ObhiDonna
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Post by ObhiDonna on Jul 13, 2024 4:51:49 GMT -5
That is just sad given what she intended to do with this single and wanting a pop comeback.
Here’s hoping radio gives it some traction at least.
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Post by jamatthews83 on Jul 13, 2024 4:57:43 GMT -5
About as expected.
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mccloud
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Post by mccloud on Jul 13, 2024 6:04:51 GMT -5
Never Really Over is her only good 1st single in the past decade
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Az Paynter
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Post by Az Paynter on Jul 13, 2024 6:05:29 GMT -5
POP: -- 34 KATY PERRY Woman's World 1379 0 1379 4.093
HOT AC: -- 28 KATY PERRY Woman's World 645 0 645 2.258
+503 Spins +503 Bullet +1.914 Audience
AC: -- 39 KATY PERRY Woman's World 15 0 15 0.042
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Sir Benji
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Post by Sir Benji on Jul 13, 2024 6:14:55 GMT -5
This sounds very similar to "Stupid Love" once the chorus kicks in. I'm not sure if this will be a big enough hit to where she can have a substantial comeback after the bad reception to "Smile" and all the other bad press though.
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Soundcl🕤ck
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Post by Soundcl🕤ck on Jul 13, 2024 6:40:55 GMT -5
Expected at least 3M WW and 800k in the US, but I'm not surprised at all by these numbers, given the reception and hate. I understand people are angry because she's working with that producer again, but acting like this is the worst song in the last 20 years or something, when it's the average KP's album track, is hilarious.
I do agree it's basic af, and that Katy is totally out of touch when it comes to choosing the right single, ever since Roar.
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MissAmericana
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Post by MissAmericana on Jul 13, 2024 6:42:02 GMT -5
This might chart lower than “Daisies”.
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wavey.
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Post by wavey. on Jul 13, 2024 6:57:16 GMT -5
Yesss ok Top 40! Who was expecting a big debut especially after the performance of "Smile"🙄
And oh hey, another tired ass review, what's new?
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avamaxstan
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Post by avamaxstan on Jul 13, 2024 7:03:44 GMT -5
Saw this post which kind of sums it up perfectly:
“Has there EVER been a bigger f*ck up by a big pop star in the history of pop music for a comeback single? I'm genuinely baffled at the whole thing, what an absolute DISASTER :rip: Seriously guys, think about it: Katy had developed SO MUCH goodwill over the years, she was getting so many positive viral tweets, there was a real sense of nostalgia for her past work, Teenage Dream is particular was getting really strong streaming numbers. People were truly ROOTING for her to have a comeback. And what did she decide to do? She voluntarily went back to L*ke when she could've worked with literally anyone else and decided to release an absolutely atrocious song that sound like a literal parody of what people think a "Katy Perry" song sounds like. She entirely brought this on herself when she had a unique chance to have a true commercial comeback after been the butt of the joke for so long. She just needed the right song and the right producer. Instead she did... this. I still can't believe this is all actually happening, it feels like a fever dream. How can you POSSIBLY mess up a comeback like that when all the stars were so perfectly aligned?”
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wavey.
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Post by wavey. on Jul 13, 2024 7:06:10 GMT -5
Where were the "stars perfectly aligned"?🤔
The exaggeration is TOO real. She'll be fine.
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Enigma.
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Post by Enigma. on Jul 13, 2024 7:10:12 GMT -5
If zero top 40 hits from the era and scraping top 10 on album chart is "fine" then surely, she will probably be "fine". I just think her comeback had proper commercial potential.
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wavey.
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Post by wavey. on Jul 13, 2024 7:24:28 GMT -5
If zero top 40 hits from the era and scraping top 10 on album chart is "fine" then surely, she will probably be "fine". I just think her comeback had proper commercial potential. And it still can, people are more negative than normal, and that's fine. People like the song and people don't. That doesn't mean things can't change, we'll just have to see..but IM not basing her future off of one song🤷🏾
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toxicbaby
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Post by toxicbaby on Jul 13, 2024 7:28:07 GMT -5
Wow this is even way horrible than i have expected. It literally sounds like an AI trash song 🤦♂️ Even my 6 year old niece can write better lyrics than this. I'm hugely disappointed, goodbye Katy Perry but we will still be streaming Teenage Dream. That album will forever live in our heart and soul
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toxicbaby
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Post by toxicbaby on Jul 13, 2024 7:30:06 GMT -5
If zero top 40 hits from the era and scraping top 10 on album chart is "fine" then surely, she will probably be "fine". I just think her comeback had proper commercial potential. And it still can, people are more negative than normal, and that's fine. People like the song and people don't. That doesn't mean things can't change, we'll just have to see..but IM not basing her future off of one song🤷🏾 Come onnnnnn man all those numbers aren't big signs to you that this song will be a HUGE flop? I mean look at the US Spotify numbers, even the global ones are abysmal
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Post by chickythelittlechicken on Jul 13, 2024 7:37:57 GMT -5
Although the debut isn't too good- I guess we have to see how it holds
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wavey.
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Post by wavey. on Jul 13, 2024 7:49:46 GMT -5
And it still can, people are more negative than normal, and that's fine. People like the song and people don't. That doesn't mean things can't change, we'll just have to see..but IM not basing her future off of one song🤷🏾 Come onnnnnn man all those numbers aren't big signs to you that this song will be a HUGE flop? I mean look at the US Spotify numbers, even the global ones are abysmal Sure. Humongous flop. She's never been big with the streaming numbers, but, songs do have to potential to grow. And if it doesn't, so be it, there's other tracks that could be the one! Sis is ESTABLISHED.. what does she have to prove lol.
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👑 Eloquent ™
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Post by 👑 Eloquent ™ on Jul 13, 2024 7:54:47 GMT -5
What did "Never Really Over" debut with US/Global Spotify?
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Choco
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Post by Choco on Jul 13, 2024 7:59:48 GMT -5
What did "Never Really Over" debut with US/Global Spotify? 3.4m global in 2019 which far more impressive because streaming has grown a lot since and yet this couldn't match that. People saying this is an average Katy song fail to see that's exactly what she didn't need. She needed to come back stronger than ever. The Luke thing and the feminism narrative of the song making it all the more shallow were just the cherries on top of a shit show.
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MissAmericana
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Post by MissAmericana on Jul 13, 2024 8:01:49 GMT -5
Although the debut isn't too good- I guess we have to see how it holds Based on the live data, the song is on pace the end the day with 1.2M plays on Spotify, which... isn’t great.
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zdm1998
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Post by zdm1998 on Jul 13, 2024 8:07:03 GMT -5
I get that it's pretty basic and the verses sound AI, (chorus is money though imo), but the people acting like this is outright garbage are more so projecting, because they don't care for her as an artist, or don't approve of her working with Dr. Luke again, which is fine to have that opinion, but I feel like the song is more middle of the road than outright garbage tbh.
My gripe is that it feels undercooked. I wish she would've sat with the versus a little longer and added a bridge to it. But that chorus is signature Katy Perry that y'all would've been eating up in the 2010s. And it seemed on Tik Tok everyone wanted her to return to that type of sound.
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leonagwen
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Post by leonagwen on Jul 13, 2024 8:09:15 GMT -5
People need to undetstand that it's been many years since Katy last had a big hit. People on this forum's expectations are too high. 2 million Worldwide streams is a decent start for her. If Katy was in her peak years like in 2012, she would have debuted with over 5 million streams but the reality is that she's not in the peak of her career anymore. Just be happy that she's still releasing new music.
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👑 Eloquent ™
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Post by 👑 Eloquent ™ on Jul 13, 2024 8:13:44 GMT -5
but the people acting like this is outright garbage are more so projecting, because they don't care for her as an artist, or don't approve of her working with Dr. Luke again, I don't feel they're necessarily projecting so much as their criticisms are warranted. People are naturally going to be particularly critical of "WW" for a few reasons: 1.) It's been positioned as her "return" single. 2.) It's co-written by an alleged rapist while being a female empowerment anthem. 3.) People were looking to Katy and this to be a "pop savior" of sorts. When you take this into consideration, particularly #2, the bar becomes much, MUCH higher to clear.
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leonagwen
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Post by leonagwen on Jul 13, 2024 8:17:37 GMT -5
Shes not in her peak years anymore! Lower your expectations people!
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zdm1998
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Post by zdm1998 on Jul 13, 2024 8:18:30 GMT -5
but the people acting like this is outright garbage are more so projecting, because they don't care for her as an artist, or don't approve of her working with Dr. Luke again, I don't feel they're necessarily projecting so much as their criticisms are warranted. People are naturally going to be particularly critical of "WW" for a few reasons: 1.) It's been positioned as her "return" single. 2.) It's co-written by an alleged rapist while being a female empowerment anthem. 3.) People were looking to Katy and this to be a "pop savior" of sorts. When you take this into consideration, particularly #2, the bar becomes much, MUCH higher to clear. All of those are valid. But have very little to do with the song itself, and more to do with unrealistic/high expectations, as well as the disapproval of working with Dr. Luke like I listed. If we look past the background knowledge/expectations of the song, it's fine, surely nothing out of this world, but I think garbage is a bit of a stretch.
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popwizard
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Post by popwizard on Jul 13, 2024 8:28:35 GMT -5
I’d love to see her have another breakdown. This couldn’t happen to someone more deserving. The universe must be overdue in delivering her karma because the reviews are absolutely savage. And it looks like a lot of pop stars who deserve a reckoning are getting their due.
The record is generic AF and everything about this song is satirical/ironic whether intended or not - from the stereotypical video to actually working with an abuser to the extremely weak lyrics that she calls “empowerment” - to the song even being a day late and a dollar short (it’s really not a woman’s world / we’re literally seeing the reversal of women’s rights).
At least her previous generic hits like Firework, Roar, etc. had some soul and genuine enthusiasm.
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andrebra
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Post by andrebra on Jul 13, 2024 8:29:41 GMT -5
Dr. L*ke aside, the quality of the song is not good which warrants a negative discussion. But even not taking the quality into account, people are still allowed to be upset and negative about a song written/produced by a rapist without it being dumbed down to “projecting.”
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wavey.
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Post by wavey. on Jul 13, 2024 8:32:49 GMT -5
We're also allowed to think ppl are doing too much as well...but it's just a circle discussion that goes nowhere. I’d love to see her have another breakdown. Wow. I'm tapped out , yall got it😵💫😵💫😵💫
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Soundcl🕤ck
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Post by Soundcl🕤ck on Jul 13, 2024 8:37:23 GMT -5
What did "Never Really Over" debut with US/Global Spotify? 3.4m global in 2019 which far more impressive because streaming has grown a lot since and yet this couldn't match that. People saying this is an average Katy song fail to see that's exactly what she didn't need. She needed to come back stronger than ever. The Luke thing and the feminism narrative of the song making it all the more shallow were just the cherries on top of a shit show. not 100% sure, but I think that's unfiltered. I found my post from the NRO thread: NROWW #10 2,832,132 US #11 1,027,556 CTTRWW #10 2,653,684 US #10 764,953
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👑 Eloquent ™
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Post by 👑 Eloquent ™ on Jul 13, 2024 8:40:14 GMT -5
Wow. I'm tapped out , yall got it😵💫😵💫😵💫 Let's not attribute this mentality to everyone who has critcisms of Katy in this thread. This clearly isn't indicative of everyone's thinking, is a one-off comment, and the poster is trolling. Please let's not feed into it. If we look past the background knowledge/expectations of the song, it's fine, surely nothing out of this world, but I think garbage is a bit of a stretch. Well, that's just it, we can't. Context is important in all reviews. If we changed/tweaked the context for any and every song, loads of songs would be received much better. Still, context aside, the song isn't far off from garbage. The lyrics are vapid and formulaic. The vocals are robotic and uninspired. The production is dated and sounds like an amalgamation of several older songs. I would say this song is objectively bad. I certainly wouldn't say it's good.
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Post by KeepDeanWeird on Jul 13, 2024 8:41:51 GMT -5
I’m perplexed why the label didn’t intervene on both the subject matter - this isn’t 1973’s ‘I am woman, hear me *roar’ - but also the execution.
Is Katy on the last album of her contract? If so, then the label doesn’t care: just be done with it and eventually release a GH package to wrap it up.
This is a not an ‘A-List’ release, which is a bummer. I think a lot of us are so harsh because we’re fans and we been salivating for a major Katy comeback.
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