Dylan :)
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Post by Dylan :) on Aug 31, 2015 14:09:56 GMT -5
#1 Can't Feel My Face (@markg94 you'll be happy lol)
#2 Cheerleader
#3 Watch Me
#4 The Hills
#5 Lean On
#6 Good For You
#7 679
#8 Locked Away
#9 Trap Queen
#10 Fight Song
#12 Photograph
#14 Drag Me Down
#20 Stitches
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lyhom
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Post by lyhom on Aug 31, 2015 14:13:13 GMT -5
holy s**t at "stitches"
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Post by Mikel Echarri on Aug 31, 2015 14:17:47 GMT -5
The Weeknd's 'Face' Back Atop Hot 100 www.billboard.com/articles/columns/chart-beat/6678844/the-weeknd-cant-feel-my-face-returns-no-1-hot-100By Gary Trust | August 31, 2015 2:30 PM EDT 'Can't Feel My Face' returns for a second week at No. 1, dethroning OMI's 'Cheerleader.' The Weeknd's "Can't Feel My Face" rebounds 2-1 for a second week at No. 1 on the Billboard Hot 100. It replaces OMI's "Cheerleader" (1-2) after six weeks in charge, but the latter claims a key consolation prize: it takes the lead in the running for Billboard's top song of the summer. Plus, R. City's "Locked Away," featuring Adam Levine, roars into the Hot 100's top 10 and is the new top-selling song in the U.S. As The Weeknd's "Face," released on XO/Republic, returns to the Hot 100's pole position (after first topping the Aug. 22 chart), it remains the most-heard song on radio. It spends a fourth week at No. 1 on Radio Songs (150 million in audience, down 5 percent, according to Nielsen Music). It drops 1-4 after three weeks atop Digital Songs (77,000 downloads sold, down 30 percent, in the week ending Aug. 27) and 5-6 on Streaming Songs (13.6 million U.S. streams, up less than 1 percent). "Face" also leads Hot R&B/Hip-Hop Songs and the subscription services-based On-Demand Songs charts for a seventh week each. That's not all for The Weeknd, as he again boasts two simultaneous top five Hot 100 hits: "The Hills" hits a new peak, lifting 5-4. The track jumps 4-2 on Streaming Songs (15.7 million, up 16 percent) and 25-15 on Radio Songs (64 million, up 44 percent). On Digital Songs, it descends 6-10 (62,000, down 10 percent). Both "Face" and "The Hills" are from The Weeknd's second studio album, Beauty Behind the Madness, released Friday (Aug. 28). The set, featuring collaborations with Lana Del Rey, Labrinth and Ed Sheeran, will challenge for No. 1 on next week's Billboard 200 albums chart. (Chart math lesson: "Face" and "Hills" drop on Digital Songs, but their slides are owed to iTunes customers who opted to "complete" their purchase of The Weeknd's new album, by upgrading their earlier purchases of the songs to a full album. Effectively, consumers who completed the album were returning the songs, thus translating to its sales chart falls. For the purposes of the Hot 100, however, aggregate sales contribute to the songs' overall point total.)
Looking ahead to next week, "Face" should benefit from a full tracking week after his buzzy performance of the track at the MTV Video Music Awards last night. "Cheerleader" drops to the Hot 100's runner-up rank while maintaining its No. 2 spots on Radio Songs (131 million in audience, down 11 percent) and Digital Songs, which it led for four weeks (86,000 downloads sold, down 19 percent). On Streaming Songs, it dips 2-4 (14.1 million, down 6 percent). But, cheers for "Cheerleader": it pushes ahead in the lead for top summer song, displacing Wiz Khalifa's "See You Again," featuring Charlie Puth, atop Billboard's Songs of the Summer chart. The song hits No. 1 on the list in the 14th week of the summer tracking period; with one week to go, it's in prime position to take the title as Billboard's top summer song of 2015. Check Billboard.com next week for the official unveiling of summer's No. 1 song. Above The Weeknd's "The Hills" on the Hot 100, Silento's "Watch Me" remains at its No. 3 peak, while leading Streaming Songs (22.9 million, up 33 percent) and Hot Rap Songs for a sixth week each. Capping the Hot 100's top five, Major Lazer and DJ Snake's "Lean On," featuring MO, descends from its No. 4 high to No. 5. Still, it leads Billboard's Hot Dance/Electronic Songs chart for a seventh week. Outside the Hot 100's top five, Selena Gomez's "Good for You," featuring A$AP Rocky, holds at its No. 6 peak (Gomez's best career Hot 100 rank, previously reached by "Come & Get It" in 2013 and "The Heart Wants What It Wants" last year). Fetty Wap's "679," featuring Remy Boyz, hits a new Hot 100 high, rising 8-7. With streaming accounting for the majority (68 percent) of the song's Hot 100 points total, the cut climbs 6-5 on Streaming Songs (13.6 million, up 7 percent). "679" is one of Fetty Wap's two top 10s this week: his No. 2-peaking debut hit "Trap Queen" keeps at No. 9. In between Fetty Wap's top 10s is this week's new song in the region: After marking their mark as songwriters, brothers Theron and Timothy Thomas are scaling the Hot 100 as artists, as "Locked Away," their new single as recording act R. City, bounds 16-8. The track, featuring Maroon 5 frontman Levine, rises 3-1 on Digital Songs (91,000, essentially even from last week). It also rushes 14-9 on Radio Songs (78 million, up 18 percent) and 35-20 on Streaming Songs (6.1 million, up 34 percent). "Locked Away" was co-produced by Dr. Luke and, quirkily enough, features a writing credit for Toni Tennille, thanks to its closeness in melody to Captain & Tennille's 1980 Hot 100 No. 1, "Do That to Me One More Time." Its video premiered Aug. 17, ahead of R. City's forthcoming debut RCA album. Levine, meanwhile, lands his second Hot 100 top 10 apart from Maroon 5, with whom he's notched 11. In 2011, he rose to No. 4 as featured on Gym Class Heroes' "Stereo Hearts." Rounding out the Hot 100's top 10, Rachel Platten's "Fight Song" drops 7-10 after reaching No. 6. Just outside the Hot 100's top 10, Ed Sheeran's "Photograph" snaps up a 15-12 lift (and crowns the Adult Pop Songs airplay chart); One Direction's "Drag Me Down," which debuted at No. 3 three weeks ago, blasts 31-14 following the Aug. 20 release of its official video; and Shawn Mendes' "Stitches" leaps 32-20. Find out more noteworthy news beneath the top 10 in the weekly "Hot 100 Chart Moves" column to post later this week. |
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Gary
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Post by Gary on Aug 31, 2015 14:20:47 GMT -5
For those of you rooting for this, with one week to go 'Cheerleader' has passed 'See You Again' as the song of the summer
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kanimal
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Post by kanimal on Aug 31, 2015 14:25:28 GMT -5
I guess I was crazy.
What a mess with those The Weeknd sales conversions.
And it's super lame that Billboard (as was the case with Taylor's album) isn't telling us what its Hot 100 sales figure was.
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Post by Mikel Echarri on Aug 31, 2015 14:39:17 GMT -5
One thing I don't understand... so the real sales of The Weeknd count on the Hot 100 points or not? I mean, CFMF gets only 77,000 downloads or the real downloads (119,000 based on Kworb's prediction)?
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House Lannister
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Post by House Lannister on Aug 31, 2015 14:41:59 GMT -5
I think I was way off on streaming, which impacted Watch Me and the Fetty Wap songs. On the plus side, nailed the placement of Drag Me Down.
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kanimal
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Post by kanimal on Aug 31, 2015 14:56:17 GMT -5
One thing I don't understand... so the real sales of The Weeknd count on the Hot 100 points or not? I mean, CFMF gets only 77,000 downloads or the real downloads (119,000 based on Kworb's prediction)? The ~119K counts toward the Hot 100. The 77K counts toward Digital Songs and its cumulative sales total. That's why it's so maddening that Billboard only posted the latter figure in the Hot 100 write-up. |
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Gary
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Post by Gary on Aug 31, 2015 15:06:05 GMT -5
91,000 for the #1 title on Digital Songs seems interesting. First time since 2007, I think that the #1 title is <100K.
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badrobot
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Post by badrobot on Aug 31, 2015 15:06:16 GMT -5
One thing I don't understand... so the real sales of The Weeknd count on the Hot 100 points or not? I mean, CFMF gets only 77,000 downloads or the real downloads (119,000 based on Kworb's prediction)? The total sales count to the Hot 100, so something close to that 119k figure. To avoid confusion they should just show the real sales figure and deduct the "returns" from the digital total rather than showing a sales drop. Also, if I'm not mistaken, this is the first time 2 songs have traded back and forth at #1 since "I'm Real" and "Fallin" in 2001. EDIT: I was completely disproven below! We've had interrupted chart runs before but usually only one of the songs returns to the top. (Like SIO and AATB last year.) |
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Post by squirrelgate on Aug 31, 2015 15:12:20 GMT -5
One thing I don't understand... so the real sales of The Weeknd count on the Hot 100 points or not? I mean, CFMF gets only 77,000 downloads or the real downloads (119,000 based on Kworb's prediction)? The total sales count to the Hot 100, so something close to that 119k figure. To avoid confusion they should just show the real sales figure and deduct the "returns" from the digital total rather than showing a sales drop. Also, if I'm not mistaken, this is the first time 2 songs have traded back and forth at #1 since "I'm Real" and "Fallin" in 2001. We've had interrupted chart runs before but usually only one of the songs returns to the top. (Like SIO and AATB last year.) Firework/Grenade, Moves Like Jagger/Someone Like You, Whistle/We Are Never Ever Getting Back Together... |
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HolidayGuy
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Post by HolidayGuy on Aug 31, 2015 15:16:40 GMT -5
I thought there would be no more of those "returns" issues when iTunes stopped reporting tracks sales tied to preorders? As they initially would not be reported, then why the need for "returns" to be deducted? *Confused*
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kanimal
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Post by kanimal on Aug 31, 2015 15:23:54 GMT -5
I thought there would be no more of those "returns" issues when iTunes stopped reporting tracks sales tied to preorders? As they initially would not be reported, then why the need for "returns" to be deducted? *Confused* This is due to "complete my album." Let's say you bought CFMF two months ago. This week, you decided to upgrade to the full album using the "complete my album" feature. In Nielsen's eyes, you FIRST returned your copy of CFMF (leading to the deduction) and THEN bought your copy of Beauty Behind the Madness. The same thing happened with Taylor Swift's singles last fall. That said.... I am confused why the impact is *this week* rather than next week. Is it based on people upgrading from a single purchase to a pre-order or did Nielsen assume all Complete My Album orders were executed at 11:59PM? |
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badrobot
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Post by badrobot on Aug 31, 2015 15:45:13 GMT -5
The total sales count to the Hot 100, so something close to that 119k figure. To avoid confusion they should just show the real sales figure and deduct the "returns" from the digital total rather than showing a sales drop. Also, if I'm not mistaken, this is the first time 2 songs have traded back and forth at #1 since "I'm Real" and "Fallin" in 2001. We've had interrupted chart runs before but usually only one of the songs returns to the top. (Like SIO and AATB last year.) Firework/Grenade, Moves Like Jagger/Someone Like You, Whistle/We Are Never Ever Getting Back Together... Damn. I don't know how none of those registered in my head. |
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prenatt1166
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Post by prenatt1166 on Aug 31, 2015 16:00:13 GMT -5
Other than The Weeknd/OMI and Jennifer Lopez & Ja Rule/Alicia Keys in 2001 and the others mentioned in the above post, who else has traded back and forth at number one on the Hot 100? Without researching, I can only think of "You Don't Bring Me Flowers" by Barbra Streisand and Neil Diamond and "Le Freak" by Chic in December 1978.
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rimetm
2x Platinum Member
Just a Good Ol' Chart Shmuck
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Post by rimetm on Aug 31, 2015 16:04:02 GMT -5
Some more news from Gary Trust: 17. Cool for the Summer (=) 67. Black Magic (+1) |
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damazz09
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Post by damazz09 on Aug 31, 2015 16:04:50 GMT -5
Didn't Whatever You Like & Live Your Life by T.I. go back and forth 3x?
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Dylan :)
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Post by Dylan :) on Aug 31, 2015 16:13:07 GMT -5
Hopefully the VMA sales boost will help Cool For The Summer get a top 15 peak next week!
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prenatt1166
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Post by prenatt1166 on Aug 31, 2015 16:18:25 GMT -5
Didn't Whatever You Like & Live Your Life by T.I. go back and forth 3x? LYL knocked WYL out of number one twice, but "Womanizer" spent a week on top in between. LYL then traded number one twice with "Single Ladies". |
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Post by emperortigerstar on Aug 31, 2015 16:24:46 GMT -5
Billboard Top 10 from 55, 50, 45, and 40 years ago: September 5, 1960 (for the week ending September 10) 01 01 It's Now Or Never - Elvis Presley (4th of 5 weeks at #1)02 03 The Twist - Chubby Checker 03 02 Walk Don't Run - The Ventures 04 05 Volare (Nel Blu Di Pinto Di Blu) - Bobby Rydell 05 04 I'm Sorry - Brenda Lee 06 06 Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini - Brian Hyland 07 08 Mission Bell - Donnie Brooks 08 07 Finger Poppin' Time - Hank Ballard 09 16 My Heart Has a Mind Of Its Own - Connie Francis 10 12 Theme From The Apartment - Ferrante & Teicher September 11, 196501 01 Help! - The Beatles (2nd of 3 weeks at #1)02 02 Like a Rolling Stone - Bob Dylan 03 09 Eve Of Destruction - Barry McGuire 04 07 You Were On My Mind - We Five 05 03 California Girls - The Beach Boys 06 04 Unchained Melody - The Righteous Brothers 07 06 I Got You Babe - Sonny & Cher 08 08 Papa's Got a Brand New Bag - James Brown & The Famous Flames 09 12 It Ain't Me Baby - The Turtles 10 15 The "In" Crowd - Ramsey Lewis September 12, 197001 01 War - Edwin Starr (3rd and final week at #1)02 02 Ain't No Mountain High Enough - Diana Ross 03 04 In The Summertime - Mungo Jerry 04 06 25 Or 6 To 4 - Chicago 05 10 Looking Out My Back Door / Long As I Can See The Light - Creedence Clearwater Revival 06 07 Patches - Clarence Carter 07 13 Julie Do Ya Love Me - Bobby Sherman 08 05 (They Long To Be) Close To You - The Carpenters 09 03 Make It With You - Bread 10 09 Spill The Wine - Eric Burdon & War September 13, 197501 01 Rhinestone Cowboy - Glen Campbell (2nd and final week at #1)02 02 Fallin' In Love - Hamilton, Joe Frank & Reynolds 03 04 At Seventeen - Janis Ian 04 03 Get Down Tonight - K.C. & The Sunshine Band 05 07 Fame - David Bowie 06 08 Fight The Power - The Isley Brothers 07 09 Could It Be Magic - Barry Manilow 08 15 I'm Sorry / Calypso - John Denver 09 19 Run Joey Run - David Geddes 10 11 Wasted Days And Wasted Nights - Freddy Fender "The twist"!! Dance phenomenon!! But wait.. If "the twist" could re-enter the chart after 2 years of its debut, then why not "Macarena" "soulja boy", "watch me"? Is it only "the twist" has the ability to outreach its target to adult world after creating a sensation among the younger? I think it's the fact that those three songs are regrets and former guilty pleasures. ;) As for the current Hot 100, I hope the Hills can somehow go to number 2 while CFMF is at number one and then they flip similar to Shake it Off and Blank Space earlier. |
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aser94
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Post by aser94 on Aug 31, 2015 16:27:50 GMT -5
Don't know if it's the same thing but earlier in 2008: "Bleeding Love" -> "Touch My Body" x2 -> "Bleeding Love" -> "Lollipop" -> "Bleeding Love" x2 -> "Take a Bow" -> "Lollipop" x4
Chart-watching would've been a lot more fun had I been paying attention in '08.
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ry4n
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Post by ry4n on Aug 31, 2015 16:37:44 GMT -5
2008 had a lot of songs returning to #1
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Deleted
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Post by Deleted on Aug 31, 2015 16:45:57 GMT -5
Moves Like Jagger and Someone Like You traded back and forth in late 2011
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Post by Mikel Echarri on Aug 31, 2015 17:38:01 GMT -5
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jarhys
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Post by jarhys on Sept 1, 2015 1:16:58 GMT -5
The Weeknd could actually have #1 and #2 on Digital Songs chart this week.
Unfortunately Justin's song will be #1 next week.
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rimetm
2x Platinum Member
Just a Good Ol' Chart Shmuck
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Post by rimetm on Sept 1, 2015 7:22:10 GMT -5
Summary of This Week's Action
New to Top 10
Locked Away (16-8)
Off the Top 10
Shut Up + Dance (10-16)
New/Back to Top 20
Drag Me Down (31-14)
Stitches (32-20)
Off the Top 20
Worth It (19-21)
Want to Want Me (20-24)
New/Back to Top 40
Hit the Quan (41-23)
All Eyes on You (47-31)
Off the Top 40
Kick the Dust Up (39-50)
Straight Outta Compton (38-61)
Climb to Top 50
Planes (51-44)
This Could Be Us (53-49)
Off the Top 50
Straight Outta Compton
Boys-N-The-Hood (50-65)
Talking Body (49-Recurrent)
New/Back to Hot 100
Smoke Break / Carrie Underwood (#43)
Levels / Nick Jonas (#87)
No Role Modelz (#91, new peak)
Downtown / Macklemore & Ryan Lewis feat. Eric Nally, Melle Mel, Kool Moe Dee, & Grandmaster Coz (#94)
Liquor / Chris Brown (#96)
About You / Trey Songz (#98)
Cecelia and the Satellite / Andrew McMahon in the Wilderness (#99)
I'm to Blame / Kip Moore (#100)
Off the Hot 100
Talking Body
Like a Wrecking Ball (54-Recurrent)
The Fix (86)
Wet Dreamz (89-Recurrent)
Tonight Looks Good on You (93)
Fun (95)
How Many Times (99)
Fly Away (100)
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Future Captain
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Post by Future Captain on Sept 1, 2015 7:24:43 GMT -5
Andrew  ! |
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Post by Mikel Echarri on Sept 1, 2015 7:29:12 GMT -5
Could Often re-enter next week reaching Top 50? I remember when Drinking Class returned at #52 on its 21rd week.
Also I'm expecting a lot of Abel songs on the Hot 100 next week (The whole album is still Top 50 on US iTunes)
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HolidayGuy
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Post by HolidayGuy on Sept 1, 2015 8:28:59 GMT -5
kanimal- yes, I understand the gist of CMA, but- last fall, after Taylor Swift released her lead single, iTunes supposedly stopped reporting any track "sales" linked to pre-orders as sales. Thus, why then, if someone does the CMA thing, would it treat tracks linked to the pre-order as a "return" if it wasn't reported as a track sale in the first place? Am I the only one lost here? |
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badrobot
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Post by badrobot on Sept 1, 2015 8:59:23 GMT -5
^HG, this is a fine distinction, but my understanding is:
- Consumer buys pre-order, later a new track becomes available and is auto-downloaded -- this does NOT count as a track sale
- Consumer buys an individual song that is available in advance of a pre-order, then later purchases the pre-order or buys the album when it comes out -- this DOES count as a track sale, and is then later counted as a return when the album is released
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