Choco
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james dean daydream
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Post by Choco on Jun 15, 2021 9:18:38 GMT -5
I'm preparing myself for the inevitable "Todo de Ti" remix featuring (insert currently popular American act). It's doing amazingly in Latin America a la "Despacito" and "Hawai" but I don't think CHR radio is gonna touch it without a mix.
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Post by Baby Yoda Hot100Fan on Jun 15, 2021 9:30:39 GMT -5
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Post by nathanalbright on Jun 15, 2021 11:56:19 GMT -5
I'm preparing myself for the inevitable "Todo de Ti" remix featuring (insert currently popular American act). It's doing amazingly in Latin America a la "Despacito" and "Hawai" but I don't think CHR radio is gonna touch it without a mix. That seems quite possible, the only question is who would best do it justice, and be available for a quick remix.
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Choco
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james dean daydream
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Post by Choco on Jun 15, 2021 12:00:56 GMT -5
TBH it's not necessary to do it justice, it just needs to be a big name. "Hawai" and "Despacito" were much better in original form. I do prefer Beyoncé's mix of "Mi Gente" but worldwide I think it was clearly not the most popular version.
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Post by phieaglesfan712 on Jun 15, 2021 12:06:24 GMT -5
I'm preparing myself for the inevitable "Todo de Ti" remix featuring (insert currently popular American act). It's doing amazingly in Latin America a la "Despacito" and "Hawai" but I don't think CHR radio is gonna touch it without a mix. That seems quite possible, the only question is who would best do it justice, and be available for a quick remix. Can’t go wrong with Abel. He did a BL remix with Rosalia.
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Post by nathanalbright on Jun 15, 2021 12:10:36 GMT -5
That seems quite possible, the only question is who would best do it justice, and be available for a quick remix. Can’t go wrong with Abel. He did a BL remix with Rosalia. I was thinking Abel would be one of the more obvious candidates, yes.
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kimberly
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Post by kimberly on Jun 15, 2021 12:15:31 GMT -5
That seems quite possible, the only question is who would best do it justice, and be available for a quick remix. Can’t go wrong with Abel. He did a BL remix with Rosalia. that remix was horse shit but Abel on Maluma's "Hawai" was 💯
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Groovy
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Post by Groovy on Jun 15, 2021 14:26:01 GMT -5
Can’t go wrong with Abel. He did a BL remix with Rosalia. that remix was horse s**t but Abel on Maluma's "Hawai" was 💯 Not to mention pointless.
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Post by Lost In Musical Reverie on Jun 15, 2021 16:07:52 GMT -5
Maybe Dua Lipa could be a good choice, although she doesn't have that instant A-lister pull just yet. I could also see Selena Gomez or Katy Perry working well.
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𝕡𝕙𝕖𝕖𝕓𝕤
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Post by 𝕡𝕙𝕖𝕖𝕓𝕤 on Jun 15, 2021 17:01:21 GMT -5
I'm preparing myself for the inevitable "Todo de Ti" remix featuring (insert currently popular American act). It's doing amazingly in Latin America a la "Despacito" and "Hawai" but I don't think CHR radio is gonna touch it without a mix. honestly a Bad Bunny remix could work, and it wouldn’t ruin the integrity of the song, either
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notgoodenglish
Gold Member
MAX VERSTAPPEN KING OF THE WORLD
Joined: September 2019
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Post by notgoodenglish on Jun 15, 2021 20:50:25 GMT -5
King Bad Bunny getting another top 10 !
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Post by nathanalbright on Jun 15, 2021 20:50:57 GMT -5
Bad Bunny has been doing a pretty legendary job, I have to say.
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Groovy
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Post by Groovy on Jun 15, 2021 22:21:25 GMT -5
We got a shoutout on Mark's latest episode of Billboard Breakdown.
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firefox
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Post by firefox on Jun 16, 2021 2:52:47 GMT -5
We got a shoutout on Mark's latest episode of Billboard Breakdown. link?
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Groovy
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Post by Groovy on Jun 16, 2021 8:33:14 GMT -5
We got a shoutout on Mark's latest episode of Billboard Breakdown. link? At the 1:51 mark, it's about a five minute preamble about how TOTC got shut down by a C&D from Billboard and I didn't know Rolling Stones were also involved in this.
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degen
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Post by degen on Jun 16, 2021 20:43:53 GMT -5
I'm preparing myself for the inevitable "Todo de Ti" remix featuring (insert currently popular American act). It's doing amazingly in Latin America a la "Despacito" and "Hawai" but I don't think CHR radio is gonna touch it without a mix. “Todo de Ti” featuring BTS would probably end lives on here, including mine.
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Gary
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Post by Gary on Jun 16, 2021 20:44:39 GMT -5
Morgan Wallen's Airplay Has More Than Doubled in the Past Month After Radio Ban By Andrew Unterberger 6/16/2021 Click to copy www.billboard.com/articles/business/radio/9587332/morgan-wallen-radio-airplay-rising-after-ban// The country star was effectively banned from radio after he was caught on camera using a racial slur, but slowly stations are spinning his again. Four months after country star Morgan Wallen's airplay initially plummeted following a February incident report by TMZ in which he was caught on video using the N-word with friends, his radio presence is once again steadily growing. At the beginning of May, Wallen's number of weekly spins across the nearly 150 radio stations that report to Billboard's Country Airplay chart was still in the low 1,000s. But after lifting from 1,100 in the week of May 7-13 to 1,500 the week of May 14-20, they've risen each subsequent week, and are now at 2,900 for the week of June 4-10 -- a total gain of 164% over the same period a month earlier. This new high-water mark for the past few months is still well off the level of airplay that Wallen was enjoying before his racial slur usage became public. In the days before the TMZ video circulated, his songs were averaging daily plays around 1,500 -- adding up to weekly totals in the 10,000-11,000 range. He had grown into one of country's most reliable radio performers since his 2018 breakthrough, with four of his first six singles reaching No. 1 on Billboard’s Country Airplay chart, and “Whiskey Glasses” and “Chasin’ You” claiming back-to-back No. 1 spots on the Country Airplay Songs year-end tally in 2019 and 2020. But 2,900 weekly plays is still dramatically more than Wallen was reaching at his absolute low end earlier this year, when after his music was pulled from radio stations owned by iHeartMedia, Cumulus, Beasley, Cox and Audacy, among others, his daily plays cratered to mere double digits. Since that period, none of the songs from Wallen's enormously successful Dangerous: The Double Album set -- which holds at No. 3 on the Billboard 200 this week, having not vacated the top 10 since its January release, thanks mostly to its continued streaming presence -- have appeared on Billboard's 60-spot Country Airplay tally. According to reports, iHeartRadio, Cumulus Media and Cox Radio returned Wallen's songs to their stations' airwaves in early June, but reps for those companies did not respond to requests for comment. Audacy declined to comment. Beasley also did not respond to a request asking if they had added back Wallen. Notably, of the Wallen songs currently receiving the most airplay, the top two do not come from Dangerous. "Chasin' You" and "Whiskey Glasses," those earlier Country Airplay year-end chart-toppers (both from his 2018 debut LP If I Know Me), were his two most-played songs on Country Airplay panelists for the week of June 4-10, earning 974 and 839 plays, respectively. The Dangerous songs receiving the most spins were "More Than My Hometown" (610 plays) and "7 Summers" (277), both of which were released as pre-album singles in mid-2020 and enjoyed long chart runs before the February incident. Of the Dangerous cuts that debuted along with the album's release in January, only "Wasted on You" and "Sand in My Boots" are receiving somewhat regular airplay, and with spins last week in the double digits (70 and 54, respectively). The stations leading the charge in bringing Wallen back to the airwaves are independently owned KSOP Salt Lake City (107 spins for his songs last week) and Tyler Media's KJKE Oklahoma City (95 spins), though other notable supporters can be found in major-market stations ranging from Cumulus-owned Dallas' KSCS (79 spins) to Boston's WBWL (72 spins) and Nashville's WSIX (54 spins). The latter two stations are particularly notable as iHeartRadio stations -- with the radio conglomerate being one of the leaders in the initial backlash to Wallen, telling Billboard in February, "In light of Morgan Wallen's recent actions involving the use of a racial slur, we have made the decision to remove his music and content from our stations effective immediately." "I can honestly tell you I've had zero negatives," says Deb Turpin, KSOP's program director. "It was frustrating: 'We'll just go to Spotify, Apple, Amazon, Pandora.' I was really glad I could put him back on the air." At KRTY, San Jose's second-highest-ranked station, program director Julie Stevens initially stripped Wallen's music from the playlist, then returned hits like "7 Summers" and "The Way I Talk" to three to five weekly plays after he apologized in February. "I'm a Christian and I do believe in repentance," she says. After keeping a relatively low profile in the months immediately following the video of his racial slur usage becoming national news, Wallen has gradually become more of a public presence again in recent weeks, playing at Kid Rock's Nashville Honky Tonk in May, his first public performance since the February incident and earlier this week at a charitable event, the Brett Boyer Foundation Invitational's after party. Also, after taking a break from Instagram, he has recently begun posting photos again with fellow country artists like Eric Church and Kix Brooks. Meanwhile, fan-funded billboards have begun to appear in Nashville and elsewhere around the country, demanding Wallen's industry reinstatement: "THE FANS ARE SPEAKING ENOUGH IS ENOUGH - MUSIC INDUSTRY, WE WANT TO BE HEARD!"
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Post by phieaglesfan712 on Jun 16, 2021 21:04:24 GMT -5
Morgan’s team would be smart to ditch Wasted On You, and start promoting Sand In My Boots as the next single.
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Post by nathanalbright on Jun 16, 2021 23:15:26 GMT -5
Maybe they'd want to push Wasted On You enough to get it the YE, especially if it manages to pull a "One Too Many" and gets weeks above 20 to avoid recurrency, and then push Sand In My Boots to see if it can get a YE. Who knows what they have planned, though.
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queerio
Bubbling Under
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Post by queerio on Jun 17, 2021 0:20:28 GMT -5
All 11 SOUR tracks have managed to stay on the Hot 100 for the past three consecutive weeks. Has this ever happened before?
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algo
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Post by algo on Jun 17, 2021 0:56:33 GMT -5
All 11 SOUR tracks have managed to stay on the Hot 100 for the past three consecutive weeks. Has this ever happened before? nope, its a record. granted its a smaller album with only 11 tracks but insanely impressive just the same
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Post by phieaglesfan712 on Jun 17, 2021 6:55:13 GMT -5
Maybe they'd want to push Wasted On You enough to get it the YE, especially if it manages to pull a "One Too Many" and gets weeks above 20 to avoid recurrency, and then push Sand In My Boots to see if it can get a YE. Who knows what they have planned, though. I think that strategy is out the window now, especially considering Wasted On You was not even close to charting this past week. According to estimates, WoY would have been #120 (and will likely be there, or even worse, this week). Besides, if Morgan's team wants to get a YE with Sand In My Boots, shouldn't they be pushing it now because there are only 5 months left in the charting year?
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Groovy
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Post by Groovy on Jun 17, 2021 7:10:44 GMT -5
If Morgan Wallen’s team wanted a YE entry he should’ve never been a drunk mess, if that never he could’ve had the most entries this year.
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Post by nathanalbright on Jun 17, 2021 10:24:40 GMT -5
Sadly, we live in a reality where he is a drunk mess and didn't end up getting half a dozen YE positions like he could have done. You have to admit the man's got an appetite for self-destruction, alas.
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Choco
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james dean daydream
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Post by Choco on Jun 17, 2021 21:02:20 GMT -5
Do we really think any team is gonna stop pushing a new single just because they want the current one to make the YE chart? It's not that big of a deal, especially when the song is likely ending in the 90s if it gets there at all.
I just think his label has wrapped up promo for this project. They'll probably come back in full force whenever he's got something new.
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gikem
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Post by gikem on Jun 17, 2021 21:19:50 GMT -5
Do labels and teams even care about pushing songs to make a Year-End? I think they consider it an afterthought in comparison to weekly peak and maybe general longevity if people like the song. Really, I'd argue the people who care the most about that stuff are the avid chart nerds like us who like to interpret the changing musical landscape over time.
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