Billboard Hot 100: 07/15/2023

[Codex]

Jul 9, 2023 5:56:28 GMT -5 pcg4 said:

Jul 8, 2023 23:31:33 GMT -5 Fears in the Fire said:

Let’s face it: this forum is about as far from Last Night’s target audience as possible. As in normal people who don’t spend hours online discussing music💀

I personally feel like it’s a behemoth, and at least more culturally prominent than As It Was. Another thing is there a good amount of non-American posters here and for them yeah the song is going to be nothing.

I think that the non-american thing is the key in my case, cause i've never heard Last Night on the radio, in a club, or anyone referencing listening to it, while As It Was, Anti-Hero or Flowers were everywhere. It's not exclusive for LN tho, because in the past few years I could name several #1 on Billboard that were mere minor hits in Europe.

That said, I kinda like the song and I believe worse ones have reached the top in the last few years.

yeah I’m used to random rap songs that go #1 in the US but flop in Europe (even things like Bodak Yellow) but the difference is that this time it’s a country song so it’s surprising because we (international posters) thought it was a niche genre in the US.

[Music Fan]

Jul 8, 2023 18:54:43 GMT -5 jenglisbe said:

Jul 8, 2023 15:37:09 GMT -5 Music Fan said:

Let’s be honest, people are calling Last Night on this thread “boring and generic” because it’s by a country artist they personally don’t like. Taylor singing a similar song would be a “lyrical genius.”

The fact is Last Night is one of the biggest songs of the decade — whether or not you personally have listened to it. Sure the charts are “weak,” but he’s been consistently at 300 points for weeks, beating out the second place by over 50 points. He’s been dominating streaming, digital, AND radio, without being propelled by stans. Facts are facts.

These are two separate points. A song can be big (and "LN is big) but still be generic; those are two different concepts. The reason no one is saying it's evidence of lyrical genius is because it's not. Please point me to the original/clever lyrics in the song. IMO it's full of cliches (seeing tail lights in the dust, it not being their night/kiss, letting the alcohol do the talking).

Reread my post because I never said the song was original / clever. I said, had this been a taylor song, people would be saying it was.

[Music Fan]

Jul 9, 2023 9:13:43 GMT -5 musiclife said:

Morgan should release Man Made A Bar to pop radio next. :) But in reality he will probably send Neon Star next.

It will probably be “Thinking ‘Bout Me” which is the next most pop friendly song on the album and has been streaming extremely well for a non-single.

[jenglisbe]

Jul 9, 2023 14:28:35 GMT -5 Music Fan said:

Jul 8, 2023 18:54:43 GMT -5 jenglisbe said:

These are two separate points. A song can be big (and "LN is big) but still be generic; those are two different concepts. The reason no one is saying it's evidence of lyrical genius is because it's not. Please point me to the original/clever lyrics in the song. IMO it's full of cliches (seeing tail lights in the dust, it not being their night/kiss, letting the alcohol do the talking).

Reread my post because I never said the song was original / clever. I said, had this been a taylor song, people would be saying it was.

You are attempting to gaslight here. You also wrote, "people are calling Last Night on this thread “boring and generic” because it’s by a country artist they personally don’t like." I then responded the way I did to note that, no, people (or at least me) are calling it generic because the lyrics are full of cliches. It has nothing to do with it being by a bigot or not by Swift, it's just lyrically generic period. It's interesting that instead of responding to my request that you point out which lyrics in the song are are clever, you simply say that you never said it was original and that your point was really about Swift. So, that implies you know the song isn't clever, which therefore means you know why people are calling it boring and generic.

[tituscat]

What is boring and generic to you may not be boring and generic to someone else. Last Night is a good song to a lot of people and that’s why so many people love it. This is why it has stayed at the top of Spotify for months. So people need to stop being surprised.

[hitsrus]

Lyrics being origina or generic is as subjective as music is. It really depends on what the listener has during their lifetime heard and what's important to them in lyrics as a listener.

Judging by the vast majority of songs that have gone number one throughout decades of the hot 100, id day the evidence is more than overwhelming, the general public eats up generic and cliche. In fact if you want to be successful, it's best to drop the "cleverness".

An argument can also be made their rally hasn't been written in like several decades. There's only so many ways to write something about sex, love and drugs. Inserting some new synonym doesn't make something original.

Being generic is exactly why LN works. That's whwt people eat up and want.

[Ivy Leegue™]

A gentle reminder that double-posting is against Pulse rules. If you have something to say and you just posted a couple hours or minutes ago, kindly edit the previous post. If you are unsure how to do that, reach out to staff and we will gladly help! If your last post was the previous day, it's OK to post again, but generally, it's a no.

Also, I see that people are still calling Morgan Wallen names unnecessarily. At some point, it's going to cross over into trolling, so keep it cute. You don't have to like the song and you are free to express that respectfully. Anything beyond that is extra.

[dremolus - solarpunk]

[kindofbiased]

congrats Olivia!!! enjoying this while I can lmao

[fridayteenage]

I thought the sales would be a bit higher than 26k

[Baby Yoda Hot100Fan]

Olivia Rodrigo’s ‘Vampire’ Debuts as Her Third Billboard Hot 100 No. 1

7/10/2023

By Gary Trust

Plus, Taylor Swift's "Cruel Summer" becomes her 41st top 10 – extending her record among women – and Gunna's "Fukumean" also reaches the top 10.

There’s new blood atop the Billboard Hot 100 songs chart, as Olivia Rodrigo’s “Vampire” debuts at No. 1. Rodrigo slays with her third leader, following “Drivers License” and “Good 4 U” in 2021, both of which also launched at No. 1.

With “Vampire” serving as the lead single from Rodrigo’s sophomore album Guts, due Sept. 8, after “Drivers License” introduced her first LP, Sour, she is the first artist ever to debut the lead singles from two career-opening albums at No. 1 on the Hot 100.

Plus, two songs ascend for their first week each in the Hot 100’s top 10: Taylor Swift’s “Cruel Summer,” now being promoted as her new single after it was released on her 2019 album, Lover, jumps 13-7 to becomes her 41st top 10 – extending her record among women – and Gunna’s “Fukumean” pushes 12-8, marking his fourth top 10.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 15, 2023) will update on Billboard.com Tuesday (July 11). For all chart news, you can follow billboard and billboardcharts on both Twitter and Instagram.

Streams, airplay & sales: Rodrigo’s “Vampire,” released on Geffen/Interscope Records, drew 35.5 million streams and 26.3 million radio airplay audience impressions (aided by an FCC-friendly radio edit) and sold 26,000 (17,000 sales combined on 7” vinyl, sold for $10, and CD, for $3.50; and 9,000 digital downloads) in its first week, ending July 6, according to Luminate, following its June 30 release.

The song is the 1,150th No. 1 since the Hot 100 began in August 1958, and the 67th to soar in at the summit.

The track likewise debuts at No. 1 on the Streaming Songs chart, No. 2 on Digital Song Sales (as it’s the overall top-selling song of the week, downloads and physical copies combined) and No. 22 on Radio Songs. (It starts at No. 17 on Pop Airplay and No. 22 on Adult Pop Airplay.)

“We always said that it was kind of our version of a rock opera,” Rodrigo told Billboard of “Vampire,” which she wrote with her main collaborator Dan Nigro, who solely produced it. “I think as the album was coming together, we were coming up with a bunch of songs that we really liked, but this one always stuck out to me as something that I felt like was honoring my singer-songwriter roots, but felt like an evolution – in a good way that wasn’t too stark. So, I really liked it for that, and it was always one of my favorites.”

Rodrigo’s 3rd No. 1: “Vampire” is Rodrigo’s third Hot 100 No. 1. “Drivers License” dominated for eight weeks, starting upon its debut in January 2021, and “Good 4 U” ruled for a week in its first frame in May 2021. “Vampire” is her fifth top 10, as her debut album Sour also generated “Deja Vu” (No. 3 peak) and “Traitor” (No. 9). All 11 songs from Sour reached the Hot 100’s top 30.

Leader for lead singles: With “Vampire” the lead single from Rodrigo’s sophomore album Guts, expected Sept. 8, after “Drivers License” ushered in Sour, she is the first artist ever to debut the lead single from two career-opening albums at No. 1 on the Hot 100.

‘V’ is for victory: “Vampire” is just the seventh song that begins with the letter “v” to top the Hot 100.

Here the songs that have made such vaunted vaults:

“Vampire,” Olivia Rodrigo, 2023
“Viva La Vida,” Coldplay, 2008
“Vision of Love,” Mariah Carey, 1990
“Vogue,” Madonna, 1990
“Venus,” Bananarama, 1986
“Venus,” The Shocking Blue, 1970
“Venus,” Frankie Avalon, 1959

(Strange, but it’s the tooth: Rodrigo has the first Hot 100 hit with the word “vampire” in its title.)

Y is for Y2K: Rodrigo was born Feb. 20, 2003. She is the only artist born in the 2000s with multiple Hot 100 No. 1s.

The other acts born since 2000 to have led the Hot 100: Billie Eilish (“Bad Guy,” 2019); Jawsh 865 (“Savage Love [Laxed – Siren Beat]” with Jason Derulo and BTS, 2020); 24kGoldn (“Mood” featuring Iann Dior, 2020); and The Kid LAROI (“Stay” with Justin Bieber, 2021).

“I think the most change I’ve felt was just as a girl, growing up and changing from being a teenager to a 20-year-old,” Rodrigo mused to Billboard of her evolution over the last two years. “All of the maturing and figuring yourself out, that’s just on a normal human-to-human level – I think that was the most surprising thing for me.”

Morgan Wallen’s “Last Night” dips to No. 2 on the Hot 100 following 13 weeks at No. 1, the second-longest command this decade, after Harry Styles’ “As It Was” (15 weeks, 2022). “Last Night” spent the last 10 consecutive weeks at No. 1, the best streak since Roddy Ricch’s “The Box” linked 11 weeks on top all in a row in January-March 2020.

“Last Night” drew 74.5 million in radio reach and 29.8 million streams and sold 8,000 June 30-July 6.

“Last Night” tops Billboard’s Hot Country Songs chart, which employs the same multimetric methodology as the Hot 100, for a 22nd week, the sixth-longest rule since the chart became an all-encompassing genre reflection in 1958; Bebe Rexha and Florida Georgia Line’s “Meant to Be” spent a record 50 frames at No. 1 in 2017-18.

Plus, “Last Night” adds a sixth week atop Billboard’s Songs of the Summer chart, having ranked at No. 1 each week since the survey returned.

Luke Combs’ cover of Tracy Chapman’s “Fast Car” reverses course to No. 3 from its No. 2 Hot 100 high.

Rema and Selena Gomez’s “Calm Down” slips to No. 4 from its No. 3 Hot 100 best as it spends a third week atop Radio Songs (92 million, up 2%). The collab concurrently tops the Billboard U.S. Afrobeats Songs chart for a 45th week, extending the longest reign since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).

Miley Cyrus’ “Flowers” retreats 4-5 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January, and Lil Durk’s “All My Life” featuring J. Cole descends 5-6, after it started at its No. 2 peak, as it tops the multimetric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a seventh week each.

Taylor Swift’s “Cruel Summer” bounds 13-7 on the Hot 100, with 30.3 million in all-format airplay audience (up 35%), 14.9 million streams (up 11%) and 3,000 sold (essentially even week-over-week).

The song was released on Swift’s 2019 album Lover and is now being promoted as her newest single. It has been gaining momentum in recent weeks, as Swift has been performing it on her current Eras Tour, her first in which she’s been able to spotlight songs from Lover, which was released shortly before the onset of the COVID-19 pandemic. Each concert on the tour is divided into 10 acts, encompassing nine of her LPs; the Lover era kicks off the show, with “Cruel Summer” performed in the opening set.

Nearly four years after Lover’s release, “Cruel Summer” becomes the set’s fourth Hot 100 top 10, joining lead single “Me!” featuring Brendon Urie (No. 2 peak); “You Need to Calm Down” (also No. 2); and the title track (No. 10), all in 2019.

“Cruel Summer” is Swift’s 41st career Hot 100 top 10, the second-most among all acts and the most among women.

Most Hot 100 Top 10s:

68, Drake
41, Taylor Swift
38, Madonna
34, The Beatles
32, Rihanna
30, Michael Jackson
29, Elton John
28, Mariah Carey
28, Stevie Wonder
27, Janet Jackson
26, Justin Bieber
25, Lil Wayne
25, Elvis Presley (whose career start predated the Hot 100’s inception)

Gunna’s “Fukumean” charges 12-8 on the Hot 100, driven most heavily by 20.2 million streams, up 12% and boosted by the July 5 premiere of its official video.

The song is the rapper’s fourth Hot 100 top 10, following “Pushin P” with Future and featuring Young Thug (No. 7, January 2022); “Lemonade” with Internet Money and featuring Don Toliver and NAV (No. 6, November 2020); and “Drip Too Hard” with Lil Baby (No. 4, October 2018).

Swift’s “Karma,” featuring Ice Spice, slips 8-9 on the Hot 100, after it soared to its No. 2 high in June following the release of its remix with Ice Spice.

Rounding out the Hot 100’s top 10, Toosii’s “Favorite Song” falls 6-10, after it hit No. 5.

Again, for all chart news, you can follow billboard and billboardcharts on both Twitter and Instagram and all charts (dated July 15), including the Hot 100 in its entirety, will refresh on Billboard.com Wednesday (July 11).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

[HolidayGuy]

Note the new addition, saying digital sales at D2C sites are excluded. Thus, physical singles sold via artists' web stores are allowed?

[Baby Yoda Hot100Fan]

^Since they didn't explicit say they are excluded, yes.

[kimberly]

Jul 10, 2023 13:23:58 GMT -5 HolidayGuy said:

Note the new addition, saying digital sales at D2C sites are excluded. Thus, physical singles sold via artists' web stores are allowed?

yes, that's where most of "vampire" sales figures come from. there were vinyl and CD singles available for purchase on her web store.

[85la]

Still not exactly sure why they excluded digital sales from artists' websites? I thought they already took care of the problem by excluding multiple copies per purchaser, so as long as it's a legit one sale per person, I don't see the problem. Was is that this is harder to verify through artist websites?

[HolidayGuy]

Got it- thanks, kimberly.

85la- since they did away with digital copies that were automatic when purchasing a physical single that wouldn't get shipped during a tracking week, not sure why digital sales alone would be excluded. Unless fan armies found a way around per-purchaser limits.

[KeepDeanWeird]

Jul 10, 2023 14:13:12 GMT -5 HolidayGuy said:

Got it- thanks, kimberly.

85la- since they did away with digital copies that were automatic when purchasing a physical single that wouldn't get shipped during a tracking week, not sure why digital sales alone would be excluded. Unless fan armies found a way around per-purchaser limits.

I'm sure the rule was changed because of your last line. It's the only reason why they would need to do so.

[atg]

3 new top 10 hits including a new #1 and they’re all great songs.

[thegreatdivine]

Almost 7 months into the year and there have been 29 top 10 hits with 11 of them being debuts. This time last year, there were 38 top 10 hits with 26 of them being debuts. 

[Baby Yoda Hot100Fan]

[Baby Yoda Hot100Fan]

[kimberly]

Jul 10, 2023 14:08:08 GMT -5 85la said:

Still not exactly sure why they excluded digital sales from artists' websites? I thought they already took care of the problem by excluding multiple copies per purchaser, so as long as it's a legit one sale per person, I don't see the problem. Was is that this is harder to verify through artist websites?

Jul 10, 2023 14:13:12 GMT -5 HolidayGuy said:

Got it- thanks, kimberly.

85la- since they did away with digital copies that were automatic when purchasing a physical single that wouldn't get shipped during a tracking week, not sure why digital sales alone would be excluded. Unless fan armies found a way around per-purchaser limits.

I imagine artists like Taylor Swift, The Weeknd, and BTS exploiting the "alternate digital cover" and "digitally autographed single" tactics had something to do with that. it was way too easy for artists' teams to whip up "different" versions to put up on their web stores on a Thursday as a final push, for instance.

it's not the norm at all for other digital download platforms. it remains to be seen if they find a way to shamelessly put an "autographed single cover" on iTunes.

[HolidayGuy]

^How 'bout it. :) In any event, most physical singles would be priced higher than a digital single. Though I don't recall Billboard setting a threshold (to count for the charts) for physical singles in recent years, like it did for albums and digital tracks.

[fridayteenage]

This year the highest sales were bts and beyonce.

"78,000 sold (up 4,026%), fueled by a range of remixes released during the tracking week, joining its previously available original clean and explicit versions: its “Wetter” remix (clean and explicit) was put up for purchase on Beyoncé’s official webstore Feb. 3, followed by its a cappella (clean and explicit) and instrumental versions (Feb. 5), with all mixes released wide on streaming services and digital retailers by Feb. 8."

[mikeymonster]

Truly a fever dream seeing the iconic "Cruel Summer" sitting pretty in the top 10 (where it deserves to be) 4 years later <3

Here are the updated chart runs for this week's top 10:

1. Olivia Rodrigo - "Vampire"
1 - 

2. Morgan Wallen - "Last Night"
27 - 3 - 5 - 5 - 5 - 1 - 2 - 2 - 3 - 1 - 1 - 2 - 1 - 1 - 1 - 1 - 1 - 1 - 1 - 1 - 1 - 1 - 2 - 

3. Luke Combs - "Fast Car"
44 - 32 - 23 - 19 - 14 - 14 - 11 - 9 - 10 - 8 - 4 - 3 - 2 - 2 - 3 - 

4. Rema & Selena Gomez - "Calm Down"
91 - 92 - 88 - 80 - 75 - 74 - 89 - 86 - 88 - 88 - 82 - 82 - 87 - 87 - 83 - 83 - 79 - 46 - 38 - 35 - 28 - 26 - 27 - 25 - 19 - 15 - 19 - 8 - 8 - 8 - 7 - 6 - 7 - 6 - 5 - 5 - 6 - 4 - 5 - 3 - 4 - 3 - 3 - 4 - 

5. Miley Cyrus - "Flowers"
1 - 1 - 1 - 1 - 1 - 1 - 2 - 2 - 1 - 1 - 2 - 3 - 3 - 3 - 3 - 3 - 3 - 3 - 2 - 3 - 2 - 2 - 4 - 4 - 5 - 

6. Lil Durk ft. J Cole - "All My Life"
2 - 7 - 4 - 5 - 5 - 5 - 5 - 6 - 

7. Taylor Swift - "Cruel Summer"
29 - 71 - off - 49 - 45 - 47 - 39 - 18 - 13 - 7 - 

8. Gunna - "Fukumean"
16 - 12 - 8 - 

9. Taylor Swift - "Karma"
9 - 17 - 39 - 45 - 65 - 78 - off - 75 - 52 - 35 - 32 - 27 - 2 - 10 - 9 - 7 - 8 - 9 - 

10. Toosii - "Favorite Song"
51 - 44 - 67 - 36 - 21 - 17 - 14 - 14 - 14 - 13 - 11 - 8 - 8 - 5 - 9 - 7 - 6 - 6 - 6 - 10 - 

[Darkest Hour]

Party in the USA returns to Hot 100 at #50.

[dremolus - solarpunk]

No notable gains this week

Notable Losses:
#35. Nicki Minaj and Ice Spice with Aqua - Barbie World (-28)
#40. Post Malone - Chemical (-11)
#42. Fuerza Regida - SABOR FRESA (-16)
#48. Peso Pluma, Gabito Bellasteros, and Junior H - LADY GAGA (-13)
#56. Young Thug feat. Drake - Oh U Went (-37)
#59. Peso Pluma and Junior H - LUNA (-29)
#61. Peso Pluma - BYE (-13)
#69. David Kushner - Daylight (-12)
#77. Peso Pluma - RUBICON (-14)
#80. Doja Cat - Attention (-20)
#85. Jonas Brothers - Waffle House (-17)
#88. Metro Boomin, Swae Lee, and NAV feat. A Boogie Wit da Hoodie - Calling (-22)
#90. Tyler the Creator feat. Kali Uchis - See You Again (-16)
#95. Rod Wave - Fight the Feeling (-11)
#98. Noah Kahan - Dial Drunk (-21)

Re-entries:
#50. Miley Cyrus - Party in the U.S.A.
#83. Morgan Wallen - Everything I Love

Notable Dropouts:
Thank God (42 weeks)
One Thing At A Time (30 weeks)
Players (26 weeks)
PRC (20 weeks)
ICU (15 weeks)

Biggest Gain in Airplay: Cruel Summer
Biggest Gain in Streaming: fukumean
Biggest Gain in Sales: Dance the Night

Gained in Points:
#2. Morgan Wallen - Last Night (-1)
#3. Luke Combs - Fast Car (-1)
#4. Rema and Selena Gomez - Calm Down (-1)
#7. Taylor Swift - Cruel Summer (+6) *new peak*
#8. Gunna - fukumean (+4) *new peak*
#17. Jelly Roll - Need A Favor (+1)
#23. Morgan Wallen - Thinkin' Bout Me (-1)
#24. FIFTY FIFTY - Cupid (=)
#27. Old Dominion - Memory Lane (=)
#29. Dua Lipa - Dance the Night (+2) *new peak*
#30. Bailey Zimmerman - Religiously (+2) *new peak*
#41. Latto feat. Cardi B - Put It On Da Floor Again (=)
#45. Kane Brown - Bury Me in Georgia (-1)
#47. Luke Combs - Love You Anyway (-2)
#63. Young Nudy feat. 21 Savage - Peaches & Eggplants (-2)
#64. Jon Pardi - Your Heart or Mine (+1 *new peak*
#66. Doechii feat. Kodak Black - What It Is (Block Boy) (-4)
#68. Justin Moore and Priscilla Block - You, Me, & Whiskey (-1)
#72. David Guetta, Anne-Marie, and Coi Leray - Baby Don't Hurt Me (+1)
#74. The Weeknd, Madonna, and Playboi Carti - Popular (+1)
#86. Sexyy Red and Tay Keith feat. Nicki Minaj - Pound Town 2 (+8)
#87. Lainey Wilson - Watermelon Moonshine (+2) *new peak*
#89. Yahritza Y Su Esencia and Grupo Frontera - Frágil (-2)
#91. HARDY - TRUCK BED (+7)

[dremolus - solarpunk]

BUBBLING UNDER
#1. Lil Uzi Vert - Fire Alarm (DEBUT)
#2. Rylo Rodriguez feat. NoCap - Thang For You (+18)
#3. Cole Swindell - Drinkaby (+8, new peak)
#4. Lil Uzi Vert - CS (DEBUT)
#5. Thomas Rhett - Angels (Don't Always Have Wings) (+5)
#6. Lil Uzi Vert - Days Come and Go (DEBUT)
#7. Looking for You - Chris Young (re-entry)
#8. Lil Uzi Vert feat. BABYMETAL - The End (DEBUT)
#9. Lil Uzi Vert - Of Course (DEBUT)
#10. Tim McGraw - Standing Room Only (-1)
#11. That Mexican OT, Paul Wall & DRODi - Johnny Dang (+3)
#12. Lil Uzi Vert - Rehab (DEBUT)
#13. Dylan Scott - Can't Have Mine (Find You A Girl) (+4)
#14. Bakar - Hell N Back (-1)
#15. DDG - I'm Geekin (-10)
#16. KAROL G - AMARGURA (+6)
#17. Thank God I Do - Lauren Daigle (+1)
#18. Luke Bryan - But I Got A Beer In My Hand (+6)
#19. Peso Pluma & Blessd - LAS MORRAS (re-entry)
#20. Tainy, Arcángel & Jhayco ft. Myke Towers, Omar Courtz & Arca - PASIEMPRE (re-entry)
#21. Dean Lewis - How Do I Say Goodbye (-9)
#22. Kelsea Ballerini IF YOU GO DOWN (I'M GOIN' DOWN TOO) (re-entry)
#23. Dominic Fike - Mona Lisa (-7)
#24. Eslabon Armado & Luis R Conriquez - Así Lo Quiso Dios (re-entry)
#25. Nate Smith - World on Fire (re-entry)

[KeepDeanWeird]

Jul 11, 2023 4:50:16 GMT -5 Darkest Hour said:

Party in the USA returns to Hot 100 at #50.

Another MC with an iconic holiday hit! Like AIWFCIY, PITU slowly started to regrow over the year.

It’s now starting to become the defining hit of the 4th. It could potentially the song MC will be most associated with long after her hit making days are over. 

[Gary]

Country

TW LW 2W WOC TITLE PEAK
1 1 - 12 Fast Car, Luke Combs 1
2 3 - 20 Last Night, Morgan Wallen 1
3 2 - 21 Next Thing You Know, Jordan Davis 2
4 5 - 27 Memory Lane, Old Dominion 4
5 4 - 32 Dancin' In The Country, Tyler Hubbard 2
6 7 - 25 Need A Favor, Jelly Roll 6
7 6 - 35 You, Me, & Whiskey, Justin Moore & Priscilla Block 6
8 8 - 40 Your Heart Or Mine, Jon Pardi 8
9 10 - 20 Bury Me In Georgia, Kane Brown 9
10 9 - 15 Love You Anyway, Luke Combs 9
11 11 - 23 Angels Don't Always Have Wings, Thomas Rhett 11
12 12 - 45 Girl In Mine, Parmalee 12
13 13 - 15 Religiously, Bailey Zimmerman 13
14 14 - 23 Drinkaby, Cole Swindell 14
15 16 - 25 Looking For You, Chris Young 15
16 15 - 17 Standing Room Only, Tim McGraw 15
17 17 - 9 But I Got A Beer In My Hand, Luke Bryan 17
18 18 - 62 Everything She Ain't, Hailey Whitters 17
19 19 - 25 God Gave Me A Girl, Russell Dickerson 19
20 20 - 42 Can't Have Mine, Dylan Scott 20
21 21 - 7 Watermelon Moonshine, Lainey Wilson 21
22 22 - 27 If You Go Down (I'm Going Down Too), Kelsea Ballerini 22
23 32 - 3 Everything I Love, Morgan Wallen 23
24 23 - 53 Something In The Orange, Zach Bryan 20
25 25 - 24 Stars Like Confetti, Dustin Lynch 25
26 24 - 7 Try That In A Small Town, Jason Aldean 24
27 27 - 20 All I Need Is You, Chris Janson 27
28 26 - 31 We Got History, Mitchell Tenpenny 26
29 28 - 17 Light On In The Kitchen, Ashley McBryde 28
30 31 - 13 Creek Will Rise, Conner Smith 30
31 30 - 22 23, Chayce Beckham 30
32 29 - 13 Nobody's Nobody, Brothers Osborne 29
33 35 - 4 Glory Days, Gabby Barrett 28
34 36 - 9 Different 'Round Here, Riley Green Featuring Luke Combs 34
35 34 - 32 Mind On You, George Birge 32
36 33 - 23 Fearless (The Echo), Jackson Dean 33
37 37 - 14 Fires Don't Start Themselves, Darius Rucker 25
38 40 - 8 Truck Bed, HARDY 38
39 38 - 6 See You Next Summer, Brian Kelley 29
40 44 - 5 Out Of That Truck, Carrie Underwood 40
41 39 - 35 Heaven By Then, Brantley Gilbert And Blake Shelton Featuring Vince Gill 29
42 50 - 3 We Don't Fight Anymore, Carly Pearce Featuring Chris Stapleton 24
43 48 - 4 World On Fire, Nate Smith 43
44 42 - 37 Over For You, Morgan Evans 42
45 43 - 9 Thinkin' Bout Me, Morgan Wallen 43
46 45 - 14 Drive You Out Of My Mind, Kassi Ashton 45
47 47 - 17 Giving Up On That, Dalton Dover 45
48 41 - 6 On The Boat Again, Jake Owen 36
49 49 - 5 Burn It Down, Parker McCollum 49
50 46 - 6 Save Me, Jelly Roll With Lainey Wilson 46
51 51 - 13 Shoot Tequila, Tigirlily Gold 50
52 55 - 8 Bad Day To Be A Cold Beer, Chase Rice 52
53 52 - 15 Bout Damn Time, Neon Union 51
54 53 - 8 Somebody Else's Whiskey, Frank Ray 52
55 54 - 15 Marry That Girl, Easton Corbin 50
56 56 - 9 If I Die Young Pt. 2, Kimberly Perry 31
57 58 - 6 Love You Again, Chase Matthew 57
58 60 - 11 '98 Braves, Morgan Wallen 56
59 57 - 11 Jealous Of Myself, Tenille Arts & LeAnn Rimes 56
60 - - 1 Save The Roses, Lee Brice 60