Billboard Hot 100: 06/29/2024

[fridayteenage]

i thought it would be a deja vu level performance.

[dremolus - solarpunk]

BUBBLING UNDER
#1. $uicideboy$ - Lone Wolf Hysteria (DEBUT)
#2. Luke Combs - Huntin' By Yourself (DEBUT)
#3. $uicideboy$ - Misery in Waking Hours (DEBUT)
#4. Feid - SORRY 4 THAT MUCH (-3)
#5. Jordan Adetunji - KEHLANI (DEBUT)
#6. David Guetta and OneRepublic - I Don't Wanna Wait (-2)
#7. Luke Combs - In Case I Ain't Around (DEBUT)
#8. Chappell Roan - Casual (DEBUT)
#9. Don Toliver feat. Future and Metro Boomin - PURPLE RAIN (DEBUT)
#10. $uicideboy$ - Mental Clarity Is A Luxury I Can't Afford (DEBUT)
#11. $uicideboy$ - Are You Going To See The Rose In The Vase, Or The Dust On The Table (re-entry)
#12. Tyler Braden - Devil You Know (+1)
#13. Chase Matthew - Love You Again (-2)
#14. Rvssian, Rauw Alejandro, and Ayra Starr - Santa (-9)
#15. Feid and ATL Jacob - LUNA (-9)
#16. Don Toliver - GLOCK (DEBUT)
#17. A$AP Rocky - Sundress (-9)
#18. The Kid LAROI - NIGHTS LIKE THIS (DEBUT)
#19. BossMan Dlow - SportsCenter (DEBUT)
#20. Dominic Fike - misses (DEBUT)
#21. Chris Young - Young Love & Saturday Nights (-1)
#22. Luke Combs - Little Country Boys (DEBUT)
#23. Riley Green - Worst Way (-6)
#24. Don Toliver - 4X4 (DEBUT)
#25. Megan Moroney - I'm Not Pretty (-3)

[dremolus - solarpunk]

DEBUTS
#21. Moneybagg Yo feat. Morgan Wallen - WHISKEY WHISKEY
#30. Jelly Roll - I Am Not Okay
#35. Luke Combs - Remember Him That Way
#47. Tommy Richman - DEVIL IS A LIE
#61. Don Toliver feat. Kodak Black - BROTHER STONE
#71. $uicideboy$ - The Thin Grey Line
#78. Don Toliver - TORE UP
#86. $uicideboy$ - Burgundy
#90. Chappell Roan - Pink Pony Club
#91. $uicideboy$ - Thorns
#92. Don Toliver feat. Travis Scott - ICE AGE
#95. Luke Combs - Front Door Famous
#98. Don Toliver - KRYPTONITE
#100. Dustin Lynch feat. Jelly Roll - Chevrolet

Notable Gains:
#39. Luke Combs - The Man He Sees in Me (+19)
#54. Chappell Roan - Red Wine Supernova (+13)
#55. Chappell Roan - HOT TO GO! (+13)
#68. Tucker Wetmore - Wine Into Whiskey (+10)
#76. Teddy Swims - The Door (+18)
#85. Thomas Rhett - Beautiful As You (+11)

Notable Losses:
#36. Billie Eilish - CHIHIRO (-11)
#49. Koe Wetzel - Sweet Dreams (-14)
#50. Gunna - one of wun (-11)
#57. Billie Eilish - WILDFLOWER (-16)
#64. Taylor Swift - Down Bad (-10)
#66. Chris Stapleton - Think I'm in Love With You (-16)
#69. Gracie Abrams - Close to You (-20)
#70. Billie Eilish - L'AMOUR DE MA VIE (-19)
#74. Ariana Grande - the boy is mine (-10)
#75. Jelly Roll - Halfway to Hell (-23)
#83. Taylor Swift - Who's Afraid of Little Old Me? (-11)
#84. Billie Eilish - BLUE (-18)
#89. Cardi B - Enough (Miami) (-14)
#93. Kenny Chesney - Take Her Home (-22)
#99. Kanye West and Ty Dolla $ign feat. Rich the Kid and Playboi Carti - CARNIVAL (-17)

Re-entries:
#58. Don Toliver feat. Charlie Wilson and Cash Cobain - ATTITUDE
#73. Don Toliver - BANDIT
#94. Jason Aldean - Let Your Boys Be Country

Notable Dropouts:
FE!N (32 weeks)
Made for Me (22 weeks)
Back Then Right Now (13 weeks)
Wondering Why (13 weeks)
obsessed (12 weeks)

Biggest Gain in Airplay: A Bar Song Tipsy
Biggest Gain in Sales: Not Like Us
Biggest Gain in Streaming: Good Luck, Babe!

Gained in Points
#1. Sabrina Carpenter - Please Please Please (+1) *NEW PEAK*
#2. Post Malone feat. Morgan Wallen - I Had Some Help (-1)
#3. Shaboozey - A Bar Song (Tipsy) (+1)
#5. Tommy Richman - MILLION DOLLAR BABY (=)
#6. Kendrick Lamar - Not Like Us (=)
#7. Hozier - Too Sweet (=)
#15. Morgan Wallen feat. ERNEST - Cowgirls (+2) *NEW PEAK*
#16. Chappell Roan - Good Luck, Babe! (+5) *NEW PEAK*
#20. Dasha - Austin (-1)
#24. Marshmello and Kane Brown - Miles On It (-4)
#27. Koe Wetzel and Jessie Murph - High Road (+2) *NEW PEAK*
#34. Benson Boone - Slow It Down (+2) *NEW PEAK*
#40. Nate Smith - Bulletproof (-3)
#48. Bryson Tiller - Whatever She Wants (=)
#53. Cody Johnson - Dirt Cheap (+3) *NEW PEAK*
#56. Jessie Murph and Jelly Roll - Wild Ones (-1)
#60. Dua Lipa - Illusion (-1)
#62. Tinashe - Nasty (+7) *NEW PEAK*
#63. Bryan Martin - We Ride (-1)
#67. Tucker Wetmore - Wind Up Missin' You (-4)
#79. Mark Ambor - Belong Together (-3)
#80. Ashley Cooke - Your Place (+7) *NEW PEAK*
#81. Kehlani - After Hours (+3) *NEW PEAK*

[Baby Yoda Hot100Fan]

Sabrina Carpenter’s ‘Please Please Please’ Becomes Her First Billboard Hot 100 No. 1

6/24/2024

By Gary Trust

The song ascends from No. 2 in its second week on the survey.

Sabrina Carpenter’s “Please Please Please” rises to No. 1 on the Billboard Hot 100 songs chart, a week after it debuted at No. 2. It becomes the first leader on the list for the pop singer-songwriter and actress.

The song, on Island Records and promoted to radio by Republic Corps, drew 50.9 million official streams (up 1%) – Carpenter’s best career streaming week for a song – and 3.2 million radio airplay audience impressions (up 502%) and sold 7,000 (down 10%) in the United States in the June 14-20 tracking week, according to Luminate

The single spends a second week at No. 1 on the Streaming Songs chart and holds at No. 7 in its second frame on Digital Song Sales. (It’s as yet bubbling under the Radio Songs chart.)

“Please Please Please” was released June 7, alongside its official video starring Carpenter’s significant other, Oscar-nominated Barry Keoghan, and she performed it during her set at New York’s Governors Ball the following day. On June 18, acoustic, a cappella, instrumental, sped-up and slowed-down versions of the song were released. On June 20, Carpenter announced her 29-date Short n’ Sweet Tour, set to start Sept. 23 in Columbus, Ohio. (She opened on the South American run of Taylor Swift’s The Eras Tour in August-November 2023 and rejoined Swift this February-March for dates in Australia and Singapore.)

The track, along with “Espresso,” at No. 4 on the Hot 100 a week after reaching No. 3, introduces Carpenter’s album Short n’ Sweet, due Aug. 23.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated June 29, 2024) will update on Billboard.com Tuesday, June 25. For all chart news, you can follow billboard and billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Below is a deeper look at Carpenter’s coronation and the rest of the latest Hot 100’s top 10.

Carpenter's First Hot 100 No. 1

Carpenter, from Quakertown, Pa., first hit the Hot 100 in February 2021. She initially reached the top 40 this February with “Feather” and first entered the top 10 in April upon the debut of “Espresso.”

Here’s a look at Carpenter’s Hot 100 history, with songs ranked by peak position:

No. 1 (one week to date), “Please Please Please,” June 29, 2024
No. 3, “Espresso,” June 22, 2024
No. 21, “Feather,” April 27, 2024
No. 48, “Skin,” Feb. 6, 2021
No. 56, “Nonsense,” Feb. 4, 2023

Carpenter's First Hot 100 No. 1

Carpenter, from Quakertown, Pa., first hit the Hot 100 in February 2021. She initially reached the top 40 this February with “Feather” and first entered the top 10 in April upon the debut of “Espresso.”

Here’s a look at Carpenter’s Hot 100 history, with songs ranked by peak position:

No. 1 (one week to date), “Please Please Please,” June 29, 2024
No. 3, “Espresso,” June 22, 2024
No. 21, “Feather,” April 27, 2024
No. 48, “Skin,” Feb. 6, 2021
No. 56, “Nonsense,” Feb. 4, 2023

Carpenter rules the Hot 100 a decade after she broke through starring in Disney Channel’s Girl Meets World. In addition to other TV and film roles, she starred as the lead in Mean Girls for a pair of performances on Broadway in 2020.

Carpenter's First Hot 100 No. 1

Carpenter, from Quakertown, Pa., first hit the Hot 100 in February 2021. She initially reached the top 40 this February with “Feather” and first entered the top 10 in April upon the debut of “Espresso.”

Here’s a look at Carpenter’s Hot 100 history, with songs ranked by peak position:

No. 1 (one week to date), “Please Please Please,” June 29, 2024
No. 3, “Espresso,” June 22, 2024
No. 21, “Feather,” April 27, 2024
No. 48, “Skin,” Feb. 6, 2021
No. 56, “Nonsense,” Feb. 4, 2023

Carpenter rules the Hot 100 a decade after she broke through starring in Disney Channel’s Girl Meets World. In addition to other TV and film roles, she starred as the lead in Mean Girls for a pair of performances on Broadway in 2020.

Carpenter Co-Wrote Her New Leader

Carpenter wrote “Please Please Please” with Amy Allen and Jack Antonoff, the latter of whom solely produced it. As Carpenter earns her first Hot 100 No. 1 as a writer, Allen adds her second, after she co-penned Halsey’s “Without Me,” which led for two weeks in January 2019.

Antonoff achieves his seventh Hot 100 No. 1 as both a a singularly billed writer and producer. He first led as a co-writer of “We Are Young” by his former band fun. (which as a group co-produced the song) for six weeks beginning in March 2012. His other No. 1s as a writer were recorded by Swift, all of which he co-wrote: “Look What You Made Me Do,” “Anti-Hero,” “Cruel Summer,” “Is It Over Now? (Taylor’s Version) [From the Vault]” and “Fortnight,” featuring Post Malone. His résumé of No. 1s as a producer also includes Swift’s “All Too Well (Taylor’s Version).”

Island Girl

“Please Please Please” marks Island Records’ return to No. 1 on the Hot 100 after a nearly five-year break. The label, which formed in 1959, had most recently led via Shawn Mendes and Camila Cabello’s “Senorita” for a week in August 2019.

Three at 1

While repetition is naturally a key element in hit music, with catchy hooks driven home multiple times in songs, “Please Please Please” is just the fourth Hot 100 No. 1 with the same word and no others tripled up in its title. Here’s a (th)re(e)cap:

“Please Please Please,” Sabrina Carpenter, 2024
“Bump, Bump, Bump,” B2K & P. Diddy, 2003
“Bills, Bills, Bills,” Destiny’s Child, 1999
“Say Say Say,” Paul McCartney & Michael Jackson, 1983
Plus, shout-outs to similar but slightly more verbose Hot 100 No. 1s “(Shake, Shake, Shake) Shake Your Booty,” by KC and the Sunshine Band, and “Turn! Turn! Turn! (To Everything There Is a Season),” by The Byrds.

‘Please,’ Carpenters

“Please Please Please” is also the fourth Hot 100 No. 1 with the word “please” in its title, and, coincidentally, the second by an act with Carpenter as a last name, following the Carpenters – the duo of Karen and Richard Carpenter – who sent a remake of a 1960s classic back to the top spot:

“Please Please Please,” Sabrina Carpenter, 2024
“Please Don’t Go,” KC and the Sunshine Band, 1980
“Please Mr. Postman,” Carpenters, 1975
“Please Mr. Postman,” The Marvelettes, 1961

(Manners of speaking: Along with the four No. 1s above, four songs with “thank you,” or a slight variation, in their titles have led the Hot 100: “Thank U, Next,” by Ariana Grande; “Thank God I Found You,” by Mariah Carey featuring Joe and 98 Degrees; “Thank God I’m a Country Boy,” by John Denver; and “Thank You Falettinme Be Mice Elf Agin”/“Everybody Is a Star,” by Sly & The Family Stone.)

Post Malone & Morgan Wallen Lead Rest of Top 10

Elsewhere in the Hot 100’s top 10, Post Malone’s “I Had Some Help,” featuring Morgan Wallen, drops to No. 2 after spending its first five weeks on the chart at No. 1. It crowns the multimetric Songs of the Summer survey for a fourth week and Hot Country Songs for a sixth frame.

Shaboozey’s “A Bar Song (Tipsy)” returns to its No. 3 Hot 100 best, as it wins the chart’s top Airplay Gainer award (47.8 million in audience, up 23%). It also leads Digital Song Sales for a sixth week (20,000, down 4%).

Below Carpenter’s “Espresso,” Tommy Richman’s “Million Dollar Baby” holds at No. 5 on the Hot 100, after hitting No. 2. It tops the multimetric Hot R&B Songs chart for an eighth week and Hot R&B/Hip-Hop Songs for a third week.

Kendrick Lamar’s “Not Like Us” is steady at No. 6 on the Hot 100, after led in its debut week in May. It takes top Sales Gainer honors (4,000, up 28%) and rules the multimetric Hot Rap Songs chart for a sixth week.

Hozier’s “Too Sweet” is stationary at No. 7 on the Hot 100, following a week at No. 1 in April. It commands Radio Songs for a second week (73.5 million in audience, up 4%), while leading the multimetric Hot Rock Songs and Hot Alternative Songs charts for a 12th week each and Hot Rock & Alternative Songs for an 11th week.

Benson Boone’s No. 2-peaking “Beautiful Things” returns to the Hot 100’s top 10, rising 11-8; Teddy Swims’ “Lose Control,” which reigned for a week in March, rebounds 10-9; and Billie Eilish’s “Birds of a Feather” backtracks to No. 10 from its No. 9 high.

[Harx]

RIP Obsessed. Expected it wouldn't make much of an impact being a deluxe edition single but still deserved better

[hughster1]

Jun 25, 2024 7:52:49 GMT -5 Harx said:

RIP Obsessed. Expected it wouldn't make much of an impact being a deluxe edition single but still deserved better

Interesting that it departed the Hot 100 the same week Sabrina hit number 1

[neel]

You guys think Olivia’s career is on the downswing?

[¤ Matthea ¤]

Jun 25, 2024 13:14:19 GMT -5 neel said:

You guys think Olivia’s career is on the downswing?

Well, she definitely suffered a large sophomore slump. The debut album is already outstreaming the sophomore (the re-release edition) on Spotify.

I just think the new material wasn't strong enough. Also, the GP doesn't care for the pop/punk uptempos unless they are very poppy and catchy, like "good 4 you".

I hope she learns something from this and comes back with better material.

[👑 Eloquent ™]

Jun 25, 2024 7:52:49 GMT -5 Harx said:

RIP Obsessed. Expected it wouldn't make much of an impact being a deluxe edition single but still deserved better

Since when does a song being a deluxe release have any bearing on its performance? Lots of deluxe releases have smashed. I think people are just tiring of the same ole pop/punk song remixed and revisited from Olivia. If anything the deluxe release was her chance to course-correct the era in my opinion.

[jodakyellow]

Chappell Roan with five charting songs at new peaks:

16. Good Luck, Babe!
53. Red Wine Supernova
54. Hot to Go!
90. Pink Pony Club
108. Casual

And all five look set to peak even higher next week. What a breakthrough!

[👑 Eloquent ™]

Jun 25, 2024 13:42:04 GMT -5 jodakyellow said:

Chappell Roan with five charting songs at new peaks:

16. Good Luck, Babe!
53. Red Wine Supernova
54. Hot to Go!
90. Pink Pony Club
108. Casual

And all five look set to peak even higher next week. What a breakthrough!

Deserved! I think she's the next one to watch. I feel like she's gonna blow up huge in the next year.

[pnobelysk]

Jun 25, 2024 13:14:19 GMT -5 neel said:

You guys think Olivia’s career is on the downswing?

Yes and no. It’s at 500k pure sales which is more than 99% of artists she basically just behind Taylor and Harry and maybe Billie in that regard. It didn’t have sour success but it didn’t need to either. She has 4 additional hits , any artist would kill for an era like that. We ll see what happens next go round. Hopefully she releases no later than next year

[king_billboard_100]

Jun 25, 2024 13:14:19 GMT -5 neel said:

You guys think Olivia’s career is on the downswing?

I think she has to do something different in her next album like EDM or collab

[avamaxstan]

Jun 25, 2024 13:59:15 GMT -5 👑 Eloquent ™ said:

Jun 25, 2024 13:42:04 GMT -5 jodakyellow said:

Chappell Roan with five charting songs at new peaks:

16. Good Luck, Babe!
53. Red Wine Supernova
54. Hot to Go!
90. Pink Pony Club
108. Casual

And all five look set to peak even higher next week. What a breakthrough!

Deserved! I think she's the next one to watch. I feel like she's gonna blow up huge in the next year.

Girl... she already been blown up

[neel]

Jun 25, 2024 17:04:57 GMT -5 king_billboard_100 said:

Jun 25, 2024 13:14:19 GMT -5 neel said:

You guys think Olivia’s career is on the downswing?

I think she has to do something different in her next album like EDM or collab

I thought Olivia’s whole shtick was bringing rock/alternative music back in the mainstream for a Generation Z audience? That was what she was praised for throughout her debut album, and that's what she closely centered Guts around. But with how Guts underperformed Sour, it's obvious that the audience isn't really that interested in that genre (unfortunately). So, her moving into multiple genres with her next era would just seem awkward.

[stormlover74]

Jun 25, 2024 19:37:50 GMT -5 neel said:

Jun 25, 2024 17:04:57 GMT -5 king_billboard_100 said:

I think she has to do something different in her next album like EDM or collab

I thought Olivia’s whole shtick was bringing rock/alternative music back in the mainstream for a Generation Z audience? That was what she was praised for throughout her debut album, and that's what she closely centered Guts around. But with how Guts underperformed Sour, it's obvious that the audience isn't really that interested in that genre (unfortunately). So, her moving into multiple genres with her next era would just seem awkward.

Yeah I definitely expected Obsessed to do much better

[👑 Eloquent ™]

Jun 25, 2024 17:30:42 GMT -5 avamaxstan said:

Jun 25, 2024 13:59:15 GMT -5 👑 Eloquent ™ said:

Deserved! I think she's the next one to watch. I feel like she's gonna blow up huge in the next year.

Girl... she already been blown up

Girl.....yes.......I'm aware she's building momentum....but I'm not talking moderate success like she has found currently (obviously). I'm talking Olivia Rodrigo or Billie Eilish debut level success to where she's got #1s/top 5's and is THE it girl and is plastered everywhere. She hasn't hit that level at all last I checked.

[fridayteenage]

Jun 25, 2024 19:37:50 GMT -5 neel said:

Jun 25, 2024 17:04:57 GMT -5 king_billboard_100 said:

I think she has to do something different in her next album like EDM or collab

I thought Olivia’s whole shtick was bringing rock/alternative music back in the mainstream for a Generation Z audience? That was what she was praised for throughout her debut album, and that's what she closely centered Guts around. But with how Guts underperformed Sour, it's obvious that the audience isn't really that interested in that genre (unfortunately). So, her moving into multiple genres with her next era would just seem awkward.

i think she veered a bit too much in that direction.
i mean, drivers license made her huge and that wasn't alt rock.
good 4 u kind was, but it was still more...melodic than what guts has.

It was like an album full of Brutals. Which is fine if that's what she wants to do, but it was my least favorite from Sour and perhaps many others based on how Guts has gone comparably.
She's still doing great, just not at the behemoth levels she was her debut era.

[bbdenney94]

Jun 25, 2024 13:14:19 GMT -5 neel said:

You guys think Olivia’s career is on the downswing?

Her second album was a major critical and commercial success, so no, she's just at the end of the album cycle. Dan Nigro is currently experience major pop success with another artist, so Olivia's pretty much primed for success during the next album.

[rfucom]

Jun 26, 2024 6:03:14 GMT -5 bbdenney94 said:

Jun 25, 2024 13:14:19 GMT -5 neel said:

You guys think Olivia’s career is on the downswing?

Her second album was a major critical and commercial success, so no, she's just at the end of the album cycle. Dan Nigro is currently experience major pop success with another artist, so Olivia's pretty much primed for success during the next album.

I thought Post Malone career was over also after Austin but came back with IHSH. Proper song will save Olivia on her next move maybe she can shift to a more mature songs not just revenge, exes etc.

[Groovy]

Jun 26, 2024 6:09:20 GMT -5 rfucom said:

Jun 26, 2024 6:03:14 GMT -5 bbdenney94 said:

Her second album was a major critical and commercial success, so no, she's just at the end of the album cycle. Dan Nigro is currently experience major pop success with another artist, so Olivia's pretty much primed for success during the next album.

I thought Post Malone career was over also after Austin but came back with IHSH. Proper song will save Olivia on her next move maybe she can shift to a more mature songs not just revenge, exes etc.

I could be wrong but I don’t know if IHSH would have been as big as it was with Morgan Wallen.

[rfucom]

Jun 26, 2024 6:14:00 GMT -5 Groovy said:

Jun 26, 2024 6:09:20 GMT -5 rfucom said:

I thought Post Malone career was over also after Austin but came back with IHSH. Proper song will save Olivia on her next move maybe she can shift to a more mature songs not just revenge, exes etc.

I could be wrong but I don’t know if IHSH would have been as big as it was with Morgan Wallen.

We will see with the next singles like Pour me a drink if it will don decent because it seems Post carries that song 80%

[Harx]

Jun 26, 2024 6:21:52 GMT -5 rfucom said:

Jun 26, 2024 6:14:00 GMT -5 Groovy said:

I could be wrong but I don’t know if IHSH would have been as big as it was with Morgan Wallen.

We will see with the next singles like Pour me a drink if it will don decent because it seems Post carries that song 80%

Personally I'd say Morgan made it a big hit, Post made it good.

[85la]

Jun 25, 2024 13:14:19 GMT -5 neel said:

You guys think Olivia’s career is on the downswing?

Definitely. On every measure, Guts' numbers are just sharply down from Sour: Overall streams, sales, weeks in the top 10 of the Billboard 200, number of Hot 100 top tens and weeks of those in the top 10, etc.

The things she has going for her though: Vampire lasted a bit longer than expected, and despite being the only major hit from the album, all of the others were generally well-received, including the later singles Can't Catch Me Now (not on the album) and Obsessed, which definitely generated some buzz even if they ultimately floundered. The album itself also held much stronger than might have been initially expected in the top 20 for many weeks, so she is still big enough to be able to maintain a relatively high degree of interest, which hopefully means she will stay near this level for a time, or make her prime to rise again with the right material.

[Harx]

Even if Guts wasn't as big as Sour, her name keeps coming up in every conversation re current gen pop stars. She's definitely still relevant and in public consciousness, unless she takes too long of a break she should still have at least the same level of chart success as Billie has currently

[wavey.]

Jun 25, 2024 13:14:19 GMT -5 neel said:

You guys think Olivia’s career is on the downswing?

She did 7k more than her debut, easily cleared the "sophomore slump" phase. Isn't she on tour as well?! And at the age of 21, she has plenty of time to up her material, and grow.

My answer is no.

[jenglisbe]

Billie's second album didn't do numbers like her first one and lacked a hit on the level of "bad guy," but she's clearly stayed relevant and successful. Could Olivia continue to decline? Sure. I'd say her second album did well enough to say she's more than a one album wonder, though, and her next release will show us if she can keep growing as an artist and maintain a solid fan base like Billie has done.

[lazer]

Olivia can't have her next era be full of Brutals. I would say keep the edge but also the catchy and pop-friendliness of Good 4 U with her new era.