is nothing more than the r&b counterpart to AC. They're both more or less the old folks' home of radio. Urban is a different story though; although the song doesn't really feel that urban to me, I can agree that it wouldn't throw me off to see the label take a chance and send it there. It isn't like Usher going from Climax to Scream - CFMF is still very much in line with what people expect from the Weeknd, a party song with lowkey drugged-out trance vibes his fanbase wouldn't be turned off by it or feel like he's trying to do two completely different styles. I just wonder if urban fans would be into the production. Dark Horse was done by Dr. Luke (also a well-known pop producer) but it had a very distinct 'trap' beat that urban fans would respond well to. CFMF has so many poppy bells and whistles, it almost feels like a remix of a Weeknd song instead of the original version. Great points. If Happy can be a number 1 record on Urban and UAC I see nothing in the production holding CFMF back. Pharrell aside, Happy was as corny pure pop as it gets. I really don't think they anticipated the Hills getting as big as it's gotten and that has held them back on CFMF. I just believe with an album coming out you go all in with CFMF. I don't think anyone listening to Urban radio is going to be put off by the song. And as for UAC, Earned It is in a close race with that KEM song for the year-end #1 so why not send the follow-up (a Michael Jackson sounding song for the old-timers) to UAC. I think in the end CFMF is just going to be a really late hit on the Urban formats which will probably keep it in the top 10 of the Hot 100 for a very long time. Everyone has made valid points. I get it. It just seems strange not to go all in on a song within the grey area when you are trying to promote what looks like is going to be a mega album by an artist a lot of people of many different demographics are curious about. |
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Deleted
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Post by Deleted on Aug 9, 2015 15:49:21 GMT -5
I could see "Can't Feel My Face" making the Top 50 at Urban AC, but it doesn't sound like an Urban AC hit, and I don't think it appeals to the format nearly as much as "Earned It," "Uptown Funk," and "Happy". Those are throwback R&B songs in every sense. "Can't Feel My Face" has an MJ influence, but the production is still very modern alt-R&B like.
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sagi
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Post by sagi on Aug 9, 2015 16:06:23 GMT -5
One other thing I've had on my mind. I originally thought CFMF and Cheerleader would trade off at number 1 for a while because the two songs seem to be equal strength. Now it looks like Cheerleader is fading. So who is lining up after CFMF? We are in this strange and rare spot where there is no song bubbling under that looks poised to become really huge. The only song I think I see the makings of that is the R. City/Adam Levine song but I am not really hearing a Hot 100 #1 there. (at least not yet). Doesn't seem big enough or distinctive enough. I think CFMF's biggest challenger may actually be the Hills once/if pop comes on board fully?
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Deleted
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Post by Deleted on Aug 9, 2015 16:14:42 GMT -5
Lean On has been getting consistent green updates on iTunes for the past couple of days...obviously I'm not complaining about that or anything lmao but was it performed somewhere to give it that boost? I really hope it can spend a bit more time in the top 10 and place decently on the year-end chart...
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Clauss
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Post by Clauss on Aug 9, 2015 16:24:50 GMT -5
Lean On has been getting consistent green updates on iTunes for the past couple of days...obviously I'm not complaining about that or anything lmao but was it performed somewhere to give it that boost? I really hope it can spend a bit more time in the top 10 and place decently on the year-end chart... I think it can be weekend effect, idk if it has promo or something |
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THINKIN BOUT YOU
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Post by THINKIN BOUT YOU on Aug 9, 2015 16:57:05 GMT -5
Lean On has been getting consistent green updates on iTunes for the past couple of days...obviously I'm not complaining about that or anything lmao but was it performed somewhere to give it that boost? I really hope it can spend a bit more time in the top 10 and place decently on the year-end chart... I think it can be weekend effect, idk if it has promo or something The Weeknd doesn't have the weekend effect in the weekends, which is weird to see in the weekend.. Weekend Weeknd weekend............ |
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Dylan :)
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Post by Dylan :) on Aug 9, 2015 17:48:11 GMT -5
Lean On has been getting consistent green updates on iTunes for the past couple of days...obviously I'm not complaining about that or anything lmao but was it performed somewhere to give it that boost? I really hope it can spend a bit more time in the top 10 and place decently on the year-end chart... I believe it is being performed tomorrow |
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Post by Mikel Echarri on Aug 9, 2015 17:49:12 GMT -5
I think it can be weekend effect, idk if it has promo or something The Weeknd doesn't have the weekend effect in the weekends, which is weird to see in the weekend.. Weekend Weeknd weekend............  |
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rimetm
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Post by rimetm on Aug 9, 2015 18:59:30 GMT -5
Guys, don't just check Kworb for your iTunes news. Lean On went on sale again (for 69 cents) starting Friday, and it moved generally 11->7->5 over these past days because of it.
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THINKIN BOUT YOU
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Post by THINKIN BOUT YOU on Aug 9, 2015 19:20:51 GMT -5
Guys, don't just check Kworb for your iTunes news. Lean On went on sale again (for 69 cents) starting Friday, and it moved generally 11->7->5 over these past days because of it. Why is it on sale? For a better chart performance? If that's the case then why didn't the Weeknd do it for a solid top tier this week.. His company wouldn't allow that? |
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House Lannister
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Post by House Lannister on Aug 9, 2015 19:23:47 GMT -5
Predictions:
1. Can't Feel My Face (would have went this way even before seeing those numbers from rimetm)
2. Cheerleader
3. Drag Me Down
4. Watch Me
5. Bad Blood
6. Lean On (might go as high as #5 or low as #7, splitting the difference)
7. See You Again
8. Back to Back (when's the last time a dis track made top 10? Mama Said Knock You Out?)
9. My Way (I think Fetty's down to one song in top 10 this week, but 679 could join soon)
10. Fight Song
Beyond:
11. Good for You
12. Where Are U Now
13. The Hills
15. 679
16. Cool for the Summer
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THINKIN BOUT YOU
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Post by THINKIN BOUT YOU on Aug 9, 2015 19:40:34 GMT -5
Predictions: 1. Can't Feel My Face (would have went this way even before seeing those numbers from rimetm) 2. Cheerleader 3. Drag Me Down 4. Watch Me 5. Bad Blood 6. Lean On (might go as high as #5 or low as #7, splitting the difference) 7. See You Again 8. Back to Back (when's the last time a dis track made top 10? Mama Said Knock You Out?) 9. My Way (I think Fetty's down to one song in top 10 this week, but 679 could join soon) 10. Fight Song Beyond: 11. Good for You 12. Where Are U Now 13. The Hills 15. 679 16. Cool for the Summer "Trap queen"'s gonna plummet 7-> 14? How is such flamboyant event gonna transpire? |
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Dylan :)
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Post by Dylan :) on Aug 9, 2015 20:15:40 GMT -5
Predictions: 1. Can't Feel My Face (would have went this way even before seeing those numbers from rimetm) 2. Cheerleader 3. Drag Me Down 4. Watch Me 5. Bad Blood 6. Lean On (might go as high as #5 or low as #7, splitting the difference) 7. See You Again 8. Back to Back (when's the last time a dis track made top 10? Mama Said Knock You Out?) 9. My Way (I think Fetty's down to one song in top 10 this week, but 679 could join soon) 10. Fight Song Beyond: 11. Good for You 12. Where Are U Now 13. The Hills 15. 679 16. Cool for the Summer "Trap queen"'s gonna plummet 7-> 14? How is such flamboyant event gonna transpire? I love your use of the English language. I'm hoping GFY can return to the top 10, I'm afraid it'll be kept out like THWWIW |
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Post by emperortigerstar on Aug 10, 2015 1:08:20 GMT -5
Back when a real good song "royals" was no.1.. nostalgia.. "Good song" Excuse me. *distant laughing* Anywho, I hope CFMF finally hits number 1. It's a well deserved hit. |
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Deleted
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Post by Deleted on Aug 10, 2015 3:19:48 GMT -5
Back when a real good song "royals" was no.1.. nostalgia.. "Good song" Excuse me. *distant laughing* Anywho, I hope CFMF finally hits number 1. It's a well deserved hit. I agree with the last part |
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Daniel Collins
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Post by Daniel Collins on Aug 10, 2015 8:30:17 GMT -5
Mediabase 08/10/15
1. THE WEEKND - Can't Feel My Face: 182.323 (+ 0.993)
2. OMI - Cheerleader: 171.343 (+ 0.201)
3. TAYLOR SWIFT - Bad Blood f/Kendrick Lamar: 167.584 (- 1.705)
4. WALK THE MOON - Shut Up And Dance: 130.349 (- 1.340)
5. RACHEL PLATTEN - Fight Song: 118.307 (+ 0.020)
6. MAJOR LAZER - Lean On f/MØ & DJ Snake: 114.782 (+ 1.060)
7. WIZ KHALIFA - See You Again f/Charlie Puth: 110.954 (- 1.416)
8. ED SHEERAN - Photograph: 96.702 (+ 0.468) ▲
9. FIFTH HARMONY - Worth It f/Kid Ink: 95.850 (- 0.708) ▼
10. ANDY GRAMMER - Honey, I'm Good: 91.867 (+ 0.618)
11. JASON DERULO - Want To Want Me: 88.497 (- 0.565)
12. SKRILLEX & DIPLO - Where Are U Now w/J. Bieber: 88.120 (+ 0.876)
13. DAVID GUETTA - Hey Mama f/N. Minaj & Afrojack: 84.641 (- 2.490)
14. FALL OUT BOY - Uma Thurman: 76.696 (+ 0.623)
15. SELENA GOMEZ - Good For You f/A$AP Rocky: 73.907 (+ 1.043) ▲
16. DEMI LOVATO - Cool For The Summer: 73.856 (+ 0.843) ▼
17. MAROON 5 - Sugar: 69.302 (- 0.676)
18. OMARION - Post To Be f/Chris Brown&Jhene: 68.885 (- 0.179)
19. MARK RONSON - Uptown Funk f/Bruno Mars: 68.522 (- 0.404)
20. MICHAEL RAY - Kiss You In The Morning: 66.811 (- 0.243)
ZAC BROWN BAND - Loving You Easy: 63.840 (+ 1.176)
SILENTO - Watch Me: 62.655 (- 0.152)
FRANKIE BALLARD - Young & Crazy: 61.444 (+ 0.684)
FETTY WAP - My Way f/Monty: 58.493 (+ 0.910)
SAM HUNT - House Party: 56.781 (+ 0.907)
THOMAS RHETT - Crash And Burn: 48.138 (+ 0.880)
R. CITY - Locked Away f/Adam Levine: 42.167 (+ 2.440)
X AMBASSADORS - Renegades: 34.362 (+ 0.866)
CHARLIE PUTH - Marvin Gaye f/Meghan Trainor: 31.925 (+ 1.196)
MEEK MILL - All Eyes On You f/Minaj/Brown: 30.035 (+ 0.609)
THE WEEKND - The Hills: 27.989 (+ 1.506)
5 SECONDS OF SUMMER - She's Kinda Hot: 27.432 (+ 0.991)
FLORIDA-GEORGIA LINE - Anything Goes: 27.292 (+ 0.597)
JASON DERULO - Cheyenne: 27.028 (+ 0.162)
ZEDD - Beautiful Now f/Jon Bellion: 26.797 (- 0.338)
ONE DIRECTION - Drag Me Down: 19.270 (+ 0.860)
JANET JACKSON - No Sleeep: 18.336 (+ 0.297)
KELLY CLARKSON - Invincible: 16.809 (- 0.057)
CALVIN HARRIS + DISCIPLES - How Deep Is Your Love: 13.543 (+ 0.096)
MEGHAN TRAINOR - Like I'm Gonna Lose You: 12.687 (+ 0.355)
SHAWN MENDES - Stitches: 12.510 (+ 0.230)
DRAKE - Back To Back: 11.702 (+ 0.597)
DISCLOSURE - Omen f/Sam Smith: 10.266 (+ 0.716)
CHRIS BROWN - Liquor: 10.128
MACKLEMORE & RYAN LEWIS - Growing Up f/Ed Sheeran: 10.107 (+ 1.374)
A GREAT BIG WORLD - Hold Each Other f/Futuristic: 9.847 (+ 0.713)
ALESSIA CARA - Here: 8.798 (- 0.074)
HAILEE STEINFELD - Love Myself: 4.549 (+ 2.097)
ROBIN THICKE - Back Together f/Nicki Minaj: 1.861 (+ 0.447)
RITA ORA - Body On Me f/Chris Brown: 0.802 (+ 0.048)
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badrobot
3x Platinum Member
Joined: November 2006
Posts: 3,392
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Post by badrobot on Aug 10, 2015 10:58:21 GMT -5
Ok I'm gonna ask a dumb question -- do we get the Hot 100 on Mondays now or Tuesdays?
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Post by Mikel Echarri on Aug 10, 2015 11:26:49 GMT -5
Ok I'm gonna ask a dumb question -- do we get the Hot 100 on Mondays now or Tuesdays? Highlights on Mondays, the Hot 100 and all Billboard charts on Tuesdays |
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