Billboard Hot 100: 09/24/2022

[M5AGTS]

Sept 14, 2022 11:26:31 GMT -5 dremolus - solarpunk said:

Sept 14, 2022 11:18:27 GMT -5 M5AGTS said:

I know that aiw is gonna be #1 on the Jan-Dec year end, which it definitely deserves. But from November through November, Heat Waves feels way bigger throughout that time period. A lot can happen in one and a half months so aiw will probably feel bigger from Jan to Dec but not from Nov to Nov if that makes sense. It's just frustrating to see people try to delegitimize hw as the biggest song of the year, when it clearly is.

Well maybe when that's cos most people think 2022, they think Jan-Dec and not Nov-Nov. 

That's understandable.

[M5AGTS]

Sept 14, 2022 11:28:39 GMT -5 Groovy said:

Sept 14, 2022 11:22:42 GMT -5 M5AGTS said:

I have to disagree, cause streaming is mostly only what people my generation are listening to. So many people in older generations still listen to the radio.

For example, Corvette Corvette was everywhere for me. But I know damn well that anybody over the age of 25 isn't gonna know it, so does that mean it's actually popular among all Americans? No. It just means that it was something us kids talked about for a few months. Whereas Heat Waves and As It Was have been everywhere in every demographic. My aunt knows those songs, my grandma knows those songs. That's why streaming doesn't tell the whole story imo.

I don't get your example, regardless of how you feel about Corvette Corvette, it was never a big streaming hit. 

Sorry, that might've not been the best example. I still stand by my point tho.

Also dremolus - solarpunk's post just made me imagine what Corvette Corvette would've sounded like if it was released in the 70s and I can't stop lmao.

[nathanalbright]

I must admit I don't know what Corvette Corvette is either. The Billboard YE charts, being Nov-Nov in nature, tend to skew towards those songs that are holdovers from the previous year rather than those that debut after the holidays. Perhaps this didn't matter as much when songs had twenty-something week chart runs but when songs are repeatedly lasting on the charts for a year or more, it makes a big difference. When people think of the biggest songs of the year, there is also often a recency bias so that songs that were big later in the year feel bigger because they are more immediate than the songs that were big at the beginning of the year.

[Groovy]

Sept 14, 2022 11:35:45 GMT -5 M5AGTS said:

Sept 14, 2022 11:28:39 GMT -5 Groovy said:

I don't get your example, regardless of how you feel about Corvette Corvette, it was never a big streaming hit. 

Sorry, that might've not been the best example. I still stand by my point tho.

Also dremolus - solarpunk's post just made me imagine what Corvette Corvette would've sounded like if it was released in the 70s and I can't stop lmao.

Again, I struggle to see your point but okay.

[Groovy]

I never got why Billboard never went by the calendar, how do you measure the biggest hits of a year but start two months before said year?

[lazer]

To be fair, I remember the Corvette Corvette sound being inescapable in Nov-Dec 2020 TikTok. Should’ve at least be in the top 25.

[Angel]

Sept 14, 2022 15:22:02 GMT -5 Groovy said:

I never got why Billboard never went by the calendar, how do you measure the biggest hits of a year but start two months before said year?

It really only made sense back when they were actually printing magazines. My guess is it gave them time to tabulate everything and push to print and distribution by the end of the year. But since they largely ceased printing years ago it really doesn’t make any sense anymore.

[kimberly]

Sept 14, 2022 15:22:02 GMT -5 Groovy said:

I never got why Billboard never went by the calendar, how do you measure the biggest hits of a year but start two months before said year?

well, they don't want to be late to all the year-end list craze, so they publish their year-end lists at the top of the month in December, around when Spotify releases Wrapped and other music publications reveal their "best of" lists. which means, realistically, they could only track into mid-November at the latest. the extra week or two they have probably gives them enough time to prepare the website and write the dozens of year-end chart stories they need to write and fact check before publishing.

I think it's weird how they tack on December's data to the following year, though. maybe they should switch to the Spotify Wrapped format, accounting only for Jan-Oct. the last few weeks of the year only really help boost old songs that are hits of the previous year and allow Christmas songs to make it on the following year's year-end. 

[M5AGTS]

Sept 14, 2022 15:42:17 GMT -5 kimberly said:

Sept 14, 2022 15:22:02 GMT -5 Groovy said:

I never got why Billboard never went by the calendar, how do you measure the biggest hits of a year but start two months before said year?

I think it's weird how they tack on December's data to the following year, though. maybe they should switch to the Spotify Wrapped format, accounting only for Jan-Oct. the last few weeks of the year only really help boost old songs that are hits of the previous year and allow Christmas songs to make it on the following year's year-end. 

I'm totally against that, cause that is not fair to the songs that are big in November or December. There will definitely be a better way to handle Christams than that.

[kimberly]

Sept 14, 2022 15:48:05 GMT -5 M5AGTS said:

Sept 14, 2022 15:42:17 GMT -5 kimberly said:

I think it's weird how they tack on December's data to the following year, though. maybe they should switch to the Spotify Wrapped format, accounting only for Jan-Oct. the last few weeks of the year only really help boost old songs that are hits of the previous year and allow Christmas songs to make it on the following year's year-end. 

I'm totally against that, cause that is not fair to the songs that are big in November or December. There will definitely be a better way to handle Christams than that.

year-end lists will never be "fair." so many songs get caught up in between years.

if we want the "year-end" list to better represent the calendar year, like the poster was saying, I don't think disregarding those months poses an issue. when anyone thinks of "biggest hits of 2022" they won't be thinking of "Easy on Me" or "That's What I Want" (both clearly big 2021 moments) but those will be in the Top 10/15. not to mention "Heat Waves" possibly blocking "As It Was" from year-end No. 1 when "As It Was" is so clearly the biggest song of 2022. that's just me tho.

[kimberly]

lol. chartdata mistakenly announces "As It Was" is over 3x Diamond in the US already! phieagles would have loved this. 😂🫣🫣

[Ｓｏｕｎｄｃｌ🕤ｃｋ]

Sept 14, 2022 16:05:12 GMT -5 kimberly said:

lol. chartdata mistakenly announces "As It Was" is over 3x Diamond in the US already! phieagles would have loved this. 😂🫣🫣

yeah, guess who's bigger than Uptown Funk's 2x Diamond.

[Rose "Payola" Nylund]

I think the challenge with the yearend charts isn’t how they’re measured but what they represent, which isn’t necessarily what we often think they do. They simply provide a snapshot of the 12-month period. What people do with that information is up to them.

[dremolus - solarpunk]

Sept 14, 2022 15:48:05 GMT -5 M5AGTS said:

Sept 14, 2022 15:42:17 GMT -5 kimberly said:

I think it's weird how they tack on December's data to the following year, though. maybe they should switch to the Spotify Wrapped format, accounting only for Jan-Oct. the last few weeks of the year only really help boost old songs that are hits of the previous year and allow Christmas songs to make it on the following year's year-end. 

I'm totally against that, cause that is not fair to the songs that are big in November or December. There will definitely be a better way to handle Christams than that.

Any list with an arbitrary cut-off point will have songs caught between years. Just to us your Nov-Nov timeline, what of songs that blow up September-October but don't have enough points for either years?

[M5AGTS]

Sept 14, 2022 19:10:02 GMT -5 dremolus - solarpunk said:

Sept 14, 2022 15:48:05 GMT -5 M5AGTS said:

I'm totally against that, cause that is not fair to the songs that are big in November or December. There will definitely be a better way to handle Christams than that.

Any list with an arbitrary cut-off point will have songs caught between years. Just to us your Nov-Nov timeline, what of songs that blow up September-October but don't have enough points for either years?

I understand that, but I think every week should count for something.

[gikem]

Sept 14, 2022 15:42:17 GMT -5 kimberly said:

Sept 14, 2022 15:22:02 GMT -5 Groovy said:

I never got why Billboard never went by the calendar, how do you measure the biggest hits of a year but start two months before said year?

well, they don't want to be late to all the year-end list craze, so they publish their year-end lists at the top of the month in December, around when Spotify releases Wrapped and other music publications reveal their "best of" lists. which means, realistically, they could only track into mid-November at the latest. the extra week or two they have probably gives them enough time to prepare the website and write the dozens of year-end chart stories they need to write and fact check before publishing.

I think it's weird how they tack on December's data to the following year, though. maybe they should switch to the Spotify Wrapped format, accounting only for Jan-Oct. the last few weeks of the year only really help boost old songs that are hits of the previous year and allow Christmas songs to make it on the following year's year-end. 

I’d be curious to know what those YEs would look like, and what huge late-year hits would’ve been affected (at least in recent years with how holiday music has come to dominate the charts).

[KeepDeanWeird]

So is Sia going to crack the Top 40 this week? If so, it'd be an impressive feat as a forgotten album track. Then gaining attention from an ad campaign, climbing the digital sales chart, to radio, etc. It's a great story for a song that isn't really remarkable. Has Sia ever said who she initially wrote it for?

What's interesting is that the song was licensed to baseball for the 2016 playoffs - did nothing and I think somewhere else. Go figure.

[Ｓｏｕｎｄｃｌ🕤ｃｋ]

Sept 14, 2022 19:53:06 GMT -5 KeepDeanWeird said:

So is Sia going to crack the Top 40 this week? If so, it'd be an impressive feat as a forgotten album track. Then gaining attention from an ad campaign, climbing the digital sales chart, to radio, etc. It's a great story for a song that isn't really remarkable. Has Sia ever said who she initially wrote it for?

What's interesting is that the song was licensed to baseball for the 2016 playoffs - did nothing and I think somewhere else. Go figure.

Based on Winston's prediction, it will crack the top 40 (#37), and that would be her first top 40 song since The Greatest (#18) 6 years ago.

Sia never said it, but people think it's either Katy or Demi.

[Darkest Hour]

The reason why year-end lists are posted on December traditionally (rather than January) is because usually few new songs and albums are released at that time (starting from Black Friday), so the lists are less likely to be affected no matter how good these new songs and albums are. It's the option that costs the least.

In recent years though we have seen acclaimed/commercially successful songs and albums released at that time (Taylor Swift/The Weeknd/Bad Bunny albums, SZA song, etc.), so even this option can still cost some, but imo it is still the best cutoff timepoint.

Confession: I support Jan-Dec and move the year-end lists to January, but it is a cultural decision.

[erzo01]

Could be off-topic, but adding my 2 cents regarding YE lists:

I used to follow a site RockOnTheNet back in the mid-2000s. Their methodology in tabulating YE charts is rather peculiar, in that the entire song's run is included in the year it peaked. Hence YE charts not being finalised until the last song from the previous year leaving the chart. One "upside" here though (at least IMO) is seeing some "gems" in the lower rungs that may not appear typically in say Mediabase or Billboard pop YE charts, as we're assured that a song appears on just 1 YE list.

I tried that too during my early years of creating personal charts, and the waiting is rather frustrating. So whatever, I just decided to stick to January to December tracking.

[iHype.]

The Year-End cutoff is a mess, but this year in particular will be worse than ever because week 52 is the November 13th dated chart, which is actually for the tracking week of October 29th - November 4th. Meaning, the Year-End practically ended in October for the first time.

It is outdated and there is nothing stopping them from just doing an extended year and from then on having it align closer to a calendar year. Same thing they did in 2015 when the global release date changed to Friday -- an extended tracking week for one week.

Also in 2018 they stopped the nonsense of dating charts so far ahead by doing that extra artificial chart week.

They have the ability to switch it, and I hope they do in the next few years. Everything is computerized and Year-End charts probably take all of a few minutes to have done. It's simply adding a database of points/units on weekly charts throughout the year.

[Darkest Hour]

Are we sure that the year-end chart this year will contain 52 weeks only? If there are no 53th weeks, the cutoff will be one week earlier after every 5 or 6 years.

[firefox]

Sept 15, 2022 2:18:55 GMT -5 erzo01 said:

Could be off-topic, but adding my 2 cents regarding YE lists:

I used to follow a site RockOnTheNet back in the mid-2000s. Their methodology in tabulating YE charts is rather peculiar, in that the entire song's run is included in the year it peaked. Hence YE charts not being finalised until the last song from the previous year leaving the chart. One "upside" here though (at least IMO) is seeing some "gems" in the lower rungs that may not appear typically in say Mediabase or Billboard pop YE charts, as we're assured that a song appears on just 1 YE list.

I tried that too during my early years of creating personal charts, and the waiting is rather frustrating. So whatever, I just decided to stick to January to December tracking.

We have someone making that list based on Hot 100 too. I think it's rockgolf.

[gikem]

I do think Billboard will be making their first 53-week YE tracking period in at least a decade either next year or in 2024. The reason I say this is because since 2019, they’ve been releasing their year-end content on the first Thursday of December (over 3 weeks after the full final chart used for the tracking year is publicly released), which this year happens to fall on the very first day of the month. If they follow the same schedule next year, they’d be releasing their lists on November 30th, which would be awkward, to say the least.

And there’s inherent risk in releasing content like that on a Friday in the US (we’ve discussed this before with regards to why they don’t announce the newest Hot 100 on a Friday like other chart companies do), so most likely they’ll go back to what they did in 2018 and announce the year-end stuff the following Monday or Tuesday. That should hopefully give them enough time to squeeze in a 53rd week for 2023.

[After Minutes]

Sept 14, 2022 3:29:46 GMT -5 𝓲𝓽'𝓼.𝓰𝓿 said:

Sept 14, 2022 1:15:18 GMT -5 After Minutes said:

I know I'm repeating myself but AIW not being the YE #1 will be absolutely insane

It's the case of "longevity winning over #1 performance", with "Heat Waves" having 5 weeks at #1 but still in the Hot 100 rn over "As It Was" having 13+ weeks at #1 despite debuting last April

Had "Heat Waves" been recurrent like 2-3 months ago, "As It Was" would be the YE #1 in the current predictions

To be fair you can't really make the longevity argument in this case since As It Was has better longevity at it's peak than Heat Waves' did when it was peaking.

As other posters said, the only reason it isn't ahead of Heat Waves is that the year end list doesn't really match the actual calendar year.

I think the best solution would be to end the chart year in late November, and skip through December entirely. This would both cut out the Christmas songs that are taking up space from songs that were actual hits in the given year, it would make the year-end list align with the calendar year. I do think there should be one exception though - songs debuting on the charts in this period should have their points counted towards the next billboard year. This way the songs that you could make the argument would get hurt the most in this scenario are given a handicap.

Would this be a perfect and completely fair scenario? Obviously not, but in my opinion it is the best option.

[Rose "Payola" Nylund]

I’m not sure what’s unfair about the yearend chart (other than the timing of it as ending in early November is earlier than it needs to be). If it’s based on the accumulation of points from the period of time it’s meant to track, there’s not really any…other way to do it? Counting points from a previous year makes no sense because that’s not what the chart is supposed to measure. You don’t take points from a Thursday release and add them to the next week’s total for the weekly chart so why take points from an August release and add them to the next year. If you want to see how hits released in 2022 stack up against each other, you’d have to wait until maybe 2024 to get the full runs of everything, and even then you run into complications due to situations like “Levitating,” “Heat Waves,” “Die For You,” etc. All of the problems people have now seem to be central to the whole idea of “what feels right” and that’s totally on them, not the chart.

[enwhy]

Sept 15, 2022 6:48:25 GMT -5 Rose "Payola" Nylund said:

I’m not sure what’s unfair about the yearend chart (other than the timing of it as ending in early November is earlier than it needs to be). If it’s based on the accumulation of points from the period of time it’s meant to track, there’s not really any…other way to do it? Counting points from a previous year makes no sense because that’s not what the chart is supposed to measure. You don’t take points from a Thursday release and add them to the next week’s total for the weekly chart so why take points from an August release and add them to the next year. If you want to see how hits released in 2022 stack up against each other, you’d have to wait until maybe 2024 to get the full runs of everything, and even then you run into complications due to situations like “Levitating,” “Heat Waves,” “Die For You,” etc. All of the problems people have now seem to be central to the whole idea of “what feels right” and that’s totally on them, not the chart.

It's more that what most of us feel the chart should represent (biggest Hot 100 song of 2022) doesn't match up with how the year end chart works. The problem is being illustrated pretty well with Heat Waves vs As It Was...a 5 week #1 vs a (likely) 15-week #1. And yet Heat Waves wins out because it had 4 additional noncompetitive months (including two in 2021) to rack up points.

I don't know the solution myself, but there are several ways to tweak the formula to help songs like AIW. Maybe weight weeks in the top 3 higher? Or don't count November/December? Maybe Billboard could factor in the strength of the peak - so the "biggest 10 weeks" are weighted in as part of the ranking.

[jenglisbe]

Sept 14, 2022 15:33:56 GMT -5 Angel said:

Sept 14, 2022 15:22:02 GMT -5 Groovy said:

I never got why Billboard never went by the calendar, how do you measure the biggest hits of a year but start two months before said year?

It really only made sense back when they were actually printing magazines. My guess is it gave them time to tabulate everything and push to print and distribution by the end of the year. But since they largely ceased printing years ago it really doesn’t make any sense anymore.

This. It seems to me they could now easily alter the year-end timeline to at least end the first week of December and then publish in mid-December as I'm sure they want to beat the holidays. Even 1-2 weeks difference can make a difference.

Sept 15, 2022 7:39:31 GMT -5 enwhy said:

Sept 15, 2022 6:48:25 GMT -5 Rose "Payola" Nylund said:

I’m not sure what’s unfair about the yearend chart (other than the timing of it as ending in early November is earlier than it needs to be). If it’s based on the accumulation of points from the period of time it’s meant to track, there’s not really any…other way to do it? Counting points from a previous year makes no sense because that’s not what the chart is supposed to measure. You don’t take points from a Thursday release and add them to the next week’s total for the weekly chart so why take points from an August release and add them to the next year. If you want to see how hits released in 2022 stack up against each other, you’d have to wait until maybe 2024 to get the full runs of everything, and even then you run into complications due to situations like “Levitating,” “Heat Waves,” “Die For You,” etc. All of the problems people have now seem to be central to the whole idea of “what feels right” and that’s totally on them, not the chart.

It's more that what most of us feel the chart should represent (biggest Hot 100 song of 2022) doesn't match up with how the year end chart works. The problem is being illustrated pretty well with Heat Waves vs As It Was...a 5 week #1 vs a (likely) 15-week #1. And yet Heat Waves wins out because it had 4 additional noncompetitive months (including two in 2021) to rack up points.

I don't know the solution myself, but there are several ways to tweak the formula to help songs like AIW. Maybe weight weeks in the top 3 higher? Or don't count November/December? Maybe Billboard could factor in the strength of the peak - so the "biggest 10 weeks" are weighted in as part of the ranking.

Regardless of when the chart year begins and ends, songs that are climbing at the start of the chart year will have an advantage. It didn't used to be as much of an issue when turnover was more rapid, but there have always been songs that got stuck between chart years. This is also another issue where fans need to realize the charts aren't ultimately for us. What we feel like the chart should represent isn't exactly relevant as the Billboard charts were created to be an industry tool.

[badrobot]

Sept 15, 2022 5:44:34 GMT -5 firefox said:

Sept 15, 2022 2:18:55 GMT -5 erzo01 said:

Could be off-topic, but adding my 2 cents regarding YE lists:

I used to follow a site RockOnTheNet back in the mid-2000s. Their methodology in tabulating YE charts is rather peculiar, in that the entire song's run is included in the year it peaked. Hence YE charts not being finalised until the last song from the previous year leaving the chart. One "upside" here though (at least IMO) is seeing some "gems" in the lower rungs that may not appear typically in say Mediabase or Billboard pop YE charts, as we're assured that a song appears on just 1 YE list.

I tried that too during my early years of creating personal charts, and the waiting is rather frustrating. So whatever, I just decided to stick to January to December tracking.

We have someone making that list based on Hot 100 too. I think it's rockgolf.

Is there a thread somewhere on Pulse that shows how past years look using this method?

[dremolus - solarpunk]

Sept 9, 2022 8:42:40 GMT -5 dremolus - solarpunk said:

Notable Singles:
Björk - Ovule
Rina Sawayama - Hurricanes
LOONA - LUMINOUS
Weyes Blood - It's Not Just Me, It's Everybody
Kelela - Washed Away
Lil Ugly Mane - blue sand
Lorna Shore - Pain Remains I: Dancing Like Flames
Fred Again.. - Danielle (smile on my face)
The Comet Is Coming - TECHNICOLOUR
Show Me The Body - We Came To Play
PVA - Bunker
Bill Callahan - Coyotes
Loyle Carner - Nobody Knows (Ladas Road)
Gabby Start - welcome to the planet cell bath
Cate Le Bon - Typical Love
The Devil Wears Prada - Broken
Bomba Estéreo & Manu Chao - Me Duele
Snow tha Product and Lauren Jauregui - Piña
Gilla Band - Post Ryan
Lolo Zouaï - pl4yg1rl
Algiers - Bite Back
Ravyn Lenae - Xtasy (Doechii Remix)
Arm's Length - Object Permanence
DIA - Rooting for you
Money Man feat. Babyface Ray - No Limit
The Gloom In The Corner feat. Tayler Barber - New
Saoirse Dream - honest
Daphni - Arrow
Interloper - Bear the Weight
aliceee - technicoloursupersong
Kenny Mgee - WE GO HARD
Núria Graham - Yes It's Me, The Goldfish!
MARAUDA & SCARLXRD - HEAVE
Boros Marcell - Reinkarnáció
Carys Lynn - Crumble and Fall
Central Cee - LA Leakers Freestyle
Rozi Plain - Agreeing For Two
Torche - It Never Began
Adam Blackstone - 'Round Midnight
Tsar B - Auwtch
Tv Room - Manifest! Manifest!
WizKid - Bad to Me
You Me At Six feat. Rou Reynolds - No Future? Yeah Right
MercyMe - Better Days Coming
Cloud. - Nest.
Maxïmo Park - Merging into You
Papa V - Crack in casa 24/7
funeral - exit life
Sam Ramos - Before & After
Petite Meller - The Drummer
L.A. Salami - Peace of Mind
B4mb1 feat. deceased - 20millionpayments+++
A1TH - sleep deprived!
Morfonica - Near to Sunny, Sunny「寄る辺のSunny, Sunny」
Afourteen - GOID
Savearhino - paranormal occurrence soundtrack
DahGraham - you can't teach an old dog new tricks
CONNOR CATALYST - I AM THE CHOSEN
North Of Loreto feat. Guè and Raf - Ti pretendo XXX
DrefGold - Giorni nel blocco
NIK NXK - BURNOUT

Notable Projets:
Thermos Grenadine (Lil Ugly Mane) - CHRISTMAS COWBOY EP
Ghais Guevara - Good Eats! (Beat Tape)
Bones - DreamCard
Claire Rousay - Wouldn’t Have to Hurt
Catherine Graindorge & Iggy Pop - The Dictator EP
Brender - Tower
The Deer - The Beautiful Undead
Tan Cologne - Earth Visions Of Water Spaces
The Young Gods - Play Terry Riley in C
Maze Overlay - AZTECAZ
Kim Jaejoong - BORN GENE
Snow Coats - If it wasn’t me, I would’ve called it funny
Benjamin Biolay - Saint-Clair
Inglorious - Heroine
Tenka - Hydration
Michaelangelo - The Black Widow EP
Yarn/Wire & Andrew McIntosh - Andrew McIntosh: Little Jimmy
Second to Sun - Voices of Obscurantism
Knuckle Deep - One Big Happy Family
Premortal Breath - Of Angels And Wolves EP
Pentagram - Makina Elektrika
Golf Girl - Still Music EP
Kynsy - Something To Do With Love EP
Allen/Olzon - Army of Dreamers
Onirismo - Blinded by Bright Lights, I Stood There
Loscil - Stases
Deconsecration - Crypt Lurker
Guchon - Pistachio Party EP
Kunmohile - kunmohile
Tavito Nanao - Long Voyage
Hoke & Louis Amoebo - BBO
MNTN - new pain
Audio Venture Corp. - 代​替​仮​想​世​界
The Funeral Plan - Ghoul EP
Spetyusz - Latzie EP
Jay Cinema - Smile! B4 The Summer Over EP
Katsuyuki Kobayashi - KATSUYUKISAN
Shady Cove - Shady Cove
Mabisyo - Seasoning The Sample V.2
Zeitgeist Freedom Energy Exchange - Sci-Fi Jazz Directions
Samme [샘미] - GOODNESS OF FIT
Eeyora - swelter EP
Unhappybirthday - Stella Loops
Bevis Lopez - Valentine's Vocals EP
MACOMMA - Mind, Heart EP
Nauseas - Very Nice Music, Vol. 1 of Hopefully 1 EP
Dram - Previše svega
Martin Roth - Mono No Aware
Don Elway - Sentimental Value EP
Tbased & Jackie Scan - Sunny & Unpleasant EP
イルカポリス 海豚刑警 - 羽球大報社《Bad News Punched!》 EP
Rhys Langston - Grapefruit Radio
CM Ceez - Substantial Music Vol. 1
JEY - Algorithm EP
A Country Western & They Are Gutting A Body Of Water - An Insult to the Sport EP
Sheku Kanneh-Mason - Song
WSTRN - WSTRN Season, Vol. 3
No Buses - Sweet Home
Endel - Focus: Deep Flow State
Cotola - Narco Bolero Instrumental Series Vol​.​3
Kid Kapichi - I.N.V.U EP
Peso Peso - LA Fitness EP
Teekoh - SORCERER SUPREME
MT VERNON RETREAT - The Machine Bleeds
Feid - FELIZ CUMPLEAÑOS FERXXO TE PIRATEAMOS EL ÁLBUM
Zbigniew Karkowski & Brent Gutzeit - Universal Torus
Dezerter - 1986 Co będzie jutro?
Dooponics Labs Audio Science Research Department - Presenting Stunning Breakthroughs in both Audio & Science! EP